Written by
Walt Whitman |
1
GIVE me the splendid silent sun, with all his beams full-dazzling;
Give me juicy autumnal fruit, ripe and red from the orchard;
Give me a field where the unmow’d grass grows;
Give me an arbor, give me the trellis’d grape;
Give me fresh corn and wheat—give me serene-moving animals, teaching content;
Give me nights perfectly quiet, as on high plateaus west of the Mississippi, and I looking
up
at the
stars;
Give me odorous at sunrise a garden of beautiful flowers, where I can walk
undisturb’d;
Give me for marriage a sweet-breath’d woman, of whom I should never tire;
Give me a perfect child—give me, away, aside from the noise of the world, a rural,
domestic
life;
Give me to warble spontaneous songs, reliev’d, recluse by myself, for my own ears
only;
Give me solitude—give me Nature—give me again, O Nature, your primal sanities!
—These, demanding to have them, (tired with ceaseless excitement, and rack’d by
the
war-strife;)
These to procure, incessantly asking, rising in cries from my heart,
While yet incessantly asking, still I adhere to my city;
Day upon day, and year upon year, O city, walking your streets,
Where you hold me enchain’d a certain time, refusing to give me up;
Yet giving to make me glutted, enrich’d of soul—you give me forever faces;
(O I see what I sought to escape, confronting, reversing my cries;
I see my own soul trampling down what it ask’d for.
)
2
Keep your splendid, silent sun;
Keep your woods, O Nature, and the quiet places by the woods;
Keep your fields of clover and timothy, and your corn-fields and orchards;
Keep the blossoming buckwheat fields, where the Ninth-month bees hum;
Give me faces and streets! give me these phantoms incessant and endless along the
trottoirs!
Give me interminable eyes! give me women! give me comrades and lovers by the thousand!
Let me see new ones every day! let me hold new ones by the hand every day!
Give me such shows! give me the streets of Manhattan!
Give me Broadway, with the soldiers marching—give me the sound of the trumpets and
drums!
(The soldiers in companies or regiments—some, starting away, flush’d and
reckless;
Some, their time up, returning, with thinn’d ranks—young, yet very old, worn,
marching,
noticing nothing;)
—Give me the shores and the wharves heavy-fringed with the black ships!
O such for me! O an intense life! O full to repletion, and varied!
The life of the theatre, bar-room, huge hotel, for me!
The saloon of the steamer! the crowded excursion for me! the torch-light procession!
The dense brigade, bound for the war, with high piled military wagons following;
People, endless, streaming, with strong voices, passions, pageants;
Manhattan streets, with their powerful throbs, with the beating drums, as now;
The endless and noisy chorus, the rustle and clank of muskets, (even the sight of the
wounded;)
Manhattan crowds, with their turbulent musical chorus—with varied chorus, and light
of the
sparkling eyes;
Manhattan faces and eyes forever for me.
|
Written by
Anne Sexton |
I knew you forever and you were always old,
soft white lady of my heart.
Surely you would scold
me for sitting up late, reading your letters,
as if these foreign postmarks were meant for me.
You posted them first in London, wearing furs
and a new dress in the winter of eighteen-ninety.
I read how London is dull on Lord Mayor's Day,
where you guided past groups of robbers, the sad holes
of Whitechapel, clutching your pocketbook, on the way
to Jack the Ripper dissecting his famous bones.
This Wednesday in Berlin, you say, you will
go to a bazaar at Bismarck's house.
And I
see you as a young girl in a good world still,
writing three generations before mine.
I try
to reach into your page and breathe it back.
.
.
but life is a trick, life is a kitten in a sack.
This is the sack of time your death vacates.
How distant your are on your nickel-plated skates
in the skating park in Berlin, gliding past
me with your Count, while a military band
plays a Strauss waltz.
I loved you last,
a pleated old lady with a crooked hand.
Once you read Lohengrin and every goose
hung high while you practiced castle life
in Hanover.
Tonight your letters reduce
history to a guess.
The count had a wife.
You were the old maid aunt who lived with us.
Tonight I read how the winter howled around
the towers of Schloss Schwobber, how the tedious
language grew in your jaw, how you loved the sound
of the music of the rats tapping on the stone
floors.
When you were mine you wore an earphone.
This is Wednesday, May 9th, near Lucerne,
Switzerland, sixty-nine years ago.
I learn
your first climb up Mount San Salvatore;
this is the rocky path, the hole in your shoes,
the yankee girl, the iron interior
of her sweet body.
You let the Count choose
your next climb.
You went together, armed
with alpine stocks, with ham sandwiches
and seltzer wasser.
You were not alarmed
by the thick woods of briars and bushes,
nor the rugged cliff, nor the first vertigo
up over Lake Lucerne.
The Count sweated
with his coat off as you waded through top snow.
He held your hand and kissed you.
You rattled
down on the train to catch a steam boat for home;
or other postmarks: Paris, verona, Rome.
This is Italy.
You learn its mother tongue.
I read how you walked on the Palatine among
the ruins of the palace of the Caesars;
alone in the Roman autumn, alone since July.
When you were mine they wrapped you out of here
with your best hat over your face.
I cried
because I was seventeen.
I am older now.
I read how your student ticket admitted you
into the private chapel of the Vatican and how
you cheered with the others, as we used to do
on the fourth of July.
One Wednesday in November
you watched a balloon, painted like a silver abll,
float up over the Forum, up over the lost emperors,
to shiver its little modern cage in an occasional
breeze.
You worked your New England conscience out
beside artisans, chestnut vendors and the devout.
Tonight I will learn to love you twice;
learn your first days, your mid-Victorian face.
Tonight I will speak up and interrupt
your letters, warning you that wars are coming,
that the Count will die, that you will accept
your America back to live like a prim thing
on the farm in Maine.
I tell you, you will come
here, to the suburbs of Boston, to see the blue-nose
world go drunk each night, to see the handsome
children jitterbug, to feel your left ear close
one Friday at Symphony.
And I tell you,
you will tip your boot feet out of that hall,
rocking from its sour sound, out onto
the crowded street, letting your spectacles fall
and your hair net tangle as you stop passers-by
to mumble your guilty love while your ears die.
|
Written by
Bob Kaufman |
On yardbird corners of embryonic hopes, drowned in a heroin tear.
On yardbird corners of parkerflights to sound filled pockets in space.
On neuro-corners of striped brains & desperate electro-surgeons.
On alcohol corners of pointless discussion & historical hangovers.
On television corners of cornflakes & rockwells impotent America.
On university corners of tailored intellect & greek letter openers.
On military corners of megathon deaths & universal anesthesia.
On religious corners of theological limericks and
On radio corners of century-long records & static events.
On advertising corners of filter-tipped ice-cream & instant instants
On teen-age corners of comic book seduction and corrupted guitars,
On political corners of wamted candidates & ritual lies.
On motion picture corners of lassie & other symbols.
On intellectual corners of conversational therapy & analyzed fear.
On newspaper corners of sexy headlines & scholarly comics.
On love divided corners of die now pay later mortuaries.
On philosophical corners of semantic desperadoes & idea-mongers.
On middle class corners of private school puberty & anatomical revolts
On ultra-real corners of love on abandoned roller-coasters
On lonely poet corners of low lying leaves & moist prophet eyes.
|
Written by
Du Fu |
Hear say Chang'an resemble Chinese chess
Hundred years world affairs not bear sorrow
Nobility degree dwelling all new master
Civil military clothes cap different former time
Straight north pass mountain gold drum arouse
Invade west cart horse feather document hurry
Fish dragon still silent autumn river cold
Motherland peace live have thing think I've heard them say that Chang'an seems like in a game of chess,
A hundred years of world events have caused unbearable pain.
The palaces of the noblemen all have their new masters,
Civil and military dress and caps are not like those before.
Straight north over mountain passes, gongs and drums ring out,
Conquering the west, carts and horses, feather-hurried dispatches.
The fish and dragons are still and silent, the autumn river cold,
A peaceful life in my homeland always in my thoughts.
|
Written by
Philip Levine |
The first time I drank gin
I thought it must be hair tonic.
My brother swiped the bottle
from a guy whose father owned
a drug store that sold booze
in those ancient, honorable days
when we acknowledged the stuff
was a drug.
Three of us passed
the bottle around, each tasting
with disbelief.
People paid
for this? People had to have
it, the way we had to have
the women we never got near.
(Actually they were girls, but
never mind, the important fact
was their impenetrability.
)
Leo, the third foolish partner,
suggested my brother should have
swiped Canadian whiskey or brandy,
but Eddie defended his choice
on the grounds of the expressions
"gin house" and "gin lane," both
of which indicated the preeminence
of gin in the world of drinking,
a world we were entering without
understanding how difficult
exit might be.
Maybe the bliss
that came with drinking came
only after a certain period
of apprenticeship.
Eddie likened
it to the holy man's self-flagellation
to experience the fullness of faith.
(He was very well read for a kid
of fourteen in the public schools.
)
So we dug in and passed the bottle
around a second time and then a third,
in the silence each of us expecting
some transformation.
"You get used
to it," Leo said.
"You don't
like it but you get used to it.
"
I know now that brain cells
were dying for no earthly purpose,
that three boys were becoming
increasingly despiritualized
even as they took into themselves
these spirits, but I thought then
I was at last sharing the world
with the movie stars, that before
long I would be shaving because
I needed to, that hair would
sprout across the flat prairie
of my chest and plunge even
to my groin, that first girls
and then women would be drawn
to my qualities.
Amazingly, later
some of this took place, but
first the bottle had to be
emptied, and then the three boys
had to empty themselves of all
they had so painfully taken in
and by means even more painful
as they bowed by turns over
the eye of the toilet bowl
to discharge their shame.
Ahead
lay cigarettes, the futility
of guaranteed programs of
exercise, the elaborate lies
of conquest no one believed,
forms of sexual torture and
rejection undreamed of.
Ahead
lay our fifteenth birthdays,
acne, deodorants, crabs, salves,
butch haircuts, draft registration,
the military and political victories
of Dwight Eisenhower, who brought us
Richard Nixon with wife and dog.
Any wonder we tried gin.
|
Written by
Allen Ginsberg |
To Ezra Pound
These are the names of the companies that have made
money from this war
nineteenhundredsixtyeight Annodomini fourthousand
eighty Hebraic
These are the Corporations who have profited by merchan-
dising skinburning phosphorous or shells fragmented
to thousands of fleshpiercing needles
and here listed money millions gained by each combine for
manufacture
and here are gains numbered, index'd swelling a decade, set
in order,
here named the Fathers in office in these industries, tele-
phones directing finance,
names of directors, makers of fates, and the names of the
stockholders of these destined Aggregates,
and here are the names of their ambassadors to the Capital,
representatives to legislature, those who sit drinking
in hotel lobbies to persuade,
and separate listed, those who drop Amphetamine with
military, gossip, argue, and persuade
suggesting policy naming language proposing strategy, this
done for fee as ambassadors to Pentagon, consul-
tants to military, paid by their industry:
and these are the names of the generals & captains mili-
tary, who know thus work for war goods manufactur-
ers;
and above these, listed, the names of the banks, combines,
investment trusts that control these industries:
and these are the names of the newspapers owned by these
banks
and these are the names of the airstations owned by these
combines;
and these are the numbers of thousands of citizens em-
ployed by these businesses named;
and the beginning of this accounting is 1958 and the end
1968, that static be contained in orderly mind,
coherent and definite,
and the first form of this litany begun first day December
1967 furthers this poem of these States.
December 1, 1967
|
Written by
Pablo Neruda |
The artichoke
With a tender heart
Dressed up like a warrior,
Standing at attention, it built
A small helmet
Under its scales
It remained
Unshakeable,
By its side
The crazy vegetables
Uncurled
Their tendrills and leaf-crowns,
Throbbing bulbs,
In the sub-soil
The carrot
With its red mustaches
Was sleeping,
The grapevine
Hung out to dry its branches
Through which the wine will rise,
The cabbage
Dedicated itself
To trying on skirts,
The oregano
To perfuming the world,
And the sweet
Artichoke
There in the garden,
Dressed like a warrior,
Burnished
Like a proud
Pomegrante.
And one day
Side by side
In big wicker baskets
Walking through the market
To realize their dream
The artichoke army
In formation.
Never was it so military
Like on parade.
The men
In their white shirts
Among the vegetables
Were
The Marshals
Of the artichokes
Lines in close order
Command voices,
And the bang
Of a falling box.
But
Then
Maria
Comes
With her basket
She chooses
An artichoke,
She's not afraid of it.
She examines it, she observes it
Up against the light like it was an egg,
She buys it,
She mixes it up
In her handbag
With a pair of shoes
With a cabbage head and a
Bottle
Of vinegar
Until
She enters the kitchen
And submerges it in a pot.
Thus ends
In peace
This career
Of the armed vegetable
Which is called an artichoke,
Then
Scale by scale,
We strip off
The delicacy
And eat
The peaceful mush
Of its green heart.
|
Written by
Andrew Barton Paterson |
We've travelled per Joe Gardiner, a humping of our swag
In the country of the Gidgee and Belar.
We've swum the Di'mantina with our raiment in a bag,
And we've travelled per superior motor car,
But when we went to Germany we hadn't any choice,
No matter what our training or pursuits,
For they gave us no selection 'twixt a Ford or Rolls de Royce
So we did it in our good Australian boots.
They called us "mad Australians"; they couldn't understand
How officers and men could fraternise,
Thay said that we were "reckless", we were "wild, and out of hand",
With nothing great or sacred to our eyes.
But on one thing you could gamble, in the thickest of the fray,
Though they called us volunteers and raw recruits,
You could track us past the shell holes, and the tracks were all one way
Of the good Australian ammunition boots.
The Highlanders were next of kin, the Irish were a treat,
The Yankees knew it all and had to learn,
The Frenchmen kept it going, both in vict'ry and defeat,
Fighting grimly till the tide was on the turn.
And our army kept beside 'em, did its bit and took its chance,
And I hailed our newborn nation and its fruits,
As I listened to the clatter on the cobblestones of France
Of the good Australian military boots.
|
Written by
Victor Hugo |
("Frères, vous avez vos journées.")
{I., July, 1830.}
Youth of France, sons of the bold,
Your oak-leaf victor-wreaths behold!
Our civic-laurels—honored dead!
So bright your triumphs in life's morn,
Your maiden-standards hacked and torn,
On Austerlitz might lustre shed.
All that your fathers did re-done—
A people's rights all nobly won—
Ye tore them living from the shroud!
Three glorious days bright July's gift,
The Bastiles off our hearts ye lift!
Oh! of such deeds be ever proud!
Of patriot sires ye lineage claim,
Their souls shone in your eye of flame;
Commencing the great work was theirs;
On you the task to finish laid
Your fruitful mother, France, who bade
Flow in one day a hundred years.
E'en chilly Albion admires,
The grand example Europe fires;
America shall clap her hands,
When swiftly o'er the Atlantic wave,
Fame sounds the news of how the brave,
In three bright days, have burst their bands!
With tyrant dead your fathers traced
A circle wide, with battles graced;
Victorious garland, red and vast!
Which blooming out from home did go
To Cadiz, Cairo, Rome, Moscow,
From Jemappes to Montmirail passed!
Of warlike Lyceums{1} ye are
The favored sons; there, deeds of war
Formed e'en your plays, while o'er you shook
The battle-flags in air aloft!
Passing your lines, Napoleon oft
Electrified you with a look!
Eagle of France! whose vivid wing
Did in a hundred places fling
A bloody feather, till one night
The arrow whelmed thee 'neath the wave!
Look up—rejoice—for now thy brave
And worthy eaglets dare the light.
ELIZABETH COLLINS.
{Footnote 1: The pupils of the Polytechnic Military School distinguished
themselves by their patriotic zeal and military skill, through all the
troubles.}
|
Written by
Anne Sexton |
In Memoriam
What's missing is the eyeballs
in each of us, but it doesn't matter
because you've got the bucks, the bucks, the bucks.
You let me touch them, fondle the green faces
lick at their numbers and it lets you be
my "Daddy!" "Daddy!" and though I fought all alone
with molesters and crooks, I knew your money
would save me, your courage, your "I've had
considerable experience as a soldier.
.
.
fighting to win millions for myself, it's true.
But I did win," and me praying for "our men out there"
just made it okay to be an orphan whose blood was no one's,
whose curls were hung up on a wire machine and electrified,
while you built and unbuilt intrigues called nations,
and did in the bad ones, always, always,
and always came at my perils, the black Christs of childhood,
always came when my heart stood naked in the street
and they threw apples at it or twelve-day-old-dead-fish.
"Daddy!" "Daddy," we all won that war,
when you sang me the money songs
Annie, Annie you sang
and I knew you drove a pure gold car
and put diamonds in you coke
for the crunchy sound, the adorable sound
and the moon too was in your portfolio,
as well as the ocean with its sleepy dead.
And I was always brave, wasn't I?
I never bled?
I never saw a man expose himself.
No.
No.
I never saw a drunkard in his blubber.
I never let lightning go in one car and out the other.
And all the men out there were never to come.
Never, like a deluge, to swim over my breasts
and lay their lamps in my insides.
No.
No.
Just me and my "Daddy"
and his tempestuous bucks
rolling in them like corn flakes
and only the bad ones died.
But I died yesterday,
"Daddy," I died,
swallowing the Nazi-Jap animal
and it won't get out
it keeps knocking at my eyes,
my big orphan eyes,
kicking! Until eyeballs pop out
and even my dog puts up his four feet
and lets go
of his military secret
with his big red tongue
flying up and down
like yours should have
as we board our velvet train.
|