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Best Famous Mile Poems

Here is a collection of the all-time best famous Mile poems. This is a select list of the best famous Mile poetry. Reading, writing, and enjoying famous Mile poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of mile poems.

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Written by Robert Burns | Create an image from this poem

A Red, Red Rose

O, my Luve's like a red, red rose,
That's newly sprung in June.
O, my Luve's like a melodie
That's sweetly play'd in tune.

As fair as thou, my bonnie lass,
So deep in luve am I;
And I will love thee still, my dear,
Till a' the seas gang dry.

Till a' the seas gang dry, my dear,
And the rocks melt wi' the sun:
I will love thess till, my dear,
While the sands o' life shall run:

And fare thee well, my only luve!
And fare thee weel, a while!
And I will come again, my luve,
Tho' it ware ten thousand mile.


Written by Allen Ginsberg | Create an image from this poem

Hospital Window

At gauzy dusk, thin haze like cigarette smoke 
ribbons past Chrysler Building's silver fins 
tapering delicately needletopped, Empire State's 
taller antenna filmed milky lit amid blocks 
black and white apartmenting veil'd sky over Manhattan, 
offices new built dark glassed in blueish heaven--The East 
50's & 60's covered with castles & watertowers, seven storied 
tar-topped house-banks over York Avenue, late may-green trees 
surrounding Rockefellers' blue domed medical arbor-- 
Geodesic science at the waters edge--Cars running up 
East River Drive, & parked at N.Y. Hospital's oval door 
where perfect tulips flower the health of a thousand sick souls 
trembling inside hospital rooms. Triboro bridge steel-spiked 
penthouse orange roofs, sunset tinges the river and in a few 
Bronx windows, some magnesium vapor brilliances're 
spotted five floors above E 59th St under grey painted bridge 
trestles. Way downstream along the river, as Monet saw Thames 
100 years ago, Con Edison smokestacks 14th street, 
& Brooklyn Bridge's skeined dim in modern mists-- 
Pipes sticking up to sky nine smokestacks huge visible-- 
U.N. Building hangs under an orange crane, & red lights on 
vertical avenues below the trees turn green at the nod 
of a skull with a mild nerve ache. Dim dharma, I return 
to this spectacle after weeks of poisoned lassitude, my thighs 
belly chest & arms covered with poxied welts, 
head pains fading back of the neck, right eyebrow cheek 
mouth paralyzed--from taking the wrong medicine, sweated 
too much in the forehead helpless, covered my rage from 
gorge to prostate with grinding jaw and tightening anus 
not released the weeping scream of horror at robot Mayaguez 
World self ton billions metal grief unloaded 
Pnom Penh to Nakon Thanom, Santiago & Tehran. 
Fresh warm breeze in the window, day's release 
>from pain, cars float downside the bridge trestle 
and uncounted building-wall windows multiplied a mile 
deep into ash-delicate sky beguile 
my empty mind. A seagull passes alone wings 
spread silent over roofs. 

- May 20, 1975 Mayaguez Crisis 
Written by Lawrence Ferlinghetti | Create an image from this poem

Wild Dreams Of A New Beginning

 There's a breathless hush on the freeway tonight
Beyond the ledges of concrete
restaurants fall into dreams
with candlelight couples
Lost Alexandria still burns
in a billion lightbulbs
Lives cross lives
idling at stoplights
Beyond the cloverleaf turnoffs
'Souls eat souls in the general emptiness'
A piano concerto comes out a kitchen window
A yogi speaks at Ojai
'It's all taking pace in one mind'
On the lawn among the trees
lovers are listening
for the master to tell them they are one
with the universe
Eyes smell flowers and become them
There's a deathless hush
on the freeway tonight
as a Pacific tidal wave a mile high
sweeps in
Los Angeles breathes its last gas
and sinks into the sea like the Titanic all lights lit
Nine minutes later Willa Cather's Nebraska
sinks with it
The sea comes over in Utah
Mormon tabernacles washed away like barnacles
Coyotes are confounded & swim nowhere
An orchestra onstage in Omaha
keeps on playing Handel's Water Music
Horns fill with water
ans bass players float away on their instruments
clutching them like lovers horizontal
Chicago's Loop becomes a rollercoaster
Skyscrapers filled like water glasses
Great Lakes mixed with Buddhist brine
Great Books watered down in Evanston
Milwaukee beer topped with sea foam
Beau Fleuve of Buffalo suddenly become salt
Manhatten Island swept clean in sixteen seconds
buried masts of Amsterdam arise
as the great wave sweeps on Eastward
to wash away over-age Camembert Europe
manhatta steaming in sea-vines
the washed land awakes again to wilderness
the only sound a vast thrumming of crickets
a cry of seabirds high over
in empty eternity
as the Hudson retakes its thickets
and Indians reclaim their canoes
Written by Lewis Carroll | Create an image from this poem

The Walrus and the Carpenter

The sun was shining on the sea,
   Shining with all his might;
He did his very best to make
   The billows smooth and bright—
And this was odd, because it was
   The middle of the night.

The moon was shining sulkily,
   Because she thought the sun
Had got no business to be there
   After the day was done—
"It's very rude of him," she said,
   "To come and spoil the fun!"

The sea was wet as wet could be,
   The sands were dry as dry.
You could not see a cloud, because
   No cloud was in the sky;
No birds were flying overhead—
   There were no birds to fly.

The Walrus and the Carpenter
   Were walking close at hand;
They wept like anything to see
   Such quantities of sand.
"If this were only cleared away,"
   They said, "it would be grand!"

"If seven maids with seven mops
   Swept it for half a year,
Do you suppose," the Walrus said,
   "That they could get it clear?"
"I doubt it," said the Carpenter,
   And shed a bitter tear.

"O Oysters, come and walk with us!"
   The Walrus did beseech.
"A pleasant walk, a pleasant talk,
   Along the briny beach;
We cannot do with more than four,
   To give a hand to each."

The eldest Oyster looked at him,
   But never a word he said;
The eldest Oyster winked his eye,
   And shook his heavy head—
Meaning to say he did not choose
   To leave the oyster-bed.

But four young Oysters hurried up,
   All eager for the treat;
Their coats were brushed, their faces washed,
   Their shoes were clean and neat—
And this was odd, because, you know,
   They hadn't any feet.

Four other Oysters followed them,
   And yet another four;
And thick and fast they came at last,
   And more, and more, and more—
All hopping through the frothy waves,
   And scrambling to the shore.

The Walrus and the Carpenter
   Walked on a mile or so,
And then they rested on a rock
   Conveniently low;
And all the little Oysters stood
   And waited in a row.

"The time has come," the Walrus said,
   "To talk of many things:
Of shoes—and ships—and sealing-wax—
   And cabbages—and kings—
And why the sea is boiling hot—
   And whether pigs have wings."

"But wait a bit," the Oysters cried,
   "Before we have our chat;
For some of us are out of breath,
   And all of us are fat!"
"No hurry!" said the Carpenter.
  They thanked him much for that.

"A loaf of bread," the Walrus said,
   "Is what we chiefly need;
Pepper and vinegar besides
   Are very good indeed—
Now if you're ready, Oysters dear,
   We can begin to feed."

"But not on us!" the Oysters cried,
   Turning a little blue.
"After such kindness, that would be
   A dismal thing to do!"
"The night is fine," the Walrus said,
   "Do you admire the view?"

"It was so kind of you to come!
   And you are very nice!"
The Carpenter said nothing but
   "Cut us another slice.
I wish you were not quite so deaf—
   I've had to ask you twice!"

"It seems a shame," the Walrus said,
   "To play them such a trick,
After we've brought them out so far,
   And made them trot so quick!"
The Carpenter said nothing but
   "The butter's spread too thick!"

"I weep for you," the Walrus said;
   "I deeply sympathize."
With sobs and tears he sorted out
   Those of the largest size,
Holding his pocket-handkerchief
   Before his streaming eyes.

"O Oysters," said the Carpenter,
   "You've had a pleasant run!
Shall we be trotting home again?"
   But answer came there none—
And this was scarcely odd, because
   They'd eaten every one.
Written by William Blake | Create an image from this poem

Auguries Of Innocence

 To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
A robin redbreast in a cage
Puts all heaven in a rage.
A dove-house filled with doves and pigeons
Shudders hell through all its regions.
A dog starved at his master's gate
Predicts the ruin of the state.
A horse misused upon the road
Calls to heaven for human blood.
Each outcry of the hunted hare
A fibre from the brain does tear.
A skylark wounded in the wing,
A cherubim does cease to sing.
The game-cock clipped and armed for fight
Does the rising sun affright.
Every wolf's and lion's howl
Raises from hell a human soul.
The wild deer wandering here and there
Keeps the human soul from care.
The lamb misused breeds public strife,
And yet forgives the butcher's knife.
The bat that flits at close of eve
Has left the brain that won't believe.
The owl that calls upon the night
Speaks the unbeliever's fright.
He who shall hurt the little wren
Shall never be beloved by men.
He who the ox to wrath has moved
Shall never be by woman loved.
The wanton boy that kills the fly
Shall feel the spider's enmity.
He who torments the chafer's sprite
Weaves a bower in endless night.
The caterpillar on the leaf
Repeats to thee thy mother's grief.
Kill not the moth nor butterfly,
For the Last Judgment draweth nigh.
He who shall train the horse to war
Shall never pass the polar bar.
The beggar's dog and widow's cat,
Feed them, and thou wilt grow fat.
The gnat that sings his summer's song
Poison gets from Slander's tongue.
The poison of the snake and newt
Is the sweat of Envy's foot.
The poison of the honey-bee
Is the artist's jealousy.
The prince's robes and beggar's rags
Are toadstools on the miser's bags.
A truth that's told with bad intent
Beats all the lies you can invent.
It is right it should be so:
Man was made for joy and woe;
And when this we rightly know
Through the world we safely go.
Joy and woe are woven fine,
A clothing for the soul divine.
Under every grief and pine
Runs a joy with silken twine.
The babe is more than swaddling bands,
Throughout all these human lands;
Tools were made and born were hands,
Every farmer understands.
Every tear from every eye
Becomes a babe in eternity;
This is caught by females bright
And returned to its own delight.
The bleat, the bark, bellow, and roar
Are waves that beat on heaven's shore.
The babe that weeps the rod beneath
Writes Revenge! in realms of death.
The beggar's rags fluttering in air
Does to rags the heavens tear.
The soldier armed with sword and gun
Palsied strikes the summer's sun.
The poor man's farthing is worth more
Than all the gold on Afric's shore.
One mite wrung from the labourer's hands
Shall buy and sell the miser's lands,
Or if protected from on high
Does that whole nation sell and buy.
He who mocks the infant's faith
Shall be mocked in age and death.
He who shall teach the child to doubt
The rotting grave shall ne'er get out.
He who respects the infant's faith
Triumphs over hell and death.
The child's toys and the old man's reasons
Are the fruits of the two seasons.
The questioner who sits so sly
Shall never know how to reply.
He who replies to words of doubt
Doth put the light of knowledge out.
The strongest poison ever known
Came from Caesar's laurel crown.
Nought can deform the human race
Like to the armour's iron brace.
When gold and gems adorn the plough
To peaceful arts shall Envy bow.
A riddle or the cricket's cry
Is to doubt a fit reply.
The emmet's inch and eagle's mile
Make lame philosophy to smile.
He who doubts from what he sees
Will ne'er believe, do what you please.
If the sun and moon should doubt,
They'd immediately go out.
To be in a passion you good may do,
But no good if a passion is in you.
The whore and gambler, by the state
Licensed, build that nation's fate.
The harlot's cry from street to street
Shall weave old England's winding sheet.
The winner's shout, the loser's curse,
Dance before dead England's hearse.
Every night and every morn
Some to misery are born.
Every morn and every night
Some are born to sweet delight.
Some are born to sweet delight,
Some are born to endless night.
We are led to believe a lie
When we see not through the eye
Which was born in a night to perish in a night,
When the soul slept in beams of light.
God appears, and God is light
To those poor souls who dwell in night,
But does a human form display
To those who dwell in realms of day.


Written by Margaret Atwood | Create an image from this poem

The Moment

 The moment when, after many years
of hard work and a long voyage
you stand in the centre of your room,
house, half-acre, square mile, island, country,
knowing at last how you got there,
and say, I own this,

is the same moment when the trees unloose
their soft arms from around you,
the birds take back their language,
the cliffs fissure and collapse,
the air moves back from you like a wave
and you can't breathe.

No, they whisper. You own nothing.
You were a visitor, time after time
climbing the hill, planting the flag, proclaiming.
We never belonged to you.
You never found us.
It was always the other way round.
Written by Elizabeth Bishop | Create an image from this poem

Questions of Travel

 There are too many waterfalls here; the crowded streams 
hurry too rapidly down to the sea, 
and the pressure of so many clouds on the mountaintops 
makes them spill over the sides in soft slow-motion, 
turning to waterfalls under our very eyes. 
--For if those streaks, those mile-long, shiny, tearstains, 
aren't waterfalls yet, 
in a quick age or so, as ages go here, 
they probably will be. 
But if the streams and clouds keep travelling, travelling, 
the mountains look like the hulls of capsized ships, 
slime-hung and barnacled. 

Think of the long trip home. 
Should we have stayed at home and thought of here? 
Where should we be today? 
Is it right to be watching strangers in a play 
in this strangest of theatres? 
What childishness is it that while there's a breath of life 
in our bodies, we are determined to rush 
to see the sun the other way around? 
The tiniest green hummingbird in the world? 
To stare at some inexplicable old stonework, 
inexplicable and impenetrable, 
at any view, 
instantly seen and always, always delightful? 
Oh, must we dream our dreams 
and have them, too? 
And have we room 
for one more folded sunset, still quite warm? 

But surely it would have been a pity 
not to have seen the trees along this road, 
really exaggerated in their beauty, 
not to have seen them gesturing 
like noble pantomimists, robed in pink. 
--Not to have had to stop for gas and heard 
the sad, two-noted, wooden tune 
of disparate wooden clogs 
carelessly clacking over 
a grease-stained filling-station floor. 
(In another country the clogs would all be tested. 
Each pair there would have identical pitch.) 
--A pity not to have heard 
the other, less primitive music of the fat brown bird 
who sings above the broken gasoline pump 
in a bamboo church of Jesuit baroque: 
three towers, five silver crosses. 
--Yes, a pity not to have pondered, 
blurr'dly and inconclusively, 
on what connection can exist for centuries 
between the crudest wooden footwear 
and, careful and finicky, 
the whittled fantasies of wooden footwear 
and, careful and finicky, 
the whittled fantasies of wooden cages. 
--Never to have studied history in 
the weak calligraphy of songbirds' cages. 
--And never to have had to listen to rain 
so much like politicians' speeches: 
two hours of unrelenting oratory 
and then a sudden golden silence 
in which the traveller takes a notebook, writes: 

"Is it lack of imagination that makes us come 
to imagined places, not just stay at home? 
Or could Pascal have been not entirely right 
about just sitting quietly in one's room? 

Continent, city, country, society: 
the choice is never wide and never free. 
And here, or there . . . No. Should we have stayed at home, 
wherever that may be?"
Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Paul Laurence Dunbar | Create an image from this poem

We Wear the Mask

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
          We wear the mask.

We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
          We wear the mask!
Written by Alan Seeger | Create an image from this poem

Paris

 First, London, for its myriads; for its height, 
Manhattan heaped in towering stalagmite; 
But Paris for the smoothness of the paths 
That lead the heart unto the heart's delight. . . . 


Fair loiterer on the threshold of those days 
When there's no lovelier prize the world displays 
Than, having beauty and your twenty years, 
You have the means to conquer and the ways, 


And coming where the crossroads separate 
And down each vista glories and wonders wait, 
Crowning each path with pinnacles so fair 
You know not which to choose, and hesitate -- 


Oh, go to Paris. . . . In the midday gloom 
Of some old quarter take a little room 
That looks off over Paris and its towers 
From Saint Gervais round to the Emperor's Tomb, -- 


So high that you can hear a mating dove 
Croon down the chimney from the roof above, 
See Notre Dame and know how sweet it is 
To wake between Our Lady and our love. 


And have a little balcony to bring 
Fair plants to fill with verdure and blossoming, 
That sparrows seek, to feed from pretty hands, 
And swallows circle over in the Spring. 


There of an evening you shall sit at ease 
In the sweet month of flowering chestnut-trees, 
There with your little darling in your arms, 
Your pretty dark-eyed Manon or Louise. 


And looking out over the domes and towers 
That chime the fleeting quarters and the hours, 
While the bright clouds banked eastward back of them 
Blush in the sunset, pink as hawthorn flowers, 


You cannot fail to think, as I have done, 
Some of life's ends attained, so you be one 
Who measures life's attainment by the hours 
That Joy has rescued from oblivion. 

II 


Come out into the evening streets. The green light lessens in the west. 
The city laughs and liveliest her fervid pulse of pleasure beats. 


The belfry on Saint Severin strikes eight across the smoking eaves: 
Come out under the lights and leaves 
to the Reine Blanche on Saint Germain. . . . 


Now crowded diners fill the floor of brasserie and restaurant. 
Shrill voices cry "L'Intransigeant," and corners echo "Paris-Sport." 


Where rows of tables from the street are screened with shoots of box and bay, 
The ragged minstrels sing and play and gather sous from those that eat. 


And old men stand with menu-cards, inviting passers-by to dine 
On the bright terraces that line the Latin Quarter boulevards. . . . 


But, having drunk and eaten well, 'tis pleasant then to stroll along 
And mingle with the merry throng that promenades on Saint Michel. 


Here saunter types of every sort. The shoddy jostle with the chic: 
Turk and Roumanian and Greek; student and officer and sport; 


Slavs with their peasant, Christ-like heads, 
and courtezans like powdered moths, 
And peddlers from Algiers, with cloths 
bright-hued and stitched with golden threads; 


And painters with big, serious eyes go rapt in dreams, fantastic shapes 
In corduroys and Spanish capes and locks uncut and flowing ties; 


And lovers wander two by two, oblivious among the press, 
And making one of them no less, all lovers shall be dear to you: 


All laughing lips you move among, all happy hearts that, knowing what 
Makes life worth while, have wasted not the sweet reprieve of being young. 


"Comment ca va!" "Mon vieux!" "Mon cher!" 
Friends greet and banter as they pass. 
'Tis sweet to see among the mass comrades and lovers everywhere, 


A law that's sane, a Love that's free, and men of every birth and blood 
Allied in one great brotherhood of Art and Joy and Poverty. . . . 


The open cafe-windows frame loungers at their liqueurs and beer, 
And walking past them one can hear fragments of Tosca and Boheme. 


And in the brilliant-lighted door of cinemas the barker calls, 
And lurid posters paint the walls with scenes of Love and crime and war. 


But follow past the flaming lights, borne onward with the stream of feet, 
Where Bullier's further up the street is marvellous on Thursday nights. 


Here all Bohemia flocks apace; you could not often find elsewhere 
So many happy heads and fair assembled in one time and place. 


Under the glare and noise and heat the galaxy of dancing whirls, 
Smokers, with covered heads, and girls dressed in the costume of the street. 


From tables packed around the wall the crowds that drink and frolic there 
Spin serpentines into the air far out over the reeking hall, 


That, settling where the coils unroll, tangle with pink and green and blue 
The crowds that rag to "Hitchy-koo" and boston to the "Barcarole". . . . 


Here Mimi ventures, at fifteen, to make her debut in romance, 
And join her sisters in the dance and see the life that they have seen. 


Her hair, a tight hat just allows to brush beneath the narrow brim, 
Docked, in the model's present whim, `frise' and banged above the brows. 


Uncorseted, her clinging dress with every step and turn betrays, 
In pretty and provoking ways her adolescent loveliness, 


As guiding Gaby or Lucile she dances, emulating them 
In each disturbing stratagem and each lascivious appeal. 


Each turn a challenge, every pose an invitation to compete, 
Along the maze of whirling feet the grave-eyed little wanton goes, 


And, flaunting all the hue that lies in childish cheeks and nubile waist, 
She passes, charmingly unchaste, illumining ignoble eyes. . . . 


But now the blood from every heart leaps madder through abounding veins 
As first the fascinating strains of "El Irresistible" start. 


Caught in the spell of pulsing sound, impatient elbows lift and yield 
The scented softnesses they shield to arms that catch and close them round, 


Surrender, swift to be possessed, the silken supple forms beneath 
To all the bliss the measures breathe and all the madness they suggest. 


Crowds congregate and make a ring. Four deep they stand and strain to see 
The tango in its ecstasy of glowing lives that clasp and cling. 


Lithe limbs relaxed, exalted eyes fastened on vacancy, they seem 
To float upon the perfumed stream of some voluptuous Paradise, 


Or, rapt in some Arabian Night, to rock there, cradled and subdued, 
In a luxurious lassitude of rhythm and sensual delight. 


And only when the measures cease and terminate the flowing dance 
They waken from their magic trance and join the cries that clamor "Bis!" . . . 


Midnight adjourns the festival. The couples climb the crowded stair, 
And out into the warm night air go singing fragments of the ball. 


Close-folded in desire they pass, or stop to drink and talk awhile 
In the cafes along the mile from Bullier's back to Montparnasse: 


The "Closerie" or "La Rotonde", where smoking, under lamplit trees, 
Sit Art's enamored devotees, chatting across their `brune' and `blonde'. . . . 


Make one of them and come to know sweet Paris -- not as many do, 
Seeing but the folly of the few, the froth, the tinsel, and the show -- 


But taking some white proffered hand that from Earth's barren every day 
Can lead you by the shortest way into Love's florid fairyland. 


And that divine enchanted life that lurks under Life's common guise -- 
That city of romance that lies within the City's toil and strife -- 


Shall, knocking, open to your hands, for Love is all its golden key, 
And one's name murmured tenderly the only magic it demands. 


And when all else is gray and void in the vast gulf of memory, 
Green islands of delight shall be all blessed moments so enjoyed: 


When vaulted with the city skies, on its cathedral floors you stood, 
And, priest of a bright brotherhood, performed the mystic sacrifice, 


At Love's high altar fit to stand, with fire and incense aureoled, 
The celebrant in cloth of gold with Spring and Youth on either hand. 

III 


Choral Song 


Have ye gazed on its grandeur 
Or stood where it stands 
With opal and amber 
Adorning the lands, 
And orcharded domes 
Of the hue of all flowers? 
Sweet melody roams 
Through its blossoming bowers, 
Sweet bells usher in from its belfries the train of the honey-sweet hour. 


A city resplendent, 
Fulfilled of good things, 
On its ramparts are pendent 
The bucklers of kings. 
Broad banners unfurled 
Are afloat in its air. 
The lords of the world 
Look for harborage there. 
None finds save he comes as a bridegroom, having roses and vine in his hair. 


'Tis the city of Lovers, 
There many paths meet. 
Blessed he above others, 
With faltering feet, 
Who past its proud spires 
Intends not nor hears 
The noise of its lyres 
Grow faint in his ears! 
Men reach it through portals of triumph, but leave through a postern of tears. 


It was thither, ambitious, 
We came for Youth's right, 
When our lips yearned for kisses 
As moths for the light, 
When our souls cried for Love 
As for life-giving rain 
Wan leaves of the grove, 
Withered grass of the plain, 
And our flesh ached for Love-flesh beside it with bitter, intolerable pain. 


Under arbor and trellis, 
Full of flutes, full of flowers, 
What mad fortunes befell us, 
What glad orgies were ours! 
In the days of our youth, 
In our festal attire, 
When the sweet flesh was smooth, 
When the swift blood was fire, 
And all Earth paid in orange and purple to pavilion the bed of Desire!

Book: Reflection on the Important Things