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Best Famous Multi Poems

Here is a collection of the all-time best famous Multi poems. This is a select list of the best famous Multi poetry. Reading, writing, and enjoying famous Multi poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of multi poems.

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Written by Margaret Atwood | Create an image from this poem

Sekhmet the Lion-headed Goddess of War

 He was the sort of man
who wouldn't hurt a fly.
Many flies are now alive
while he is not.
He was not my patron.
He preferred full granaries, I battle.
My roar meant slaughter.
Yet here we are together
in the same museum.
That's not what I see, though, the fitful
crowds of staring children
learning the lesson of multi-
cultural obliteration, sic transit
and so on.

I see the temple where I was born
or built, where I held power.
I see the desert beyond,
where the hot conical tombs, that look
from a distance, frankly, like dunces' hats,
hide my jokes: the dried-out flesh
and bones, the wooden boats
in which the dead sail endlessly
in no direction.

What did you expect from gods
with animal heads?
Though come to think of it
the ones made later, who were fully human
were not such good news either.
Favour me and give me riches,
destroy my enemies.
That seems to be the gist.
Oh yes: And save me from death.
In return we're given blood
and bread, flowers and prayer,
and lip service.

Maybe there's something in all of this
I missed. But if it's selfless
love you're looking for,
you've got the wrong goddess.

I just sit where I'm put, composed
of stone and wishful thinking:
that the deity who kills for pleasure
will also heal,
that in the midst of your nightmare,
the final one, a kind lion
will come with bandages in her mouth
and the soft body of a woman,
and lick you clean of fever,
and pick your soul up gently by the nape of the neck
and caress you into darkness and paradise.


Written by Edna St. Vincent Millay | Create an image from this poem

Renascence

 All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line 
Of the horizon, thin and fine,
Straight around till I was come
Back to where I'd started from; 
And all I saw from where I stood
Was three long mountains and a wood.

Over these things I could not see;
These were the things that bounded me;
And I could touch them with my hand,
Almost, I thought, from where I stand.
And all at once things seemed so small
My breath came short, and scarce at all.

But, sure, the sky is big, I said;
Miles and miles above my head;
So here upon my back I'll lie
And look my fill into the sky.
And so I looked, and, after all,
The sky was not so very tall.
The sky, I said, must somewhere stop,
And—sure enough!—I see the top! 
The sky, I thought, is not so grand;
I 'most could touch it with my hand!
And reaching up my hand to try,
I screamed to feel it touch the sky.

I screamed, and—lo!—Infinity
Came down and settled over me;
Forced back my scream into my chest,
Bent back my arm upon my breast,
And, pressing of the Undefined
The definition on my mind,
Held up before my eyes a glass
Through which my shrinking sight did pass
Until it seemed I must behold
Immensity made manifold;
Whispered to me a word whose sound
Deafened the air for worlds around,
And brought unmuffled to my ears
The gossiping of friendly spheres,
The creaking of the tented sky,
The ticking of Eternity.

I saw and heard, and knew at last
The How and Why of all things, past,
And present, and forevermore.
The Universe, cleft to the core,
Lay open to my probing sense
That, sick'ning, I would fain pluck thence
But could not,—nay! But needs must suck
At the great wound, and could not pluck
My lips away till I had drawn
All venom out.—Ah, fearful pawn!
For my omniscience paid I toll
In infinite remorse of soul.

All sin was of my sinning, all
Atoning mine, and mine the gall
Of all regret. Mine was the weight 
Of every brooded wrong, the hate
That stood behind each envious thrust,
Mine every greed, mine every lust.

And all the while for every grief,
Each suffering, I craved relief
With individual desire,—
Craved all in vain! And felt fierce fire
About a thousand people crawl;
Perished with each,—then mourned for all!

A man was starving in Capri;
He moved his eyes and looked at me;
I felt his gaze, I heard his moan,
And knew his hunger as my own.
I saw at sea a great fog bank
Between two ships that struck and sank;
A thousand screams the heavens smote;
And every scream tore through my throat.

No hurt I did not feel, no death
That was not mine; mine each last breath
That, crying, met an answering cry
From the compassion that was I.
All suffering mine, and mine its rod;
Mine, pity like the pity of God.

Ah, awful weight! Infinity
Pressed down upon the finite Me!
My anguished spirit, like a bird,
Beating against my lips I heard;
Yet lay the weight so close about
There was no room for it without.
And so beneath the weight lay I
And suffered death, but could not die.

Long had I lain thus, craving death,
When quietly the earth beneath
Gave way, and inch by inch, so great
At last had grown the crushing weight,
Into the earth I sank till I
Full six feet under ground did lie,
And sank no more,—there is no weight
Can follow here, however great.
From off my breast I felt it roll,
And as it went my tortured soul
Burst forth and fled in such a gust
That all about me swirled the dust.

Deep in the earth I rested now;
Cool is its hand upon the brow
And soft its breast beneath the head
Of one who is so gladly dead.
And all at once, and over all
The pitying rain began to fall;
I lay and heard each pattering hoof
Upon my lowly, thatched roof,
And seemed to love the sound far more
Than ever I had done before.
For rain it hath a friendly sound
To one who's six feet underground;
And scarce the friendly voice or face:
A grave is such a quiet place.

The rain, I said, is kind to come
And speak to me in my new home.
I would I were alive again
To kiss the fingers of the rain,
To drink into my eyes the shine
Of every slanting silver line,
To catch the freshened, fragrant breeze
From drenched and dripping apple-trees.
For soon the shower will be done,
And then the broad face of the sun
Will laugh above the rain-soaked earth
Until the world with answering mirth
Shakes joyously, and each round drop
Rolls, twinkling, from its grass-blade top.

How can I bear it; buried here,
While overhead the sky grows clear
And blue again after the storm?
O, multi-colored, multiform,
Beloved beauty over me,
That I shall never, never see
Again! Spring-silver, autumn-gold,
That I shall never more behold!
Sleeping your myriad magics through,
Close-sepulchred away from you!
O God, I cried, give me new birth,
And put me back upon the earth!
Upset each cloud's gigantic gourd
And let the heavy rain, down-poured
In one big torrent, set me free,
Washing my grave away from me!

I ceased; and through the breathless hush
That answered me, the far-off rush
Of herald wings came whispering
Like music down the vibrant string
Of my ascending prayer, and—crash!
Before the wild wind's whistling lash
The startled storm-clouds reared on high
And plunged in terror down the sky,
And the big rain in one black wave
Fell from the sky and struck my grave.

I know not how such things can be;
I only know there came to me
A fragrance such as never clings
To aught save happy living things;
A sound as of some joyous elf
Singing sweet songs to please himself,
And, through and over everything,
A sense of glad awakening.
The grass, a-tiptoe at my ear,
Whispering to me I could hear;
I felt the rain's cool finger-tips
Brushed tenderly across my lips,
Laid gently on my sealed sight,
And all at once the heavy night
Fell from my eyes and I could see,—
A drenched and dripping apple-tree,
A last long line of silver rain,
A sky grown clear and blue again.
And as I looked a quickening gust
Of wind blew up to me and thrust
Into my face a miracle
Of orchard-breath, and with the smell,—
I know not how such things can be!—
I breathed my soul back into me.

Ah! Up then from the ground sprang I
And hailed the earth with such a cry
As is not heard save from a man
Who has been dead, and lives again.
About the trees my arms I wound;

Like one gone mad I hugged the ground;
I raised my quivering arms on high;
I laughed and laughed into the sky,
Till at my throat a strangling sob
Caught fiercely, and a great heart-throb
Sent instant tears into my eyes;
O God, I cried, no dark disguise
Can e'er hereafter hide from me
Thy radiant identity!

Thou canst not move across the grass
But my quick eyes will see Thee pass,
Nor speak, however silently,
But my hushed voice will answer Thee.
I know the path that tells Thy way
Through the cool eve of every day;
God, I can push the grass apart
And lay my finger on Thy heart!

The world stands out on either side
No wider than the heart is wide;
Above the world is stretched the sky,—
No higher than the soul is high.
The heart can push the sea and land
Farther away on either hand;
The soul can split the sky in two,
And let the face of God shine through.
But East and West will pinch the heart
That can not keep them pushed apart;
And he whose soul is flat—the sky
Will cave in on him by and by.
Written by G K Chesterton | Create an image from this poem

The Black Virgin

 One in thy thousand statues we salute thee 
On all thy thousand thrones acclaim and claim 
Who walk in forest of thy forms and faces 
Walk in a forest calling on one name 
And, most of all, how this thing may be so 
Who know thee not are mystified to know
That one cries "Here she stands" and one cries "Yonder" 
And thou wert home in heaven long ago. 

Burn deep in Bethlehem in the golden shadows,
Ride above Rome upon the horns of stone,
From low Lancastrian or South Saxon shelters
Watch through dark years the dower that was shine own:
Ghost of our land, White Lady of Walsinghame,
Shall they not live that call upon thy name
If an old song on a wild wind be blowing
Crying of the holy country whence they came? 

Root deep in Chartres the roses blown of glass 
Burning above thee in the high vitrailles, 
On Cornish crags take for salute of swords 
O'er peacock seas the far salute of sails, 
Glooming in bronze or gay in painted wood, 
A great doll given when the child is good, 
Save that She gave the Child who gave the doll, 
In whom all dolls are dreams of motherhood. 

I have found thee like a little shepherdess 
Gay with green ribbons; and passed on to find 
Michael called Angel hew the Mother of God 
Like one who fills a mountain with a mind: 
Molten in silver or gold or garbed in blue, 
Or garbed in red where the inner robe burns through, 
Of the King's daughter glorious within: 
Change shine unchanging light with every hue. 

Clothed with the sun or standing on the moon 
Crowned with the stars or single, a morning star, 
Sunlight and moonlight are thy luminous shadows, 
Starlight and twilight thy refractions are, 
Lights and half-lights and all lights turn about thee, 
But though we dazed can neither see nor doubt thee, 
Something remains. Nor can man live without it 
Nor can man find it bearable without thee. 

There runs a dark thread through the tapestries 
That time has woven with all the tints of time 
Something not evil but grotesque and groping, 
Something not clear; not final; not sublime; 
Quaint as dim pattern of primal plant or tree 
Or fish, the legless elfins of the sea, 
Yet rare as this shine image in ebony 
Being most strange in its simplicity. 

Rare as the rushing of the wild black swans
The Romans saw; or rocks remote and grim
Where through black clouds the black sheep runs accursed 
And through black clouds the Shepherd follows him. 
By the black oak of the aeon-buried grove 
By the black gems of the miner's treasure-trove 
Monsters and freaks and fallen stars and sunken- 
Most holy dark, cover our uncouth love. 

From shine high rock look down on Africa 
The living darkness of devouring green 
The loathsome smell of life unquenchable, 
Look on low brows and blinking eyes between, 
On the dark heart where white folk find no place, 
On the dark bodies of an antic race, 
On all that fear thy light and love thy shadow, 
Turn thou the mercy of thy midnight face. 

This also is in thy spectrum; this dark ray; 
Beyond the deepening purples of thy Lent 
Darker than violet vestment; dark and secret 
Clot of old night yet cloud of heaven sent: 
As the black moon of some divine eclipse, 
As the black sun of the Apocalypse, 
As the black flower that blessed Odysseus back 
From witchcraft; and he saw again the ships. 

In all thy thousand images we salute thee, 
Claim and acclaim on all thy thousand thrones 
Hewn out of multi-colored rocks and risen 
Stained with the stored-up sunsets in all tones- 
If in all tones and shades this shade I feel, 
Come from the black cathedrals of Castille 
Climbing these flat black stones of Catalonia, 
To thy most merciful face of night I kneel.
Written by Elizabeth Bishop | Create an image from this poem

The End Of March

 For John Malcolm Brinnin and Bill Read: Duxbury


It was cold and windy, scarcely the day 
to take a walk on that long beach 
Everything was withdrawn as far as possible, 
indrawn: the tide far out, the ocean shrunken, 
seabirds in ones or twos. 
The rackety, icy, offshore wind 
numbed our faces on one side; 
disrupted the formation 
of a lone flight of Canada geese; 
and blew back the low, inaudible rollers 
in upright, steely mist. 

The sky was darker than the water 
--it was the color of mutton-fat jade. 
Along the wet sand, in rubber boots, we followed 
a track of big dog-prints (so big 
they were more like lion-prints). Then we came on 
lengths and lengths, endless, of wet white string, 
looping up to the tide-line, down to the water, 
over and over. Finally, they did end: 
a thick white snarl, man-size, awash, 
rising on every wave, a sodden ghost, 
falling back, sodden, giving up the ghost... 
A kite string?--But no kite. 

I wanted to get as far as my proto-dream-house, 
my crypto-dream-house, that crooked box 
set up on pilings, shingled green, 
a sort of artichoke of a house, but greener 
(boiled with bicarbonate of soda?), 
protected from spring tides by a palisade 
of--are they railroad ties? 
(Many things about this place are dubious.) 
I'd like to retire there and do nothing, 
or nothing much, forever, in two bare rooms: 
look through binoculars, read boring books, 
old, long, long books, and write down useless notes, 
talk to myself, and, foggy days, 
watch the droplets slipping, heavy with light. 
At night, a grog a l'américaine. 
I'd blaze it with a kitchen match 
and lovely diaphanous blue flame 
would waver, doubled in the window. 
There must be a stove; there is a chimney, 
askew, but braced with wires, 
and electricity, possibly 
--at least, at the back another wire 
limply leashes the whole affair 
to something off behind the dunes. 
A light to read by--perfect! But--impossible. 
And that day the wind was much too cold 
even to get that far, 
and of course the house was boarded up. 

On the way back our faces froze on the other side. 
The sun came out for just a minute. 
For just a minute, set in their bezels of sand, 
the drab, damp, scattered stones 
were multi-colored, 
and all those high enough threw out long shadows, 
individual shadows, then pulled them in again. 
They could have been teasing the lion sun, 
except that now he was behind them 
--a sun who'd walked the beach the last low tide, 
making those big, majestic paw-prints, 
who perhaps had batted a kite out of the sky to play with.
Written by Bob Hicok | Create an image from this poem

Another Awkward Stage Of Convalescence

 Drunk, I kissed the moon
where it stretched on the floor.
I'd removed happiness from a green bottle,
both sipped and gulped
just as a river changes its mind,
mostly there was a flood in my mouth

because I wanted to love the toaster
as soon as possible, and the toothbrush
with multi-level brissels
created by dental science, and the walls
holding pictures in front of their faces
to veil the boredom of living

fifty years without once
turning the other way. I wanted
the halo a cheap beaujolais paints
over everything like artists gave the holy
before perspective was invented,
and for a moment thought in the glow

of fermented bliss that the bending
of spoons by the will was inevitable,
just as the dark-skinned would kiss
the light-skinned and those with money
and lakefront homes would open
their verandas and offer trays

of cucumber sandwiches to the poor
scuttling along the fringes of their lawns
looking for holes in the concertina wire.
Of course I had to share this ocean
of acceptance and was soon on the phone
with a woman from Nogales whose hips

had gone steady with mine. I told her
I was over her by pretending I was just
a friend calling to say the Snow Drops
had nuzzled through dirt to shake
their bells in April wind. This
threw her off the scent of my anguish

as did the cement mixer of my voice, as did
the long pause during which I memorized
her breathing and stared at my toes
like we were still together, reading
until out eyes slid from the page
and books fell off the bed to pound

their applause as our tongues searched
each others' body. When she said
she had to go like a cop telling a bum
to move on, I began drinking downhill,
with speed that grew its own speed,
and fixed on this image with a flagellant's

zeal, how she, returning to bed, cupped
her lover's crotch and whispered not
to worry, it was no one on the phone,
and proved again how forgotten I'd become
while I, bent over the cold confessional,
listened to the night's sole point of honesty.


Written by John Betjeman | Create an image from this poem

Winter Seascape

 The sea runs back against itself
With scarcely time for breaking wave
To cannonade a slatey shelf
And thunder under in a cave.

Before the next can fully burst
The headwind, blowing harder still,
Smooths it to what it was at first -
A slowly rolling water-hill.

Against the breeze the breakers haste,
Against the tide their ridges run
And all the sea's a dappled waste
Criss-crossing underneath the sun.

Far down the beach the ripples drag
Blown backward, rearing from the shore,
And wailing gull and shrieking shag
Alone can pierce the ocean roar.

Unheard, a mongrel hound gives tongue,
Unheard are shouts of little boys;
What chance has any inland lung
Against this multi-water noise?

Here where the cliffs alone prevail
I stand exultant, neutral, free,
And from the cushion of the gale
Behold a huge consoling sea.
Written by Louis Untermeyer | Create an image from this poem

Roast Leviathan

"Old Jews!" Well, David, aren't we?
What news is that to make you see so red,
To swear and almost tear your beard in half?
Jeered at? Well, let them laugh.
You can laugh longer when you're dead.
What? Are you still too blind to see?
Have you forgot your Midrash!... They were right,
The little goyim, with their angry stones.
You should be buried in the desert out of sight
And not a dog should howl miscarried moans
Over your foul bones....
Have you forgotten what is promised us,
Because of stinking days and rotting nights?
Eternal feasting, drinking, blazing lights
With endless leisure, periods of play!
Supernal pleasures, myriads of gay
Discussions, great debates with prophet-kings!
And rings of riddling scholars all surrounding
God who sits in the very middle, expounding
The Torah.... Now your dull eyes glisten!
Listen:
It is the final Day.

A blast of Gabriel's horn has torn away
The last haze from our eyes, and we can see
Past the three hundred skies and gaze upon
The Ineffable Name engraved deep in the sun.
Now one by one, the pious and the just
Are seated by us, radiantly risen
From their dull prison in the dust.
And then the festival begins!
A sudden music spins great webs of sound
Spanning the ground, the stars and their companions;
While from the cliffs and cañons of blue air,
Prayers of all colors, cries of exultation
Rise into choruses of singing gold.
And at the height of this bright consecration,
The whole Creation's rolled before us.
The seven burning heavens unfold....
We see the first (the only one we know)
Dispersed and, shining through,
The other six declining: Those that hold
The stars and moons, together with all those
Containing rain and fire and sullen weather;
Cellars of dew-fall higher than the brim;
Huge arsenals with centuries of snows;
Infinite rows of storms and swarms of seraphim....
Divided now are winds and waters. Sea and land,
Tohu and Bohu, light and darkness, stand
Upright on either hand.
And down this terrible aisle,

While heaven's ranges roar aghast,
Pours a vast file of strange and hidden things:
Forbidden monsters, crocodiles with wings
And perfumed flesh that sings and glows
With more fresh colors than the rainbow knows....
The reëm, those great beasts with eighteen horns,
Who mate but once in seventy years and die
In their own tears which flow ten stadia high.
The shamir, made by God on the sixth morn,
No longer than a grain of barley corn
But stronger than the bull of Bashan and so hard
It cuts through diamonds. Meshed and starred
With precious stones, there struts the shattering ziz
Whose groans are wrinkled thunder....
For thrice three hundred years the full parade
Files past, a cavalcade of fear and wonder.
And then the vast aisle clears.
Now comes our constantly increased reward.
The Lord commands that monstrous beast,
Leviathan, to be our feast.
What cheers ascend from horde on ravenous horde!
One hears the towering creature rend the seas,
Frustrated, cowering, and his pleas ignored.
In vain his great, belated tears are poured—
For this he was created, kept and nursed.
Cries burst from all the millions that attend:
"Ascend, Leviathan, it is the end!
We hunger and we thirst! Ascend!" ...
Observe him first, my friend.

God's deathless plaything rolls an eye
Five hundred thousand cubits high.
The smallest scale upon his tail
Could hide six dolphins and a whale.
His nostrils breathe—and on the spot
The churning waves turn seething hot.
If he be hungry, one huge fin
Drives seven thousand fishes in;
And when he drinks what he may need,
The rivers of the earth recede.
Yet he is more than huge and strong—
Twelve brilliant colors play along
His sides until, compared to him,
The naked, burning sun seems dim.
New scintillating rays extend
Through endless singing space and rise
Into an ecstasy that cries:
"Ascend, Leviathan, ascend!"
God now commands the multi-colored bands
Of angels to intrude and slay the beast
That His good sons may have a feast of food.
But as they come, Leviathan sneezes twice ...
And, numb with sudden pangs, each arm hangs slack.
Black terror seizes them; blood freezes into ice
And every angel flees from the attack!
God, with a look that spells eternal law,
Compels them back.
But, though they fight and smite him tail and jaw,

Nothing avails; upon his scales their swords
Break like frayed cords or, like a blade of straw,
Bend towards the hilt and wilt like faded grass.
Defeat and fresh retreat.... But once again
God's murmurs pass among them and they mass
With firmer steps upon the crowded plain.
Vast clouds of spears and stones rise from the ground;
But every dart flies past and rocks rebound
To the disheartened angels falling around.
A pause.
The angel host withdraws
With empty boasts throughout its sullen files.
Suddenly God smiles....
On the walls of heaven a tumble of light is caught.
Low thunder rumbles like an afterthought;
And God's slow laughter calls:
"Behemot!"
Behemot, sweating blood,
Uses for his daily food
All the fodder, flesh and juice
That twelve tall mountains can produce.
Jordan, flooded to the brim,
Is a single gulp to him;
Two great streams from Paradise
Cool his lips and scarce suffice.
When he shifts from side to side

Earthquakes gape and open wide;
When a nightmare makes him snore,
All the dead volcanoes roar.
In the space between each toe,
Kingdoms rise and saviours go;
Epochs fall and causes die
In the lifting of his eye.
Wars and justice, love and death,
These are but his wasted breath;
Chews a planet for his cud—
Behemot sweating blood.
Roused from his unconcern,
Behemot burns with anger.
Dripping sleep and languor from his heavy haunches,
He turns from deep disdain and launches
Himself upon the thickening air,
And, with weird cries of sickening despair,
Flies at Leviathan.
None can surmise the struggle that ensues—
The eyes lose sight of it and words refuse
To tell the story in its gory might.
Night passes after night,
And still the fight continues, still the sparks
Fly from the iron sinews,... till the marks
Of fire and belching thunder fill the dark
And, almost torn asunder, one falls stark,
Hammering upon the other!...
What clamor now is born, what crashings rise!

Hot lightnings lash the skies and frightening cries
Clash with the hymns of saints and seraphim.
The bloody limbs thrash through a ruddy dusk,
Till one great tusk of Behemot has gored
Leviathan, restored to his full strength,
Who, dealing fiercer blows in those last throes,
Closes on reeling Behemot at length—
Piercing him with steel-pointed claws,
Straight through the jaws to his disjointed head.
And both lie dead.
Then come the angels!
With hoists and levers, joists and poles,
With knives and cleavers, ropes and saws,
Down the long slopes to the gaping maws,
The angels hasten; hacking and carving,
So nought will be lacking for the starving
Chosen of God, who in frozen wonderment
Realize now what the terrible thunder meant.
How their mouths water while they are looking
At miles of slaughter and sniffing the cooking!
Whiffs of delectable fragrance swim by;
Spice-laden vagrants that float and entice,
Tickling the throat and brimming the eye.
Ah! what rejoicing and crackling and roasting!
Ah! How the boys sing as, cackling and boasting,
The angels' old wives and their nervous assistants
Run in to serve us....
And while we are toasting 

The Fairest of All, they call from the distance
The rare ones of Time, they share our enjoyment;
Their only employment to bear jars of wine
And shine like the stars in a circle of glory.
Here sways Rebekah accompanied by Zilpah;
Miriam plays to the singing of Bilhah;
Hagar has tales for us, Judith her story;
Esther exhales bright romances and musk.
There, in the dusky light, Salome dances.
Sara and Rachel and Leah and Ruth,
Fairer than ever and all in their youth,
Come at our call and go by our leave.
And, from her bower of beauty, walks Eve
While, with the voice of a flower, she sings
Of Eden, young earth and the birth of all things....
Peace without end.
Peace will descend on us, discord will cease;
And we, now so wretched, will lie stretched out
Free of old doubt, on our cushions of ease.
And, like a gold canopy over our bed,
The skin of Leviathan, tail-tip to head,
Soon will be spread till it covers the skies.
Light will still rise from it; millions of bright
Facets of brilliance, shaming the white
Glass of the moon, inflaming the night.
So Time shall pass and rest and pass again,
Burn with an endless zest and then return,

Walk at our side and tide us to new joys;
God's voice to guide us, beauty as our staff.
Thus shall Life be when Death has disappeared....
Jeered at? Well, let them laugh.
Written by Robert William Service | Create an image from this poem

Plebeian Plutocrat

 I own a gorgeous Cadillac,
 A chauffeur garbed in blue;
And as I sit behind his back
 His beefy neck I view.
Yet let me whisper, though you may
 Think me a ***** old cuss,
From Claude I often sneak away
 To board a bus.

A democrat, I love the crowd,
 The bustle and the din;
The market wives who gab aloud
 As they go out and in.
I chuckle as I pay my dime,
 With mien meticulous:
You can't believe how happy I'm;
 Aboard a bus.

The driver of my Cadillac
 Has such a haughty sneer;
I'm sure he would give me the sack
 If he beheld me here.
His horror all my friends would share
 Could they but see me thus:
A gleeful multi-millionaire
 Aboard a bus.
Written by Amy Lowell | Create an image from this poem

A Petition

 I pray to be the tool which to your hand
Long use has shaped and moulded till it be
Apt for your need, and, unconsideringly,
You take it for its service. I demand
To be forgotten in the woven strand
Which grows the multi-coloured tapestry
Of your bright life, and through its tissues lie
A hidden, strong, sustaining, grey-toned band.
I wish to dwell around your daylight dreams,
The railing to the stairway of the clouds,
To guard your steps securely up, where streams
A faery moonshine washing pale the crowds
Of pointed stars. Remember not whereby
You mount, protected, to the far-flung sky.
Written by Carl Sandburg | Create an image from this poem

Graceland

 TOMB of a millionaire,
A multi-millionaire, ladies and gentlemen,
Place of the dead where they spend every year
The usury of twenty-five thousand dollars
For upkeep and flowers
To keep fresh the memory of the dead.
The merchant prince gone to dust
Commanded in his written will
Over the signed name of his last testament
Twenty-five thousand dollars be set aside
For roses, lilacs, hydrangeas, tulips,
For perfume and color, sweetness of remembrance
Around his last long home.

(A hundred cash girls want nickels to go to the movies to-night.
In the back stalls of a hundred saloons, women are at tables
Drinking with men or waiting for men jingling loose
silver dollars in their pockets.
In a hundred furnished rooms is a girl who sells silk or
dress goods or leather stuff for six dollars a week wages
And when she pulls on her stockings in the morning she
is reckless about God and the newspapers and the
police, the talk of her home town or the name
people call her.)

Book: Radiant Verses: A Journey Through Inspiring Poetry