Written by
William Cullen Bryant |
The landscape sleeps in mist from morn till noon;
And, if the sun looks through, 'tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be,
Nor mark a patch of sky— blindfold they trace,
The plains, that seem without a bush or tree,
Whistling aloud by guess, to flocks they cannot see.
The timid hare seems half its fears to lose,
Crouching and sleeping 'neath its grassy lair,
And scarcely startles, tho' the shepherd goes
Close by its home, and dogs are barking there;
The wild colt only turns around to stare
At passer by, then knaps his hide again;
And moody crows beside the road forbear
To fly, tho' pelted by the passing swain;
Thus day seems turn'd to night, and tries to wake in vain.
The owlet leaves her hiding-place at noon,
And flaps her grey wings in the doubling light;
The hoarse jay screams to see her out so soon,
And small birds chirp and startle with affright;
Much doth it scare the superstitious wight,
Who dreams of sorry luck, and sore dismay;
While cow-boys think the day a dream of night,
And oft grow fearful on their lonely way,
Fancying that ghosts may wake, and leave their graves by day.
Yet but awhile the slumbering weather flings
Its murky prison round— then winds wake loud;
With sudden stir the startled forest sings
Winter's returning song— cloud races cloud,
And the horizon throws away its shroud,
Sweeping a stretching circle from the eye;
Storms upon storms in quick succession crowd,
And o'er the sameness of the purple sky
Heaven paints, with hurried hand, wild hues of every dye.
At length it comes along the forest oaks,
With sobbing ebbs, and uproar gathering high;
The scared, hoarse raven on its cradle croaks,
And stockdove-flocks in hurried terrors fly,
While the blue hawk hangs o'er them in the sky.—
The hedger hastens from the storm begun,
To seek a shelter that may keep him dry;
And foresters low bent, the wind to shun,
Scarce hear amid the strife the poacher's muttering gun.
The ploughman hears its humming rage begin,
And hies for shelter from his naked toil;
Buttoning his doublet closer to his chin,
He bends and scampers o'er the elting soil,
While clouds above him in wild fury boil,
And winds drive heavily the beating rain;
He turns his back to catch his breath awhile,
Then ekes his speed and faces it again,
To seek the shepherd's hut beside the rushy plain.
The boy, that scareth from the spiry wheat
The melancholy crow—in hurry weaves,
Beneath an ivied tree, his sheltering seat,
Of rushy flags and sedges tied in sheaves,
Or from the field a shock of stubble thieves.
There he doth dithering sit, and entertain
His eyes with marking the storm-driven leaves;
Oft spying nests where he spring eggs had ta'en,
And wishing in his heart 'twas summer-time again.
Thus wears the month along, in checker'd moods,
Sunshine and shadows, tempests loud, and calms;
One hour dies silent o'er the sleepy woods,
The next wakes loud with unexpected storms;
A dreary nakedness the field deforms—
Yet many a rural sound, and rural sight,
Lives in the village still about the farms,
Where toil's rude uproar hums from morn till night
Noises, in which the ears of Industry delight.
At length the stir of rural labour's still,
And Industry her care awhile forgoes;
When Winter comes in earnest to fulfil
His yearly task, at bleak November's close,
And stops the plough, and hides the field in snows;
When frost locks up the stream in chill delay,
And mellows on the hedge the jetty sloes,
For little birds—then Toil hath time for play,
And nought but threshers' flails awake the dreary day.
|
Written by
Dorothy Parker |
This, no song of an ingénue,
This, no ballad of innocence;
This, the rhyme of a lady who
Followed ever her natural bents.
This, a solo of sapience,
This, a chantey of sophistry,
This, the sum of experiments, --
I loved them until they loved me.
Decked in garments of sable hue,
Daubed with ashes of myriad Lents,
Wearing shower bouquets of rue,
Walk I ever in penitence.
Oft I roam, as my heart repents,
Through God's acre of memory,
Marking stones, in my reverence,
"I loved them until they loved me."
Pictures pass me in long review,--
Marching columns of dead events.
I was tender, and, often, true;
Ever a prey to coincidence.
Always knew I the consequence;
Always saw what the end would be.
We're as Nature has made us -- hence
I loved them until they loved me.
|
Written by
Elizabeth Bishop |
At four o'clock
in the gun-metal blue dark
we hear the first crow of the first cock
just below
the gun-metal blue window
and immediately there is an echo
off in the distance,
then one from the backyard fence,
then one, with horrible insistence,
grates like a wet match
from the broccoli patch,
flares,and all over town begins to catch.
Cries galore
come from the water-closet door,
from the dropping-plastered henhouse floor,
where in the blue blur
their rusting wives admire,
the roosters brace their cruel feet and glare
with stupid eyes
while from their beaks there rise
the uncontrolled, traditional cries.
Deep from protruding chests
in green-gold medals dressed,
planned to command and terrorize the rest,
the many wives
who lead hens' lives
of being courted and despised;
deep from raw throats
a senseless order floats
all over town. A rooster gloats
over our beds
from rusty irons sheds
and fences made from old bedsteads,
over our churches
where the tin rooster perches,
over our little wooden northern houses,
making sallies
from all the muddy alleys,
marking out maps like Rand McNally's:
glass-headed pins,
oil-golds and copper greens,
anthracite blues, alizarins,
each one an active
displacement in perspective;
each screaming, "This is where I live!"
Each screaming
"Get up! Stop dreaming!"
Roosters, what are you projecting?
You, whom the Greeks elected
to shoot at on a post, who struggled
when sacrificed, you whom they labeled
"Very combative..."
what right have you to give
commands and tell us how to live,
cry "Here!" and "Here!"
and wake us here where are
unwanted love, conceit and war?
The crown of red
set on your little head
is charged with all your fighting blood
Yes, that excrescence
makes a most virile presence,
plus all that vulgar beauty of iridescence
Now in mid-air
by two they fight each other.
Down comes a first flame-feather,
and one is flying,
with raging heroism defying
even the sensation of dying.
And one has fallen
but still above the town
his torn-out, bloodied feathers drift down;
and what he sung
no matter. He is flung
on the gray ash-heap, lies in dung
with his dead wives
with open, bloody eyes,
while those metallic feathers oxidize.
St. Peter's sin
was worse than that of Magdalen
whose sin was of the flesh alone;
of spirit, Peter's,
falling, beneath the flares,
among the "servants and officers."
Old holy sculpture
could set it all together
in one small scene, past and future:
Christ stands amazed,
Peter, two fingers raised
to surprised lips, both as if dazed.
But in between
a little cock is seen
carved on a dim column in the travertine,
explained by gallus canit;
flet Petrus underneath it,
There is inescapable hope, the pivot;
yes, and there Peter's tears
run down our chanticleer's
sides and gem his spurs.
Tear-encrusted thick
as a medieval relic
he waits. Poor Peter, heart-sick,
still cannot guess
those cock-a-doodles yet might bless,
his dreadful rooster come to mean forgiveness,
a new weathervane
on basilica and barn,
and that outside the Lateran
there would always be
a bronze cock on a porphyry
pillar so the people and the Pope might see
that event the Prince
of the Apostles long since
had been forgiven, and to convince
all the assembly
that "Deny deny deny"
is not all the roosters cry.
In the morning
a low light is floating
in the backyard, and gilding
from underneath
the broccoli, leaf by leaf;
how could the night have come to grief?
gilding the tiny
floating swallow's belly
and lines of pink cloud in the sky,
the day's preamble
like wandering lines in marble,
The cocks are now almost inaudible.
The sun climbs in,
following "to see the end,"
faithful as enemy, or friend.
|
Written by
Edna St. Vincent Millay |
"Curse thee, Life, I will live with thee no more!
Thou hast mocked me, starved me, beat my body sore!
And all for a pledge that was not pledged by me,
I have kissed thy crust and eaten sparingly
That I might eat again, and met thy sneers
With deprecations, and thy blows with tears,—
Aye, from thy glutted lash, glad, crawled away,
As if spent passion were a holiday!
And now I go. Nor threat, nor easy vow
Of tardy kindness can avail thee now
With me, whence fear and faith alike are flown;
Lonely I came, and I depart alone,
And know not where nor unto whom I go;
But that thou canst not follow me I know."
Thus I to Life, and ceased; but through my brain
My thought ran still, until I spake again:
"Ah, but I go not as I came,—no trace
Is mine to bear away of that old grace
I brought! I have been heated in thy fires,
Bent by thy hands, fashioned to thy desires,
Thy mark is on me! I am not the same
Nor ever more shall be, as when I came.
Ashes am I of all that once I seemed.
In me all's sunk that leapt, and all that dreamed
Is wakeful for alarm,—oh, shame to thee,
For the ill change that thou hast wrought in me,
Who laugh no more nor lift my throat to sing
Ah, Life, I would have been a pleasant thing
To have about the house when I was grown
If thou hadst left my little joys alone!
I asked of thee no favor save this one:
That thou wouldst leave me playing in the sun!
And this thou didst deny, calling my name
Insistently, until I rose and came.
I saw the sun no more.—It were not well
So long on these unpleasant thoughts to dwell,
Need I arise to-morrow and renew
Again my hated tasks, but I am through
With all things save my thoughts and this one night,
So that in truth I seem already quite
Free,and remote from thee,—I feel no haste
And no reluctance to depart; I taste
Merely, with thoughtful mien, an unknown draught,
That in a little while I shall have quaffed."
Thus I to Life, and ceased, and slightly smiled,
Looking at nothing; and my thin dreams filed
Before me one by one till once again
I set new words unto an old refrain:
"Treasures thou hast that never have been mine!
Warm lights in many a secret chamber shine
Of thy gaunt house, and gusts of song have blown
Like blossoms out to me that sat alone!
And I have waited well for thee to show
If any share were mine,—and now I go
Nothing I leave, and if I naught attain
I shall but come into mine own again!"
Thus I to Life, and ceased, and spake no more,
But turning, straightway, sought a certain door
In the rear wall. Heavy it was, and low
And dark,—a way by which none e'er would go
That other exit had, and never knock
Was heard thereat,—bearing a curious lock
Some chance had shown me fashioned faultily,
Whereof Life held content the useless key,
And great coarse hinges, thick and rough with rust,
Whose sudden voice across a silence must,
I knew, be harsh and horrible to hear,—
A strange door, ugly like a dwarf.—So near
I came I felt upon my feet the chill
Of acid wind creeping across the sill.
So stood longtime, till over me at last
Came weariness, and all things other passed
To make it room; the still night drifted deep
Like snow about me, and I longed for sleep.
But, suddenly, marking the morning hour,
Bayed the deep-throated bell within the tower!
Startled, I raised my head,—and with a shout
Laid hold upon the latch,—and was without.
* * * *
Ah, long-forgotten, well-remembered road,
Leading me back unto my old abode,
My father's house! There in the night I came,
And found them feasting, and all things the same
As they had been before. A splendour hung
Upon the walls, and such sweet songs were sung
As, echoing out of very long ago,
Had called me from the house of Life, I know.
So fair their raiment shone I looked in shame
On the unlovely garb in which I came;
Then straightway at my hesitancy mocked:
"It is my father's house!" I said and knocked;
And the door opened. To the shining crowd
Tattered and dark I entered, like a cloud,
Seeing no face but his; to him I crept,
And "Father!" I cried, and clasped his knees, and wept.
* * * *
Ah, days of joy that followed! All alone
I wandered through the house. My own, my own,
My own to touch, my own to taste and smell,
All I had lacked so long and loved so well!
None shook me out of sleep, nor hushed my song,
Nor called me in from the sunlight all day long.
I know not when the wonder came to me
Of what my father's business might be,
And whither fared and on what errands bent
The tall and gracious messengers he sent.
Yet one day with no song from dawn till night
Wondering, I sat, and watched them out of sight.
And the next day I called; and on the third
Asked them if I might go,—but no one heard.
Then, sick with longing, I arose at last
And went unto my father,—in that vast
Chamber wherein he for so many years
Has sat, surrounded by his charts and spheres.
"Father," I said, "Father, I cannot play
The harp that thou didst give me, and all day
I sit in idleness, while to and fro
About me thy serene, grave servants go;
And I am weary of my lonely ease.
Better a perilous journey overseas
Away from thee, than this, the life I lead,
To sit all day in the sunshine like a weed
That grows to naught,—I love thee more than they
Who serve thee most; yet serve thee in no way.
Father, I beg of thee a little task
To dignify my days,—'tis all I ask
Forever, but forever, this denied,
I perish."
"Child," my father's voice replied,
"All things thy fancy hath desired of me
Thou hast received. I have prepared for thee
Within my house a spacious chamber, where
Are delicate things to handle and to wear,
And all these things are thine. Dost thou love song?
My minstrels shall attend thee all day long.
Or sigh for flowers? My fairest gardens stand
Open as fields to thee on every hand.
And all thy days this word shall hold the same:
No pleasure shalt thou lack that thou shalt name.
But as for tasks—" he smiled, and shook his head;
"Thou hadst thy task, and laidst it by," he said.
|
Written by
Oscar Wilde |
Is it thy will that I should wax and wane,
Barter my cloth of gold for hodden grey,
And at thy pleasure weave that web of pain
Whose brightest threads are each a wasted day?
Is it thy will - Love that I love so well -
That my Soul's House should be a tortured spot
Wherein, like evil paramours, must dwell
The quenchless flame, the worm that dieth not?
Nay, if it be thy will I shall endure,
And sell ambition at the common mart,
And let dull failure be my vestiture,
And sorrow dig its grave within my heart.
Perchance it may be better so - at least
I have not made my heart a heart of stone,
Nor starved my boyhood of its goodly feast,
Nor walked where Beauty is a thing unknown.
Many a man hath done so; sought to fence
In straitened bonds the soul that should be free,
Trodden the dusty road of common sense,
While all the forest sang of liberty,
Not marking how the spotted hawk in flight
Passed on wide pinion through the lofty air,
To where some steep untrodden mountain height
Caught the last tresses of the Sun God's hair.
Or how the little flower he trod upon,
The daisy, that white-feathered shield of gold,
Followed with wistful eyes the wandering sun
Content if once its leaves were aureoled.
But surely it is something to have been
The best beloved for a little while,
To have walked hand in hand with Love, and seen
His purple wings flit once across thy smile.
Ay! though the gorged asp of passion feed
On my boy's heart, yet have I burst the bars,
Stood face to face with Beauty, known indeed
The Love which moves the Sun and all the stars!
|
Written by
Robert Burns |
O THOU pale orb that silent shines
While care-untroubled mortals sleep!
Thou seest a wretch who inly pines.
And wanders here to wail and weep!
With woe I nightly vigils keep,
Beneath thy wan, unwarming beam;
And mourn, in lamentation deep,
How life and love are all a dream!
I joyless view thy rays adorn
The faintly-marked, distant hill;
I joyless view thy trembling horn,
Reflected in the gurgling rill:
My fondly-fluttering heart, be still!
Thou busy pow’r, remembrance, cease!
Ah! must the agonizing thrill
For ever bar returning peace!
No idly-feign’d, poetic pains,
My sad, love-lorn lamentings claim:
No shepherd’s pipe—Arcadian strains;
No fabled tortures, quaint and tame.
The plighted faith, the mutual flame,
The oft-attested pow’rs above,
The promis’d father’s tender name;
These were the pledges of my love!
Encircled in her clasping arms,
How have the raptur’d moments flown!
How have I wish’d for fortune’s charms,
For her dear sake, and her’s alone!
And, must I think it! is she gone,
My secret heart’s exulting boast?
And does she heedless hear my groan?
And is she ever, ever lost?
Oh! can she bear so base a heart,
So lost to honour, lost to truth,
As from the fondest lover part,
The plighted husband of her youth?
Alas! life’s path may be unsmooth!
Her way may lie thro’ rough distress!
Then, who her pangs and pains will soothe
Her sorrows share, and make them less?
Ye wingèd hours that o’er us pass’d,
Enraptur’d more, the more enjoy’d,
Your dear remembrance in my breast
My fondly-treasur’d thoughts employ’d:
That breast, how dreary now, and void,
For her too scanty once of room!
Ev’n ev’ry ray of hope destroy’d,
And not a wish to gild the gloom!
The morn, that warns th’ approaching day,
Awakes me up to toil and woe;
I see the hours in long array,
That I must suffer, lingering, slow:
Full many a pang, and many a throe,
Keen recollection’s direful train,
Must wring my soul, were Phoebus, low,
Shall kiss the distant western main.
And when my nightly couch I try,
Sore harass’d out with care and grief,
My toil-beat nerves, and tear-worn eye,
Keep watchings with the nightly thief:
Or if I slumber, fancy, chief,
Reigns, haggard-wild, in sore affright:
Ev’n day, all-bitter, brings relief
From such a horror-breathing night.
O thou bright queen, who o’er th’ expanse
Now highest reign’st, with boundless sway
Oft has thy silent-marking glance
Observ’d us, fondly-wand’ring, stray!
The time, unheeded, sped away,
While love’s luxurious pulse beat high,
Beneath thy silver-gleaming ray,
To mark the mutual-kindling eye.
Oh! scenes in strong remembrance set!
Scenes, never, never to return!
Scenes, if in stupor I forget,
Again I feel, again I burn!
From ev’ry joy and pleasure torn,
Life’s weary vale I’ll wander thro’;
And hopeless, comfortless, I’ll mourn
A faithless woman’s broken vow!
|
Written by
Du Fu |
Late years approach drag out Return home little happy interest Darling son not leave knee Fear I again but go Remember past very pursue cool Therefore round pool beside tree Whistling north wind strong Think of things trouble hundred worry Rely know grain millet harvest Already perceive grain press pour Now enough pour and drink Short time use comfort late in life I'm late in years, and only marking time, Returning home, I find but little joy. My darling son now will not leave my knee, He's scared that I will go away again. I remember when we used to seek the coolth, And wound between the trees beside the pool. The soughing and sighing of the north wind's strong, I'm thinking of a hundred different worries. At least I know the millet harvest's good, Already I hear the grain press trickle. For now I have enough to pour and drink, I use it to get comfort near the end.
|
Written by
Edna St. Vincent Millay |
Searching my heart for its true sorrow,
This is the thing I find to be:
That I am weary of words and people,
Sick of the city, wanting the sea;
Wanting the sticky, salty sweetness
Of the strong wind and shattered spray;
Wanting the loud sound and the soft sound
Of the big surf that breaks all day.
Always before about my dooryard,
Marking the reach of the winter sea,
Rooted in sand and dragging drift-wood,
Straggled the purple wild sweet-pea;
Always I climbed the wave at morning,
Shook the sand from my shoes at night,
That now am caught beneath great buildings,
Stricken with noise, confused with light.
If I could hear the green piles groaning
Under the windy wooden piers,
See once again the bobbing barrels,
And the black sticks that fence the weirs,
If I could see the weedy mussels
Crusting the wrecked and rotting hulls,
Hear once again the hungry crying
Overhead, of the wheeling gulls,
Feel once again the shanty straining
Under the turning of the tide,
Fear once again the rising freshet,
Dread the bell in the fog outside,—
I should be happy,—that was happy
All day long on the coast of Maine!
I have a need to hold and handle
Shells and anchors and ships again!
I should be happy, that am happy
Never at all since I came here.
I am too long away from water.
I have a need of water near.
|
Written by
Henry Lawson |
They were hanging men in Buckland who would not cheer King George –
The parson from his pulpit and the blacksmith from his forge;
They were hanging men and brothers, and the stoutest heart was down,
When a quiet man from Buckland rode at dusk to raise Charlestown.
Not a young man in his glory filled with patriotic fire,
Not an orator or soldier, or a known man in his shire;
He was just the Unexpected – one of Danger's Volunteers,
At a time for which he'd waited, all unheard of, many years.
And Charlestown met in council, the quiet man to hear –
The town was large and wealthy, but the folks were filled with fear,
The fear of death and plunder; and none to lead had they,
And Self fought Patriotism as will always be the way.
The man turned to the people, and he spoke in anger then.
And crooked his finger here and there to those he marked as men.
And many gathered round him to see what they could do –
For men know men in danger, as they know the cowards too.
He chose his men and captains, and sent them here and there,
The arms and ammunition were gathered in the square;
While peaceful folk were praying or croaking, every one,
He was working with his blacksmiths at the carriage of a gun.
While the Council sat on Sunday, and the church bells rang their peal,
The quiet man was mending a broken waggon wheel;
While they passed their resolutions on his doings (and the likes),
From a pile his men brought to him he was choosing poles for pikes.
(They were hanging men in Buckland who would not cheer King George –
They were making pikes in Charlestown at every blacksmith's forge:
While the Council sat in session and the same old song they sang,
They heard the horsemen gallop out, and the blacksmiths' hammers clang.)
And a thrill went through the city ere the drums began to roll,
And the coward found his courage, and the drunkard found his soul.
So a thrill went through the city that would go through all the land,
For the quiet man from Buckland held men's hearts in his right hand.
And he caught a Charlestown poet (there are many tell the tale),
And he took him by the collar when he'd filled him up with ale;
"Now, then, write a song for Charlestown that shall lift her on her way,
For she's marching out to Buckland and to Death at break o' day."
And he set the silenced women tearing sheet and shift and shirt
To make bandages and roll them for the men that would get hurt.
And he called out his musicians and he told them what to play:
"For I want my men excited when they march at break o' day."
And he set the women cooking – with a wood-and-water crew –
"For I want no empty stomachs for the work we have to do."
Then he said to his new soldiers: "Eat your fill while yet you may;
'Tis a heavy road to Buckland that we'll march at break o' day."
And a shout went through the city when the drums began to roll
(And the coward was a brave man and the beggar had a soul),
And the drunken Charlestown poet cared no more if he should hang,
For his song of "Charlestown's Coming" was the song the soldiers sang.
And they cursed the King of England, and they shouted in their glee,
And they swore to drive the British and their friends into the sea;
But when they'd quite finished swearing, said their leader "Let us pray,
For we march to Death and Freedom, and it's nearly dawn of day."
There were marching feet at daybreak, and close upon their heels
Came the scuffling tread of horses and the heavy crunch of wheels;
So they took the road to Buckland, with their scout out to take heed,
And a quiet man of fifty on a grey horse in the lead.
There was silence in the city, there was silence as of night –
Women in the ghostly daylight, kneeling, praying, deathly white,
As their mothers knelt before them, as their daughters knelt since then,
And as ours shall, in the future, kneel and pray for fighting men.
For their men had gone to battle, as our sons and grandsons too
Must go out, for Life and Freedom, as all nations have to do.
And the Charlestown women waited for the sounds that came too soon –
Though they listened, almost breathless, till the early afternoon.
Then they heard the tones of danger for their husbands, sweethearts, sons,
And they stopped their ears in terror, crying, "Oh, my God! The guns!"
Then they strained their ears to listen through the church-bells' startled chime –
Far along the road to Buckland, Charlestown's guns were marking time.
"They advance!" "They halt!" "Retreating!" "They come back!" The guns are done!"
But the calmer spirits, listening, said: "Our guns are going on."
And the friend and foe in Buckland felt two different kinds of thrills
When they heard the Charlestown cannon talking on the Buckland hills.
And the quiet man of Buckland sent a message in that day,
And he gave the British soldiers just two hours to march away.
And they hang men there no longer, there is peace on land and wave;
On the sunny hills of Buckland there is many a quiet grave.
There is peace upon the land, and there is friendship on the waves –
On the sunny hills of Buckland there are rows of quiet graves.
And an ancient man in Buckland may be seen in sunny hours,
Pottering round about his garden, and his kitchen stuff and flowers.
|
Written by
Anne Kingsmill Finch |
Through ev'ry Age some Tyrant Passion reigns:
Now Love prevails, and now Ambition gains
Reason's lost Throne, and sov'reign Rule maintains.
Tho' beyond Love's, Ambition's Empire goes;
For who feels Love, Ambition also knows,
And proudly still aspires to be possest
Of Her, he thinks superior to the rest.
As cou'd be prov'd, but that our plainer Task
Do's no such Toil, or Definitions ask;
But to be so rehears'd, as first 'twas told,
When such old Stories pleas'd in Days of old.
A King, observing how a Shepherd's Skill
Improv'd his Flocks, and did the Pastures fill,
That equal Care th' assaulted did defend,
And the secur'd and grazing Part attend,
Approves the Conduct, and from Sheep and Curs
Transfers the Sway, and changed his Wool to Furrs.
Lord-Keeper now, as rightly he divides
His just Decrees, and speedily decides;
When his sole Neighbor, whilst he watch'd the Fold,
A Hermit poor, in Contemplation old,
Hastes to his Ear, with safe, but lost Advice,
Tells him such Heights are levell'd in a trice,
Preferments treach'rous, and her Paths of Ice:
And that already sure 't had turn'd his Brain,
Who thought a Prince's Favour to retain.
Nor seem'd unlike, in this mistaken Rank,
The sightless Wretch, who froze upon a Bank
A Serpent found, which for a Staff he took,
And us'd as such (his own but lately broke)
Thanking the Fates, who thus his Loss supply'd,
Nor marking one, that with amazement cry'd,
Throw quickly from thy Hand that sleeping Ill;
A Serpent 'tis, that when awak'd will kill.
A Serpent this! th' uncaution'd Fool replies:
A Staff it feels, nor shall my want of Eyes
Make me believe, I have no Senses left,
And thro' thy Malice be of this bereft;
Which Fortune to my Hand has kindly sent
To guide my Steps, and stumbling to prevent.
No Staff, the Man proceeds; but to thy harm
A Snake 'twill prove: The Viper, now grown warm
Confirm'd it soon, and fasten'd on his Arm.
Thus wilt thou find, Shepherd believe it true,
Some Ill, that shall this seeming Good ensue;
Thousand Distastes, t' allay thy envy'd Gains,
Unthought of, on the parcimonious Plains.
So prov'd the Event, and Whisp'rers now defame
The candid Judge, and his Proceedings blame.
By Wrongs, they say, a Palace he erects,
The Good oppresses, and the Bad protects.
To view this Seat the King himself prepares,
Where no Magnificence or Pomp appears,
But Moderation, free from each Extream,
Whilst Moderation is the Builder's Theme.
Asham'd yet still the Sycophants persist,
That Wealth he had conceal'd within a Chest,
Which but attended some convenient Day,
To face the Sun, and brighter Beams display.
The Chest unbarr'd, no radiant Gems they find,
No secret Sums to foreign Banks design'd,
But humble Marks of an obscure Recess,
Emblems of Care, and Instruments of Peace;
The Hook, the Scrip, and for unblam'd Delight
The merry Bagpipe, which, ere fall of Night,
Cou'd sympathizing Birds to tuneful Notes invite.
Welcome ye Monuments of former Joys!
Welcome! to bless again your Master's Eyes,
And draw from Courts, th' instructed Shepherd cries.
No more dear Relicks! we no more will part,
You shall my Hands employ, who now revive my Heart.
No Emulations, nor corrupted Times
Shall falsely blacken, or seduce to Crimes
Him, whom your honest Industry can please,
Who on the barren Down can sing from inward Ease.
How's this! the Monarch something mov'd rejoins.
With such low Thoughts, and Freedom from Designs,
What made thee leave a Life so fondly priz'd,
To be in Crouds, or envy'd, or despis'd?
Forgive me, Sir, and Humane Frailty see,
The Swain replies, in my past State and Me;
All peaceful that, to which I vow return.
But who alas! (tho' mine at length I mourn)
Was e'er without the Curse of some Ambition born.
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