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Best Famous Mammoth Poems

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Written by Vachel Lindsay | Create an image from this poem

The Tale of the Tiger-Tree

 A Fantasy, dedicated to the little poet Alice Oliver Henderson, ten years old. 

The Fantasy shows how tiger-hearts are the cause of war in all ages. It shows how the mammoth forces may be either friends or enemies of the struggle for peace. It shows how the dream of peace is unconquerable and eternal.


I

Peace-of-the-Heart, my own for long,
Whose shining hair the May-winds fan,
Making it tangled as they can,
A mystery still, star-shining yet,
Through ancient ages known to me
And now once more reborn with me: —

This is the tale of the Tiger Tree
A hundred times the height of a man,
Lord of the race since the world began.

This is my city Springfield,
My home on the breast of the plain.
The state house towers to heaven,
By an arsenal gray as the rain...
And suddenly all is mist,
And I walk in a world apart,
In the forest-age when I first knelt down
At your feet, O Peace-of-the-Heart.

This is the wonder of twilight:
Three times as high as the dome
Tiger-striped trees encircle the town,
Golden geysers of foam.
While giant white parrots sail past in their pride.
The roofs now are clouds and storms that they ride.
And there with the huntsmen of mound-builder days
Through jungle and meadow I stride.
And the Tiger Tree leaf is falling around
As it fell when the world began:
Like a monstrous tiger-skin, stretched on the ground,
Or the cloak of a medicine man.
A deep-crumpled gossamer web,
Fringed with the fangs of a snake.
The wind swirls it down from the leperous boughs.
It shimmers on clay-hill and lake,
With the gleam of great bubbles of blood,
Or coiled like a rainbow shell....
I feast on the stem of the Leaf as I march.
I am burning with Heaven and Hell.


II

The gray king died in his hour.
Then we crowned you, the prophetess wise:
Peace-of-the-Heart we deeply adored
For the witchcraft hid in your eyes.
Gift from the sky, overmastering all,
You sent forth your magical parrots to call
The plot-hatching prince of the tigers,
To your throne by the red-clay wall.

Thus came that genius insane:
Spitting and slinking,
Sneering and vain,
He sprawled to your grassy throne, drunk on The Leaf,
The drug that was cunning and splendor and grief.
He had fled from the mammoth by day,
He had blasted the mammoth by night,
War was his drunkenness,
War was his dreaming,
War was his love and his play.
And he hissed at your heavenly glory
While his councillors snarled in delight,
Asking in irony: "What shall we learn
From this whisperer, fragile and white?"

And had you not been an enchantress
They would not have loitered to mock
Nor spared your white parrots who walked by their paws
With bantering venturesome talk.

You made a white fire of The Leaf.
You sang while the tiger-chiefs hissed.
You chanted of "Peace to the wonderful world."
And they saw you in dazzling mist.
And their steps were no longer insane,
Kindness came down like the rain,
They dreamed that like fleet young ponies they feasted
On succulent grasses and grain.

Then came the black-mammoth chief:
Long-haired and shaggy and great,
Proud and sagacious he marshalled his court:
(You had sent him your parrots of state.)
His trunk in rebellion upcurled,
A curse at the tiger he hurled.
Huge elephants trumpeted there by his side,
And mastodon-chiefs of the world.
But higher magic began.
For the turbulent vassals of man.
You harnessed their fever, you conquered their ire,
Their hearts turned to flowers through holy desire,
For their darling and star you were crowned,
And their raging demons were bound.
You rode on the back of the yellow-streaked king,
His loose neck was wreathed with a mistletoe ring.
Primordial elephants loomed by your side,
And our clay-painted children danced by your path,
Chanting the death of the kingdoms of wrath.
You wrought until night with us all.
The fierce brutes fawned at your call,
Then slipped to their lairs, song-chained.
And thus you sang sweetly, and reigned:
"Immortal is the inner peace, free to beasts and men.
Beginning in the darkness, the mystery will conquer,
And now it comforts every heart that seeks for love again.
And now the mammoth bows the knee,
We hew down every Tiger Tree,
We send each tiger bound in love and glory to his den,
Bound in love...and wisdom...and glory,...to his den."


III

"Beware of the trumpeting swine,"
Came the howl from the northward that night.
Twice-rebel tigers warning was still
If we held not beside them it boded us ill.
From the parrots translating the cry,
And the apes in the trees came the whine:
"Beware of the trumpeting swine.
Beware of the faith of a mammoth."

"Beware of the faith of a tiger,"
Came the roar from the southward that night.
Trumpeting mammoths warning us still
If we held not beside them it boded us ill.
The frail apes wailed to us all,
The parrots reëchoed the call:
"Beware of the faith of a tiger."
From the heights of the forest the watchers could see
The tiger-cats crunching the Leaf of the Tree
Lashing themselves, and scattering foam,
Killing our huntsmen, hurrying home.
The chiefs of the mammoths our mastery spurned,
And eastward restlessly fumed and burned.
The peacocks squalled out the news of their drilling
And told how they trampled, maneuvered, and turned.
Ten thousand man-hating tigers
Whirling down from the north, like a flood!
Ten thousand mammoths oncoming
From the south as avengers of blood!
Our child-queen was mourning, her magic was dead,
The roots of the Tiger Tree reeking with red.


IV

This is the tale of the Tiger Tree
A hundred times the height of a man,
Lord of the race since the world began.

We marched to the mammoths,
We pledged them our steel,
And scorning you, sang: —
"We are men,
We are men."
We mounted their necks,
And they stamped a wide reel.
We sang:
"We are fighting the hell-cats again,
We are mound-builder men,
We are elephant men."
We left you there, lonely,
Beauty your power,
Wisdom your watchman,
To hold the clay tower.
While the black-mammoths boomed —
"You are elephant men,
Men,
Men,
Elephant men."
The dawn-winds prophesied battles untold.
While the Tiger Trees roared of the glories of old,
Of the masterful spirits and hard.

The drunken cats came in their joy
In the sunrise, a glittering wave.
"We are tigers, are tigers," they yowled.
"Down,
Down,
Go the swine to the grave."
But we tramp
Tramp
Trampled them there,
Then charged with our sabres and spears.
The swish of the sabre,
The swish of the sabre,
Was a marvellous tune in our ears.

We yelled "We are men,
We are men."
As we bled to death in the sun....
Then staunched our horrible wounds
With the cry that the battle was won....
And at last,
When the black-mammoth legion
Split the night with their song: —
"Right is braver than wrong,
Right is stronger than wrong,"
The buzzards came taunting:
"Down from the north
Tiger-nations are sweeping along."

Then we ate of the ravening Leaf
As our savage fathers of old.
No longer our wounds made us weak,
No longer our pulses were cold.
Though half of my troops were afoot,
(For the great who had borne them were slain)
We dreamed we were tigers, and leaped
And foamed with that vision insane.
We cried "We are soldiers of doom,
Doom,
Sabres of glory and doom."
We wreathed the king of the mammoths
In the tiger-leaves' terrible bloom.
We flattered the king of the mammoths,
Loud-rattling sabres and spears.
The swish of the sabre,
The swish of the sabre,
Was a marvellous tune in his ears.


V

This was the end of the battle.
The tigers poured by in a tide
Over us all with their caterwaul call,
"We are the tigers,"
They cried.
"We are the sabres,"
They cried.
But we laughed while our blades swept wide,
While the dawn-rays stabbed through the gloom.
"We are suns on fire" was our yell —
"Suns on fire."...
But man-child and mastodon fell,
Mammoth and elephant fell.
The fangs of the devil-cats closed on the world,
Plunged it to blackness and doom.

The desolate red-clay wall
Echoed the parrots' call: —
"Immortal is the inner peace, free to beasts and men.
Beginning in the darkness, the mystery will conquer,
And now it comforts every heart that seeks for love again.
And now the mammoth bows the knee,
We hew down every Tiger Tree,
We send each tiger bound in love and glory to his den,
Bound in love... and wisdom... and glory,... to his den."

A peacock screamed of his beauty
On that broken wall by the trees,
Chiding his little mate,
Spreading his fans in the breeze...
And you, with eyes of a bride,
Knelt on the wall at my side,
The deathless song in your mouth...
A million new tigers swept south...
As we laughed at the peacock, and died.

This is my vision in Springfield:
Three times as high as the dome,
Tiger-striped trees encircle the town,
Golden geysers of foam; —
Though giant white parrots sail past, giving voice,
Though I walk with Peace-of-the-Heart and rejoice.


Written by Sylvia Plath | Create an image from this poem

Perseus: The Triumph of Wit Over Suffering

Head alone shows you in the prodigious act
Of digesting what centuries alone digest:
The mammoth, lumbering statuary of sorrow,
Indissoluble enough to riddle the guts
Of a whale with holes and holes, and bleed him white
Into salt seas. Hercules had a simple time,
Rinsing those stables: a baby's tears would do it.
But who'd volunteer to gulp the Laocoon,
The Dying Gaul and those innumerable pietas
Festering on the dim walls of Europe's chapels,
Museums and sepulchers? You.
 You
Who borrowed feathers for your feet, not lead,
Not nails, and a mirror to keep the snaky head
In safe perspective, could outface the gorgon-grimace
Of human agony: a look to numb
Limbs: not a basilisk-blink, nor a double whammy,
But all the accumulated last grunts, groans,
Cries and heroic couplets concluding the million
Enacted tragedies on these blood-soaked boards,
And every private twinge a hissing asp
To petrify your eyes, and every village
Catastrophe a writhing length of cobra,
And the decline of empires the thick coil of a vast
Anacnoda.
 Imagine: the world
Fisted to a foetus head, ravined, seamed
With suffering from conception upwards, and there
You have it in hand. Grit in the eye or a sore
Thumb can make anyone wince, but the whole globe
Expressive of grief turns gods, like kings, to rocks.
Those rocks, cleft and worn, themselves then grow
Ponderous and extend despair on earth's
Dark face.
 So might rigor mortis come to stiffen
All creation, were it not for a bigger belly
Still than swallows joy.
 You enter now,
Armed with feathers to tickle as well as fly,
And a fun-house mirror that turns the tragic muse
To the beheaded head of a sullen doll, one braid,
A bedraggled snake, hanging limp as the absurd mouth
Hangs in its lugubious pout. Where are
The classic limbs of stubborn Antigone?
The red, royal robes of Phedre? The tear-dazzled
Sorrows of Malfi's gentle duchess?
 Gone
In the deep convulsion gripping your face, muscles
And sinews bunched, victorious, as the cosmic
Laugh does away with the unstitching, plaguey wounds
Of an eternal sufferer.
 To you
Perseus, the palm, and may you poise
And repoise until time stop, the celestial balance
Which weighs our madness with our sanity.
Written by Adrienne Rich | Create an image from this poem

Snapshots of a Daughter-In-Law

  1

You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory."

Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact. In the prime of your life.

Nervy, glowering, your daughter
wipes the teaspoons, grows another way.

 2

Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.

The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm,
a match burn to her thumbnail,

or held her hand above the kettle's snout
right inthe woolly steam. They are probably angels,
since nothing hurts her anymore, except
each morning's grit blowing into her eyes.

 3

A thinking woman sleeps with monsters.
The beak that grips her, she becomes. And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!

 4

Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn...
Reading while waiting
for the iron to heat,
writing, My Life had stood--a Loaded Gun--
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.

 5

Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.

 6

When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping 
over her cheek, only the song
of silk against her knees
and these 
adjusted in reflections of an eye.

Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine--
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?

 7

"To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence."
 Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.

 8

"You all die at fifteen," said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were--fire, tears,
wit, taste, martyred ambition--
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.

 9

Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time's precious chronic invalid,--
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us--
glitter in fragments and rough drafts.

Sigh no more, ladies.
 Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.

 10

 Well,
she's long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
 poised, still coming,
her fine blades making the air wince

but her cargo
no promise then:
delivered
palpable
ours.
Written by Ted Hughes | Create an image from this poem

The Warm and the Cold

 Freezing dusk is closing
 Like a slow trap of steel
On trees and roads and hills and all
 That can no longer feel.
 But the carp is in its depth
 Like a planet in its heaven.
 And the badger in its bedding
 Like a loaf in the oven.
 And the butterfly in its mummy
 Like a viol in its case.
 And the owl in its feathers
 Like a doll in its lace. 

Freezing dusk has tightened
 Like a nut screwed tight
On the starry aeroplane
 Of the soaring night.
 But the trout is in its hole
 Like a chuckle in a sleeper.
 The hare strays down the highway
 Like a root going deeper.
 The snail is dry in the outhouse
 Like a seed in a sunflower.
 The owl is pale on the gatepost
 Like a clock on its tower. 

Moonlight freezes the shaggy world
 Like a mammoth of ice - 
The past and the future
 Are the jaws of a steel vice.
 But the cod is in the tide-rip
 Like a key in a purse.
 The deer are on the bare-blown hill
 Like smiles on a nurse.
 The flies are behind the plaster
 Like the lost score of a jig.
 Sparrows are in the ivy-clump
 Like money in a pig. 

Such a frost
 The flimsy moon
 Has lost her wits. 

 A star falls. 

The sweating farmers
 Turn in their sleep
 Like oxen on spits.
Written by Donald Hall | Create an image from this poem

Sudden Things

 A storm was coming, that was why it was dark. The wind was blowing the fronds of the palm trees off. They were maples. I looked out the window across the big lawn. The house was huge, full of children and old people. The lion was loose. Either because of the wind, or by malevolent human energy, which is the same thing, the cage had come open. Suppose a child walked outside!

A child walked outside. I knew that I must protect him from the lion. I threw myself on top of the child. The lion roared over me. In the branches and the bushes there was suddenly a loud crackling. The lion cringed. I looked up and saw that the elephant was loose!

The elephant was taller than the redwoods. He was hairy like a mammoth. His tusks trailed vines. Parrots screeched around his head. His eyes rolled crazily. He trumpeted. The ice-cap was breaking up!

The lion backed off, whining. The boy ran for the house. I covered his retreat, locked all the doors and pulled the bars across them. An old lady tried to open a door to get a better look. I spoke sharply to her, she sat down grumbling and pulled a blanket over her knees.

Out of the window I saw zebras and rattlesnakes and wildebeests and cougars and woodchucks on the lawns and in the tennis courts. I worried how, after the storm, we would put the animals back in their cages, and get to the mainland.


Written by Vachel Lindsay | Create an image from this poem

Queen Mab in the Village

 Once I loved a fairy, 
Queen Mab it was. Her voice 
Was like a little Fountain 
That bids the birds rejoice. 
Her face was wise and solemn, 
Her hair was brown and fine. 
Her dress was pansy velvet, 
A butterfly design. 

To see her hover round me 
Or walk the hills of air, 
Awakened love's deep pulses 
And boyhood's first despair; 
A passion like a sword-blade 
That pierced me thro' and thro': 
Her fingers healed the sorrow 
Her whisper would renew. 
We sighed and reigned and feasted 
Within a hollow tree, 
We vowed our love was boundless, 
Eternal as the sea. 

She banished from her kingdom 
The mortal boy I grew — 
So tall and crude and noisy, 
I killed grasshoppers too. 
I threw big rocks at pigeons, 
I plucked and tore apart 
The weeping, wailing daisies, 
And broke my lady's heart. 
At length I grew to manhood, 
I scarcely could believe 
I ever loved the lady, 
Or caused her court to grieve, 
Until a dream came to me, 
One bleak first night of Spring, 
Ere tides of apple blossoms 
Rolled in o'er everything, 
While rain and sleet and snowbanks 
Were still a-vexing men, 
Ere robin and his comrades 
Were nesting once again. 

I saw Mab's Book of Judgment — 
Its clasps were iron and stone, 
Its leaves were mammoth ivory, 
Its boards were mammoth bone, — 
Hid in her seaside mountains, 
Forgotten or unkept, 
Beneath its mighty covers 
Her wrath against me slept. 
And deeply I repented 
Of brash and boyish crime, 
Of murder of things lovely 
Now and in olden time. 
I cursed my vain ambition, 
My would-be worldly days, 
And craved the paths of wonder, 
Of dewy dawns and fays. 
I cried, "Our love was boundless, 
Eternal as the sea, 
O Queen, reverse the sentence, 
Come back and master me!" 

The book was by the cliff-side 
Upon its edge upright. 
I laid me by it softly, 
And wept throughout the night. 
And there at dawn I saw it, 
No book now, but a door, 
Upon its panels written, 
"Judgment is no more." 
The bolt flew back with thunder, 
I saw within that place 
A mermaid wrapped in seaweed 
With Mab's immortal face, 
Yet grown now to a woman, 
A woman to the knee. 
She cried, she clasped me fondly, 
We soon were in the sea. 

Ah, she was wise and subtle, 
And gay and strong and sleek, 
We chained the wicked sword-fish, 
We played at hide and seek. 
We floated on the water, 
We heard the dawn-wind sing, 
I made from ocean-wonders, 
Her bridal wreath and ring. 
All mortal girls were shadows, 
All earth-life but a mist, 
When deep beneath the maelstrom, 
The mermaid's heart I kissed. 

I woke beside the church-door 
Of our small inland town, 
Bowing to a maiden 
In a pansy-velvet gown, 
Who had not heard of fairies, 
Yet seemed of love to dream. 
We planned an earthly cottage 
Beside an earthly stream. 

Our wedding long is over, 
With toil the years fill up, 
Yet in the evening silence, 
We drink a deep-sea cup. 
Nothing the fay remembers, 
Yet when she turns to me, 
We meet beneath the whirlpool, 
We swim the golden sea.
Written by Louise Gluck | Create an image from this poem

Labor Day

 Requiring something lovely on his arm
Took me to Stamford, Connecticut, a quasi-farm,
His family's; later picking up the mammoth
Girlfriend of Charlie, meanwhile trying to pawn me off
On some third guy also up for the weekend.
But Saturday we still were paired; spent
It sprawled across that sprawling acreage
Until the grass grew limp
with damp. Like me. Johnston-baby, I can still see
The pelted clover, burrs' prickle fur and gorged
Pastures spewing infinite tiny bells. You pimp.
Written by Rudyard Kipling | Create an image from this poem

A General Summary

 We are very slightly changed
From the semi-apes who ranged
 India's Prehistoric clay;
He that drew the longest bow
Ran his brother down, you know,
 As we run men down to-tday.

"Dowb," the first of all his race,
Met the Mammoth face to face
 On the lake or in the cave:
Stole the steadiest canoe,
Ate the quarry others slew,
 Died -- and took the finest grave.

When they scratched the reindeer-bone,
Some one made the sketch his own,
 Filched it from the artist -- then,
Even in those early days,
Won a simple Viceroy's praise
 Through the toil of other men.
Ere they hewed the Sphinx's visage
Favouritism governed kissage,
 Even as it does in this age.

Who shall doubt "the secret hid
Under Cheops' pyramid"
Was that the contractor did
 Cheops out of several millions?
Or that Joseph's sudden rise
To comptroller of Supplies
Was a fraud of monstrous size
 On King Pharaoh's swart Civilians?

Thus, the artless songs I sing
Do not deal with anything
 New or never said before.
As it was in the beginning
Is to-day official sinning,
 And shall be for evermore!
Written by T Wignesan | Create an image from this poem

Blinks through Blood-shot Walks

When at five-thirty
In the rubbed-eye haziness
Of ferreting lonesome night walks
The camera-eye refugee
Asleep in the half awakefulness
Of the hour
Peers out of his high turbanned sockets:
Hyde Park's through road links
London's diurnally estranged couple -
The Arch and Gate.

When at five-thirty
The foot falls gently
Of the vision cut in dark recesses
And the man, finger gingerly on the fly
Gapes dolefully about
For a while
Exchanges a casual passing word
Standing in the Rembrandtesque clefts
And the multipled ma'm'selle trips out:
Neat and slick.
They say you meet the girls at parties
And get deeper than swine in orgies.

When at five-thirty
The fisherman's chilled chips
Lie soggy and heeled under the Arch
Where patchy transparent wrappers cling
To slippery hands jingling the inexact change
That mounted the trustful fisherman's credit:
The stub legged fisher of diplomat
And cool cat
And the prostitutes' confidant;
Each shivering pimp's warming pan.

Then at five-thirty
The bowels of Hyde Park
Improperly growled and shunted
And shook the half-night-long
Lazily swaggering double deckers,
Suddenly as in a rude recollection,
To break and pull, grind and swing away
And around, drawing the knotting air after
Curling and unfurling on the pavements.

And at five-thirty
The prostrate mindful old refugee
Dares not stir
Nor cares to wake and swallow
The precisely half-downed bottle
Of Coke clinging to the pearly dew
Nor lick the clasp knife clean
Lying bare by a tin of' skewed top
Corned beef, incisively culled

Look! that garden all spruced up
An incongruous lot of hair on that bald pate
No soul stirs in there but the foul air
No parking alongside but from eight to eight.
Learning so hard and late
No time to scratch the bald pate.
        At five-thirty-one
        A minute just gone
The thud is on, the sledge-hammer yawns
And in the back of ears, strange noises
As from afar and a million feet tramp.
One infinitesimal particle knocks another
And the whirl begins in a silent rage
And the human heart beats harder
While in and around, this London
This atomic mammoth roams
In the wastes of wars and tumbling empires.
Written by Robert William Service | Create an image from this poem

The Ballad Of Gum-Boot Ben

 He was an old prospector with a vision bleared and dim.
 He asked me for a grubstake, and the same I gave to him.
 He hinted of a hidden trove, and when I made so bold
 To question his veracity, this is the tale he told.

"I do not seek the copper streak, nor yet the yellow dust;
I am not fain for sake of gain to irk the frozen crust;
Let fellows gross find gilded dross, far other is my mark;
Oh, gentle youth, this is the truth--I go to seek the Ark.

"I prospected the Pelly bed, I prospected the White;
The Nordenscold for love of gold I piked from morn till night;
Afar and near for many a year I led the wild stampede,
Until I guessed that all my quest was vanity and greed.

"Then came I to a land I knew no man had ever seen,
A haggard land, forlornly spanned by mountains lank and lean;
The nitchies said 'twas full of dread, of smoke and fiery breath,
And no man dare put foot in there for fear of pain and death.

"But I was made all unafraid, so, careless and alone,
Day after day I made my way into that land unknown;
Night after night by camp-fire light I crouched in lonely thought;
Oh, gentle youth, this is the truth--I knew not what I sought.

"I rose at dawn; I wandered on. 'Tis somewhat fine and grand
To be alone and hold your own in God's vast awesome land;
Come woe or weal, 'tis fine to feel a hundred miles between
The trails you dare and pathways where the feet of men have been.

"And so it fell on me a spell of wander-lust was cast.
The land was still and strange and chill, and cavernous and vast;
And sad and dead, and dull as lead, the valleys sought the snows;
And far and wide on every side the ashen peaks arose.

"The moon was like a silent spike that pierced the sky right through;
The small stars popped and winked and hopped in vastitudes of blue;
And unto me for company came creatures of the shade,
And formed in rings and whispered things that made me half afraid.

"And strange though be, 'twas borne on me that land had lived of old,
And men had crept and slain and slept where now they toiled for gold;
Through jungles dim the mammoth grim had sought the oozy fen,
And on his track, all bent of back, had crawled the hairy men.

"And furthermore, strange deeds of yore in this dead place were done.
They haunted me, as wild and free I roamed from sun to sun;
Until I came where sudden flame uplit a terraced height,
A regnant peak that seemed to seek the coronal of night.

"I scaled the peak; my heart was weak, yet on and on I pressed.
Skyward I strained until I gained its dazzling silver crest;
And there I found, with all around a world supine and stark,
Swept clean of snow, a flat plateau, and on it lay--the Ark.

"Yes, there, I knew, by two and two the beasts did disembark,
And so in haste I ran and traced in letters on the Ark
My human name--Ben Smith's the same. And now I want to float
A syndicate to haul and freight to town that noble boat."

 I met him later in a bar and made a gay remark
 Anent an ancient miner and an option on the Ark.
 He gazed at me reproachfully, as only topers can;
 But what he said I can't repeat--he was a bad old man.

Book: Reflection on the Important Things