Written by
David Berman |
I know it's a bad title
but I'm giving it to myself as a gift
on a day nearly canceled by sunlight
when the entire hill is approaching
the ideal of Virginia
brochured with goldenrod and loblolly
and I think "at least I have not woken up
with a bloody knife in my hand"
by then having absently wandered
one hundred yards from the house
while still seated in this chair
with my eyes closed.
It is a certain hill
the one I imagine when I hear the word "hill"
and if the apocalypse turns out
to be a world-wide nervous breakdown
if our five billion minds collapse at once
well I'd call that a surprise ending
and this hill would still be beautiful
a place I wouldn't mind dying
alone or with you.
I am trying to get at something
and I want to talk very plainly to you
so that we are both comforted by the honesty.
You see there is a window by my desk
I stare out when I am stuck
though the outdoors has rarely inspired me to write
and I don't know why I keep staring at it.
My childhood hasn't made good material either
mostly being a mulch of white minutes
with a few stand out moments,
popping tar bubbles on the driveway in the summer
a certain amount of pride at school
everytime they called it "our sun"
and playing football when the only play
was "go out long" are what stand out now.
If squeezed for more information
I can remember old clock radios
with flipping metal numbers
and an entree called Surf and Turf.
As a way of getting in touch with my origins
every night I set the alarm clock
for the time I was born so that waking up
becomes a historical reenactment and the first thing I do
is take a reading of the day and try to flow with it like
when you're riding a mechanical bull and you strain to learn
the pattern quickly so you don't inadverantly resist it.
II two
I can't remember being born
and no one else can remember it either
even the doctor who I met years later
at a cocktail party.
It's one of the little disappointments
that makes you think about getting away
going to Holly Springs or Coral Gables
and taking a room on the square
with a landlady whose hands are scored
by disinfectant, telling the people you meet
that you are from Alaska, and listen
to what they have to say about Alaska
until you have learned much more about Alaska
than you ever will about Holly Springs or Coral Gables.
Sometimes I am buying a newspaper
in a strange city and think
"I am about to learn what it's like to live here."
Oftentimes there is a news item
about the complaints of homeowners
who live beside the airport
and I realize that I read an article
on this subject nearly once a year
and always receive the same image.
I am in bed late at night
in my house near the airport
listening to the jets fly overhead
a strange wife sleeping beside me.
In my mind, the bedroom is an amalgamation
of various cold medicine commercial sets
(there is always a box of tissue on the nightstand).
I know these recurring news articles are clues,
flaws in the design though I haven't figured out
how to string them together yet,
but I've begun to notice that the same people
are dying over and over again,
for instance Minnie Pearl
who died this year
for the fourth time in four years.
III three
Today is the first day of Lent
and once again I'm not really sure what it is.
How many more years will I let pass
before I take the trouble to ask someone?
It reminds of this morning
when you were getting ready for work.
I was sitting by the space heater
numbly watching you dress
and when you asked why I never wear a robe
I had so many good reasons
I didn't know where to begin.
If you were cool in high school
you didn't ask too many questions.
You could tell who'd been to last night's
big metal concert by the new t-shirts in the hallway.
You didn't have to ask
and that's what cool was:
the ability to deduct
to know without asking.
And the pressure to simulate coolness
means not asking when you don't know,
which is why kids grow ever more stupid.
A yearbook's endpages, filled with promises
to stay in touch, stand as proof of the uselessness
of a teenager's promise. Not like I'm dying
for a letter from the class stoner
ten years on but...
Do you remember the way the girls
would call out "love you!"
conveniently leaving out the "I"
as if they didn't want to commit
to their own declarations.
I agree that the "I" is a pretty heavy concept
and hope you won't get uncomfortable
if I should go into some deeper stuff here.
IV four
There are things I've given up on
like recording funny answering machine messages.
It's part of growing older
and the human race as a group
has matured along the same lines.
It seems our comedy dates the quickest.
If you laugh out loud at Shakespeare's jokes
I hope you won't be insulted
if I say you're trying too hard.
Even sketches from the original Saturday Night Live
seem slow-witted and obvious now.
It's just that our advances are irrepressible.
Nowadays little kids can't even set up lemonade stands.
It makes people too self-conscious about the past,
though try explaining that to a kid.
I'm not saying it should be this way.
All this new technology
will eventually give us new feelings
that will never completely displace the old ones
leaving everyone feeling quite nervous
and split in two.
We will travel to Mars
even as folks on Earth
are still ripping open potato chip
bags with their teeth.
Why? I don't have the time or intelligence
to make all the connections
like my friend Gordon
(this is a true story)
who grew up in Braintree Massachusetts
and had never pictured a brain snagged in a tree
until I brought it up.
He'd never broken the name down to its parts.
By then it was too late.
He had moved to Coral Gables.
V five
The hill out my window is still looking beautiful
suffused in a kind of gold national park light
and it seems to say,
I'm sorry the world could not possibly
use another poem about Orpheus
but I'm available if you're not working
on a self-portrait or anything.
I'm watching my dog have nightmares,
twitching and whining on the office floor
and I try to imagine what beast
has cornered him in the meadow
where his dreams are set.
I'm just letting the day be what it is:
a place for a large number of things
to gather and interact --
not even a place but an occasion
a reality for real things.
Friends warned me not to get too psychedelic
or religious with this piece:
"They won't accept it if it's too psychedelic
or religious," but these are valid topics
and I'm the one with the dog twitching on the floor
possibly dreaming of me
that part of me that would beat a dog
for no good reason
no reason that a dog could see.
I am trying to get at something so simple
that I have to talk plainly
so the words don't disfigure it
and if it turns out that what I say is untrue
then at least let it be harmless
like a leaky boat in the reeds
that is bothering no one.
VI six
I can't trust the accuracy of my own memories,
many of them having blended with sentimental
telephone and margarine commercials
plainly ruined by Madison Avenue
though no one seems to call the advertising world
"Madison Avenue" anymore. Have they moved?
Let's get an update on this.
But first I have some business to take care of.
I walked out to the hill behind our house
which looks positively Alaskan today
and it would be easier to explain this
if I had a picture to show you
but I was with our young dog
and he was running through the tall grass
like running through the tall grass
is all of life together
until a bird calls or he finds a beer can
and that thing fills all the space in his head.
You see,
his mind can only hold one thought at a time
and when he finally hears me call his name
he looks up and cocks his head
and for a single moment
my voice is everything:
Self-portrait at 28.
|
Written by
Walt Whitman |
1
TO conclude—I announce what comes after me;
I announce mightier offspring, orators, days, and then, for the present, depart.
I remember I said, before my leaves sprang at all,
I would raise my voice jocund and strong, with reference to consummations.
When America does what was promis’d,
When there are plentiful athletic bards, inland and seaboard,
When through These States walk a hundred millions of superb persons,
When the rest part away for superb persons, and contribute to them,
When breeds of the most perfect mothers denote America,
Then to me and mine our due fruition.
I have press’d through in my own right,
I have sung the Body and the Soul—War and Peace have I sung,
And the songs of Life and of Birth—and shown that there are many births:
I have offer’d my style to everyone—I have journey’d with confident step;
While my pleasure is yet at the full, I whisper, So long!
And take the young woman’s hand, and the young man’s hand, for the last time.
2
I announce natural persons to arise;
I announce justice triumphant;
I announce uncompromising liberty and equality;
I announce the justification of candor, and the justification of pride.
I announce that the identity of These States is a single identity only;
I announce the Union more and more compact, indissoluble;
I announce splendors and majesties to make all the previous politics of the earth
insignificant.
I announce adhesiveness—I say it shall be limitless, unloosen’d;
I say you shall yet find the friend you were looking for.
I announce a man or woman coming—perhaps you are the one, (So long!)
I announce the great individual, fluid as Nature, chaste, affectionate, compassionate,
fully
armed.
I announce a life that shall be copious, vehement, spiritual, bold;
I announce an end that shall lightly and joyfully meet its translation;
I announce myriads of youths, beautiful, gigantic, sweet-blooded;
I announce a race of splendid and savage old men.
3
O thicker and faster! (So long!)
O crowding too close upon me;
I foresee too much—it means more than I thought;
It appears to me I am dying.
Hasten throat, and sound your last!
Salute me—salute the days once more. Peal the old cry once more.
Screaming electric, the atmosphere using,
At random glancing, each as I notice absorbing,
Swiftly on, but a little while alighting,
Curious envelop’d messages delivering,
Sparkles hot, seed ethereal, down in the dirt dropping,
Myself unknowing, my commission obeying, to question it never daring,
To ages, and ages yet, the growth of the seed leaving,
To troops out of me, out of the army, the war arising—they the tasks I have set
promulging,
To women certain whispers of myself bequeathing—their affection me more clearly
explaining,
To young men my problems offering—no dallier I—I the muscle of their brains
trying,
So I pass—a little time vocal, visible, contrary;
Afterward, a melodious echo, passionately bent for—(death making me really undying;)
The best of me then when no longer visible—for toward that I have been incessantly
preparing.
What is there more, that I lag and pause, and crouch extended with unshut mouth?
Is there a single final farewell?
4
My songs cease—I abandon them;
From behind the screen where I hid I advance personally, solely to you.
Camerado! This is no book;
Who touches this, touches a man;
(Is it night? Are we here alone?)
It is I you hold, and who holds you;
I spring from the pages into your arms—decease calls me forth.
O how your fingers drowse me!
Your breath falls around me like dew—your pulse lulls the tympans of my ears;
I feel immerged from head to foot;
Delicious—enough.
Enough, O deed impromptu and secret!
Enough, O gliding present! Enough, O summ’d-up past!
5
Dear friend, whoever you are, take this kiss,
I give it especially to you—Do not forget me;
I feel like one who has done work for the day, to retire awhile;
I receive now again of my many translations—from my avataras ascending—while
others
doubtless await me;
An unknown sphere, more real than I dream’d, more direct, darts awakening rays about
me—So long!
Remember my words—I may again return,
I love you—I depart from materials;
I am as one disembodied, triumphant, dead.
|
Written by
Wystan Hugh (W H) Auden |
I sit in one of the divesOn Fifty-second StreetUncertain and afraidAs the clever hopes expireOf a low dishonest decade:Waves of anger and fearCirculate over the brightAnd darkened lands of the earth,Obsessing our private lives;The unmentionable odour of deathOffends the September night. Accurate scholarship canUnearth the whole offenceFrom Luther until nowThat has driven a culture mad,Find what occurred at Linz,What huge imago madeA psychopathic god:I and the public knowWhat all schoolchildren learn,Those to whom evil is doneDo evil in return. Exiled Thucydides knewAll that a speech can sayAbout Democracy,And what dictators do,The elderly rubbish they talkTo an apathetic grave;Analysed all in his book,The enlightenment driven away,The habit-forming pain,Mismanagement and grief:We must suffer them all again. Into this neutral airWhere blind skyscrapers useTheir full height to proclaimThe strength of Collective Man,Each language pours its vainCompetitive excuse:But who can live for longIn an euphoric dream;Out of the mirror they stare,Imperialism's faceAnd the international wrong. Faces along the barCling to their average day:The lights must never go out,The music must always play,All the conventions conspireTo make this fort assumeThe furniture of home;Lest we should see where we are,Lost in a haunted wood,Children afraid of the nightWho have never been happy or good. The windiest militant trashImportant Persons shoutIs not so crude as our wish:What mad Nijinsky wroteAbout DiaghilevIs true of the normal heart;For the error bred in the boneOf each woman and each manCraves what it cannot have,Not universal loveBut to be loved alone. From the conservative darkInto the ethical lifeThe dense commuters come,Repeating their morning vow;"I will be true to the wife,I'll concentrate more on my work,"And helpless governors wakeTo resume their compulsory game:Who can release them now,Who can reach the deaf,Who can speak for the dumb? All I have is a voiceTo undo the folded lie,The romantic lie in the brainOf the sensual man-in-the-streetAnd the lie of AuthorityWhose buildings grope the sky:There is no such thing as the StateAnd no one exists alone;Hunger allows no choiceTo the citizen or the police;We must love one another or die. Defenceless under the nightOur world in stupor lies;Yet, dotted everywhere,Ironic points of lightFlash out wherever the JustExchange their messages:May I, composed like themOf Eros and of dust,Beleaguered by the sameNegation and despair,Show an affirming flame.
|
Written by
John Ashbery |
Just when I thought there wasn't room enough
for another thought in my head, I had this great idea--
call it a philosophy of life, if you will.Briefly,
it involved living the way philosophers live,
according to a set of principles. OK, but which ones?
That was the hardest part, I admit, but I had a
kind of dark foreknowledge of what it would be like.
Everything, from eating watermelon or going to the bathroom
or just standing on a subway platform, lost in thought
for a few minutes, or worrying about rain forests,
would be affected, or more precisely, inflected
by my new attitude.I wouldn't be preachy,
or worry about children and old people, except
in the general way prescribed by our clockwork universe.
Instead I'd sort of let things be what they are
while injecting them with the serum of the new moral climate
I thought I'd stumbled into, as a stranger
accidentally presses against a panel and a bookcase slides back,
revealing a winding staircase with greenish light
somewhere down below, and he automatically steps inside
and the bookcase slides shut, as is customary on such occasions.
At once a fragrance overwhelms him--not saffron, not lavender,
but something in between.He thinks of cushions, like the one
his uncle's Boston bull terrier used to lie on watching him
quizzically, pointed ear-tips folded over. And then the great rush
is on.Not a single idea emerges from it.It's enough
to disgust you with thought.But then you remember something
William James
wrote in some book of his you never read--it was fine, it had the
fineness,
the powder of life dusted over it, by chance, of course, yet
still looking
for evidence of fingerprints. Someone had handled it
even before he formulated it, though the thought was his and
his alone.
It's fine, in summer, to visit the seashore.
There are lots of little trips to be made.
A grove of fledgling aspens welcomes the traveler.Nearby
are the public toilets where weary pilgrims have carved
their names and addresses, and perhaps messages as well,
messages to the world, as they sat
and thought about what they'd do after using the toilet
and washing their hands at the sink, prior to stepping out
into the open again.Had they been coaxed in by principles,
and were their words philosophy, of however crude a sort?
I confess I can move no farther along this train of thought--
something's blocking it.Something I'm
not big enough to see over.Or maybe I'm frankly scared.
What was the matter with how I acted before?
But maybe I can come up with a compromise--I'll let
things be what they are, sort of.In the autumn I'll put up jellies
and preserves, against the winter cold and futility,
and that will be a human thing, and intelligent as well.
I won't be embarrassed by my friends' dumb remarks,
or even my own, though admittedly that's the hardest part,
as when you are in a crowded theater and something you say
riles the spectator in front of you, who doesn't even like the idea
of two people near him talking together. Well he's
got to be flushed out so the hunters can have a crack at him--
this thing works both ways, you know. You can't always
be worrying about others and keeping track of yourself
at the same time.That would be abusive, and about as much fun
as attending the wedding of two people you don't know.
Still, there's a lot of fun to be had in the gaps between ideas.
That's what they're made for!Now I want you to go out there
and enjoy yourself, and yes, enjoy your philosophy of life, too.
They don't come along every day. Look out!There's a big one...
|
Written by
Walt Whitman |
1
OVER the western sea, hither from Niphon come,
Courteous, the swart-cheek’d two-sworded envoys,
Leaning back in their open barouches, bare-headed, impassive,
Ride to-day through Manhattan.
Libertad!
I do not know whether others behold what I behold,
In the procession, along with the nobles of Asia, the errand-bearers,
Bringing up the rear, hovering above, around, or in the ranks marching;
But I will sing you a song of what I behold, Libertad.
2
When million-footed Manhattan, unpent, descends to her pavements;
When the thunder-cracking guns arouse me with the proud roar I love;
When the round-mouth’d guns, out of the smoke and smell I love, spit their salutes;
When the fire-flashing guns have fully alerted me—when heaven-clouds canopy my city with a
delicate thin haze;
When, gorgeous, the countless straight stems, the forests at the wharves, thicken with
colors;
When every ship, richly drest, carries her flag at the peak;
When pennants trail, and street-festoons hang from the windows;
When Broadway is entirely given up to foot-passengers and foot-standers—when the mass is
densest;
When the façades of the houses are alive with people—when eyes gaze, riveted, tens of
thousands
at a time;
When the guests from the islands advance—when the pageant moves forward, visible;
When the summons is made—when the answer that waited thousands of years, answers;
I too, arising, answering, descend to the pavements, merge with the crowd, and gaze with
them.
3
Superb-faced Manhattan!
Comrade Americanos!—to us, then, at last, the Orient comes.
To us, my city,
Where our tall-topt marble and iron beauties range on opposite sides—to walk in the space
between,
To-day our Antipodes comes.
The Originatress comes,
The nest of languages, the bequeather of poems, the race of eld,
Florid with blood, pensive, rapt with musings, hot with passion,
Sultry with perfume, with ample and flowing garments,
With sunburnt visage, with intense soul and glittering eyes,
The race of Brahma comes!
4
See, my cantabile! these, and more, are flashing to us from the procession;
As it moves, changing, a kaleidoscope divine it moves, changing, before us.
For not the envoys, nor the tann’d Japanee from his island only;
Lithe and silent, the Hindoo appears—the Asiatic continent itself appears—the Past, the
dead,
The murky night morning of wonder and fable, inscrutable,
The envelop’d mysteries, the old and unknown hive-bees,
The North—the sweltering South—eastern Assyria—the Hebrews—the Ancient of Ancients,
Vast desolated cities—the gliding Present—all of these, and more, are in the
pageant-procession.
Geography, the world, is in it;
The Great Sea, the brood of islands, Polynesia, the coast beyond;
The coast you, henceforth, are facing—you Libertad! from your Western golden shores
The countries there, with their populations—the millions en-masse, are curiously here;
The swarming market places—the temples, with idols ranged along the sides, or at the
end—bonze,
brahmin, and lama;
The mandarin, farmer, merchant, mechanic, and fisherman;
The singing-girl and the dancing-girl—the ecstatic person—the secluded Emperors,
Confucius himself—the great poets and heroes—the warriors, the castes, all,
Trooping up, crowding from all directions—from the Altay mountains,
From Thibet—from the four winding and far-flowing rivers of China,
From the Southern peninsulas, and the demi-continental islands—from Malaysia;
These, and whatever belongs to them, palpable, show forth to me, and are seiz’d by me,
And I am seiz’d by them, and friendlily held by them,
Till, as here, them all I chant, Libertad! for themselves and for you.
5
For I too, raising my voice, join the ranks of this pageant;
I am the chanter—I chant aloud over the pageant;
I chant the world on my Western Sea;
I chant, copious, the islands beyond, thick as stars in the sky;
I chant the new empire, grander than any before—As in a vision it comes to me;
I chant America, the Mistress—I chant a greater supremacy;
I chant, projected, a thousand blooming cities yet, in time, on those groups of
sea-islands;
I chant my sail-ships and steam-ships threading the archipelagoes;
I chant my stars and stripes fluttering in the wind;
I chant commerce opening, the sleep of ages having done its work—races, reborn, refresh’d;
Lives, works, resumed—The object I know not—but the old, the Asiatic, renew’d, as it must
be,
Commencing from this day, surrounded by the world.
6
And you, Libertad of the world!
You shall sit in the middle, well-pois’d, thousands of years;
As to-day, from one side, the nobles of Asia come to you;
As to-morrow, from the other side, the Queen of England sends her eldest son to you.
7
The sign is reversing, the orb is enclosed,
The ring is circled, the journey is done;
The box-lid is but perceptibly open’d—nevertheless the perfume pours copiously out of the
whole
box.
8
Young Libertad!
With the venerable Asia, the all-mother,
Be considerate with her, now and ever, hot Libertad—for you are all;
Bend your proud neck to the long-off mother, now sending messages over the archipelagoes
to
you;
Bend your proud neck low for once, young Libertad.
9
Were the children straying westward so long? so wide the tramping?
Were the precedent dim ages debouching westward from Paradise so long?
Were the centuries steadily footing it that way, all the while unknown, for you, for
reasons?
They are justified—they are accomplish’d—they shall now be turn’d the other way also, to
travel toward you thence;
They shall now also march obediently eastward, for your sake, Libertad.
|
Written by
Les Murray |
The word goes round Repins,
the murmur goes round Lorenzinis,
at Tattersalls, men look up from sheets of numbers,
the Stock Exchange scribblers forget the chalk in their hands
and men with bread in their pockets leave the Greek Club:
There's a fellow crying in Martin Place. They can't stop him.
The traffic in George Street is banked up for half a mile
and drained of motion. The crowds are edgy with talk
and more crowds come hurrying. Many run in the back streets
which minutes ago were busy main streets, pointing:
There's a fellow weeping down there. No one can stop him.
The man we surround, the man no one approaches
simply weeps, and does not cover it, weeps
not like a child, not like the wind, like a man
and does not declaim it, nor beat his breast, nor even
sob very loudly - yet the dignity of his weeping
holds us back from his space, the hollow he makes about him
in the midday light, in his pentagram of sorrow,
and uniforms back in the crowd who tried to seize him
stare out at him, and feel, with amazement, their minds
longing for tears as children for a rainbow.
Some will say, in the years to come, a halo
or force stood around him. There is no such thing.
Some will say they were shocked and would have stopped him
but they will not have been there. The fiercest manhood,
the toughest reserve, the slickest wit amongst us
trembles with silence, and burns with unexpected
judgements of peace. Some in the concourse scream
who thought themselves happy. Only the smallest children
and such as look out of Paradise come near him
and sit at his feet, with dogs and dusty pigeons.
Ridiculous, says a man near me, and stops
his mouth with his hands, as if it uttered vomit -
and I see a woman, shining, stretch her hand
and shake as she receives the gift of weeping;
as many as follow her also receive it
and many weep for sheer acceptance, and more
refuse to weep for fear of all acceptance,
but the weeping man, like the earth, requires nothing,
the man who weeps ignores us, and cries out
of his writhen face and ordinary body
not words, but grief, not messages, but sorrow,
hard as the earth, sheer, present as the sea -
and when he stops, he simply walks between us
mopping his face with the dignity of one
man who has wept, and now has finished weeping.
Evading believers, he hurries off down Pitt Street.
|
Written by
Rg Gregory |
(1) a great man
there was a great man
so great he couldn't be criticised in the light
who died
and for a whole week people turned up their collars over their ears
and wept with great gossiping
houses wore their roofs at a mournful angle
and television announcers carried their eyes around in long drooping bags
there was a hush upon the voice of the land
as soft as the shine on velvet
the whole nation stretched up into the dusty attic for its medals and black ties
and prayers
and seriously polished its black uncomfortable shoes
and no one dared creak in the wrong places
anybody who thought he was everybody
except those who were nearly dying themselves
wanted to come to the funeral
and in its mourning the nation rejoiced to think
that once again it had cut into the world's time
with its own sick longing for the past
the great man and the great nation
had the same bulldog vision of each other's face
and neither of them had barked convincingly for a very long time
so the nation turned out on a cold bleak day
and attended its own funeral with uncanny reverence
and the other nations put tears over their laughing eyes
v-signs and rude gestures spoke with the same fingers
(2) aden
tourists dream of bombs
that will not kill them
into the rock
the sand-claws
the winking eye
and harsh shell
of aden
waiting for the pinch
jagged sun
lumps of heat
bumping on the stunned ship
knuckledustered rock
clenched over steamer point
waiting for the sun to stagger
loaded down the hill
before we bunch ashore
calm
eyes within their windows
we walk
(a town must live
must have its acre of normality
let hate sport
its bright shirt in the shadows)
we shop
collect our duty-murdered goods
compare bargains
laugh grieve
at benefit or loss
aden dead-pan
leans against our words
which hand invisible
knows how to print a bomb
ejaculate a knife
does tourist greed embroil us in
or shelter us from guilt
backstreet
a sailor drunk
gyrates within a wall of adenese
collapses spews
they roll about him
in a dark pool
the sun moves off
as we do
streets squashed with shops
criss-cross of customers
a rush of people nightwards
a white woman
striding like a cliff
dirt - goats in the gutter
crunched beggars
a small to breed a fungus
cafes with open mouths
men like broken teeth
or way back in the dark
like tonsils
an air of shapeless threat
fluffs in our pulse
a boundary crossed
the rules are not the same
brushed by eyes
the touch is silent
silence breeds
we feel the breath of fury
(soon to roar)
retreat within our skins
return to broader streets
bazaars glower
almost at candlelight
we clutch our goods
a dim delusion of festivity
a christ neurotic
dying to explode
how much of this is aden
how much our masterpiece
all atmospheres are inbuilt
an armoured car looms by
the ship like mother
brooding in the sea
receives us with a sigh
aden winks and ogles in the dark
the sport of hate released
slowly away at midnight
rumours of bombs and riots
in the long wake
a disappointed sleep
nothing to write home about
except the heat
(3) crossing the line (xii)
give me not england
in its glory dead nightmared with rotting seed
palmerston's perverted gunboat up the
yangtse's **** - lloyd george and winston churchill
rubbing men like salt into surly wounds
(we won those wars and neatly fucked ourselves)
eden at suez a jacked-up piece of wool
macmillan sprinkling cliches where the black
blood boils (the ashes of his kind) - home
as wan as godot (shagged by birth) wilson
for whom the wind blew sharply once or twice
sailing eastwards in the giant's stetson hat
saving jims from the red long john
give me
not england but the world with england in it
with people as promiscuous as planes (the colours
shuffled)
don't ask for wars to end or men
to have their deaths wrapped up as christmas gifts
expect myself to die a coward - proclaim no lives
as kisses - offer no roses to the blind
no sanctions to the damned - will not shake hands
with him who rapes my wife or chokes my daughter
only when drunk or mad will think myself
the master of my purse - will lust for ease
seek to assuage my griefs in others' tears
will make more chaos than i put to rights
but in my fracture i shall strive to stand
a ruined arch whose limbs stretch half
towards a point that drew me upwards - that
ungot intercourse in space that prickless star
is what i ache for (what i want in man
and thus i give him)
the image of that cross
is grit within him - the arch reflects in
microscopic waves through fleshly aeons
beaming messages to nerves and typing fingers
both ends of me are broken - in frantic storms
hanging over cliffs i fight to mend them
the job cannot be done - i die though
if i stop
how cynical i may be (how apt
with metaphor or joke to thrust my fate
grotesquely into print) the fact is that
i live until i stop - i can't sit down then
crying let me die or death is good
(the freedom from myself my bones are seeking)
i must go on - tread every road that comes
risk every plague because i must believe
the end is bright (however filled with vomit
every brook) - if not for me then for
those who clamber on my bones
my hope
is what i owe them - they owe their life to me
|
Written by
Robert Bly |
Nigh and day arrive and day after day goes by
And what is old remains old and what is young remains young and grows old.
The lumber pile does not grow younger nor the two-by-fours lose their darkness
but the old tree goes on the barn stands without help so many years;
the advocate of darkness and night is not lost.
The horse steps up swings on one leg turns its body
the chicken flapping claws onto the roost its wings whelping and walloping
but what is primitive is not to be shot out into the night and the dark.
And slowly the kind man comes closer loses his rage sits down at table.
So I am proud only of those days that pass in undivided tenderness
when you sit drawing or making books stapled with messages to the world
or coloring a man with fire coming out of his hair.
Or we sit at a table with small tea carefully poured.
So we pass our time together calm and delighted.
|
Written by
Barry Tebb |
( I )
for ‘JC’ of the TLS
Nightmare of metropolitan amalgam
Grand Hotel and myself as a guest there
Lost with my room rifled, my belongings scattered,
Purse, diary and vital list of numbers gone –
Vague sad memories of mam n’dad
Leeds 1942 back-to-back with shared outside lav.
Hosannas of sweet May mornings
Whitsun glory of lilac blooming
Sixty years on I run and run
From death, from loss, from everyone.
Which are the paths I never ventured down,
Or would they, too, be vain?
O for the secret anima of Leeds girlhood
A thousand times better than snide attacks in the TLS
By ‘JC’. **** you, Jock, you should be ashamed,
Attacking Brenda Williams, who had a background
Worse than yours, an alcoholic schizophrenic father
And an Irish immigrant mother who died when Brenda was fifteen
But still she managed to read Proust on her day off
As a library girl, turned down by David Jenkins,
‘As rising star of the left’ for a place at Leeds
To read theology started her as a protest poet
Sitting out on the English lawn, mistaken for a snow sculpture
In the depths of winter.
Her sit-in protest lasted seven months,
Months, eight hours a day, her libellous verse scorching
The academic groves of Leeds in sheets by the thousand,
Mailed through the university's internal post. She called
The VC 'a mouse from the mountain'; Bishop of Durham to-be
David Jenkins a wimp and worse and all in colourful verse
And 'Guntrip's Ghost' went to every VC in England in a
Single day. When she sat on the English lawn Park Honan
Flew paper aeroplanes with messages down and
And when she was in Classics they took away her chair
So she sat on the floor reading Virgil and the Chairman of the
Department sent her an official Christmas card
'For six weeks on the university lawn, learning the
Hebrew alphabet'.
And that was just the beginning: in Oxford Magdalen College
School turned our son away for the Leeds protest so she
Started again, in Magdalen Quad, sitting through Oxford's
Worst ever winter and finally they arrested her on the
Eve of the May Ball so she wrote 'Oxford from a Prison
Cell' her most famous poem and her protest letter went in
A single day to every MP and House of Lords Member and
It was remembered years after and when nobody nominated
Her for the Oxford Chair she took her own and sat there
In the cold for almost a year, well-wishers pinning messages
To the tree she sat under - "Tityre, tu patulae recubans
Sub tegmine fagi" and twelve hundred and forty dons had
"The Pain Clinic" in a single day and she was fourteen
Times in the national press, a column in "The Guardian"
And a whole page with a picture in the 'Times Higher' -
"A Well Versed Protester"
JC, if you call Myslexia’s editor a ‘kick-**** virago’
You’ve got to expect a few kicks back.
All this is but the dust
We must shake from our feet
Purple heather still with blossom
In Haworth and I shall gather armfuls
To toss them skywards and you,
Madonna mia, I shall bed you there
In blazing summer by High Wythens,
Artist unbroken from the highest peak
I raise my hands to heaven.
( II )
Sweet Anna, I do not know you from Eve
But your zany zine in the post
Is the best I’ve ever seen, inspiring this rant
Against the cant of stuck-up cunts currying favour
I name no name but if the Dutch cap fits
Then wear it and share it.
Who thought at sixty one
I’d have owned a watch
Like this one, chased silver cased
Quartz reflex Japanese movement
And all for a fiver at the back of Leeds Market
Where I wander in search of oil pastels
Irish folk and cheap socks.
The TLS mocks our magazine
With its sixties Cadillac pink
Psychedelic cover and every page crimson
Orange or mauve, revolutionary sonnets
By Brenda Williams from her epic ‘Pain Clinic’
And my lacerating attacks on boring Bloodaxe
Neil Ghastly and Anvil’s preciosity and all the
Stuck-up ****-holes in their cubby-holes sending out
Rejection slip by rote – LPW
|
Written by
John Ashbery |
The first of the undecoded messages read: "Popeye sits
in thunder,
Unthought of. From that shoebox of an apartment,
From livid curtain's hue, a tangram emerges: a country."
Meanwhile the Sea Hag was relaxing on a green couch: "How
pleasant
To spend one's vacation en la casa de Popeye," she
scratched
Her cleft chin's solitary hair. She remembered spinach
And was going to ask Wimpy if he had bought any spinach.
"M'love," he intercepted, "the plains are decked out
in thunder
Today, and it shall be as you wish." He scratched
The part of his head under his hat. The apartment
Seemed to grow smaller. "But what if no pleasant
Inspiration plunge us now to the stars? For this is my
country."
Suddenly they remembered how it was cheaper in the country.
Wimpy was thoughtfully cutting open a number 2 can of spinach
When the door opened and Swee'pea crept in. "How pleasant!"
But Swee'pea looked morose. A note was pinned to his bib.
"Thunder
And tears are unavailing," it read. "Henceforth shall
Popeye's apartment
Be but remembered space, toxic or salubrious, whole or
scratched."
Olive came hurtling through the window; its geraniums scratched
Her long thigh. "I have news!" she gasped. "Popeye, forced as
you know to flee the country
One musty gusty evening, by the schemes of his wizened,
duplicate father, jealous of the apartment
And all that it contains, myself and spinach
In particular, heaves bolts of loving thunder
At his own astonished becoming, rupturing the pleasant
Arpeggio of our years. No more shall pleasant
Rays of the sun refresh your sense of growing old, nor the
scratched
Tree-trunks and mossy foliage, only immaculate darkness and
thunder."
She grabbed Swee'pea. "I'm taking the brat to the country."
"But you can't do that--he hasn't even finished his spinach,"
Urged the Sea Hag, looking fearfully around at the apartment.
But Olive was already out of earshot. Now the apartment
Succumbed to a strange new hush. "Actually it's quite pleasant
Here," thought the Sea Hag. "If this is all we need fear from
spinach
Then I don't mind so much. Perhaps we could invite Alice the Goon
over"--she scratched
One dug pensively--"but Wimpy is such a country
Bumpkin, always burping like that." Minute at first, the thunder
Soon filled the apartment. It was domestic thunder,
The color of spinach. Popeye chuckled and scratched
His balls: it sure was pleasant to spend a day in the country.
|