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Best Famous Negro Poems

Here is a collection of the all-time best famous Negro poems. This is a select list of the best famous Negro poetry. Reading, writing, and enjoying famous Negro poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of negro poems.

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Written by Langston Hughes | Create an image from this poem

Let America Be America Again

 Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed--
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There's never been equality for me,
Nor freedom in this "homeland of the free.")

Say, who are you that mumbles in the dark? 
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the ***** bearing slavery's scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek--
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one's own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the *****, servant to you all.
I am the people, humble, hungry, mean--
Hungry yet today despite the dream.
Beaten yet today--O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I'm the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That's made America the land it has become.
O, I'm the man who sailed those early seas
In search of what I meant to be my home--
For I'm the one who left dark Ireland's shore,
And Poland's plain, and England's grassy lea,
And torn from Black Africa's strand I came
To build a "homeland of the free."

The free?

Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we've dreamed
And all the songs we've sung
And all the hopes we've held
And all the flags we've hung,
The millions who have nothing for our pay--
Except the dream that's almost dead today.

O, let America be America again--
The land that never has been yet--
And yet must be--the land where every man is free.
The land that's mine--the poor man's, Indian's, *****'s, ME--
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose--
The steel of freedom does not stain.
From those who live like leeches on the people's lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath--
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain--
All, all the stretch of these great green states--
And make America again!


Written by Langston Hughes | Create an image from this poem

The ***** Mother

 Children, I come back today 
To tell you a story of the long dark way 
That I had to climb, that I had to know 
In order that the race might live and grow. 
Look at my face -- dark as the night -- 
Yet shining like the sun with love's true light. 
I am the dark girl who crossed the red sea 
Carrying in my body the seed of the free. 
I am the woman who worked in the field 
Bringing the cotton and the corn to yield. 
I am the one who labored as a slave, 
Beaten and mistreated for the work that I gave -- 
Children sold away from me, I'm husband sold, too. 
No safety , no love, no respect was I due.

Three hundred years in the deepest South: 
But God put a song and a prayer in my mouth . 
God put a dream like steel in my soul. 
Now, through my children, I'm reaching the goal. 

Now, through my children, young and free, 
I realized the blessing deed to me. 
I couldn't read then. I couldn't write. 
I had nothing, back there in the night. 
Sometimes, the valley was filled with tears, 
But I kept trudging on through the lonely years. 
Sometimes, the road was hot with the sun, 
But I had to keep on till my work was done: 
I had to keep on! No stopping for me -- 
I was the seed of the coming Free. 
I nourished the dream that nothing could smother 
Deep in my breast -- the ***** mother. 
I had only hope then , but now through you, 
Dark ones of today, my dreams must come true: 
All you dark children in the world out there, 
Remember my sweat, my pain, my despair. 
Remember my years, heavy with sorrow -- 
And make of those years a torch for tomorrow. 
Make of my pass a road to the light 
Out of the darkness, the ignorance, the night. 
Lift high my banner out of the dust. 
Stand like free men supporting my trust. 
Believe in the right, let none push you back. 
Remember the whip and the slaver's track. 
Remember how the strong in struggle and strife 
Still bar you the way, and deny you life -- 
But march ever forward, breaking down bars. 
Look ever upward at the sun and the stars. 
Oh, my dark children, may my dreams and my prayers 
Impel you forever up the great stairs -- 
For I will be with you till no white brother 
Dares keep down the children of the ***** Mother.
Written by Edna St. Vincent Millay | Create an image from this poem

Travel

 I should like to rise and go 
Where the golden apples grow;-- 
Where below another sky 
Parrot islands anchored lie, 
And, watched by cockatoos and goats, 
Lonely Crusoes building boats;-- 
Where in sunshine reaching out 
Eastern cities, miles about, 
Are with mosque and minaret 
Among sandy gardens set, 
And the rich goods from near and far 
Hang for sale in the bazaar;-- 
Where the Great Wall round China goes, 
And on one side the desert blows, 
And with the voice and bell and drum, 
Cities on the other hum;-- 
Where are forests hot as fire, 
Wide as England, tall as a spire, 
Full of apes and cocoa-nuts 
And the ***** hunters' huts;-- 
Where the knotty crocodile 
Lies and blinks in the Nile, 
And the red flamingo flies 
Hunting fish before his eyes;-- 
Where in jungles near and far, 
Man-devouring tigers are, 
Lying close and giving ear 
Lest the hunt be drawing near, 
Or a comer-by be seen 
Swinging in the palanquin;-- 
Where among the desert sands 
Some deserted city stands, 
All its children, sweep and prince, 
Grown to manhood ages since, 
Not a foot in street or house, 
Not a stir of child or mouse, 
And when kindly falls the night, 
In all the town no spark of light. 
There I'll come when I'm a man 
With a camel caravan; 
Light a fire in the gloom 
Of some dusty dining-room; 
See the pictures on the walls, 
Heroes fights and festivals; 
And in a corner find the toys 
Of the old Egyptian boys.
Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.


I 

Before the solemn bronze Saint Gaudens made 
To thrill the heedless passer's heart with awe, 
And set here in the city's talk and trade 
To the good memory of Robert Shaw, 
This bright March morn I stand, 
And hear the distant spring come up the land; 
Knowing that what I hear is not unheard 
Of this boy soldier and his ***** band, 
For all their gaze is fixed so stern ahead, 
For all the fatal rhythm of their tread. 
The land they died to save from death and shame 
Trembles and waits, hearing the spring's great name, 
And by her pangs these resolute ghosts are stirred. 


II 

Through street and mall the tides of people go 
Heedless; the trees upon the Common show 
No hint of green; but to my listening heart 
The still earth doth impart 
Assurance of her jubilant emprise, 
And it is clear to my long-searching eyes 
That love at last has might upon the skies. 
The ice is runneled on the little pond; 
A telltale patter drips from off the trees; 
The air is touched with southland spiceries, 
As if but yesterday it tossed the frond 
Of pendant mosses where the live-oaks grow 
Beyond Virginia and the Carolines, 
Or had its will among the fruits and vines 
Of aromatic isles asleep beyond 
Florida and the Gulf of Mexico. 


III 

Soon shall the Cape Ann children shout in glee, 
Spying the arbutus, spring's dear recluse; 
Hill lads at dawn shall hearken the wild goose 
Go honking northward over Tennessee; 
West from Oswego to Sault Sainte-Marie, 
And on to where the Pictured Rocks are hung, 
And yonder where, gigantic, wilful, young, 
Chicago sitteth at the northwest gates, 
With restless violent hands and casual tongue 
Moulding her mighty fates, 
The Lakes shall robe them in ethereal sheen; 
And like a larger sea, the vital green 
Of springing wheat shall vastly be outflung 
Over Dakota and the prairie states. 
By desert people immemorial 
On Arizonan mesas shall be done 
Dim rites unto the thunder and the sun; 
Nor shall the primal gods lack sacrifice 
More splendid, when the white Sierras call 
Unto the Rockies straightway to arise 
And dance before the unveiled ark of the year, 
Sounding their windy cedars as for shawms, 
Unrolling rivers clear 
For flutter of broad phylacteries; 
While Shasta signals to Alaskan seas 
That watch old sluggish glaciers downward creep 
To fling their icebergs thundering from the steep, 
And Mariposa through the purple calms 
Gazes at far Hawaii crowned with palms 
Where East and West are met, -- 
A rich seal on the ocean's bosom set 
To say that East and West are twain, 
With different loss and gain: 
The Lord hath sundered them; let them be sundered yet. 


IV 

Alas! what sounds are these that come 
Sullenly over the Pacific seas, -- 
Sounds of ignoble battle, striking dumb 
The season's half-awakened ecstasies? 
Must I be humble, then, 
Now when my heart hath need of pride? 
Wild love falls on me from these sculptured men; 
By loving much the land for which they died 
I would be justified. 
My spirit was away on pinions wide 
To soothe in praise of her its passionate mood 
And ease it of its ache of gratitude. 
Too sorely heavy is the debt they lay 
On me and the companions of my day. 
I would remember now 
My country's goodliness, make sweet her name. 
Alas! what shade art thou 
Of sorrow or of blame 
Liftest the lyric leafage from her brow, 
And pointest a slow finger at her shame? 


V 

Lies! lies! It cannot be! The wars we wage 
Are noble, and our battles still are won 
By justice for us, ere we lift the gage. 
We have not sold our loftiest heritage. 
The proud republic hath not stooped to cheat 
And scramble in the market-place of war; 
Her forehead weareth yet its solemn star. 
Here is her witness: this, her perfect son, 
This delicate and proud New England soul 
Who leads despisèd men, with just-unshackled feet, 
Up the large ways where death and glory meet, 
To show all peoples that our shame is done, 
That once more we are clean and spirit-whole. 


VI 

Crouched in the sea fog on the moaning sand 
All night he lay, speaking some simple word 
From hour to hour to the slow minds that heard, 
Holding each poor life gently in his hand 
And breathing on the base rejected clay 
Till each dark face shone mystical and grand 
Against the breaking day; 
And lo, the shard the potter cast away 
Was grown a fiery chalice crystal-fine 
Fulfilled of the divine 
Great wine of battle wrath by God's ring-finger stirred. 
Then upward, where the shadowy bastion loomed 
Huge on the mountain in the wet sea light, 
Whence now, and now, infernal flowerage bloomed, 
Bloomed, burst, and scattered down its deadly seed, -- 
They swept, and died like freemen on the height, 
Like freemen, and like men of noble breed; 
And when the battle fell away at night 
By hasty and contemptuous hands were thrust 
Obscurely in a common grave with him 
The fair-haired keeper of their love and trust. 
Now limb doth mingle with dissolvèd limb 
In nature's busy old democracy 
To flush the mountain laurel when she blows 
Sweet by the southern sea, 
And heart with crumbled heart climbs in the rose: -- 
The untaught hearts with the high heart that knew 
This mountain fortress for no earthly hold 
Of temporal quarrel, but the bastion old 
Of spiritual wrong, 
Built by an unjust nation sheer and strong, 
Expugnable but by a nation's rue 
And bowing down before that equal shrine 
By all men held divine, 
Whereof his band and he were the most holy sign. 


VII 

O bitter, bitter shade! 
Wilt thou not put the scorn 
And instant tragic question from thine eye? 
Do thy dark brows yet crave 
That swift and angry stave -- 
Unmeet for this desirous morn -- 
That I have striven, striven to evade? 
Gazing on him, must I not deem they err 
Whose careless lips in street and shop aver 
As common tidings, deeds to make his cheek 
Flush from the bronze, and his dead throat to speak? 
Surely some elder singer would arise, 
Whose harp hath leave to threaten and to mourn 
Above this people when they go astray. 
Is Whitman, the strong spirit, overworn? 
Has Whittier put his yearning wrath away? 
I will not and I dare not yet believe! 
Though furtively the sunlight seems to grieve, 
And the spring-laden breeze 
Out of the gladdening west is sinister 
With sounds of nameless battle overseas; 
Though when we turn and question in suspense 
If these things be indeed after these ways, 
And what things are to follow after these, 
Our fluent men of place and consequence 
Fumble and fill their mouths with hollow phrase, 
Or for the end-all of deep arguments 
Intone their dull commercial liturgies -- 
I dare not yet believe! My ears are shut! 
I will not hear the thin satiric praise 
And muffled laughter of our enemies, 
Bidding us never sheathe our valiant sword 
Till we have changed our birthright for a gourd 
Of wild pulse stolen from a barbarian's hut; 
Showing how wise it is to cast away 
The symbols of our spiritual sway, 
That so our hands with better ease 
May wield the driver's whip and grasp the jailer's keys. 


VIII 

Was it for this our fathers kept the law? 
This crown shall crown their struggle and their ruth? 
Are we the eagle nation Milton saw 
Mewing its mighty youth, 
Soon to possess the mountain winds of truth, 
And be a swift familiar of the sun 
Where aye before God's face his trumpets run? 
Or have we but the talons and the maw, 
And for the abject likeness of our heart 
Shall some less lordly bird be set apart? -- 
Some gross-billed wader where the swamps are fat? 
Some gorger in the sun? Some prowler with the bat? 


IX 

Ah no! 
We have not fallen so. 
We are our fathers' sons: let those who lead us know! 
'T was only yesterday sick Cuba's cry 
Came up the tropic wind, "Now help us, for we die!" 
Then Alabama heard, 
And rising, pale, to Maine and Idaho 
Shouted a burning word. 
Proud state with proud impassioned state conferred, 
And at the lifting of a hand sprang forth, 
East, west, and south, and north, 
Beautiful armies. Oh, by the sweet blood and young 
Shed on the awful hill slope at San Juan, 
By the unforgotten names of eager boys 
Who might have tasted girls' love and been stung 
With the old mystic joys 
And starry griefs, now the spring nights come on, 
But that the heart of youth is generous, -- 
We charge you, ye who lead us, 
Breathe on their chivalry no hint of stain! 
Turn not their new-world victories to gain! 
One least leaf plucked for chaffer from the bays 
Of their dear praise, 
One jot of their pure conquest put to hire, 
The implacable republic will require; 
With clamor, in the glare and gaze of noon, 
Or subtly, coming as a thief at night, 
But surely, very surely, slow or soon 
That insult deep we deeply will requite. 
Tempt not our weakness, our cupidity! 
For save we let the island men go free, 
Those baffled and dislaureled ghosts 
Will curse us from the lamentable coasts 
Where walk the frustrate dead. 
The cup of trembling shall be drainèd quite, 
Eaten the sour bread of astonishment, 
With ashes of the hearth shall be made white 
Our hair, and wailing shall be in the tent; 
Then on your guiltier head 
Shall our intolerable self-disdain 
Wreak suddenly its anger and its pain; 
For manifest in that disastrous light 
We shall discern the right 
And do it, tardily. -- O ye who lead, 
Take heed! 
Blindness we may forgive, but baseness we will smite.


Written by Langston Hughes | Create an image from this poem

The ***** Speaks Of Rivers

 I've known rivers:
I've known rivers ancient as the world and older than the
 flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln 
 went down to New Orleans, and I've seen its muddy 
 bosom turn all golden in the sunset.

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.
Written by Langston Hughes | Create an image from this poem

The Weary Blues

 Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
 I heard a ***** play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
 He did a lazy sway . . .
 He did a lazy sway . . .
To the tune o' those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
 O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
 Sweet Blues!
Coming from a black man's soul.
 O Blues!
In a deep song voice with a melancholy tone
I heard that ***** sing, that old piano moan--
 "Ain't got nobody in all this world,
 Ain't got nobody but ma self.
 I's gwine to quit ma frownin'
 And put ma troubles on the shelf."

Thump, thump, thump, went his foot on the floor.
He played a few chords then he sang some more--
 "I got the Weary Blues
 And I can't be satisfied.
 Got the Weary Blues
 And can't be satisfied--
 I ain't happy no mo'
 And I wish that I had died."
And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that's dead.
Written by Mary Darby Robinson | Create an image from this poem

The ***** Girl

 I. 

Dark was the dawn, and o'er the deep
The boist'rous whirlwinds blew;
The Sea-bird wheel'd its circling sweep,
And all was drear to view--
When on the beach that binds the western shore
The love-lorn ZELMA stood, list'ning the tempest's roar.


II. 

Her eager Eyes beheld the main,
While on her DRACO dear
She madly call'd, but call'd in vain,
No sound could DRACO hear,
Save the shrill yelling of the fateful blast,
While ev'ry Seaman's heart, quick shudder'd as it past.


III. 

White were the billows, wide display'd
The clouds were black and low;
The Bittern shriek'd, a gliding shade
Seem'd o'er the waves to go !
The livid flash illum'd the clam'rous main,
While ZELMA pour'd, unmark'd, her melancholy strain.


IV. 

"Be still!" she cried, "loud tempest cease!
"O ! spare the gallant souls:
"The thunder rolls--the winds increase--
"The Sea, like mountains, rolls!
"While, from the deck, the storm worn victims leap,
"And o'er their struggling limbs, the furious billows sweep.


V. 

"O! barb'rous Pow'r! relentless Fate!
"Does Heav'n's high will decree
"That some should sleep on beds of state,--
"Some, in the roaring Sea ?
"Some, nurs'd in splendour, deal Oppression's blow,
"While worth and DRACO pine--in Slavery and woe!


VI. 

"Yon Vessel oft has plough'd the main
"With human traffic fraught;
"Its cargo,--our dark Sons of pain--
"For worldly treasure bought !
"What had they done?--O Nature tell me why--
"Is taunting scorn the lot, of thy dark progeny?


VII. 

"Thou gav'st, in thy caprice, the Soul
"Peculiarly enshrin'd;
"Nor from the ebon Casket stole
"The Jewel of the mind!
"Then wherefore let the suff'ring *****'s breast
"Bow to his fellow, MAN, in brighter colours drest.


VIII.

"Is it the dim and glossy hue
"That marks him for despair?--
"While men with blood their hands embrue,
"And mock the wretch's pray'r?
"Shall guiltless Slaves the Scourge of tyrants feel,
"And, e'en before their GOD ! unheard, unpitied kneel.


IX. 

"Could the proud rulers of the land
"Our Sable race behold;
"Some bow'd by torture's Giant hand
"And others, basely sold !
"Then would they pity Slaves, and cry, with shame,
"Whate'er their TINTS may be, their SOULS are still the same!


X. 

"Why seek to mock the Ethiop's face?
"Why goad our hapless kind?
"Can features alienate the race--
"Is there no kindred mind?
"Does not the cheek which vaunts the roseate hue
"Oft blush for crimes, that Ethiops never knew?


XI. 

"Behold ! the angry waves conspire
"To check the barb'rous toil!
"While wounded Nature's vengeful ire--
"Roars, round this trembling Isle!
"And hark ! her voice re-echoes in the wind--
"Man was not form'd by Heav'n, to trample on his kind!


XII. 

"Torn from my Mother's aching breast,
"My Tyrant sought my love--
"But, in the Grave shall ZELMA rest,
"E'er she will faithless prove--
"No DRACO!--Thy companion I will be
"To that celestial realm, where Negros shall be free!


XIII. 

"The Tyrant WHITE MAN taught my mind--
"The letter'd page to trace;--
"He taught me in the Soul to find
"No tint, as in the face:
"He bade my Reason, blossom like the tree--
"But fond affection gave, the ripen'd fruits to thee.


XIV. 

"With jealous rage he mark'd my love
"He sent thee far away;--
"And prison'd in the plantain grove--
"Poor ZELMA pass'd the day--
"But ere the moon rose high above the main,
"ZELMA, and Love contriv'd, to break the Tyrant's chain.


XV. 

"Swift, o'er the plain of burning Sand
"My course I bent to thee;
"And soon I reach'd the billowy strand
"Which bounds the stormy Sea.--
"DRACO! my Love! Oh yet, thy ZELMA'S soul
"Springs ardently to thee,--impatient of controul.


XVI. 

"Again the lightning flashes white--
"The rattling cords among!
"Now, by the transient vivid light,
"I mark the frantic throng!
"Now up the tatter'd shrouds my DRACO flies--
While o'er the plunging prow, the curling billows rise.


XVII. 

"The topmast falls--three shackled slaves--
"Cling to the Vessel's side!
"Now lost amid the madd'ning waves--
"Now on the mast they ride--
"See ! on the forecastle my DRACO stands
"And now he waves his chain, now clasps his bleeding hands.


XVIII. 

"Why, cruel WHITE-MAN! when away
"My sable Love was torn,
"Why did you let poor ZELMA stay,
On Afric's sands to mourn?
"No ! ZELMA is not left, for she will prove
"In the deep troubled main, her fond--her faithful LOVE."


XIX. 

The lab'ring Ship was now a wreck,
The shrouds were flutt'ring wide!
The rudder gone, the lofty deck
Was rock'd from side to side--
Poor ZELMA'S eyes now dropp'd their last big tear,
While, from her tawny cheek, the blood recoil'd with fear.


XX. 

Now frantic, on the sands she roam'd,
Now shrieking stop'd to view
Where high the liquid mountains foam'd,
Around the exhausted crew--
'Till, from the deck, her DRACO'S well known form
Sprung mid the yawning waves, and buffetted the Storm.


XXI. 

Long, on the swelling surge sustain'd
Brave DRACO sought the shore,
Watch'd the dark Maid, but ne'er complain'd,
Then sunk, to gaze no more!
Poor ZELMA saw him buried by the wave--
And, with her heart's true Love, plung'd in a wat'ry grave.
Written by Allen Ginsberg | Create an image from this poem

In The Baggage Room At Greyhound

 I

In the depths of the Greyhound Terminal 
sitting dumbly on a baggage truck looking at the sky 
 waiting for the Los Angeles Express to depart 
worrying about eternity over the Post Office roof in 
 the night-time red downtown heaven 
staring through my eyeglasses I realized shuddering 
 these thoughts were not eternity, nor the poverty 
 of our lives, irritable baggage clerks, 
nor the millions of weeping relatives surrounding the 
 buses waving goodbye, 
nor other millions of the poor rushing around from 
 city to city to see their loved ones, 
nor an indian dead with fright talking to a huge cop 
 by the Coke machine, 
nor this trembling old lady with a cane taking the last 
 trip of her life, 
nor the red-capped cynical porter collecting his quar- 
 ters and smiling over the smashed baggage, 
nor me looking around at the horrible dream, 
nor mustached ***** Operating Clerk named Spade, 
 dealing out with his marvelous long hand the 
 fate of thousands of express packages, 
nor fairy Sam in the basement limping from leaden 
 trunk to trunk, 
nor Joe at the counter with his nervous breakdown 
 smiling cowardly at the customers, 
nor the grayish-green whale's stomach interior loft 
 where we keep the baggage in hideous racks, 
hundreds of suitcases full of tragedy rocking back and 
 forth waiting to be opened, 
nor the baggage that's lost, nor damaged handles, 
 nameplates vanished, busted wires & broken 
 ropes, whole trunks exploding on the concrete 
 floor, 
nor seabags emptied into the night in the final 
 warehouse. 

 II

Yet Spade reminded me of Angel, unloading a bus, 
dressed in blue overalls black face official Angel's work- 
 man cap, 
pushing with his belly a huge tin horse piled high with 
 black baggage, 
looking up as he passed the yellow light bulb of the loft 
and holding high on his arm an iron shepherd's crook. 

 III

It was the racks, I realized, sitting myself on top of 
 them now as is my wont at lunchtime to rest 
 my tired foot, 
it was the racks, great wooden shelves and stanchions 
 posts and beams assembled floor to roof jumbled 
 with baggage, 
--the Japanese white metal postwar trunk gaudily 
 flowered & headed for Fort Bragg, 
one Mexican green paper package in purple rope 
 adorned with names for Nogales, 
hundreds of radiators all at once for Eureka, 
crates of Hawaiian underwear, 
rolls of posters scattered over the Peninsula, nuts to 
 Sacramento, 
one human eye for Napa, 
an aluminum box of human blood for Stockton 
and a little red package of teeth for Calistoga- 
it was the racks and these on the racks I saw naked 
 in electric light the night before I quit, 
the racks were created to hang our possessions, to keep 
 us together, a temporary shift in space, 
God's only way of building the rickety structure of 
 Time, 
to hold the bags to send on the roads, to carry our 
 luggage from place to place 
looking for a bus to ride us back home to Eternity 
 where the heart was left and farewell tears 
 began. 

 IV

A swarm of baggage sitting by the counter as the trans- 
 continental bus pulls in. 
The clock registering 12:15 A.M., May 9, 1956, the 
 second hand moving forward, red. 
Getting ready to load my last bus.-Farewell, Walnut 
 Creek Richmond Vallejo Portland Pacific 
 Highway 
Fleet-footed Quicksilver, God of transience. 
One last package sits lone at midnight sticking up out 
 of the Coast rack high as the dusty fluorescent 
 light. 

The wage they pay us is too low to live on. Tragedy 
 reduced to numbers. 
This for the poor shepherds. I am a communist. 
Farewell ye Greyhound where I suffered so much, 
 hurt my knee and scraped my hand and built 
 my pectoral muscles big as a vagina.

 May 9, 1956
Written by Delmira Agustini | Create an image from this poem

Plegaria (Prayer)

Spanish    –Eros: acaso no sentiste nuncaPiedad de las estatuas?Se dirían crisálidas de piedraDe yo no sé qué formidable razaEn una eterna espera inenarrable.Los cráteres dormidos de sus bocasDan la ceniza negra del Silencio,Mana de las columnas de sus hombrosLa mortaja copiosa de la CalmaY fluye de sus órbitas la noche;Victimas del Futuro o del Misterio,En capullos terribles y magníficosEsperan a la Vida o a la Muerte.Eros: acaso no sentiste nuncaPiedad de las estatuas?–    Piedad para las vidasQue no doran a fuego tus bonanzasNi riegan o desgajan tus tormentas;Piedad para los cuerpos revestidosDel armiño solemne de la Calma,Y las frentes en luz que sobrellevanGrandes lirios marmóreos de pureza,Pesados y glaciales como témpanos;Piedad para las manos enguantadasDe hielo, que no arrancanLos frutos deleitosos de la CarneNi las flores fantásticas del alma;Piedad para los ojos que aleteanEspirituales párpados:Escamas de misterio,Negros telones de visiones rosas…Nunca ven nada por mirar tan lejos!    Piedad para las pulcras cabelleras–Misticas aureolas–Peinadas como lagosQue nunca airea el abanico *****,***** y enorme de la tempestad;Piedad para los ínclitos espiritusTallados en diamante,Altos, claros, extáticosPararrayos de cúpulas morales;Piedad para los labios como engarcesCelestes donde fulgeInvisible la perla de la Hostia;–Labios que nunca fueron,Que no apresaron nuncaUn vampiro de fuegoCon más sed y más hambre que un abismo.–Piedad para los sexos sacrosantosQue acoraza de unaHoja de viña astral la Castidad;Piedad para las plantas imantadasDe eternidad que arrastranPor el eterno azurLas sandalias quemantes de sus llagas;Piedad, piedad, piedadPara todas las vidas que defiendeDe tus maravillosas intemperiesEl mirador enhiesto del Orgullo;Apuntales tus soles o tus rayos!Eros: acaso no sentiste nuncaPiedad de las estatuas?…              English    –Eros: have you never feltPiety for the statues?These chrysalides of stone,Some formidable raceIn an eternal, unutterable hope.The sleeping craters of their mouthsUtter the black ash of silence;A copious shroud of CalmFalls from the columns of their arms,And night flows from their eyesockets;Victims of Destiny or Mystery,In magnificent and terrible cocoons,They wait for Life or Death.Eros: have you never perhaps feltPiety for the statues?    Piety for the livesThat will not strew nor rend your battlesNor gild your fiery truces;Piety for the bodies clothedIn the solemn ermine of Calm,The luminous foreheads that endureTheir marble wreaths, grand and pure,Weighty and glacial as icebergs;Piety for the gloved hands of iceThat cannot uprootThe delicious fruits of the Flesh,The fantastic flowers of the soul;Piety for the eyes that flutterTheir spiritual eyelids:Mysterious fish scales,Dark curtains on rose visions…For looking so far, they never see!    Piety for the tidy heads of hair–Mystical haloes–Gently combed like lakesWhich the storm’s black fan,Black and enormous, never thrashes;Piety for the spirits, illustrious,Carved of diamonds,High, clear, ecstaticLightning rods on pious domes;Piety for the lips like celestial settingsWhere the invisible pearls of the Host gleam;–Lips that never existed,Never seized anything,A fiery vampireWith more thirst and hunger than an abyss.Piety for the sacrosanct sexesThat armor themselves with sheathsFrom the astral vineyards of Chastity;Piety for the magnetized footsolesWho eternally dragSandals burning with soresThrough the eternal azure;Piety, piety, pityFor all the lives defendedBy the lighthouse of PrideFrom your marvelous raw weathers:Aim your suns and rays at them!Eros: have you never perhaps feltPity for the statues?


Book: Reflection on the Important Things