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Best Famous Minute Poems

Here is a collection of the all-time best famous Minute poems. This is a select list of the best famous Minute poetry. Reading, writing, and enjoying famous Minute poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of minute poems.

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Written by Edgar Allan Poe | Create an image from this poem

The Raven

ONCE upon a midnight dreary, while I pondered, weak and weary, 
Over many a quaint and curious volume of forgotten lore,¡ª 
While I nodded, nearly napping, suddenly there came a tapping, 
As of some one gently rapping, rapping at my chamber door.
"'T is some visitor," I muttered, "tapping at my chamber door; 5 Only this and nothing more.
" Ah, distinctly I remember it was in the bleak December And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;¡ªvainly I had sought to borrow From my books surcease of sorrow¡ªsorrow for the lost Lenore, 10 For the rare and radiant maiden whom the angels name Lenore: Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain Thrilled me¡ªfilled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating 15 "'T is some visitor entreating entrance at my chamber door, Some late visitor entreating entrance at my chamber door: This it is and nothing more.
" Presently my soul grew stronger; hesitating then no longer, "Sir," said I, "or Madam, truly your forgiveness I implore; 20 But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"¡ªhere I opened wide the door:¡ª Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing, 25 Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore:" Merely this and nothing more.
30 Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice; Let me see, then, what thereat is, and this mystery explore; Let my heart be still a moment and this mystery explore: 35 'T is the wind and nothing more.
" Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door, 40 Perched upon a bust of Pallas just above my chamber door: Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling By the grave and stern decorum of the countenance it wore,¡ª "Though thy crest be shorn and shaven, thou," I said, "art sure no craven, 45 Ghastly grim and ancient Raven wandering from the Nightly shore: Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore.
" Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning¡ªlittle relevancy bore; 50 For we cannot help agreeing that no living human being Ever yet was blessed with seeing bird above his chamber door, Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore.
" But the Raven, sitting lonely on the placid bust, spoke only 55 That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered, not a feather then he fluttered, Till I scarcely more than muttered,¡ª"Other friends have flown before; On the morrow he will leave me, as my Hopes have flown before.
" Then the bird said, "Nevermore.
" 60 Startled at the stillness broken by reply so aptly spoken, "Doubtless," said I, "what it utters is its only stock and store, Caught from some unhappy master whom unmerciful Disaster Followed fast and followed faster till his songs one burden bore: Till the dirges of his Hope that melancholy burden bore 65 Of 'Never¡ªnevermore.
' But the Raven still beguiling all my fancy into smiling, Straight I wheeled a cushioned seat in front of bird and bust and door; Then, upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore, 70 What this grim, ungainly, ghastly, gaunt, and ominous bird of yore Meant in croaking "Nevermore.
" This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom's core; This and more I sat divining, with my head at ease reclining 75 On the cushion's velvet lining that the lamplight gloated o'er, But whose velvet violet lining with the lamp-light gloating o'er She shall press, ah, nevermore! Then, methought, the air grew denser, perfumed from an unseen censer Swung by seraphim whose foot-falls tinkled on the tufted floor.
80 "Wretch," I cried, "thy God hath lent thee¡ªby these angels he hath sent thee Respite¡ªrespite and nepenthe from thy memories of Lenore!" Quaff, oh quaff this kind nepenthe, and forget this lost Lenore.
" Quoth the Raven, "Nevermore.
" "Prophet!" said I, "thing of evil! prophet still, if bird or devil! 85 Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted¡ª On this home by Horror haunted¡ªtell me truly, I implore: Is there¡ªis there balm in Gilead?¡ªtell me¡ªtell me, I implore!" Quoth the Raven, "Nevermore.
" 90 "Prophet!" said I, "thing of evil¡ªprophet still, if bird or devil! By that Heaven that bends above us, by that God we both adore, Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore: Clasp a rare and radiant maiden whom the angels name Lenore!" 95 Quoth the Raven, "Nevermore.
" "Be that word our sign of parting, bird or fiend!" I shrieked, upstarting: "Get thee back into the tempest and the Night's Plutonian shore! Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken! quit the bust above my door! 100 Take thy beak from out my heart, and take thy form from off my door!" Quoth the Raven, "Nevermore.
" And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, 105 And the lamp-light o'er him streaming throws his shadow on the floor: And my soul from out that shadow that lies floating on the floor Shall be lifted¡ªnevermore!


Written by Rudyard Kipling | Create an image from this poem

If

If you can keep your head when all about you 
Are losing theirs and blaming it on you; 
If you can trust yourself when all men doubt you, 
But make allowance for their doubting too: 
If you can wait and not be tired by waiting, 
Or, being lied about, don't deal in lies, 
Or being hated don't give way to hating, 
And yet don't look too good, nor talk too wise; 

If you can dream - and not make dreams your master; 
If you can think - and not make thoughts your aim, 
If you can meet with Triumph and Disaster 
And treat those two impostors just the same:.
If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build'em up with worn-out tools; If you can make one heap of all your winnings And risk it on one turn of pitch-and-toss, And lose, and start again at your beginnings, And never breathe a word about your loss: If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the Will which says to them: "Hold on!" If you can talk with crowds and keep your virtue, Or walk with Kings - nor lose the common touch, If neither foes nor loving friends can hurt you, If all men count with you, but none too much: If you can fill the unforgiving minute With sixty seconds' worth of distance run, Yours is the Earth and everything that's in it, And - which is more - you'll be a Man, my son!
Written by John Keats | Create an image from this poem

Ode to a Nightingale

MY heart aches, and a drowsy numbness pains 
My sense, as though of hemlock I had drunk, 
Or emptied some dull opiate to the drains 
One minute past, and Lethe-wards had sunk: 
'Tis not through envy of thy happy lot, 5 
But being too happy in thine happiness, 
That thou, light-wing¨¨d Dryad of the trees, 
In some melodious plot 
Of beechen green, and shadows numberless, 
Singest of summer in full-throated ease.
10 O for a draught of vintage! that hath been Cool'd a long age in the deep-delv¨¨d earth, Tasting of Flora and the country-green, Dance, and Proven?al song, and sunburnt mirth! O for a beaker full of the warm South! 15 Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stain¨¨d mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: 20 Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last grey hairs, 25 Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs; Where beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow.
30 Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, 35 And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways.
40 I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalm¨¨d darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; 45 White hawthorn, and the pastoral eglantine; Fast-fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves.
50 Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mus¨¨d rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, 55 To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! Still wouldst thou sing, and I have ears in vain¡ª To thy high requiem become a sod.
60 Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path 65 Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that ofttimes hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn.
70 Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades 75 Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:¡ªdo I wake or sleep? 80
Written by Aleister Crowley | Create an image from this poem

A Birthday

 "Aug.
" 10, 1911.
Full moon to-night; and six and twenty years Since my full moon first broke from angel spheres! A year of infinite love unwearying --- No circling seasons, but perennial spring! A year of triumph trampling through defeat, The first made holy and the last made sweet By this same love; a year of wealth and woe, Joy, poverty, health, sickness --- all one glow In the pure light that filled our firmament Of supreme silence and unbarred extent, Wherein one sacrament was ours, one Lord, One resurrection, one recurrent chord, One incarnation, one descending dove, All these being one, and that one being Love! You sent your spirit into tunes; my soul Yearned in a thousand melodies to enscroll Its happiness: I left no flower unplucked That might have graced your garland.
I induct Tragedy, comedy, farce, fable, song, Each longing a little, each a little long, But each aspiring only to express Your excellence and my unworthiness --- Nay! but my worthiness, since I was sense And spirit too of that same excellence.
So thus we solved the earth's revolving riddle: I could write verse, and you could play the fiddle, While, as for love, the sun went through the signs, And not a star but told him how love twines A wreath for every decanate, degree, Minute and second, linked eternally In chains of flowers that never fading are, Each one as sempiternal as a star.
Let me go back to your last birthday.
Then I was already your one man of men Appointed to complete you, and fulfil From everlasting the eternal will.
We lay within the flood of crimson light In my own balcony that August night, And conjuring the aright and the averse Created yet another universe.
We worked together; dance and rite and spell Arousing heaven and constraining hell.
We lived together; every hour of rest Was honied from your tiger-lily breast.
We --- oh what lingering doubt or fear betrayed My life to fate! --- we parted.
Was I afraid? I was afraid, afraid to live my love, Afraid you played the serpent, I the dove, Afraid of what I know not.
I am glad Of all the shame and wretchedness I had, Since those six weeks have taught me not to doubt you, And also that I cannot live without you.
Then I came back to you; black treasons rear Their heads, blind hates, deaf agonies of fear, Cruelty, cowardice, falsehood, broken pledges, The temple soiled with senseless sacrileges, Sickness and poverty, a thousand evils, Concerted malice of a million devils; --- You never swerved; your high-pooped galleon Went marvellously, majestically on Full-sailed, while every other braver bark Drove on the rocks, or foundered in the dark.
Then Easter, and the days of all delight! God's sun lit noontide and his moon midnight, While above all, true centre of our world, True source of light, our great love passion-pearled Gave all its life and splendour to the sea Above whose tides stood our stability.
Then sudden and fierce, no monitory moan, Smote the mad mischief of the great cyclone.
How far below us all its fury rolled! How vainly sulphur tries to tarnish gold! We lived together: all its malice meant Nothing but freedom of a continent! It was the forest and the river that knew The fact that one and one do not make two.
We worked, we walked, we slept, we were at ease, We cried, we quarrelled; all the rocks and trees For twenty miles could tell how lovers played, And we could count a kiss for every glade.
Worry, starvation, illness and distress? Each moment was a mine of happiness.
Then we grew tired of being country mice, Came up to Paris, lived our sacrifice There, giving holy berries to the moon, July's thanksgiving for the joys of June.
And you are gone away --- and how shall I Make August sing the raptures of July? And you are gone away --- what evil star Makes you so competent and popular? How have I raised this harpy-hag of Hell's Malice --- that you are wanted somewhere else? I wish you were like me a man forbid, Banned, outcast, nice society well rid Of the pair of us --- then who would interfere With us? --- my darling, you would now be here! But no! we must fight on, win through, succeed, Earn the grudged praise that never comes to meed, Lash dogs to kennel, trample snakes, put bit In the mule-mouths that have such need of it, Until the world there's so much to forgive in Becomes a little possible to live in.
God alone knows if battle or surrender Be the true courage; either has its splendour.
But since we chose the first, God aid the right, And damn me if I fail you in the fight! God join again the ways that lie apart, And bless the love of loyal heart to heart! God keep us every hour in every thought, And bring the vessel of our love to port! These are my birthday wishes.
Dawn's at hand, And you're an exile in a lonely land.
But what were magic if it could not give My thought enough vitality to live? Do not then dream this night has been a loss! All night I have hung, a god, upon the cross; All night I have offered incense at the shrine; All night you have been unutterably mine, Miner in the memory of the first wild hour When my rough grasp tore the unwilling flower From your closed garden, mine in every mood, In every tense, in every attitude, In every possibility, still mine While the sun's pomp and pageant, sign to sign, Stately proceeded, mine not only so In the glamour of memory and austral glow Of ardour, but by image of my brow Stronger than sense, you are even here and now Miner, utterly mine, my sister and my wife, Mother of my children, mistress of my life! O wild swan winging through the morning mist! The thousand thousand kisses that we kissed, The infinite device our love devised If by some chance its truth might be surprised, Are these all past? Are these to come? Believe me, There is no parting; they can never leave me.
I have built you up into my heart and brain So fast that we can never part again.
Why should I sing you these fantastic psalms When all the time I have you in my arms? Why? 'tis the murmur of our love that swells Earth's dithyrambs and ocean's oracles.
But this is dawn; my soul shall make its nest Where your sighs swing from rapture into rest Love's thurible, your tiger-lily breast.
Written by Raymond Carver | Create an image from this poem

Happiness

 So early it's still almost dark out.
I'm near the window with coffee, and the usual early morning stuff that passes for thought.
When I see the boy and his friend walking up the road to deliver the newspaper.
They wear caps and sweaters, and one boy has a bag over his shoulder.
They are so happy they aren't saying anything, these boys.
I think if they could, they would take each other's arm.
It's early in the morning, and they are doing this thing together.
They come on, slowly.
The sky is taking on light, though the moon still hangs pale over the water.
Such beauty that for a minute death and ambition, even love, doesn't enter into this.
Happiness.
It comes on unexpectedly.
And goes beyond, really, any early morning talk about it.


Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive! that everything was alive! To think that you and I did not see, feel, think, nor bear our part! To think that we are now here, and bear our part! 2 Not a day passes—not a minute or second, without an accouchement! Not a day passes—not a minute or second, without a corpse! The dull nights go over, and the dull days also, The soreness of lying so much in bed goes over, The physician, after long putting off, gives the silent and terrible look for an answer, The children come hurried and weeping, and the brothers and sisters are sent for, Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) The faithful hand of the living does not desert the hand of the dying, The twitching lips press lightly on the forehead of the dying, The breath ceases, and the pulse of the heart ceases, The corpse stretches on the bed, and the living look upon it, It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight, But without eye-sight lingers a different living, and looks curiously on the corpse.
3 To think the thought of Death, merged in the thought of materials! To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon others as upon us now—yet not act upon us! To think of all these wonders of city and country, and others taking great interest in them—and we taking no interest in them! To think how eager we are in building our houses! To think others shall be just as eager, and we quite indifferent! (I see one building the house that serves him a few years, or seventy or eighty years at most, I see one building the house that serves him longer than that.
) Slow-moving and black lines creep over the whole earth—they never cease—they are the burial lines, He that was President was buried, and he that is now President shall surely be buried.
4 A reminiscence of the vulgar fate, A frequent sample of the life and death of workmen, Each after his kind: Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in the streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, A hearse and stages—other vehicles give place—the funeral of an old Broadway stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the new-dug grave is halted at, the living alight, the hearse uncloses, The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin, the earth is swiftly shovel’d in, The mound above is flatted with the spades—silence, A minute—no one moves or speaks—it is done, He is decently put away—is there anything more? He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to take his own part, witty, sensitive to a slight, ready with life or death for a friend, fond of women, gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited toward the last, sicken’d, was help’d by a contribution, died, aged forty-one years—and that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing on somebody, headway, man before and man behind, good day’s work, bad day’s work, pet stock, mean stock, first out, last out, turning-in at night; To think that these are so much and so nigh to other drivers—and he there takes no interest in them! 5 The markets, the government, the working-man’s wages—to think what account they are through our nights and days! To think that other working-men will make just as great account of them—yet we make little or no account! The vulgar and the refined—what you call sin, and what you call goodness—to think how wide a difference! To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is! Have you pleasure from looking at the sky? have you pleasure from poems? Do you enjoy yourself in the city? or engaged in business? or planning a nomination and election? or with your wife and family? Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares? —These also flow onward to others—you and I flow onward, But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are! To think there will still be farms, profits, crops—yet for you, of what avail? 6 What will be, will be well—for what is, is well, To take interest is well, and not to take interest shall be well.
The sky continues beautiful, The pleasure of men with women shall never be sated, nor the pleasure of women with men, nor the pleasure from poems, The domestic joys, the daily housework or business, the building of houses—these are not phantasms—they have weight, form, location; Farms, profits, crops, markets, wages, government, are none of them phantasms, The difference between sin and goodness is no delusion, The earth is not an echo—man and his life, and all the things of his life, are well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself; Yourself! Yourself! Yourself, forever and ever! 7 It is not to diffuse you that you were born of your mother and father—it is to identify you; It is not that you should be undecided, but that you should be decided; Something long preparing and formless is arrived and form’d in you, You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is systematic.
The preparations have every one been justified, The orchestra have sufficiently tuned their instruments—the baton has given the signal.
The guest that was coming—he waited long, for reasons—he is now housed, He is one of those who are beautiful and happy—he is one of those that to look upon and be with is enough.
The law of the past cannot be eluded, The law of the present and future cannot be eluded, The law of the living cannot be eluded—it is eternal, The law of promotion and transformation cannot be eluded, The law of heroes and good-doers cannot be eluded, The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8 Slow moving and black lines go ceaselessly over the earth, Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and they on the Pacific, and they between, and all through the Mississippi country, and all over the earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well, The known leaders and inventors, and the rich owners and pious and distinguish’d, may be well, But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing, The barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing—the American aborigines are not nothing, The infected in the immigrant hospital are not nothing—the murderer or mean person is not nothing, The perpetual successions of shallow people are not nothing as they go, The lowest prostitute is not nothing—the mocker of religion is not nothing as he goes.
9 Of and in all these things, I have dream’d that we are not to be changed so much, nor the law of us changed, I have dream’d that heroes and good-doers shall be under the present and past law, And that murderers, drunkards, liars, shall be under the present and past law, For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung, If maggots and rats ended us, then Alarum! for we are betray’d! Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now, Do you think I could walk pleasantly and well-suited toward annihilation? 10 Pleasantly and well-suited I walk, Whither I walk I cannot define, but I know it is good, The whole universe indicates that it is good, The past and the present indicate that it is good.
How beautiful and perfect are the animals! How perfect the earth, and the minutest thing upon it! What is called good is perfect, and what is called bad is just as perfect, The vegetables and minerals are all perfect, and the imponderable fluids are perfect; Slowly and surely they have pass’d on to this, and slowly and surely they yet pass on.
11 I swear I think now that everything without exception has an eternal Soul! The trees have, rooted in the ground! the weeds of the sea have! the animals! I swear I think there is nothing but immortality! That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is for it; And all preparation is for it! and identity is for it! and life and materials are altogether for it
Written by William Wordsworth | Create an image from this poem

WE ARE SEVEN

  A simple child, dear brother Jim,
  That lightly draws its breath,
  And feels its life in every limb,
  What should it know of death?

  I met a little cottage girl,
  She was eight years old, she said;
  Her hair was thick with many a curl
  That cluster'd round her head.

  She had a rustic, woodland air,
  And she was wildly clad;
  Her eyes were fair, and very fair,
  —Her beauty made me glad.

  "Sisters and brothers, little maid,
  How many may you be?"
  "How many? seven in all," she said,
  And wondering looked at me.

  "And where are they, I pray you tell?"
  She answered, "Seven are we,
  And two of us at Conway dwell,
  And two are gone to sea.
"

  "Two of us in the church-yard lie,
  My sister and my brother,
  And in the church-yard cottage, I
  Dwell near them with my mother.
"

  "You say that two at Conway dwell,
  And two are gone to sea,
  Yet you are seven; I pray you tell
  Sweet Maid, how this may be?"

  Then did the little Maid reply,
  "Seven boys and girls are we;
  Two of us in the church-yard lie,
  Beneath the church-yard tree.
"

  "You run about, my little maid,
  Your limbs they are alive;
  If two are in the church-yard laid,
  Then ye are only five.
"

  "Their graves are green, they may be seen,"
  The little Maid replied,
  "Twelve steps or more from my mother's door,
  And they are side by side.
"

  "My stockings there I often knit,
  My 'kerchief there I hem;
  And there upon the ground I sit—
  I sit and sing to them.
"

  "And often after sunset, Sir,
  When it is light and fair,
  I take my little porringer,
  And eat my supper there.
"

  "The first that died was little Jane;
  In bed she moaning lay,
  Till God released her of her pain,
  And then she went away.
"

  "So in the church-yard she was laid,
  And all the summer dry,
  Together round her grave we played,
  My brother John and I.
"

  "And when the ground was white with snow,
  And I could run and slide,
  My brother John was forced to go,
  And he lies by her side.
"

  "How many are you then," said I,
  "If they two are in Heaven?"
  The little Maiden did reply,
  "O Master! we are seven.
"

  "But they are dead; those two are dead!
  Their spirits are in heaven!"
  'Twas throwing words away; for still
  The little Maid would have her will,
  And said, "Nay, we are seven!"

ANECDOTE for FATHERS,
   Shewing how the practice of Lying may be taught.

  I have a boy of five years old,
  His face is fair and fresh to see;
  His limbs are cast in beauty's mould,
  And dearly he loves me.

  One morn we stroll'd on our dry walk,
  Our quiet house all full in view,
  And held such intermitted talk
  As we are wont to do.

  My thoughts on former pleasures ran;
  I thought of Kilve's delightful shore,
  My pleasant home, when Spring began,
  A long, long year before.

  A day it was when I could bear
  To think, and think, and think again;
  With so much happiness to spare,
  I could not feel a pain.

  My boy was by my side, so slim
  And graceful in his rustic dress!
  And oftentimes I talked to him
  In very idleness.

  The young lambs ran a pretty race;
  The morning sun shone bright and warm;
  "Kilve," said I, "was a pleasant place,
  And so is Liswyn farm.
"

  "My little boy, which like you more,"
  I said and took him by the arm—
  "Our home by Kilve's delightful shore,
  Or here at Liswyn farm?"

  "And tell me, had you rather be,"
  I said and held-him by the arm,
  "At Kilve's smooth shore by the green sea,
  Or here at Liswyn farm?"

  In careless mood he looked at me,
  While still I held him by the arm,
  And said, "At Kilve I'd rather be
  Than here at Liswyn farm.
"

  "Now, little Edward, say why so;
  My little Edward, tell me why;"
  "I cannot tell, I do not know.
"
  "Why this is strange," said I.

  "For, here are woods and green hills warm:
  There surely must some reason be
  Why you would change sweet Liswyn farm,
  For Kilve by the green sea.
"

  At this, my boy hung down his head,
  He blush'd with shame, nor made reply;
  And five times to the child I said,
  "Why, Edward, tell me, why?"

  His head he raised—there was in sight,
  It caught his eye, he saw it plain—
  Upon the house-top, glittering bright,
  A broad and gilded vane.

  Then did the boy his tongue unlock,
  And thus to me he made reply;
  "At Kilve there was no weather-cock,
  And that's the reason why.
"

  Oh dearest, dearest boy! my heart
  For better lore would seldom yearn
  Could I but teach the hundredth part
  Of what from thee I learn.

LINES
  Written at a small distance from my House, and sent by
  my little boy to the person to whom they are addressed.

  It is the first mild day of March:
  Each minute sweeter than before,
  The red-breast sings from the tall larch
  That stands beside our door.

  There is a blessing in the air,
  Which seems a sense of joy to yield
  To the bare trees, and mountains bare,
  And grass in the green field.

  My Sister! ('tis a wish of mine)
  Now that our morning meal is done,
  Make haste, your morning task resign;
  Come forth and feel the sun.

  Edward will come with you, and pray,
  Put on with speed your woodland dress,
  And bring no book, for this one day
  We'll give to idleness.

  No joyless forms shall regulate
  Our living Calendar:
  We from to-day, my friend, will date
  The opening of the year.

  Love, now an universal birth,
  From heart to heart is stealing,
  From earth to man, from man to earth,
  —It is the hour of feeling.

  One moment now may give us more
  Than fifty years of reason;
  Our minds shall drink at every pore
  The spirit of the season.

  Some silent laws our hearts may make,
  Which they shall long obey;
  We for the year to come may take
  Our temper from to-day.

  And from the blessed power that rolls
  About, below, above;
  We'll frame the measure of our souls,
  They shall be tuned to love.

  Then come, my sister I come, I pray,
  With speed put on your woodland dress,
  And bring no book; for this one day
  We'll give to idleness.

Written by Raymond Carver | Create an image from this poem

This Morning

 This morning was something.
A little snow lay on the ground.
The sun floated in a clear blue sky.
The sea was blue, and blue-green, as far as the eye could see.
Scarcely a ripple.
Calm.
I dressed and went for a walk -- determined not to return until I took in what Nature had to offer.
I passed close to some old, bent-over trees.
Crossed a field strewn with rocks where snow had drifted.
Kept going until I reached the bluff.
Where I gazed at the sea, and the sky, and the gulls wheeling over the white beach far below.
All lovely.
All bathed in a pure cold light.
But, as usual, my thoughts began to wander.
I had to will myself to see what I was seeing and nothing else.
I had to tell myself this is what mattered, not the other.
(And I did see it, for a minute or two!) For a minute or two it crowded out the usual musings on what was right, and what was wrong -- duty, tender memories, thoughts of death, how I should treat with my former wife.
All the things I hoped would go away this morning.
The stuff I live with every day.
What I've trampled on in order to stay alive.
But for a minute or two I did forget myself and everything else.
I know I did.
For when I turned back i didn't know where I was.
Until some birds rose up from the gnarled trees.
And flew in the direction I needed to be going.
Written by John Drinkwater | Create an image from this poem

Persuasion

Persuasion

I 	At any moment love unheralded
Comes, and is king.
Then as, with a fall Of frost, the buds upon the hawthorn spread Are withered in untimely burial, So love, occasion gone, his crown puts by, And as a beggar walks unfriended ways, With but remembered beauty to defy The frozen sorrows of unsceptred days.
Or in that later travelling he comes Upon a bleak oblivion, and tells Himself, again, again, forgotten tombs Are all now that love was, and blindly spells His royal state of old a glory cursed, Saying 'I have forgot', and that's the worst.
II If we should part upon that one embrace, And set our courses ever, each from each, With all our treasure but a fading face And little ghostly syllables of speech; Should beauty's moment never be renewed, And moons on moons look out for us in vain, And each but whisper from a solitude To hear but echoes of a lonely pain, — Still in a world that fortune cannot change Should walk those two that once were you and I, Those two that once when moon and stars were strange Poets above us in an April sky, Heard a voice falling on the midnight sea, Mute, and for ever, but for you and me.
III This nature, this great flood of life, this cheat That uses us as baubles for her coat, Takes love, that should be nothing but the beat Of blood for its own beauty, by the throat, Saying, you are my servant and shall do My purposes, or utter bitterness Shall be your wage, and nothing come to you But stammering tongues that never can confess.
Undaunted then in answer here I cry, 'You wanton, that control the hand of him Who masquerades as wisdom in a sky Where holy, holy, sing the cherubim, I will not pay one penny to your name Though all my body crumble into shame.
' IV Woman, I once had whimpered at your hand, Saying that all the wisdom that I sought Lay in your brain, that you were as the sand Should cleanse the muddy mirrors of my thought; I should have read in you the character Of oracles that quick a thousand lays, Looked in your eyes, and seen accounted there Solomons legioned for bewildered praise.
Now have I learnt love as love is.
I take Your hand, and with no inquisition learn All that your eyes can tell, and that's to make A little reckoning and brief, then turn Away, and in my heart I hear a call, 'I love, I love, I love'; and that is all.
V When all the hungry pain of love I bear, And in poor lightless thought but burn and burn, And wit goes hunting wisdom everywhere, Yet can no word of revelation learn; When endlessly the scales of yea and nay In dreadful motion fall and rise and fall, When all my heart in sorrow I could pay Until at last were left no tear at all; Then if with tame or subtle argument Companions come and draw me to a place Where words are but the tappings of content, And life spreads all her garments with a grace, I curse that ease, and hunger in my heart Back to my pain and lonely to depart.
VI Not anything you do can make you mine, For enterprise with equal charity In duty as in love elect will shine, The constant slave of mutability.
Nor can your words for all their honey breath Outsing the speech of many an older rhyme, And though my ear deliver them from death One day or two, it is so little time.
Nor does your beauty in its excellence Excel a thousand in the daily sun, Yet must I put a period to pretence, And with my logic's catalogue have done, For act and word and beauty are but keys To unlock the heart, and you, dear love, are these.
VII Never the heart of spring had trembled so As on that day when first in Paradise We went afoot as novices to know For the first time what blue was in the skies, What fresher green than any in the grass, And how the sap goes beating to the sun, And tell how on the clocks of beauty pass Minute by minute till the last is done.
But not the new birds singing in the brake, And not the buds of our discovery, The deeper blue, the wilder green, the ache For beauty that we shadow as we see, Made heaven, but we, as love's occasion brings, Took these, and made them Paradisal things.
VIII The lilacs offer beauty to the sun, Throbbing with wonder as eternally For sad and happy lovers they have done With the first bloom of summer in the sky; Yet they are newly spread in honour now, Because, for every beam of beauty given Out of that clustering heart, back to the bough My love goes beating, from a greater heaven.
So be my love for good or sorry luck Bound, it has virtue on this April eve That shall be there for ever when they pluck Lilacs for love.
And though I come to grieve Long at a frosty tomb, there still shall be My happy lyric in the lilac tree.
IX When they make silly question of my love, And speak to me of danger and disdain, And look by fond old argument to move My wisdom to docility again; When to my prouder heart they set the pride Of custom and the gossip of the street, And show me figures of myself beside A self diminished at their judgment seat; Then do I sit as in a drowsy pew To hear a priest expounding th' heavenly will, Defiling wonder that he never knew With stolen words of measured good and ill; For to the love that knows their counselling, Out of my love contempt alone I bring.
X Not love of you is most that I can bring, Since what I am to love you is the test, And should I love you more than any thing You would but be of idle love possessed, A mere love wandering in appetite, Counting your glories and yet bringing none, Finding in you occasions of delight, A thief of payment for no service done.
But when of labouring life I make a song And bring it you, as that were my reward, To let what most is me to you belong, Then do I come of high possessions lord, And loving life more than my love of you I give you love more excellently true.
XI What better tale could any lover tell When age or death his reckoning shall write Than thus, 'Love taught me only to rebel Against these things, — the thieving of delight Without return; the gospellers of fear Who, loving, yet deny the truth they bear, Sad-suited lusts with lecherous hands to smear The cloth of gold they would but dare not wear.
And love gave me great knowledge of the trees, And singing birds, and earth with all her flowers; Wisdom I knew and righteousness in these, I lived in their atonement all my hours; Love taught me how to beauty's eye alone The secret of the lying heart is known.
' XII This then at last; we may be wiser far Than love, and put his folly to our measure, Yet shall we learn, poor wizards that we are, That love chimes not nor motions at our pleasure.
We bid him come, and light an eager fire, And he goes down the road without debating; We cast him from the house of our desire, And when at last we leave he will be waiting.
And in the end there is no folly but this, To counsel love out of our little learning.
For still he knows where rotten timber is, And where the boughs for the long winter burning; And when life needs no more of us at all, Love's word will be the last that we recall.
Written by Robert Browning | Create an image from this poem

The Glove

 (PETER RONSARD _loquitur_.
) ``Heigho!'' yawned one day King Francis, ``Distance all value enhances! ``When a man's busy, why, leisure ``Strikes him as wonderful pleasure: `` 'Faith, and at leisure once is he? ``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm ``Caught thinking war the true pastime.
``Is there a reason in metre? ``Give us your speech, master Peter!'' I who, if mortal dare say so, Ne'er am at loss with my Naso, ``Sire,'' I replied, ``joys prove cloudlets: ``Men are the merest Ixions''--- Here the King whistled aloud, ``Let's ``---Heigho---go look at our lions!'' Such are the sorrowful chances If you talk fine to King Francis.
And so, to the courtyard proceeding, Our company, Francis was leading, Increased by new followers tenfold Before be arrived at the penfold; Lords, ladies, like clouds which bedizen At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost With the dame he professed to adore most.
Oh, what a face! One by fits eyed Her, and the horrible pitside; For the penfold surrounded a hollow Which led where the eye scarce dared follow, And shelved to the chamber secluded Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab As glossy and black as a scarab,*1 And bade him make sport and at once stir Up and out of his den the old monster.
They opened a hole in the wire-work Across it, and dropped there a firework, And fled: one's heart's beating redoubled; A pause, while the pit's mouth was troubled, The blackness and silence so utter, By the firework's slow sparkling and sputter; Then earth in a sudden contortion Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot (Whose experience of nature's but narrow, And whose faculties move in no small mist When he versifies David the Psalmist) I should study that brute to describe you _Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy To see the black mane, vast and heapy, The tail in the air stiff and straining, The wide eyes, nor waxing nor waning, As over the barrier which bounded His platform, and us who surrounded The barrier, they reached and they rested On space that might stand him in best stead: For who knew, he thought, what the amazement, The eruption of clatter and blaze meant, And if, in this minute of wonder, No outlet, 'mid lightning and thunder, Lay broad, and, his shackles all shivered, The lion at last was delivered? Ay, that was the open sky o'erhead! And you saw by the flash on his forehead, By the hope in those eyes wide and steady, He was leagues in the desert already, Driving the flocks up the mountain, Or catlike couched hard by the fountain To waylay the date-gathering negress: So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear, (``No novice, we've won our spurs elsewhere ``And so can afford the confession,) ``We exercise wholesome discretion ``In keeping aloof from his threshold; ``Once hold you, those jaws want no fresh hold, ``Their first would too pleasantly purloin ``The visitor's brisket or surloin: ``But who's he would prove so fool-hardy? ``Not the best man of Marignan, pardie!'' The sentence no sooner was uttered, Than over the rails a glove flattered, Fell close to the lion, and rested: The dame 'twas, who flung it and jested With life so, De Lorge had been wooing For months past; he sat there pursuing His suit, weighing out with nonchalance Fine speeches like gold from a balance.
Sound the trumpet, no true knight's a tarrier! De Lorge made one leap at the barrier, Walked straight to the glove,---while the lion Neer moved, kept his far-reaching eye on The palm-tree-edged desert-spring's sapphire, And the musky oiled skin of the Kaffir,--- Picked it up, and as calmly retreated, Leaped back where the lady was seated, And full in the face of its owner Flung the glove.
``Your heart's queen, you dethrone her? ``So should I!''---cried the King---``'twas mere vanity, ``Not love, set that task to humanity!'' Lords and ladies alike turned with loathing From such a proved wolf in sheep's clothing.
Not so, I; for I caught an expression In her brow's undisturbed self-possession Amid the Court's scoffing and merriment,--- As if from no pleasing experiment She rose, yet of pain not much heedful So long as the process was needful,--- As if she had tried in a crucible, To what ``speeches like gold'' were reducible, And, finding the finest prove copper, Felt the smoke in her face was but proper; To know what she had _not_ to trust to, Was worth all the ashes and dust too.
She went out 'mid hooting and laughter; Clement Marot stayed; I followed after, And asked, as a grace, what it all meant? If she wished not the rash deed's recalment? ``For I''---so I spoke---``am a poet: ``Human nature,---behoves that I know it!'' She told me, ``Too long had I heard ``Of the deed proved alone by the word: ``For my love---what De Lorge would not dare! ``With my scorn---what De Lorge could compare! ``And the endless descriptions of death ``He would brave when my lip formed a breath, ``I must reckon as braved, or, of course, ``Doubt his word---and moreover, perforce, ``For such gifts as no lady could spurn, ``Must offer my love in return.
``When I looked on your lion, it brought ``All the dangers at once to my thought, ``Encountered by all sorts of men, ``Before he was lodged in his den,--- ``From the poor slave whose club or bare hands ``Dug the trap, set the snare on the sands, ``With no King and no Court to applaud, ``By no shame, should he shrink, overawed, ``Yet to capture the creature made shift, ``That his rude boys might laugh at the gift, ``---To the page who last leaped o'er the fence ``Of the pit, on no greater pretence ``Than to get back the bonnet he dropped, ``Lest his pay for a week should be stopped.
``So, wiser I judged it to make ``One trial what `death for my sake' ``Really meant, while the power was yet mine, ``Than to wait until time should define ``Such a phrase not so simply as I, ``Who took it to mean just `to die.
' ``The blow a glove gives is but weak: ``Does the mark yet discolour my cheek? ``But when the heart suffers a blow, ``Will the pain pass so soon, do you know?'' I looked, as away she was sweeping, And saw a youth eagerly keeping As close as he dared to the doorway.
No doubt that a noble should more weigh His life than befits a plebeian; And yet, had our brute been Nemean--- (I judge by a certain calm fervour The youth stepped with, forward to serve her) ---He'd have scarce thought you did him the worst turn If you whispered ``Friend, what you'd get, first earn!'' And when, shortly after, she carried Her shame from the Court, and they married, To that marriage some happiness, maugre The voice of the Court, I dared augur.
For De Lorge, he made women with men vie, Those in wonder and praise, these in envy; And in short stood so plain a head taller That he wooed and won .
.
.
how do you call her? The beauty, that rose in the sequel To the King's love, who loved her a week well.
And 'twas noticed he never would honour De Lorge (who looked daggers upon her) With the easy commission of stretching His legs in the service, and fetching His wife, from her chamber, those straying Sad gloves she was always mislaying, While the King took the closet to chat in,--- But of course this adventure came pat in.
And never the King told the story, How bringing a glove brought such glory, But the wife smiled---``His nerves are grown firmer: ``Mine he brings now and utters no murmur.
'' _Venienti occurrite morbo!_ With which moral I drop my theorbo.
*1 A beetle.

Book: Reflection on the Important Things