Written by
Wendell Berry |
You will be walking some night
in the comfortable dark of your yard
and suddenly a great light will shine
round about you, and behind you
will be a wall you never saw before.
It will be clear to you suddenly
that you were about to escape,
and that you are guilty: you misread
the complex instructions, you are not
a member, you lost your card
or never had one. And you will know
that they have been there all along,
their eyes on your letters and books,
their hands in your pockets,
their ears wired to your bed.
Though you have done nothing shameful,
they will want you to be ashamed.
They will want you to kneel and weep
and say you should have been like them.
And once you say you are ashamed,
reading the page they hold out to you,
then such light as you have made
in your history will leave you.
They will no longer need to pursue you.
You will pursue them, begging forgiveness.
They will not forgive you.
There is no power against them.
It is only candor that is aloof from them,
only an inward clarity, unashamed,
that they cannot reach. Be ready.
When their light has picked you out
and their questions are asked, say to them:
"I am not ashamed." A sure horizon
will come around you. The heron will begin
his evening flight from the hilltop.
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Written by
Barry Tebb |
Why is it that in dreams I have visited -
As teacher or pupil - almost every college and school
In our once so green and pleasant land?
Hardly a subject from art to anthropology I have not
In dream seminar or floating spinning classroom
Studied or tried my prentice hand at, or learned
At the sandalled feet of some guru; as this minute
I returned from an easeled art room with the title
Of my weekly essay, ‘Discuss the links between the work
Of any symbolist poet and Monet.’
O, how slowly I drifted back to consciousness
Probing delightedly the dizzying whitenesses of Mallarm?
Strolling along an avenue of linden trees
Under a Provencal sky of azure
Wet with the scent of jasmine and lavender.
Yet in reality, things could hardly have been more different:
Watching our children grow from their first tottering steps,
Helping to tend them in sickness, learning the basics
Of the healer’s art, taking an old man to a ward,
Listening, listening to how many troubled lives
And to my own, perhaps; seeking to tease a meaning
Or find a thread in the jumbled maze of sorrows
Souls in their turbulence and grief have wandered through.
I even wrote a novel, ‘A Gone World’ I called it,
And helped another with the birth-pangs of her own.
Trying my hand at translation I puzzled the subtle
Metaphors of Reverdy, wandering his midnight landscapes
Of windmills and cross-roads where faith meets fate
And neither will succumb.
I sat in a packed lecture hall while a Lacanian
Misread early Freud through a crooked lens
And for a year turned every seminar to war
To make him see his vision’s fatal flaw.
I poured over cabinets of case histories,
Tried living here and there and met an amah,
Teaching her Auden and Empson. Her tears mingled
With my own at our last hurried meeting
In a crowded tea room, teaching her Klein.
I sat through many a summer watching the children play,
Feeling a hermit’s contentment in his cave,
Contemplating Plato and envisioning that cave
Of his where shadows move against the wall;
And turn to see or fail to see
The need to turn at all.
|
Written by
William Matthews |
So here the great man stood,
fermenting malice and poems
we have to be nearly as fierce
against ourselves as he
not to misread by their disguises.
Blue in dawn haze, the tamarack
across the road is new since Frost
and thirty feet tall already.
No doubt he liked to scorch off
morning fog by simply staring through it
long enough so that what he saw
grew visible. "Watching the dragon
come out of the Notch," his children
used to call it. And no wonder
he chose a climate whose winter
and house whose isolation could be
stern enough to his wrath and pity
as to make them seem survival skills
he'd learned on the job, farming
fifty acres of pasture and woods.
For cash crops he had sweat and doubt
and moralizing rage, those staples
of the barter system. And these swift
and aching summers, like the blackberries
I've been poaching down the road
from the house where no one's home --
acid at first and each little globe
of the berry too taut and distinct
from the others, then they swell to hold
the riot of their juices and briefly
the fat berries are perfected to my taste,
and then they begin to leak and blob
and under their crescendo of sugar
I can taste how they make it through winter. . . .
By the time I'm back from a last,
six-berry raid, it's almost dusk,
and more and more mosquitos
will race around my ear their tiny engines,
the speedboats of the insect world.
I won't be longer on the porch
than it takes to look out once
and see what I've taught myself
in two months here to discern:
night restoring its opacities,
though for an instant as intense
and evanescent as waking from a dream
of eating blackberries and almost
being able to remember it, I think
I see the parts -- haze, dusk, light
broken into grains, fatigue,
the mineral dark of the White Mountains,
the wavering shadows steadying themselves --
separate, then joined, then seamless:
the way, in fact, Frost's great poems,
like all great poems, conceal
what they merely know, to be
predicaments. However long
it took to watch what I thought
I saw, it was dark when I was done,
everywhere and on the porch,
and since nothing stopped
my sight, I let it go.
|
Written by
John Berryman |
This is the lay of Ike.
Here's to the glory of the Grewt White—awk—
who has been running—er—er—things in recent—ech—
in the United—If your screen is black,
ladies & gentlemen, we—I like—
at the Point he was already terrific—sick
to a second term, having done no wrong—
no right—no · right—having let the Army—bang—
defend itself from Joe, let venom' Strauss
bile Oppenheimer out of use—use Robb,
who'll later fend for Goldfine—Breaking no laws,
he lay in the White House—sob!!—
who never understood his own strategy—whee—
so Monty's memoirs—nor any strategy,
wanting the ball bulled thro' all parts of the line
at once—proving, by his refusal to take Berlin,
he misread even Clauswitz—wide empty grin
that never lost a vote (O Adlai mine).
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