Get Your Premium Membership

Best Famous Magdalene Poems

Here is a collection of the all-time best famous Magdalene poems. This is a select list of the best famous Magdalene poetry. Reading, writing, and enjoying famous Magdalene poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of magdalene poems.

Search and read the best famous Magdalene poems, articles about Magdalene poems, poetry blogs, or anything else Magdalene poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Rudyard Kipling | Create an image from this poem

A Nativity

  1914-18
The Babe was laid in the Manger
 Between the gentle kine --
All safe from cold and danger --
 "But it was not so with mine,
 (With mine! With mine!)
 "Is it well with the child, is it well?"
 The waiting mother prayed.
 "For I know not how he fell,
 And I know not where he is laid."

A Star stood forth in Heaven;
 The Watchers ran to see
The Sign of the Promise given --
 "But there comes no sign to me.
 (To me! To me!)
 "My child died in the dark.
 Is it well with the child, is it well?
 There was none to tend him or mark,
 And I know not how he fell."

The Cross was raised on high;
 The Mother grieved beside --
"But the Mother saw Him die
 And took Him when He died.
 (He died! He died!)
 "Seemly and undefiled
 His burial-place was made --
 Is it well, is it well with the child?
 For I know not where he is laid."

On the dawning of Easter Day
 Comes Mary Magdalene;
But the Stone was rolled away,
 And the Body was not within --
 (Within! Within!)
 "Ah, who will answer my word?
 The broken mother prayed.
 "They have taken away my Lord,
 And I know not where He is laid."

 . . . . .

"The Star stands forth in Heaven.
 The watchers watch in vain
For Sign of the Promise given
 Of peace on Earth again --
 (Again! Again!)
 "But I know for Whom he fell" --
 The steadfast mother smiled,
 "Is it well with the child -- is it well?
 It is well -- it is well with the child!"


Written by Heather McHugh | Create an image from this poem

Ghoti

 The gh comes from rough, the o from women's,
and the ti from unmentionables--presto:
there's the perfect English instance of
unlovablility--complete

with fish. Our wish was for a better
revelation: for a correspondence--
if not lexical, at least
phonetic; if not with Madonna

then at least with Mary Magdalene.
Instead we get the sheer
opacity of things: an accident
of incident, a tracery of history: the dung

inside the dungarees, the jock strap for a codpiece, and
the ruined patches bordering the lip. One boot (high-heeled) could make
Sorrento sorry, Capri corny, even little Italy
a little ill. Low-cased, a lover looks

one over--eggs without ease, semen without oars--
and there, on board, tricked out in fur and fin,
the landlubber who wound up captain. Where's it going,
this our (H)MS? More west? More forth? The quest

itself is at a long and short behest: it's wound
in winds. (Take rough from seas, and women from the shore,
unmentionables out of mind). We're here
for something rich, beyond

appearances. What do I mean? (What can one say?)
A minute of millenium, unculminating
stint, a stonishment: my god, what's
utterable? Gargah, gatto, goat. Us animals is made

to seine and trawl and drag and gaff
our way across the earth. The earth, it rolls.
We dig, lay lines, book arguably
perfect passages. But earth remains untranslated,

unplumbed. A million herring run where we
catch here a freckle, there a pock; the depths to which things live
words only glint at. Terns in flight work up
what fond minds might

call syntax. As for that
semantic antic in the distance, is it
whiskered fish, finned cat? Don't settle
just for two. Some bottomographies are

brooded over, and some skies swum through. . .
Written by Rg Gregory | Create an image from this poem

a reader's de profundis

 in my reading of the moment i have learned
the figure next to christ in da vinci’s last supper
(a painting i have actually seen in a milan church
fragilely restored) is a woman – an honour earned
by mary magdalene who (according to research)
turns out to be christ’s wife – hang on what a whopper

cry those who can’t contemplate centuries of teaching
down the drain – who suck up to the precious thought
of divine purity (eternity’s abstention from all
the dirty business of the body) pasteurising preaching
let christ stay a product of the time before the fall
(da vinci had a darkness different from what’s taught)

mona lisa (amon-isis) – enigmatic smile and code
for male and female balance – offensive to the powers
that ran the bible their way (hoodwinked future ages)
turned the bright sun black to mask the path they strode
wrapped their ascetic bloodstreams in the holy pages
before which (even today) the congregation cowers

da vinci was an artist scientist (probably a necromancer)
had his own black sun – dabbled in the anti-matter
that official truth hates (creates) – that nurtures riddles 
through passageways that breed the ill-reputed answer
(soiled honour’s defence against sly caesar’s fiddles)
hissing its way lightwards through conspiracy chatter

christ had a woman at his right hand – locked together
(so da vinci had the painting say) like the letter m
the rumoured whore redeemed – the partner siamesed
into the one flesh – sharing the equal tragic tether
the whole edifice of the holy roman church teased
into collapse – virginal rose snapped at the stem

not that it seemed to make a difference – the vatican
still had its glory years ahead (its gory inquisitions)
da vinci stayed honoured in the breeches the word advanced
though its priests wore skirts – the brutality of man
multiplied its converts (scientifically enhanced)
not one power in the world changed its dirty dispositions

yesterday was aeons ago – tomorrow’s loath to come
no one really cares if magdalene was wife or whore
da vinci is someone to gawp at – all’s mutable (unreal)
what’s truth - we still know bugger-all (live by rule of thumb)
so educatedly dumb can’t trust what we think know feel
a thriller brought this on – half opened a not-there door
Written by Richard Crashaw | Create an image from this poem

The Weeper

 HAIL, sister springs,
Parents of silver-footed rills!
 Ever bubbling things,
Thawing crystal, snowy hills!
 Still spending, never spent; I mean
 Thy fair eyes, sweet Magdalene.

 Heavens thy fair eyes be;
Heavens of ever-falling stars;
 'Tis seed-time still with thee,
And stars thou sow'st whose harvest dares
 Promise the earth to countershine
 Whatever makes Heaven's forehead fine.

 Every morn from hence
A brisk cherub something sips
 Whose soft influence
Adds sweetness to his sweetest lips;
 Then to his music: and his song
 Tastes of this breakfast all day long.

 When some new bright guest
Takes up among the stars a room,
 And Heaven will make a feast,
Angels with their bottles come,
 And draw from these full eyes of thine
 Their Master's water, their own wine.

 The dew no more will weep
The primrose's pale cheek to deck;
 The dew no more will sleep
Nuzzled in the lily's neck:
 Much rather would it tremble here,
 And leave them both to be thy tear.

 When sorrow would be seen
In her brightest majesty,
 --For she is a Queen--
Then is she drest by none but thee:
 Then and only then she wears
 Her richest pearls--I mean thy tears.

 Not in the evening's eyes,
When they red with weeping are
 For the Sun that dies,
Sits Sorrow with a face so fair.
 Nowhere but here did ever meet
 Sweetness so sad, sadness so sweet.

 Does the night arise?
Still thy tears do fall and fall.
 Does night lose her eyes?
Still the fountain weeps for all.
 Let day and night do what they will,
 Thou hast thy task, thou weepest still.

 Not So long she lived
Will thy tomb report of thee;
 But So long she grieved:
Thus must we date thy memory.
 Others by days, by months, by years,
 Measure their ages, thou by tears.

 Say, ye bright brothers,
The fugitive sons of those fair eyes
 Your fruitful mothers,
What make you here? What hopes can 'tice
 You to be born? What cause can borrow
 You from those nests of noble sorrow?

 Whither away so fast
For sure the sordid earth
 Your sweetness cannot taste,
Nor does the dust deserve your birth.
 Sweet, whither haste you then? O say,
 Why you trip so fast away?

 We go not to seek
The darlings of Aurora's bed,
 The rose's modest cheek,
Nor the violet's humble head.
 No such thing: we go to meet
 A worthier object--our Lord's feet.
Written by Rudyard Kipling | Create an image from this poem

When Earths Last Picture Is Painted

 When Earth's last picture is painted and the tubes are twisted and dried,
When the oldest colours have faded, and the youngest critic has died,
We shall rest, and, faith, we shall need it -- lie down for an aeon or two,
Till the Master of All Good Workmen shall put us to work anew.
And those that were good shall be happy; they shall sit in a golden chair;
They shall splash at a ten-league canvas with brushes of comets' hair.
They shall find real saints to draw from -- Magdalene, Peter, and Paul;
They shall work for an age at a sitting and never be tired at all!

And only The Master shall praise us, and only The Master shall blame;
Andd no one shall work for money, and no one shall work for fame,
But each for the joy of the working, and each, in his separate star,
Shall draw the Thing as he sees It for the God of Things as They are!


Written by Coventry Patmore | Create an image from this poem

Deliciae Sapientiae de Amore

 Love, light for me
Thy ruddiest blazing torch,
That I, albeit a beggar by the Porch
Of the glad Palace of Virginity,
May gaze within,k and sing the pomp I see;
For, crown'd with roses all,
'Tis there, O Love, they keep thy festival!
But first warn off the beatific spot
Those wretched who have not
Even afar beheld the shining wall,
And those who, once beholding, have forgot,
And those, most vile, who dress
The charnel spectre drear
Of utterly dishallow'd nothingness
In that refulgent fame,
And cry, Lo, here!
And name
The Lady whose smiles inflame
The sphere.
Bring, Love, anear, And bid be not afraid
Young Lover true, and love-foreboding Maid,
And wedded Spouse, if virginal of thought;
for I will sing of nought
Less sweet to hear
Than seems
A music their half-remember'd dreams.
The magnet calls the steel:
Answers the iron to the magnet's breath;
What do they feel
But death!
The clouds of summer kiss in flame and rain,
And are not found again;
But the heavens themselves eternal are with fire
Of unapproach'd desire,
By the aching heart of Love, which cannot rest,
In blissfullest pathos so indeed possess'd.
O, spousals high;
O, doctrine blest,
Unutterable in even the happiest sigh;
This know ye all
Who can recall
With what a welling of indignant tears
LOve's simpleness first hears
The meaning of his mortal covenant,
And from what pride comes down
To wear the crown
Of which 'twas very heaven to feel the want.
How envies he the ways
Of yonder hopeless star,
And so would laugh and yearn
With trembling lids eterne,
Ineffably content from infinitely far
Only to gaze
On his bright Mistress's responding rays,
That never know eclipse;
And, once in his long year, With praeternuptial ecstasy and fear,
By the delicious law of that ellipse
Wherein all citizens of ether move,
With hastening pace to come
Nearer, though never near,
His Love
And always inaccessible sweet Home;
There on his path doubly to burn,
Kiss'd by her doubled light
That whispers of its source,
The ardent secret ever clothed with Night,
Then go forth in new force
Towards a new return,
Rejoicing as a Bridegroom on his course!
This know ye all;
Therefore gaze bold,
That so in you be joyful hope increas'd,
Thorough the Palace portals, and behold
The dainty and unsating Marriage-Feast.
O, hear
Them singing clear
'Cor meum et caro mea'round the 'I am',
The Husband of the Heavens, and the Lamb
Whom they for ever follow there that kept,
Or, losing, never slept
Till they reconquer'd had in mortal fight
The standard white.
O, hear
From the harps they bore from Earth, five-strung, what music springs,
While the glad Spirits chide
The wondering strings!
And how the shining sacrificial Choirs,
Offering for aye their dearest hearts' desires,
Which to their hearts come back beatified,
Hymn, the bright aisles along,
The nuptial song,
Song ever new to us and them, that saith,
'Hail Virgin in Virginity a Spouse!'
Heard first below
Within the little house
At Nazareth;
Heard yet in many a cell where brides of Christ
Lie hid, emparadised,
And where, although
By the hour 'tis night,
There's light,
The Day still lingering in the lap of snow.
Gaze and be not afraid
Ye wedded few that honour, in sweet thought
And glittering will,
So freshly from the garden gather still
The lily sacrificed;
For ye,though self-suspected here for nought,
Are highly styled
With the thousands twelve times twelve of undefiled.
Gaze and be not afraid
Young Lover true and love-foreboding Maid.
The full Moon of deific vision bright
Abashes nor abates
No spark minute of Nature's keen delight,
'Tis there your Hymen waits!
There wher in courts afar, all unconfused, they crowd,
As fumes the starlight soft
In gulfs of cloud,
And each to the other, well-content,
Sighs oft,
''Twas this we meant!'
Gaze without blame
Ye in whom living Love yet blushes for dead shame.
There of pure Virgins none
Is fairer seen,
Save One,
Than Mary Magdalene.
Gaze without doubt or fear
Ye to whom generous Love, by any name, is dear.
Love makes the life to be
A fount perpetual of virginity;
For, lo, the Elect
Of generous Love, how named soe'er, affect
Nothing but God,
Or mediate or direct,
Nothing but God,
The Husband of the Heavens:
And who Him love, in potence great or small
Are, one and all,
Heirs of the Palace glad,
And inly clad
With the bridal robes of ardour virginal.

Book: Reflection on the Important Things