Written by
Ralph Waldo Emerson |
Though loath to grieve
The evil time's sole patriot,
I cannot leave
My honied thought
For the priest's cant,
Or statesman's rant.
If I refuse
My study for their politique,
Which at the best is trick,
The angry Muse
Puts confusion in my brain.
But who is he that prates
Of the culture of mankind,
Of better arts and life?
Go, blindworm, go,
Behold the famous States
Harrying Mexico
With rifle and with knife!
Or who, with accent bolder,
Dare praise the freedom-loving mountaineer?
I found by thee, O rushing Contoocook!
And in thy valleys, Agiochook!
The jackals of the *****-holder.
The God who made New Hampshire
Taunted the lofty land
With little men;--
Small bat and wren
House in the oak:--
If earth-fire cleave
The upheaved land, and bury the folk,
The southern crocodile would grieve.
Virtue palters; Right is hence;
Freedom praised, but hid;
Funeral eloquence
Rattles the coffin-lid.
What boots thy zeal,
O glowing friend,
That would indignant rend
The northland from the south?
Wherefore? to what good end?
Boston Bay and Bunker Hill
Would serve things still;--
Things are of the snake.
The horseman serves the horse,
The neatherd serves the neat,
The merchant serves the purse,
The eater serves his meat;
'T is the day of the chattel,
Web to weave, and corn to grind;
Things are in the saddle,
And ride mankind.
There are two laws discrete,
Not reconciled,--
Law for man, and law for thing;
The last builds town and fleet,
But it runs wild,
And doth the man unking.
'T is fit the forest fall,
The steep be graded,
The mountain tunnelled,
The sand shaded,
The orchard planted,
The glebe tilled,
The prairie granted,
The steamer built.
Let man serve law for man;
Live for friendship, live for love,
For truth's and harmony's behoof;
The state may follow how it can,
As Olympus follows Jove.
Yet do not I implore
The wrinkled shopman to my sounding woods,
Nor bid the unwilling senator
Ask votes of thrushes in the solitudes.
Every one to his chosen work;--
Foolish hands may mix and mar;
Wise and sure the issues are.
Round they roll till dark is light,
Sex to sex, and even to odd;--
The over-god
Who marries Right to Might,
Who peoples, unpeoples,--
He who exterminates
Races by stronger races,
Black by white faces,--
Knows to bring honey
Out of the lion;
Grafts gentlest scion
On pirate and Turk.
The Cossack eats Poland,
Like stolen fruit;
Her last noble is ruined,
Her last poet mute:
Straight, into double band
The victors divide;
Half for freedom strike and stand;--
The astonished Muse finds thousands at her side.
|
Written by
Ralph Waldo Emerson |
Though loth to grieve
The evil time's sole patriot,
I cannot leave
My buried thought
For the priest's cant,
Or statesman's rant.
If I refuse
My study for their politique,
Which at the best is trick,
The angry muse
Puts confusion in my brain.
But who is he that prates
Of the culture of mankind,
Of better arts and life?
Go, blind worm, go,
Behold the famous States
Harrying Mexico
With rifle and with knife.
Or who, with accent bolder,
Dare praise the freedom-loving mountaineer,
I found by thee, O rushing Contoocook!
And in thy valleys, Agiochook!
The jackals of the *****-holder.
The God who made New Hampshire
Taunted the lofty land
With little men.
Small bat and wren
House in the oak.
If earth fire cleave
The upheaved land, and bury the folk,
The southern crocodile would grieve.
Virtue palters, right is hence,
Freedom praised but hid;
Funeral eloquence
Rattles the coffin-lid.
What boots thy zeal,
O glowing friend,
That would indignant rend
The northland from the south?
Wherefore? To what good end?
Boston Bay and Bunker Hill
Would serve things still:
Things are of the snake.
The horseman serves the horse,
The neat-herd serves the neat,
The merchant serves the purse,
The eater serves his meat;
'Tis the day of the chattel,
Web to weave, and corn to grind,
Things are in the saddle,
And ride mankind.
There are two laws discrete
Not reconciled,
Law for man, and law for thing;
The last builds town and fleet,
But it runs wild,
And doth the man unking.
'Tis fit the forest fall,
The steep be graded,
The mountain tunnelled,
The land shaded,
The orchard planted,
The globe tilled,
The prairie planted,
The steamer built.
Live for friendship, live for love,
For truth's and harmony's behoof;
The state may follow how it can,
As Olympus follows Jove.
Yet do not I implore
The wrinkled shopman to my sounding woods,
Nor bid the unwilling senator
Ask votes of thrushes in the solitudes.
Every one to his chosen work.
Foolish hands may mix and mar,
Wise and sure the issues are.
Round they roll, till dark is light,
Sex to sex, and even to odd;
The over-God,
Who marries Right to Might,
Who peoples, unpeoples,
He who exterminates
Races by stronger races,
Black by white faces,
Knows to bring honey
Out of the lion,
Grafts gentlest scion
On Pirate and Turk.
The Cossack eats Poland,
Like stolen fruit;
Her last noble is ruined,
Her last poet mute;
Straight into double band
The victors divide,
Half for freedom strike and stand,
The astonished muse finds thousands at her side.
|
Written by
Sidney Lanier |
O marriage-bells, your clamor tells
Two weddings in one breath.
SHE marries whom her love compels:
-- And I wed Goodman Death!
My brain is blank, my tears are red;
Listen, O God: -- "I will," he said: --
And I would that I were dead.
Come groomsman Grief and bridesmaid Pain
Come and stand with a ghastly twain.
My Bridegroom Death is come o'er the meres
To wed a bride with bloody tears.
Ring, ring, O bells, full merrily:
Life-bells to her, death-bells to me:
O Death, I am true wife to thee!
|
Written by
Judy Grahn |
When she goes to Hollywood
she is an angel.
She writes in red red lipstick
on the window of her body,
long for me, oh need me!
Parts her lips like a lotus.
Opening night she stands, poised
on her carpet, luminescent,
young men humming
all around her. She is flying.
Her high heels are wands, her
furs electric. Her bracelets
flashing. How completely
dazzling her complexion,
how vibrant her hair and eyes,
how brilliant the glow that spreads
four full feet around her.
She is totally self conscious
self contained
self centered,
caught in the blazing central eye
of our attention.
We infuse her.
Fans, we wave at her
like handmaids, unabashedly,
we crowd on tiptoe pressed together
just to feel the fission of the star
that lives on earth,
the bright, the angel sun
the luminescent glow of someone
other than we.
Look! Look! She is different.
Medium for all our energy
as we pour it through her.
Vessel of light,
Her flesh is like flax,
a living fiber.
She is the symbol of our dreams and fears
and bloody visions, all
our metaphors for living in America.
Harlowe, Holiday, Monroe
Helen
When she goes to Hollywood
she is the fire for all purposes.
Her flesh is like dark wax, a candle.
She is from any place or class.
"That's the one," we say in instant recognition,
because our breath is taken by her beauty,
or what we call her beauty.
She is glowing from every pore.
we adore her. we imitate and rob her
adulate envy
admire neglect
scorn. leave alone
invade, fill
ourselves with her.
we love her, we say
and if she isn't careful
we may even kill her.
Opening night
she lands on her carpet,
long fingered hands
like divining rods
bobbing and drawing the strands
of our attention,
as limousine drivers in blue jackets
stand on the hoods of their cars
to see the angel, talking
Davis, Dietrich, Wood
Tyson, Taylor, Gabor
Helen, when she goes to Hollywood
to be a walking star,
to be an actor
She is far more that a product
of Max Factor,
Max Factor didn't make her
though the make-up helps us
see what we would like
to take her for
her flesh is like glass,
a chandelier
a mirror
Harlowe, Holiday, Monroe
Helen
when she went to Hollywood
to be an angel
And it is she and not we
who is different
She who marries the crown prince
who leads the processional dance,
she who sweeps eternally
down the steps
in her long round gown.
A leaping, laughing leading lady,
she is our flower.
It is she who lies strangled
in the bell tower;
she who is monumentally drunk and suicidal
or locked waiting in the hightower,
she who lies sweating with the vicious jungle fever,
who leaps from her blue window
when he will, if he will, leave her
it is she and not we
who is the lotus
It is she with the lilies in her hair
and a keyboard beside her,
the dark flesh glowing
She whose wet lips nearly swallow
the microphone, whose whiskey voice
is precise and sultry and overwhelming,
she who is princess and harlequin,
athlete and moll and whore and lady,
goddess of the silver screen
the only original American queen
and Helen
when she was an angel
when she went to Hollywood
|
Written by
Alfred Lord Tennyson |
Dosn't thou 'ear my 'erse's legs, as they canters awaäy?
Proputty, proputty, proputty--that's what I 'ears 'em saäy.
Proputty, proputty, proputty--Sam, thou's an ass for thy paaïns:
Theer's moor sense i' one o' 'is legs, nor in all thy braaïns.
Woä--theer's a craw to pluck wi' tha, Sam; yon 's parson's 'ouse--
Dosn't thou knaw that a man mun be eäther a man or a mouse?
Time to think on it then; for thou'll be twenty to weeäk.
Proputty, proputty--woä then, woä--let ma 'ear mysén speäk.
Me an' thy muther, Sammy, 'as been a'talkin' o' thee;
Thou's beän talkin' to muther, an' she beän a tellin' it me.
Thou'll not marry for munny--thou's sweet upo' parson's lass--
Noä--thou 'll marry for luvv--an' we boäth of us thinks tha an ass.
Seeä'd her todaäy goä by--Saäint's-daäy--they was ringing the bells.
She's a beauty, thou thinks--an' soä is scoors o' gells,
Them as 'as munny an' all--wot's a beauty?--the flower as blaws.
But proputty, proputty sticks, an' proputty, proputty graws.
Do'ant be stunt; taäke time. I knaws what maäkes tha sa mad.
Warn't I craäzed fur the lasses mysén when I wur a lad?
But I knaw'd a Quaäker feller as often 'as towd ma this:
"Doänt thou marry for munny, but goä wheer munny is!"
An' I went wheer munny war; an' thy muther coom to 'and,
Wi' lots o' munny laaïd by, an' a nicetish bit o' land.
Maäybe she warn't a beauty--I niver giv it a thowt--
But warn't she as good to cuddle an' kiss as a lass as 'ant nowt?
Parson's lass 'ant nowt, an' she weänt 'a nowt when 'e 's deäd,
Mun be a guvness, lad, or summut, and addle her breäd.
Why? for 'e 's nobbut a curate, an' weänt niver get hissén clear,
An' 'e maäde the bed as 'e ligs on afoor 'e coom'd to the shere.
An' thin 'e coom'd to the parish wi' lots o' Varsity debt,
Stook to his taäil thy did, an' 'e 'ant got shut on 'em yet.
An' 'e ligs on 'is back i' the grip, wi' noän to lend 'im a shuvv,
Woorse nor a far-welter'd yowe: fur, Sammy, 'e married for luvv.
Luvv? what's luvv? thou can luvv thy lass an' 'er munny too,
Maäkin' 'em goä togither, as they've good right to do.
Couldn I luvv thy muther by cause 'o 'er munny laaïd by?
Naäy--fur I luvv'd 'er a vast sight moor fur it: reäson why.
Ay, an' thy muther says thou wants to marry the lass,
Cooms of a gentleman burn: an' we boäth on us thinks tha an ass.
Woä then, proputty, wiltha?--an ass as near as mays nowt--
Woä then, wiltha? dangtha!--the bees is as fell as owt.
Breäk me a bit o' the esh for his 'eäd, lad, out o' the fence!
Gentleman burn! what's gentleman burn? is it shillins an' pence?
Proputty, proputty's ivrything 'ere, an', Sammy, I'm blest
If it isn't the saäme oop yonder, fur them as 'as it 's the best.
Tis'n them as 'as munny as breaks into 'ouses an' steäls,
Them as 'as coats to their backs an' taäkes their regular meäls,
Noä, but it 's them as niver knaws wheer a meäl's to be 'ad.
Taäke my word for it Sammy, the poor in a loomp is bad.
Them or thir feythers, tha sees, mun 'a beän a laäzy lot,
Fur work mun 'a gone to the gittin' whiniver munny was got.
Feyther 'ad ammost nowt; leastways 'is munny was 'id.
But 'e tued an' moil'd issén dead, an' 'e died a good un, 'e did.
Looök thou theer wheer Wrigglesby beck cooms out by the 'ill!
Feyther run oop to the farm, an' I runs oop to the mill;
An' I 'll run oop to the brig, an' that thou 'll live to see;
And if thou marries a good un I 'll leäve the land to thee.
Thim's my noätions, Sammy, wheerby I means to stick;
But if thou marries a bad un, I 'll leäve the land to Dick.--
Coom oop, proputty, proputty--that's what I 'ears 'im saäy--
Proputty, proputty, proputty--canter an' canter awaäy.
|
Written by
Paul Laurence Dunbar |
Villain shows his indiscretion,
Villain's partner makes confession.
Juvenile, with golden tresses,
Finds her pa and dons long dresses.
Scapegrace comes home money-laden,
Hero comforts tearful maiden,
Soubrette marries loyal chappie,
Villain skips, and all are happy.
|
Written by
Mother Goose |
One, he loves; two, he loves;Three, he loves, they say;Four, he loves with all his heart;Five, he casts away.Six, he loves; seven, she loves;Eight, they both love.Nine, he comes; ten, he tarries;Eleven, he courts; twelve, he marries.
|
Written by
Mother Goose |
Needles and pins, needles and pins,When a man marries his trouble begins.
|
Written by
Vachel Lindsay |
[This is the hymn to Eleanor, daughter of Mab and a golden drone, sung by the Locust choir when the fairy child marries her God, the yellow rose]
This is a song to the white-armed one
Cold in the breast as the frost-wrapped Spring,
Whose feet are slow on the hills of life,
Whose round mouth rules by whispering.
This is a song to the white-armed one
Whose breast shall burn as a Summer field,
Whose wings shall rise to the doors of gold,
Whose poppy lips to the God shall yield.
This is a song to the white-armed one
When the closing rose shall bind her fast,
And a song of the song their blood shall sing,
When the Rose-God drinks her soul at last.
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