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Best Famous Mat Up Poems

Here is a collection of the all-time best famous Mat Up poems. This is a select list of the best famous Mat Up poetry. Reading, writing, and enjoying famous Mat Up poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of mat up poems.

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Written by Allen Ginsberg | Create an image from this poem

September On Jessore Road

 Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls vomit & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions Families walk
Stunted boys big heads don't talk
Look bony skulls & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged like elderly nuns
small bodied hands to their mouths in prayer
Five months small food since they settled there

on one floor mat with small empty pot
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together in palmroof shade
Stare at me no word is said
Rice ration, lentils one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days eat while they can
Then children starve three days in a row
and vomit their next food unless they eat slow.

On Jessore road Mother wept at my knees
Bengali tongue cried mister Please
Identity card torn up on the floor
Husband still waits at the camp office door

Baby at play I was washing the flood
Now they won't give us any more food
The pieces are here in my celluloid purse
Innocent baby play our death curse 

Two policemen surrounded by thousands of boys
Crowded waiting their daily bread joys
Carry big whistles & long bamboo sticks
to whack them in line They play hungry tricks

Breaking the line and jumping in front 
Into the circle sneaks one skinny runt
Two brothers dance forward on the mud stage
Teh gaurds blow their whistles & chase them in rage

Why are these infants massed in this place
Laughing in play & pushing for space
Why do they wait here so cheerful & dread
Why this is the House where they give children bread

The man in the bread door Cries & comes out
Thousands of boys and girls Take up his shout
Is it joy? is it prayer? "No more bread today"
Thousands of Children at once scream "Hooray!"

Run home to tents where elders await
Messenger children with bread from the state
No bread more today! & and no place to squat
Painful baby, sick **** he has got.

Malnutrition skulls thousands for months
Dysentery drains bowels all at once
Nurse shows disease card Enterostrep
Suspension is wanting or else chlorostrep

Refugee camps in hospital shacks
Newborn lay naked on mother's thin laps
Monkeysized week old Rheumatic babe eye
Gastoenteritis Blood Poison thousands must die

September Jessore Road rickshaw
50,000 souls in one camp I saw
Rows of bamboo huts in the flood 
Open drains, & wet families waiting for food

Border trucks flooded, food cant get past,
American Angel machine please come fast!
Where is Ambassador Bunker today?
Are his Helios machinegunning children at play?

Where are the helicopters of U.S. AID?
Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light?
Bombing North Laos all day and all night?

Where are the President's Armies of Gold?
Billionaire Navies merciful Bold?
Bringing us medicine food and relief?
Napalming North Viet Nam and causing more grief?

Where are our tears? Who weeps for the pain?
Where can these families go in the rain?
Jessore Road's children close their big eyes
Where will we sleep when Our Father dies?

Whom shall we pray to for rice and for care?
Who can bring bread to this **** flood foul'd lair?
Millions of children alone in the rain!
Millions of children weeping in pain!

Ring O ye tongues of the world for their woe
Ring out ye voices for Love we don't know
Ring out ye bells of electrical pain
Ring in the conscious of America brain

How many children are we who are lost
Whose are these daughters we see turn to ghost?
What are our souls that we have lost care?
Ring out ye musics and weep if you dare--

Cries in the mud by the thatch'd house sand drain
Sleeps in huge pipes in the wet ****-field rain
waits by the pump well, Woe to the world!
whose children still starve in their mother's arms curled.

Is this what I did to myself in the past?
What shall I do Sunil Poet I asked?
Move on and leave them without any coins?
What should I care for the love of my loins?

What should we care for our cities and cars?
What shall we buy with our Food Stamps on Mars?
How many millions sit down in New York
& sup this night's table on bone & roast pork?

How many millions of beer cans are tossed
in Oceans of Mother? How much does She cost?
Cigar gasolines and asphalt car dreams
Stinking the world and dimming star beams--

Finish the war in your breast with a sigh
Come tast the tears in your own Human eye
Pity us millions of phantoms you see
Starved in Samsara on planet TV

How many millions of children die more
before our Good Mothers perceive the Great Lord?
How many good fathers pay tax to rebuild 
Armed forces that boast the children they've killed?

How many souls walk through Maya in pain
How many babes in illusory pain?
How many families hollow eyed lost?
How many grandmothers turning to ghost?

How many loves who never get bread?
How many Aunts with holes in their head?
How many sisters skulls on the ground?
How many grandfathers make no more sound?

How many fathers in woe
How many sons nowhere to go?
How many daughters nothing to eat?
How many uncles with swollen sick feet?

Millions of babies in pain
Millions of mothers in rain
Millions of brothers in woe
Millions of children nowhere to go

 New York, November 14-16, 1971


Written by Marge Piercy | Create an image from this poem

The Cats Song

 Mine, says the cat, putting out his paw of darkness. 
My lover, my friend, my slave, my toy, says 
the cat making on your chest his gesture of drawing 
milk from his mother's forgotten breasts. 

Let us walk in the woods, says the cat. 
I'll teach you to read the tabloid of scents, 
to fade into shadow, wait like a trap, to hunt. 
Now I lay this plump warm mouse on your mat. 

You feed me, I try to feed you, we are friends, 
says the cat, although I am more equal than you. 
Can you leap twenty times the height of your body? 
Can you run up and down trees? Jump between roofs?

Let us rub our bodies together and talk of touch. 
My emotions are pure as salt crystals and as hard. 
My lusts glow like my eyes. I sing to you in the mornings
walking round and round your bed and into your face. 

Come I will teach you to dance as naturally 
as falling asleep and waking and stretching long, long. 
I speak greed with my paws and fear with my whiskers. 
Envy lashes my tail. Love speaks me entire, a word 

of fur. I will teach you to be still as an egg 
and to slip like the ghost of wind through the grass.
Written by J R R Tolkien | Create an image from this poem

Cat

 The fat cat on the mat
may seem to dream
of nice mice that suffice
for him, or cream;
but he free, maybe,
walks in thought
unbowed, proud, where loud
roared and fought
his kin, lean and slim,
or deep in den
in the East feasted on beasts
and tender men.
The giant lion with iron
claw in paw,
and huge ruthless tooth
in gory jaw;
the pard dark-starred,
fleet upon feet,
that oft soft from aloft
leaps upon his meat
where woods loom in gloom --
far now they be,
fierce and free,
and tamed is he;
but fat cat on the mat
kept as a pet
he does not forget.
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Song of Hiawatha: X

 X. Hiawatha's Wooing

"As unto the bow the cord is,
So unto the man is woman,
Though she bends him, she obeys him,
Though she draws him, yet she follows,
Useless each without the other!"

Thus the youthful Hiawatha
Said within himself and pondered,
Much perplexed by various feelings,
Listless, longing, hoping, fearing,
Dreaming still of Minnehaha,
Of the lovely Laughing Water,
In the land of the Dacotahs.

"Wed a maiden of your people,"
Warning said the old Nokomis;
"Go not eastward, go not westward,
For a stranger, whom we know not!
Like a fire upon the hearth-stone
Is a neighbor's homely daughter,
Like the starlight or the moonlight
Is the handsomest of strangers!"

Thus dissuading spake Nokomis,
And my Hiawatha answered
Only this: "Dear old Nokomis,
Very pleasant is the firelight,
But I like the starlight better,
Better do I like the moonlight!"

Gravely then said old Nokomis:
"Bring not here an idle maiden,
Bring not here a useless woman,
Hands unskilful, feet unwilling;
Bring a wife with nimble fingers,
Heart and hand that move together,
Feet that run on willing errands!"

Smiling answered Hiawatha:
"In the land of the Dacotahs
Lives the Arrow-maker's daughter,
Minnehaha, Laughing Water,
Handsomest of all the women.
I will bring her to your wigwam,
She shall run upon your errands,
Be your starlight, moonlight, firelight,
Be the sunlight of my people!"

Still dissuading said Nokomis:
"Bring not to my lodge a stranger
From the land of the Dacotahs!
Very fierce are the Dacotahs,
Often is there war between us,
There are feuds yet unforgotten,
Wounds that ache and still may open!

Laughing answered Hiawatha:
"For that reason, if no other,
Would I wed the fair Dacotah,
That our tribes might be united,
That old feuds might be forgotten,
And old wounds be healed forever!"

Thus departed Hiawatha
To the land of the Dacotahs,
To the land of handsome women;
Striding over moor and meadow,
Through interminable forests,
Through uninterrupted silence.

With his moccasins of magic,
At each stride a mile he measured;
Yet the way seemed long before him,
And his heart outran his footsteps;
And he journeyed without resting,
Till he heard the cataract's laughter,
Heard the Falls of Minnehaha
Calling to him through the silence.
"Pleasant is the sound!" he murmured,
"Pleasant is the voice that calls me!"

On the outskirts of the forests,
'Twixt the shadow and the sunshine,
Herds of fallow deer were feeding,
But they saw not Hiawatha;
To his bow be whispered, "Fail not!"
To his arrow whispered, "Swerve not!"
Sent it singing on its errand,
To the red heart of the roebuck;
Threw the deer across his shoulder,
And sped forward without pausing.

At the doorway of his wigwam
Sat his ancient Arrow-maker,
In the land of the Dacotahs,
Making arrow-heads of jasper,
Arrow-heads of chalcedony.
At his side, in all her beauty,
Sat the lovely Minnehaha,
Sat his daughter, Laughing Water,
Plaiting mats of flags and rushes;
Of the past the old man's thoughts were,
And the maiden's of the future.

He was thinking, as he sat there,
Of the days when with such arrows
He had struck the deer and bison,
On the Muskoday, the meadow;
Shot the wild goose, flying southward,
On the wing, the clamorous Wawa;
Thinking of the great war-parties,
How they came to buy his arrows,
Could not fight without his arrows.
Ah, no more such noble warriors
Could be found on earth as they were!
Now the men were all like women,
Only used their tongues for weapons!

She was thinking of a hunter,
From another tribe and country,
Young and tall and very handsome,
Who one morning, in the Spring-time,
Came to buy her father's arrows,
Lingered long about the doorway,
Sat and rested in the wigwam,
Looking back as he departed.
She had heard her father praise him,
Praise his courage and his wisdom;
Would he come again for arrows
To the Falls of Minnehaha?
On the mat her hands lay idle,
And her eyes were very dreamy.

Through their thoughts they heard a footstep,
Heard a rustling in the branches,
And with glowing cheek and forehead,
With the deer upon his shoulders,
Suddenly from out the woodlands
Hiawatha stood before them.

Straight the ancient Arrow-maker
Looked up gravely from his labor,
Laid aside the unfinished arrow,
Bade him enter at the doorway,
Saying, as he rose to meet him,
"Hiawatha, you are welcome!"

At the feet of Laughing Water
Hiawatha laid his burden,
Threw the red deer from his shoulders;
And the maiden looked up at him,
Looked up from her mat of rushes,
Said with gentle look and accent,
"You are welcome, Hiawatha!"

Very spacious was the wigwam,
Made of deer-skins dressed and whitened,
With the Gods of the Dacotahs
Drawn and painted on its curtains,
And so tall the doorway, hardly
Hiawatha stooped to enter,
Hardly touched his eagle-feathers
As he entered at the doorway.

Then uprose the Laughing Water,
From the ground fair Minnehaha,
Laid aside her mat unfinished,
Brought forth food and set before them,
Water brought them from the brooklet,
Gave them food in earthen vessels,
Gave them drink in bowls of bass-wood,
Listened while the guest was speaking,
Listened while her father answered,
But not once her lips she opened,
Not a single word she uttered.

Yes, as in a dream she listened
To the words of Hiawatha,
As he talked of old Nokomis,
Who had nursed him in his childhood,
As he told of his companions,
Chibiabos, the musician,
And the very strong man, Kwasind,
And of happiness and plenty
In the land of the Ojibways,
In the pleasant land and peaceful.

"After many years of warfare,
Many years of strife and bloodshed,
There is peace between the Ojibways
And the tribe of the Dacotahs."
Thus continued Hiawatha,
And then added, speaking slowly,
'That this peace may last forever,
And our hands be clasped more closely,
And our hearts be more united,
Give me as my wife this maiden,
Minnehaha, Laughing Water,
Loveliest of Dacotah women!

And the ancient Arrow-maker
Paused a moment ere he answered,
Smoked a little while in silence,
Looked at Hiawatha proudly,
Fondly looked at Laughing Water,
And made answer very gravely:
"Yes, if Minnehaha wishes;
Let your heart speak, Minnehaha!"

And the lovely Laughing Water
Seemed more lovely as she stood there,
Neither willing nor reluctant,
As she went to Hiawatha,
Softly took the seat beside him,
While she said, and blushed to say it,
"I will follow you, my husband!"

This was Hiawatha's wooing!
Thus it was he won the daughter
Of the ancient Arrow-maker,
In the land of the Dacotahs!

From the wigwam he departed,
Leading with him Laughing Water;
Hand in hand they went together,
Through the woodland and the meadow,
Left the old man standing lonely
At the doorway of his wigwam,
Heard the Falls of Minnehaha
Calling to them from the distance,
Crying to them from afar off,
"Fare thee well, O Minnehaha!"

And the ancient Arrow-maker
Turned again unto his labor,
Sat down by his sunny doorway,
Murmuring to himself, and saying:
"Thus it is our daughters leave us,
Those we love, and those who love us!
Just when they have learned to help us,
When we are old and lean upon them,
Comes a youth with flaunting feathers,
With his flute of reeds, a stranger
Wanders piping through the village,
Beckons to the fairest maiden,
And she follows where he leads her,
Leaving all things for the stranger!"

Pleasant was the journey homeward,
Through interminable forests,
Over meadow, over mountain,
Over river, hill, and hollow.
Short it seemed to Hiawatha,
Though they journeyed very slowly,
Though his pace he checked and slackened
To the steps of Laughing Water.

Over wide and rushing rivers
In his arms he bore the maiden;
Light he thought her as a feather,
As the plume upon his head-gear;
Cleared the tangled pathway for her,
Bent aside the swaying branches,
Made at night a lodge of branches,
And a bed with boughs of hemlock,
And a fire before the doorway
With the dry cones of the pine-tree.

All the travelling winds went with them,
O'er the meadows, through the forest;
All the stars of night looked at them,
Watched with sleepless eyes their slumber;
From his ambush in the oak-tree
Peeped the squirrel, Adjidaumo,
Watched with eager eyes the lovers;
And the rabbit, the Wabasso,
Scampered from the path before them,
Peering, peeping from his burrow,
Sat erect upon his haunches,
Watched with curious eyes the lovers.

Pleasant was the journey homeward!
All the birds sang loud and sweetly
Songs of happiness and heart's-ease;
Sang the bluebird, the Owaissa,
"Happy are you, Hiawatha,
Having such a wife to love you!"
Sang the robin, the Opechee,
"Happy are you, Laughing Water,
Having such a noble husband!"

From the sky the sun benignant
Looked upon them through the branches,
Saying to them, "O my children,
Love is sunshine, hate is shadow,
Life is checkered shade and sunshine,
Rule by love, O Hiawatha!"

From the sky the moon looked at them,
Filled the lodge with mystic splendors,
Whispered to them, "O my children,
Day is restless, night is quiet,
Man imperious, woman feeble;
Half is mine, although I follow;
Rule by patience, Laughing Water!"

Thus it was they journeyed homeward;
Thus it was that Hiawatha
To the lodge of old Nokomis
Brought the moonlight, starlight, firelight,
Brought the sunshine of his people,
Minnehaha, Laughing Water,
Handsomest of all the women
In the land of the Dacotahs,
In the land of handsome women.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Old Gumbie Cat

 I have a Gumbie Cat in mind, her name is Jennyanydots;
Her coat is of the tabby kind, with tiger stripes and leopard spots.
All day she sits upon the stair or on the steps or on the mat;
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!

But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
And when all the family's in bed and asleep,
She tucks up her skirts to the basement to creep.
She is deeply concerned with the ways of the mice--
Their behaviour's not good and their manners not nice;
So when she has got them lined up on the matting,
She teachs them music, crocheting and tatting.

I have a Gumbie Cat in mind, her name is Jennyanydots;
Her equal would be hard to find, she likes the warm and sunny spots.
All day she sits beside the hearth or on the bed or on my hat:
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!

But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
As she finds that the mice will not ever keep quiet,
She is sure it is due to irregular diet;
And believing that nothing is done without trying,
She sets right to work with her baking and frying.
She makes them a mouse--cake of bread and dried peas,
And a beautiful fry of lean bacon and cheese.

I have a Gumbie Cat in mind, her name is Jennyanydots;
The curtain-cord she likes to wind, and tie it into sailor-knots.
She sits upon the window-sill, or anything that's smooth and flat:
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!

But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
She thinks that the cockroaches just need employment
To prevent them from idle and wanton destroyment.
So she's formed, from that lot of disorderly louts,
A troop of well-disciplined helpful boy-scouts,
With a purpose in life and a good deed to do--
And she's even created a Beetles' Tattoo.

So for Old Gumbie Cats let us now give three cheers--
On whom well-ordered households depend, it appears.


Written by Robert William Service | Create an image from this poem

Causation

 Said darling daughter unto me:
"oh Dad, how funny it would be
If you had gone to Mexico
A score or so of years ago.
Had not some whimsey changed your plan
I might have been a Mexican.
With lissome form and raven hair,
Instead of being fat and fair.

"Or if you'd sailed the Southern Seas
And mated with a Japanese
I might have been a squatty girl
With never golden locks to curl,
Who flirted with a painted fan,
And tinkled on a samisan,
And maybe slept upon a mat -
I'm very glad I don't do that.

"When I consider the romance
Of all your youth of change and chance
I might, I fancy, just as well
Have bloomed a bold Tahitian belle,
Or have been born . . . but there - ah no!
I draw the line - and Esquimeaux.
It scares me stiff to think of what
I might have been - thank God! I'm not."

Said I: "my dear, don't be absurd,
Since everything that has occurred,
Through seeming fickle in your eyes,
Could not a jot be otherwise.
For in this casual cosmic biz
The world can be but what it is;
And nobody can dare deny
Part of this world is you and I.

Or call it fate or destiny
No other issue could there be.
Though half the world I've wandered through
Cause and effect have linked us two.
Aye, all the aeons of the past
Conspired to bring us here at last,
And all I ever chanced to do
Inevitably led to you.

To you, to make you what you are,
A maiden in a Morris car,
IN Harris tweeds, an airedale too,
But Anglo-Saxon through and through.
And all the good and ill I've done
In every land beneath the sun
Magnificently led to this -
A country cottage and - your kiss."
Written by Omar Khayyam | Create an image from this poem

My heart is weary of hypocrisy,

My heart is weary of hypocrisy,
Cupbearer, bring some wine, I beg of thee!
This hooded cowl and prayer-mat pawn for wine,
Then will I boast me in security.
Written by Alec Derwent (A D) Hope | Create an image from this poem

Conquistador

 I sing of the decline of Henry Clay 
Who loved a white girl of uncommon size. 
Although a small man in a little way, 
He had in him some seed of enterprise. 

Each day he caught the seven-thirty train 
To work, watered his garden after tea, 
Took an umbrella if it looked like rain A 
nd was remarkably like you or me. 

He had his hair cut once a fortnight, tried 
Not to forget the birthday of his wife, 
And might have lived unnoticed till he died 
Had not ambition entered Henry's life. 

He met her in the lounge of an hotel - 
A most unusual place for him to go - 
But there he was and there she was as well 
Sitting alone. He ordered beers for two. 

She was so large a girl that when they came 
He gave the waiter twice the usual tip. 
She smiled without surprise, told him her name, 
And as the name trembled on Henry's lip, 

His parched soul, swelling like a desert root, 
Broke out its delicate dream upon the air; 
The mountains shook with earthquake under foot; 
An angel seized him suddenly by the hair; 

The sky was shrill with peril as he passed; 
A hurricane crushed his senses with its din; 
The wildfire crackled up his reeling mast; 
The trumpet of a maelstrom sucked hirn in; 

The desert shrivelled and burnt off his feet; 
His bones and buttons an enormous snake 
Vomited up; still in the shimmering heat 
The pygmies showed him their forbidden lake 

And then transfixed him with their poison darts; 
He married six black virgins in a bunch, 
Who, when they had drawn out his manly parts, 
Stewed him and ate him lovingly for lunch. 

Adventure opened wide its grisly jaws; 
Henry looked in and knew the Hero's doom. 
The huge white girl drank on without a pause 
And, just at closing time, she asked him home. 

The tram they took was full of Roaring Boys 
Announcing the world's ruin and Judgment Day; 
The sky blared with its grand orchestral voice 
The Gotterdammerung of Henry Clay. 

But in her quiet room they were alone. 
There, towering over Henry by a head, 
She stood and took her clothes off one by one, 
And then she stretched herself upon the bed. 

Her bulk of beauty, her stupendous grace 
Challenged the lion heart in his puny dust. 
Proudly his Moment looked him in the face: 
He rose to meet it as a hero must; 

Climbed the white mountain of unravished snow, 
Planted his tiny flag upon the peak. 
The smooth drifts, scarcely breathing, lay below. 
She did not take the trouble to smile or speak. 

And afterwards, it may have been in play, 
The enormous girl rolled over and squashed him flat; 
And, as she could not send him home that way, 
Used him thereafter as a bedside mat. 

Speaking at large, I will say this of her: S 
he did not spare expense to make him nice. 
Tanned on both sides and neatly edged with fur, 
The job would have been cheap at any price. 

And when, in winter, getting out of bed, 
Her large soft feet pressed warmly on the skin, 
The two glass eyes would sparkle in his head, 
The jaws extend their papier-mache grin. 

Good people, for the soul of Henry Clay 
Offer your prayers, and view his destiny! 
He was the Hero of our Time. He may 
With any luck, one day, be you or me.
Written by Rudyard Kipling | Create an image from this poem

A Song of Kabir

 Oh, light was the world that he weighed in his hands!
Oh, heavy the tale of his fiefs and his lands!
He has gone from the guddee and put on the shroud,
And departed in guise of bairagi avowed!

Now the white road to Delhi is mat for his feet.
The sal and the kikar must guard him from heat.
His home is the camp, and waste, and the crowd --
He is seeking the Way as bairagi avowed!

He has looked upon Man, and his eyeballs are clear --
(There was One; there is One, and but One, saith Kabir);
The Red Mist of Doing has thinned to a cloud --
He has taken the Path for bairagi avowed!

To learn and discern of his brother the clod,
Of his brother the brute, and his brother the God,
He has gone from the council and put on the shroud
("Can ye hear?" saith Kabir), a bairagi avowed!


bairagi -- Wandering holy man.
kikar -- Wayside trees.
Written by Billy Collins | Create an image from this poem

Reading An Anthology Of Chinese Poems Of The Sung Dynasty I Pause To Admire The Length And Clarity Of Their Titles

 It seems these poets have nothing
up their ample sleeves
they turn over so many cards so early,
telling us before the first line
whether it is wet or dry,
night or day, the season the man is standing in,
even how much he has had to drink.

Maybe it is autumn and he is looking at a sparrow.
Maybe it is snowing on a town with a beautiful name.

"Viewing Peonies at the Temple of Good Fortune
on a Cloudy Afternoon" is one of Sun Tung Po's.
"Dipping Water from the River and Simmering Tea"
is another one, or just
"On a Boat, Awake at Night."

And Lu Yu takes the simple rice cake with
"In a Boat on a Summer Evening
I Heard the Cry of a Waterbird.
It Was Very Sad and Seemed To Be Saying
My Woman Is Cruel--Moved, I Wrote This Poem."

There is no iron turnstile to push against here
as with headings like "Vortex on a String,"
"The Horn of Neurosis," or whatever.
No confusingly inscribed welcome mat to puzzle over.

Instead, "I Walk Out on a Summer Morning
to the Sound of Birds and a Waterfall"
is a beaded curtain brushing over my shoulders.

And "Ten Days of Spring Rain Have Kept Me Indoors"
is a servant who shows me into the room
where a poet with a thin beard
is sitting on a mat with a jug of wine
whispering something about clouds and cold wind,
about sickness and the loss of friends.

How easy he has made it for me to enter here,
to sit down in a corner,
cross my legs like his, and listen.

Book: Reflection on the Important Things