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Best Famous Moldering Poems

Here is a collection of the all-time best famous Moldering poems. This is a select list of the best famous Moldering poetry. Reading, writing, and enjoying famous Moldering poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of moldering poems.

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Written by Adrienne Rich | Create an image from this poem

Snapshots of a Daughter-In-Law

  1

You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory."

Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact. In the prime of your life.

Nervy, glowering, your daughter
wipes the teaspoons, grows another way.

 2

Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.

The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm,
a match burn to her thumbnail,

or held her hand above the kettle's snout
right inthe woolly steam. They are probably angels,
since nothing hurts her anymore, except
each morning's grit blowing into her eyes.

 3

A thinking woman sleeps with monsters.
The beak that grips her, she becomes. And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!

 4

Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn...
Reading while waiting
for the iron to heat,
writing, My Life had stood--a Loaded Gun--
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.

 5

Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.

 6

When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping 
over her cheek, only the song
of silk against her knees
and these 
adjusted in reflections of an eye.

Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine--
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?

 7

"To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence."
 Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.

 8

"You all die at fifteen," said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were--fire, tears,
wit, taste, martyred ambition--
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.

 9

Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time's precious chronic invalid,--
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us--
glitter in fragments and rough drafts.

Sigh no more, ladies.
 Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.

 10

 Well,
she's long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
 poised, still coming,
her fine blades making the air wince

but her cargo
no promise then:
delivered
palpable
ours.


Written by Edgar Allan Poe | Create an image from this poem

The Coliseum

 Type of the antique Rome! Rich reliquary 
Of lofty contemplation left to Time 
By buried centuries of pomp and power! 
At length- at length- after so many days 
Of weary pilgrimage and burning thirst, 
(Thirst for the springs of lore that in thee lie,) 
I kneel, an altered and an humble man, 
Amid thy shadows, and so drink within 
My very soul thy grandeur, gloom, and glory! 
Vastness! and Age! and Memories of Eld! 
Silence! and Desolation! and dim Night! 
I feel ye now- I feel ye in your strength- 
O spells more sure than e'er Judaean king 
Taught in the gardens of Gethsemane! 
O charms more potent than the rapt Chaldee 
Ever drew down from out the quiet stars! 

Here, where a hero fell, a column falls! 
Here, where the mimic eagle glared in gold, 
A midnight vigil holds the swarthy bat! 
Here, where the dames of Rome their gilded hair 
Waved to the wind, now wave the reed and thistle! 
Here, where on golden throne the monarch lolled, 
Glides, spectre-like, unto his marble home, 
Lit by the wan light of the horned moon, 
The swift and silent lizard of the stones! 

But stay! these walls- these ivy-clad arcades- 
These moldering plinths- these sad and blackened shafts- 
These vague entablatures- this crumbling frieze- 
These shattered cornices- this wreck- this ruin- 
These stones- alas! these grey stones- are they all- 
All of the famed, and the colossal left 
By the corrosive Hours to Fate and me? 

"Not all"- the Echoes answer me- "not all! 
Prophetic sounds and loud, arise forever 
From us, and from all Ruin, unto the wise, 
As melody from Memnon to the Sun. 
We rule the hearts of mightiest men- we rule 
With a despotic sway all giant minds. 
We are not impotent- we pallid stones. 
Not all our power is gone- not all our fame- 
Not all the magic of our high renown- 
Not all the wonder that encircles us- 
Not all the mysteries that in us lie- 
Not all the memories that hang upon 
And cling around about us as a garment, 
Clothing us in a robe of more than glory."
Written by James Whitcomb Riley | Create an image from this poem

The Old Guitar

 Neglected now is the old guitar
And moldering into decay;
Fretted with many a rift and scar
That the dull dust hides away,
While the spider spins a silver star
In its silent lips to-day.

The keys hold only nerveless strings--
The sinews of brave old airs
Are pulseless now; and the scarf that clings
So closely here declares
A sad regret in its ravelings
And the faded hue it wears.

But the old guitar, with a lenient grace,
Has cherished a smile for me;
And its features hint of a fairer face
That comes with a memory
Of a flower-and-perfume-haunted place
And a moonlit balcony.

Music sweeter than words confess,
Or the minstrel's powers invent,
Thrilled here once at the light caress
Of the fairy hands that lent
This excuse for the kiss I press
On the dear old instrument.

The rose of pearl with the jeweled stem
Still blooms; and the tiny sets
In the circle all are here; the gem
In the keys, and the silver frets;
But the dainty fingers that danced o'er them--
Alas for the heart's regrets!--

Alas for the loosened strings to-day,
And the wounds of rift and scar
On a worn old heart, with its roundelay
Enthralled with a stronger bar
That Fate weaves on, through a dull decay
Like that of the old guitar!
Written by Elizabeth Bishop | Create an image from this poem

Giant Toad

 I am too big. Too big by far. Pity me. 
 My eyes bulge and hurt. They are my one great beauty, even 
so. They see too much, above, below. And yet, there is not much 
to see. The rain has stopped. The mist is gathering on my skin 
in drops. The drops run down my back, run from the corners of 
my downturned mouth, run down my sides and drip beneath
my belly. Perhaps the droplets on my mottled hide are pretty,
like dewdrops, silver on a moldering leaf? They chill me 
through and through. I feel my colors changing now, my pig-
ments gradually shudder and shift over. 
 Now I shall get beneath that overhanging ledge. Slowly. Hop. 
Two or three times more, silently. That was too far. I'm 
standing up. The lichen's gray, and rough to my front feet. Get 
down. Turn facing out, it's safer. Don't breathe until the snail 
gets by. But we go travelling the same weathers. 
 Swallow the air and mouthfuls of cold mist. Give voice, just 
once. O how it echoed from the rock! What a profound, angelic 
bell I rang! 
 I live, I breathe, by swallowing. Once, some naughty children 
picked me up, me and two brothers. They set us down again 
somewhere and in our mouths they put lit cigarettes. We could 
not help but smoke them, to the end. I thought it was the death 
of me, but when I was entirely filled with smoke, when my slack 
mouth was burning, and all my tripes were hot and dry, they 
let us go. But I was sick for days. 
 I have big shoulders, like a boxer. They are not muscle, 
however, and their color is dark. They are my sacs of poison, 
the almost unused poison that I bear, my burden and my great 
responsibility. Big wings of poison, folded on my back. Beware,
I am an angel in disguise; my wings are evil, but not deadly. If 
I will it, the poison could break through, blue-black, and 
dangerous to all. Blue-black fumes would rise upon the air. 
Beware, you frivolous crab.

Book: Reflection on the Important Things