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Best Famous Mandalay Poems

Here is a collection of the all-time best famous Mandalay poems. This is a select list of the best famous Mandalay poetry. Reading, writing, and enjoying famous Mandalay poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of mandalay poems.

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Written by Spike Milligan | Create an image from this poem

Philip Le Barr

 Philip Le Barr, 
Was knock down by a car, 
On the road to Mandalay.
He was knocked down again
By a dust cart in Spain
And again in Zanzibar.
So, 
He travled at night
In the pale moon light
Away from the traffic growl
But terrible luck
He was hit by a duck
Driven by an owl.


Written by Rudyard Kipling | Create an image from this poem

Mandalay

 By the old Moulmein Pagoda, lookin' eastward to the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
"Come you back, you British soldier; come you back to Mandalay!"
 Come you back to Mandalay,
 Where the old Flotilla lay:
 Can't you 'ear their paddles chunkin' from Rangoon to Mandalay?
 On the road to Mandalay,
 Where the flyin'-fishes play,
 An' the dawn comes up like thunder outer China 'crost the Bay!

'Er petticoat was yaller an' 'er little cap was green,
An' 'er name was Supi-yaw-lat -- jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot,
An' a-wastin' Christian kisses on an 'eathen idol's foot:
 Bloomin' idol made o'mud --
 Wot they called the Great Gawd Budd --
 Plucky lot she cared for idols when I kissed 'er where she stud!
 On the road to Mandalay . . .

When the mist was on the rice-fields an' the sun was droppin' slow,
She'd git 'er little banjo an' she'd sing "Kulla-lo-lo!"
With 'er arm upon my shoulder an' 'er cheek agin' my cheek
We useter watch the steamers an' the hathis pilin' teak.
 Elephints a-pilin' teak
 In the sludgy, squdgy creek,
 Where the silence 'ung that 'eavy you was 'arf afraid to speak!
 On the road to Mandalay . . .

But that's all shove be'ind me -- long ago an' fur away,
An' there ain't no 'busses runnin' from the Bank to Mandalay;
An' I'm learnin' 'ere in London what the ten-year soldier tells:
"If you've 'eard the East a-callin', you won't never 'eed naught else."
 No! you won't 'eed nothin' else
 But them spicy garlic smells,
 An' the sunshine an' the palm-trees an' the tinkly temple-bells;
 On the road to Mandalay . . .

I am sick o' wastin' leather on these gritty pavin'-stones,
An' the blasted Henglish drizzle wakes the fever in my bones;
Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand,
An' they talks a lot o' lovin', but wot do they understand?
 Beefy face an' grubby 'and --
 Law! wot do they understand?
 I've a neater, sweeter maiden in a cleaner, greener land!
 On the road to Mandalay . . .

Ship me somewheres east of Suez, where the best is like the worst,
Where there aren't no Ten Commandments an' a man can raise a thirst;
For the temple-bells are callin', an' it's there that I would be --
By the old Moulmein Pagoda, looking lazy at the sea;
 On the road to Mandalay,
 Where the old Flotilla lay,
 With our sick beneath the awnings when we went to Mandalay!
 On the road to Mandalay,
 Where the flyin'-fishes play,
 An' the dawn comes up like thunder outer China 'crost the Bay!
Written by Robert William Service | Create an image from this poem

My Typewriter

 I used to think a pot of ink
Held magic in its fluid,
And I would ply a pen when I
Was hoary a a Druid;
But as I scratch my silver thatch
My battered old Corona
Calls out to me as plaintively
As dying Desdemona.

"For old time's sake give me a break:
To you I've been as loyal
As ever could an Underwood,
Or Remington or Royal.
The globe we've spanned together and
Two million words, maybe,
For you I've tapped - it's time you rapped
A rhyme or two for me.

"I've seen you sit and smoke and spit
With expletives profane,
Then tear with rage the virgin page
I tendered you in vain.
I've watched you glare in dull despair
Through hours of brooding thought,
Then with a shout bang gaily out
The 'word unique' you sought.

"I've heard you groan and grunt and moan
That rhyme's a wretched fetter;
That after all you're just a small
Fat-headed verse-begetter;
You'd balance me upon your knee
Like any lady friend,
Then with a sigh you'd lay me by
For weeks and weeks on end.

"I've known when you were mighty blue
And hammered me till dawn,
Dire poverty! But I would be
The last thing you would pawn.
Days debt-accurst! Then at its worst
The sky, behold, would clear;
A poem sold, the garret cold
Would leap to light and cheer.

"You've toted me by shore and sea
From Mexico to Maine;
From Old Cathay to Mandalay,
From Samarkand to Spain.
You've thumped me in the battle's din
And pounded me in peace;
By air and land you've lugged me and
Your shabby old valise.

"But now my keys no more with ease
To your two fingers yield;
With years of use my joints are loose,
With wear of flood and field.
And even you are slipping too:
You're puffy, stiff and grey:
Old Sport, we're done, our race is run -
Why not call it a day?"

Why not? You've been, poor old machine!
My tried and faithful friend.
With fingertip your keys I'll flip
Serenely to the end.
For even though you're stiff and slow,
No other will I buy.
And though each word be wan and blurred
I'll tap you till I die.

Book: Radiant Verses: A Journey Through Inspiring Poetry