Written by
Derek Walcott |
A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries:
"Waste no compassion on these separate dead!"
Statistics justify and scholars seize
The salients of colonial policy.
What is that to the white child hacked in bed?
To savages, expendable as Jews?
Threshed out by beaters, the long rushes break
In a white dust of ibises whose cries
Have wheeled since civilizations dawn
>From the parched river or beast-teeming plain.
The violence of beast on beast is read
As natural law, but upright man
Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars
Dance to the tightened carcass of a drum,
While he calls courage still that native dread
Of the white peace contracted by the dead.
Again brutish necessity wipes its hands
Upon the napkin of a dirty cause, again
A waste of our compassion, as with Spain,
The gorilla wrestles with the superman.
I who am poisoned with the blood of both,
Where shall I turn, divided to the vein?
I who have cursed
The drunken officer of British rule, how choose
Between this Africa and the English tongue I love?
Betray them both, or give back what they give?
How can I face such slaughter and be cool?
How can I turn from Africa and live?
|
Written by
Sylvia Plath |
I have done it again.
One year in every ten
I manage it_____
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?-------
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The Peanut-crunching crowd
Shoves in to see
Them unwrap me hand in foot ------
The big strip tease.
Gentleman , ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eyeing my scars, there is a charge
For the hearing of my heart---
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair on my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash---
You poke and stir.
Flesh, bone, there is nothing there----
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
(1962)
|
Written by
William Blake |
The bell struck one, and shook the silent tower;
The graves give up their dead: fair Elenor
Walk'd by the castle gate, and look?d in.
A hollow groan ran thro' the dreary vaults.
She shriek'd aloud, and sunk upon the steps,
On the cold stone her pale cheeks. Sickly smells
Of death issue as from a sepulchre,
And all is silent but the sighing vaults.
Chill Death withdraws his hand, and she revives;
Amaz'd, she finds herself upon her feet,
And, like a ghost, thro' narrow passages
Walking, feeling the cold walls with her hands.
Fancy returns, and now she thinks of bones
And grinning skulls, and corruptible death
Wrapp'd in his shroud; and now fancies she hears
Deep sighs, and sees pale sickly ghosts gliding.
At length, no fancy but reality
Distracts her. A rushing sound, and the feet
Of one that fled, approaches--Ellen stood
Like a dumb statue, froze to stone with fear.
The wretch approaches, crying: `The deed is done;
Take this, and send it by whom thou wilt send;
It is my life--send it to Elenor:--
He's dead, and howling after me for blood!
`Take this,' he cried; and thrust into her arms
A wet napkin, wrapp'd about; then rush'd
Past, howling: she receiv'd into her arms
Pale death, and follow'd on the wings of fear.
They pass'd swift thro' the outer gate; the wretch,
Howling, leap'd o'er the wall into the moat,
Stifling in mud. Fair Ellen pass'd the bridge,
And heard a gloomy voice cry `Is it done?'
As the deer wounded, Ellen flew over
The pathless plain; as the arrows that fly
By night, destruction flies, and strikes in darkness.
She fled from fear, till at her house arriv'd.
Her maids await her; on her bed she falls,
That bed of joy, where erst her lord hath press'd:
`Ah, woman's fear!' she cried; `ah, curs?d duke!
Ah, my dear lord! ah, wretched Elenor!
`My lord was like a flower upon the brows
Of lusty May! Ah, life as frail as flower!
O ghastly death! withdraw thy cruel hand,
Seek'st thou that flow'r to deck thy horrid temples?
`My lord was like a star in highest heav'n
Drawn down to earth by spells and wickedness;
My lord was like the opening eyes of day
When western winds creep softly o'er the flowers;
`But he is darken'd; like the summer's noon
Clouded; fall'n like the stately tree, cut down;
The breath of heaven dwelt among his leaves.
O Elenor, weak woman, fill'd with woe!'
Thus having spoke, she rais?d up her head,
And saw the bloody napkin by her side,
Which in her arms she brought; and now, tenfold
More terrifi?d, saw it unfold itself.
Her eyes were fix'd; the bloody cloth unfolds,
Disclosing to her sight the murder'd head
Of her dear lord, all ghastly pale, clotted
With gory blood; it groan'd, and thus it spake:
`O Elenor, I am thy husband's head,
Who, sleeping on the stones of yonder tower,
Was 'reft of life by the accurs?d duke!
A hir?d villain turn'd my sleep to death!
`O Elenor, beware the curs?d duke;
O give not him thy hand, now I am dead;
He seeks thy love; who, coward, in the night,
Hir?d a villain to bereave my life.'
She sat with dead cold limbs, stiffen'd to stone;
She took the gory head up in her arms;
She kiss'd the pale lips; she had no tears to shed;
She hugg'd it to her breast, and groan'd her last.
|
Written by
Henry David Thoreau |
Low-anchored cloud,
Newfoundland air,
Fountain-head and source of rivers,
Dew-cloth, dream-drapery,
And napkin spread by fays;
Drifting meadow of the air,
Where bloom the daisied banks and violets,
And in whose fenny labyrinth
The bittern booms and heron wades;
Spirit of lakes and seas and rivers,
Bear only perfumes and the scent
Of healing herbs to just men's fields!
|
Written by
Ezra Pound |
All the while they were talking the new morality
Her eyes explored me.
And when I rose to go
Her fingers were like the tissue
Of a Japanese paper napkin.
|
Written by
Alfred Lord Tennyson |
‘The Bull, the Fleece are cramm’d, and not a room
For love or money. Let us picnic there
At Audley Court.’
I spoke, while Audley feast
Humm’d like a hive all round the narrow quay,
To Francis, with a basket on his arm,
To Francis just alighted from the boat,
And breathing of the sea. ‘With all my heart,’
Said Francis. Then we shoulder’d thro’ the swarm,
And rounded by the stillness of the beach
To where the bay runs up its latest horn.
We left the dying ebb that faintly lipp’d
The flat red granite; so by many a sweep
Of meadow smooth from aftermath we reach’d
The griffin-guarded gates, and pass’d thro’ all
The pillar’d dusk of sounding sycamores,
And cross’d the garden to the gardener’s lodge,
With all its casements bedded, and its walls
And chimneys muffled in the leafy vine.
There, on a slope of orchard, Francis laid
A damask napkin wrought with horse and hound,
Brought out a dusky loaf that smelt of home,
And, half-cut-down, a pasty costly-made,
Where quail and pigeon, lark and leveret lay,
Like fossils of the rock, with golden yolks
Imbedded and injellied; last, with these,
A flask of cider from his father’s vats,
Prime, which I knew; and so we sat and eat
And talk’d old matters over; who was dead,
Who married, who was like to be, and how
The races went, and who would rent the hall:
Then touch’d upon the game, how scarce it was
This season; glancing thence, discuss’d the farm,
The four-field system, and the price of grain;
And struck upon the corn-laws, where we split,
And came again together on the king
With heated faces; till he laugh’d aloud;
And, while the blackbird on the pippin hung
To hear him, clapt his hand in mine and sang–
‘Oh! who would fight and march and countermarch,
Be shot for sixpence in a battle-field,
And shovell’d up into some bloody trench
Where no one knows? but let me live my life.
‘Oh! who would cast and balance at a desk,
Perch’d like a crow upon a three-legg’d stool,
Till all his juice is dried, and all his joints
Are full of chalk? but let me live my life.
‘Who’d serve the state? for if I carved my name
Upon the cliffs that guard my native land,
I might as well have traced it in the sands;
The sea wastes all: but let me live my life.
‘Oh! who would love? I woo’d a woman once,
But she was sharper than an eastern wind,
And all my heart turn’d from her, as a thorn
Turns from the sea; but let me live my life.’
He sang his song, and I replied with mine:
I found it in a volume, all of songs,
Knock’d down to me, when old Sir Robert’s pride,
His books–the more the pity, so I said–
Came to the hammer here in March–and this–
I set the words, and added names I knew.
‘Sleep, Ellen Aubrey, sleep, and dream of me:
Sleep, Ellen, folded in thy sister’s arm,
And sleeping, haply dream her arm is mine.
‘Sleep, Ellen, folded in Emilia’s arm;
Emilia, fairer than all else but thou,
For thou art fairer than all else that is.
‘Sleep, breathing health and peace upon her breast:
Sleep, breathing love and trust against her lip:
I go to-night: I come to-morrow morn.
‘I go, but I return: I would I were
The pilot of the darkness and the dream.
Sleep, Ellen Aubrey, love, and dream of me.’
So sang we each to either, Francis Hale,
The farmer’s son, who lived across the bay,
My friend; and I, that having wherewithal,
And in the fallow leisure of my life
A rolling stone of here and everywhere,
Did what I would; but ere the night we rose
And saunter’d home beneath a moon, that, just
In crescent, dimly rain’d about the leaf
Twilights of airy silver, till we reach’d
The limit of the hills; and as we sank
From rock to rock upon the glooming quay,
The town was hush’d beneath us: lower down
The bay was oily calm; the harbour-buoy,
Sole star of phosphorescence in the calm,
With one green sparkle ever and anon
Dipt by itself, and we were glad at heart.
|
Written by
Norman Dubie |
The flock of pigeons rises over the roof,
and just beyond them, the shimmering asphalt fields
gather their dull colored airliners.
It is the very early night,
a young brunette sits before the long
darkening glass of the airport's west wall.
She smells coffee burning
and something else-- her old mother's
bureau filled with mothballs.
Her nearly silver blouse smells of anise
and the heat of an iron.
She suddenly brushes sleep from her hair.
I have been dead for hours. The brunette
witness to nothing studies her new lipstick
smeared on a gray napkin.
The fires of a cremation tank are rising...
she descends into Seattle
nervous over the blinking city lights
that are climbing to meet her flight.
The old man seated next to her closes his book.
He has recognized her.
And leans into the window
to whisper, nothing happens. Nothing
ever happens.
|
Written by
Robert Louis Stevenson |
Bring the comb and play upon it!
Marching, here we come!
Willie cocks his highland bonnet,
Johnnie beats the drum.
Mary Jane commands the party,
Peter leads the rear;
Feet in time, alert and hearty,
Each a Grenadier!
All in the most martial manner
Marching double-quick;
While the napkin, like a banner,
Waves upon the stick!
Here's enough of fame and pillage,
Great commander Jane!
Now that we've been round the village,
Let's go home again.
|
Written by
Vernon Scannell |
The bar he went inside was not
A place he often visited;
He welcomed anonymity;
No one to switch inquisitive
Receivers on, no one could see,
Or wanted to, exactly what
He was, or had been, or would be;
A quiet brown place, a place to drink
And let thought simmer like good stock,
No mirrors to distract, no fat
And calculating face of clock,
A good calm place to sip and think.
If anybody noticed that
He was even there they'd see
A fairly tall and slender man,
Fair-haired, blue-eyed, and handsome in
A manner strictly masculine.
They would not know, or want to know,
More than what they saw of him,
Nor would they wish to bug the bone
Walls of skull and listen in
To whatever whisperings
Pittered quietly in that dark:
An excellent place to sip your gin.
Then---sting of interruption! voice
Pierced the private walls and shook
His thoughtful calm with delicate shock.
A waiter, with white napkin face
And shining toe-cap hair, excused
The oiled intrusion, asking if
His name was what indeed it was.
In that case he was wanted on
The telephone the customers used,
The one next to the Gents. He went.
Inside the secretive warm box
He heard his wife's voice, strangled by
Distance, darkness, coils of wire,
But unmistakably her voice,
Asking why he was so late,
Why did he humiliate
Her in every way he could,
Make her life so hard to face?
She'd telephoned most bars in town
Before she'd finally tracked him down.
He said that he'd been working late
And slipped in for a quick one on
His weary journey home. He'd come
Back at once. Right now. Toot sweet.
No, not another drop. Not one.
Back in the bar, he drank his gin
And ordered just one more, the last.
And just as well: his peace had gone;
The place no longer welcomed him.
He saw the waiter moving past,
That pale ambassador of gloom,
And called him over, asked him how
He had known which customer
To summon to the telephone.
The waiter said, 'Your wife described
You, sir. I knew you instantly.'
'And how did she describe me, then,
That I'm so easily recognized?'
'She said: grey suit, cream shirt, blue tie,
That you were fairly tall, red-faced,
Stout, middle-aged, and going bald.'
Disbelief cried once and sat
Bolt upright, then it fell back dead.
'Stout middle-aged and going bald.'
The slender ghost with golden hair
Watched him go into the cold
Dark outside, heard his slow tread
Fade towards wife, armchair, and bed.
|
Written by
Omar Khayyam |
A cup of wine is worth the empire of the universe;
the brick which covers the jar is worth a thousand lives.
The napkin with which one wipes lips moistened with
wine is indeed worth a thousand turbans.
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