Get Your Premium Membership

Best Famous Malignity Poems

Here is a collection of the all-time best famous Malignity poems. This is a select list of the best famous Malignity poetry. Reading, writing, and enjoying famous Malignity poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of malignity poems.

Search and read the best famous Malignity poems, articles about Malignity poems, poetry blogs, or anything else Malignity poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by William Cowper | Create an image from this poem

The Retired Cat

 A poet's cat, sedate and grave
As poet well could wish to have,
Was much addicted to inquire
For nooks to which she might retire,
And where, secure as mouse in chink,
She might repose, or sit and think.
I know not where she caught the trick-- Nature perhaps herself had cast her In such a mould [lang f]philosophique[lang e], Or else she learn'd it of her master.
Sometimes ascending, debonair, An apple-tree or lofty pear, Lodg'd with convenience in the fork, She watch'd the gardener at his work; Sometimes her ease and solace sought In an old empty wat'ring-pot; There, wanting nothing save a fan To seem some nymph in her sedan, Apparell'd in exactest sort, And ready to be borne to court.
But love of change, it seems, has place Not only in our wiser race; Cats also feel, as well as we, That passion's force, and so did she.
Her climbing, she began to find, Expos'd her too much to the wind, And the old utensil of tin Was cold and comfortless within: She therefore wish'd instead of those Some place of more serene repose, Where neither cold might come, nor air Too rudely wanton with her hair, And sought it in the likeliest mode Within her master's snug abode.
A drawer, it chanc'd, at bottom lin'd With linen of the softest kind, With such as merchants introduce From India, for the ladies' use-- A drawer impending o'er the rest, Half-open in the topmost chest, Of depth enough, and none to spare, Invited her to slumber there; Puss with delight beyond expression Survey'd the scene, and took possession.
Recumbent at her ease ere long, And lull'd by her own humdrum song, She left the cares of life behind, And slept as she would sleep her last, When in came, housewifely inclin'd The chambermaid, and shut it fast; By no malignity impell'd, But all unconscious whom it held.
Awaken'd by the shock, cried Puss, "Was ever cat attended thus! The open drawer was left, I see, Merely to prove a nest for me.
For soon as I was well compos'd, Then came the maid, and it was clos'd.
How smooth these kerchiefs, and how sweet! Oh, what a delicate retreat! I will resign myself to rest Till Sol, declining in the west, Shall call to supper, when, no doubt, Susan will come and let me out.
" The evening came, the sun descended, And puss remain'd still unattended.
The night roll'd tardily away (With her indeed 'twas never day), The sprightly morn her course renew'd, The evening gray again ensued, And puss came into mind no more Than if entomb'd the day before.
With hunger pinch'd, and pinch'd for room, She now presag'd approaching doom, Nor slept a single wink, or purr'd, Conscious of jeopardy incurr'd.
That night, by chance, the poet watching Heard an inexplicable scratching; His noble heart went pit-a-pat And to himself he said, "What's that?" He drew the curtain at his side, And forth he peep'd, but nothing spied; Yet, by his ear directed, guess'd Something imprison'd in the chest, And, doubtful what, with prudent care Resolv'd it should continue there.
At length a voice which well he knew, A long and melancholy mew, Saluting his poetic ears, Consol'd him, and dispell'd his fears: He left his bed, he trod the floor, He 'gan in haste the drawers explore, The lowest first, and without stop The rest in order to the top; For 'tis a truth well known to most, That whatsoever thing is lost, We seek it, ere it come to light, In ev'ry cranny but the right.
Forth skipp'd the cat, not now replete As erst with airy self-conceit, Nor in her own fond apprehension A theme for all the world's attention, But modest, sober, cured of all Her notions hyperbolical, And wishing for a place of rest Anything rather than a chest.
Then stepp'd the poet into bed, With this reflection in his head:MORAL Beware of too sublime a sense Of your own worth and consequence.
The man who dreams himself so great, And his importance of such weight, That all around in all that's done Must move and act for him alone, Will learn in school of tribulation The folly of his expectation.


Written by Sylvia Plath | Create an image from this poem

Elm

for Ruth Fainlight


I know the bottom, she says.
I know it with my great tap root; It is what you fear.
I do not fear it: I have been there.
Is it the sea you hear in me, Its dissatisfactions? Or the voice of nothing, that was you madness? Love is a shadow.
How you lie and cry after it.
Listen: these are its hooves: it has gone off, like a horse.
All night I shall gallup thus, impetuously, Till your head is a stone, your pillow a little turf, Echoing, echoing.
Or shall I bring you the sound of poisons? This is rain now, the big hush.
And this is the fruit of it: tin white, like arsenic.
I have suffered the atrocity of sunsets.
Scorched to the root My red filaments burn and stand,a hand of wires.
Now I break up in pieces that fly about like clubs.
A wind of such violence Will tolerate no bystanding: I must shriek.
The moon, also, is merciless: she would drag me Cruelly, being barren.
Her radiance scathes me.
Or perhaps I have caught her.
I let her go.
I let her go Diminished and flat, as after radical surgery.
How your bad dreams possess and endow me.
I am inhabited by a cry.
Nightly it flaps out Looking, with its hooks, for something to love.
I am terrified by this dark thing That sleeps in me; All day I feel its soft, feathery turnings, its malignity.
Clouds pass and disperse.
Are those the faces of love, those pale irretrievables? Is it for such I agitate my heart? I am incapable of more knowledge.
What is this, this face So murderous in its strangle of branches? ---- Its snaky acids kiss.
It petrifies the will.
These are the isolate, slow faults That kill, that kill, that kill.
Written by Edwin Arlington Robinson | Create an image from this poem

John Brown

 Though for your sake I would not have you now 
So near to me tonight as now you are, 
God knows how much a stranger to my heart 
Was any cold word that I may have written; 
And you, poor woman that I made my wife,
You have had more of loneliness, I fear, 
Than I—though I have been the most alone, 
Even when the most attended.
So it was God set the mark of his inscrutable Necessity on one that was to grope, And serve, and suffer, and withal be glad For what was his, and is, and is to be, When his old bones, that are a burden now, Are saying what the man who carried them Had not the power to say.
Bones in a grave, Cover them as they will with choking earth, May shout the truth to men who put them there, More than all orators.
And so, my dear, Since you have cheated wisdom for the sake Of sorrow, let your sorrow be for you, This last of nights before the last of days, The lying ghost of what there is of me That is the most alive.
There is no death For me in what they do.
Their death it is They should heed most when the sun comes again To make them solemn.
There are some I know Whose eyes will hardly see their occupation, For tears in them—and all for one old man; For some of them will pity this old man, Who took upon himself the work of God Because he pitied millions.
That will be For them, I fancy, their compassionate Best way of saying what is best in them To say; for they can say no more than that, And they can do no more than what the dawn Of one more day shall give them light enough To do.
But there are many days to be, And there are many men to give their blood, As I gave mine for them.
May they come soon! May they come soon, I say.
And when they come, May all that I have said unheard be heard, Proving at last, or maybe not—no matter— What sort of madness was the part of me That made me strike, whether I found the mark Or missed it.
Meanwhile, I’ve a strange content, A patience, and a vast indifference To what men say of me and what men fear To say.
There was a work to be begun, And when the Voice, that I have heard so long, Announced as in a thousand silences An end of preparation, I began The coming work of death which is to be, That life may be.
There is no other way Than the old way of war for a new land That will not know itself and is tonight A stranger to itself, and to the world A more prodigious upstart among states Than I was among men, and so shall be Till they are told and told, and told again; For men are children, waiting to be told, And most of them are children all their lives.
The good God in his wisdom had them so, That now and then a madman or a seer May shake them out of their complacency And shame them into deeds.
The major file See only what their fathers may have seen, Or may have said they saw when they saw nothing.
I do not say it matters what they saw.
Now and again to some lone soul or other God speaks, and there is hanging to be done,— As once there was a burning of our bodies Alive, albeit our souls were sorry fuel.
But now the fires are few, and we are poised Accordingly, for the state’s benefit, A few still minutes between heaven and earth.
The purpose is, when they have seen enough Of what it is that they are not to see, To pluck me as an unripe fruit of treason, And then to fling me back to the same earth Of which they are, as I suppose, the flower— Not given to know the riper fruit that waits For a more comprehensive harvesting.
Yes, may they come, and soon.
Again I say, May they come soon!—before too many of them Shall be the bloody cost of our defection.
When hell waits on the dawn of a new state, Better it were that hell should not wait long,— Or so it is I see it who should see As far or farther into time tonight Than they who talk and tremble for me now, Or wish me to those everlasting fires That are for me no fear.
Too many fires Have sought me out and seared me to the bone— Thereby, for all I know, to temper me For what was mine to do.
If I did ill What I did well, let men say I was mad; Or let my name for ever be a question That will not sleep in history.
What men say I was will cool no cannon, dull no sword, Invalidate no truth.
Meanwhile, I was; And the long train is lighted that shall burn, Though floods of wrath may drench it, and hot feet May stamp it for a slight time into smoke That shall blaze up again with growing speed, Until at last a fiery crash will come To cleanse and shake a wounded hemisphere, And heal it of a long malignity That angry time discredits and disowns.
Tonight there are men saying many things; And some who see life in the last of me Will answer first the coming call to death; For death is what is coming, and then life.
I do not say again for the dull sake Of speech what you have heard me say before, But rather for the sake of all I am, And all God made of me.
A man to die As I do must have done some other work Than man’s alone.
I was not after glory, But there was glory with me, like a friend, Throughout those crippling years when friends were few, And fearful to be known by their own names When mine was vilified for their approval.
Yet friends they are, and they did what was given Their will to do; they could have done no more.
I was the one man mad enough, it seems, To do my work; and now my work is over.
And you, my dear, are not to mourn for me, Or for your sons, more than a soul should mourn In Paradise, done with evil and with earth.
There is not much of earth in what remains For you; and what there may be left of it For your endurance you shall have at last In peace, without the twinge of any fear For my condition; for I shall be done With plans and actions that have heretofore Made your days long and your nights ominous With darkness and the many distances That were between us.
When the silence comes, I shall in faith be nearer to you then Than I am now in fact.
What you see now Is only the outside of an old man, Older than years have made him.
Let him die, And let him be a thing for little grief.
There was a time for service and he served; And there is no more time for anything But a short gratefulness to those who gave Their scared allegiance to an enterprise That has the name of treason—which will serve As well as any other for the present.
There are some deeds of men that have no names, And mine may like as not be one of them.
I am not looking far for names tonight.
The King of Glory was without a name Until men gave Him one; yet there He was, Before we found Him and affronted Him With numerous ingenuities of evil, Of which one, with His aid, is to be swept And washed out of the world with fire and blood.
Once I believed it might have come to pass With a small cost of blood; but I was dreaming— Dreaming that I believed.
The Voice I heard When I left you behind me in the north,— To wait there and to wonder and grow old Of loneliness,—told only what was best, And with a saving vagueness, I should know Till I knew more.
And had I known even then— After grim years of search and suffering, So many of them to end as they began— After my sickening doubts and estimations Of plans abandoned and of new plans vain— After a weary delving everywhere For men with every virtue but the Vision— Could I have known, I say, before I left you That summer morning, all there was to know— Even unto the last consuming word That would have blasted every mortal answer As lightning would annihilate a leaf, I might have trembled on that summer morning; I might have wavered; and I might have failed.
And there are many among men today To say of me that I had best have wavered.
So has it been, so shall it always be, For those of us who give ourselves to die Before we are so parcelled and approved As to be slaughtered by authority.
We do not make so much of what they say As they of what our folly says of us; They give us hardly time enough for that, And thereby we gain much by losing little.
Few are alive to-day with less to lose.
Than I who tell you this, or more to gain; And whether I speak as one to be destroyed For no good end outside his own destruction, Time shall have more to say than men shall hear Between now and the coming of that harvest Which is to come.
Before it comes, I go— By the short road that mystery makes long For man’s endurance of accomplishment.
I shall have more to say when I am dead.
Written by Emily Dickinson | Create an image from this poem

My Heart ran so to thee

 My Heart ran so to thee
It would not wait for me
And I affronted grew
And drew away

For whatsoe'er my pace
He first achieve they Face
How general a Grace
Allotted two --

Not in malignity
Mentioned I this to thee --
Had he obliquity
Soonest to share
But for the Greed of him --
Boasting my Premium --
Basking in Bethleem
Ere I be there --
Written by Emily Dickinson | Create an image from this poem

The Bat is dun with wrinkled Wings --

 The Bat is dun, with wrinkled Wings --
Like fallow Article --
And not a song pervade his Lips --
Or none perceptible.
His small Umbrella quaintly halved Describing in the Air An Arc alike inscrutable Elate Philosopher.
Deputed from what Firmament -- Of what Astute Abode -- Empowered with what Malignity Auspiciously withheld -- To his adroit Creator Acribe no less the praise -- Beneficent, believe me, His Eccentricities --



Book: Shattered Sighs