Written by
Howard Nemerov |
They're taking down a tree at the front door,
The power saw is snarling at some nerves,
Whining at others. Now and then it grunts,
And sawdust falls like snow or a drift of seeds.
Rotten, they tell us, at the fork, and one
Big wind would bring it down. So what they do
They do, as usual, to do us good.
Whatever cannot carry its own weight
Has got to go, and so on; you expect
To hear them talking next about survival
And the values of a free society.
For in the explanations people give
On these occasions there is generally some
Mean-spirited moral point, and everyone
Privately wonders if his neighbors plan
To saw him up before he falls on them.
Maybe a hundred years in sun and shower
Dismantled in a morning and let down
Out of itself a finger at a time
And then an arm, and so down to the trunk,
Until there's nothing left to hold on to
Or snub the splintery holding rope around,
And where those big green divagations were
So loftily with shadows interleaved
The absent-minded blue rains in on us.
Now that they've got it sectioned on the ground
It looks as though somebody made a plain
Error in diagnosis, for the wood
Looks sweet and sound throughout. You couldn't know,
Of course, until you took it down. That's what
Experts are for, and these experts stand round
The giant pieces of tree as though expecting
An instruction booklet from the factory
Before they try to put it back together.
Anyhow, there it isn't, on the ground.
Next come the tractor and the crowbar crew
To extirpate what's left and fill the grave.
Maybe tomorrow grass seed will be sown.
There's some mean-spirited moral point in that
As well: you learn to bury your mistakes,
Though for a while at dusk the darkening air
Will be with many shadows interleaved,
And pierced with a bewilderment of birds.
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Written by
Carl Sandburg |
(Washington, August, 1918)I HAVE seen this city in the day and the sun.
I have seen this city in the night and the moon.
And in the night and the moon I have seen a thing this city gave me nothing of in the day and the sun.
The float of the dome in the day and the sun is one thing.
The float of the dome in the night and the moon is another thing.
In the night and the moon the float of the dome is a dream-whisper, a croon of a hope: “Not today, child, not today, lover; maybe tomorrow, child, maybe tomorrow, lover.”
Can a dome of iron dream deeper than living men?
Can the float of a shape hovering among tree-tops—can this speak an oratory sad, singing and red beyond the speech of the living men?
A mother of men, a sister, a lover, a woman past the dreams of the living—
Does she go sad, singing and red out of the float of this dome?
There is … something … here … men die for.
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