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Best Famous Madhouse Poems

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Written by Anne Sexton | Create an image from this poem

Angels Of The Love Affair

 "Angels of the love affair, do you know that other,
the dark one, that other me?"

1. ANGEL OF FIRE AND GENITALS

Angel of fire and genitals, do you know slime,
that green mama who first forced me to sing,
who put me first in the latrine, that pantomime
of brown where I was beggar and she was king?
I said, "The devil is down that festering hole."
Then he bit me in the buttocks and took over my soul.
Fire woman, you of the ancient flame, you
of the Bunsen burner, you of the candle,
you of the blast furnace, you of the barbecue,
you of the fierce solar energy, Mademoiselle,
take some ice, take come snow, take a month of rain
and you would gutter in the dark, cracking up your brain.

Mother of fire, let me stand at your devouring gate
as the sun dies in your arms and you loosen it's terrible weight.



2. ANGEL OF CLEAN SHEETS

Angel of clean sheets, do you know bedbugs?
Once in the madhouse they came like specks of cinnamon
as I lay in a choral cave of drugs,
as old as a dog, as quiet as a skeleton.
Little bits of dried blood. One hundred marks
upon the sheet. One hundred kisses in the dark.
White sheets smelling of soap and Clorox
have nothing to do with this night of soil,
nothing to do with barred windows and multiple locks
and all the webbing in the bed, the ultimate recoil.
I have slept in silk and in red and in black.
I have slept on sand and, on fall night, a haystack.

I have known a crib. I have known the tuck-in of a child
but inside my hair waits the night I was defiled.



3. ANGEL OF FLIGHT AND SLEIGH BELLS

Angel of flight and sleigh bells, do you know paralysis,
that ether house where your arms and legs are cement?
You are as still as a yardstick. You have a doll's kiss.
The brain whirls in a fit. The brain is not evident.
I have gone to that same place without a germ or a stroke.
A little solo act--that lady with the brain that broke.

In this fashion I have become a tree.
I have become a vase you can pick up or drop at will,
inanimate at last. What unusual luck! My body
passively resisting. Part of the leftovers. Part of the kill.
Angels of flight, you soarer, you flapper, you floater,
you gull that grows out of my back in the drreams I prefer,

stay near. But give me the totem. Give me the shut eye
where I stand in stone shoes as the world's bicycle goes by.



4. ANGEL OF HOPE AND CALENDARS

Angel of hope and calendars, do you know despair?
That hole I crawl into with a box of Kleenex,
that hole where the fire woman is tied to her chair,
that hole where leather men are wringing their necks,
where the sea has turned into a pond of urine.
There is no place to wash and no marine beings to stir in.

In this hole your mother is crying out each day.
Your father is eating cake and digging her grave.
In this hole your baby is strangling. Your mouth is clay.
Your eyes are made of glass. They break. You are not brave.
You are alone like a dog in a kennel. Your hands
break out in boils. Your arms are cut and bound by bands

of wire. Your voice is out there. Your voice is strange.
There are no prayers here. Here there is no change.



5. ANGEL OF BLIZZARDS AND BLACKOUTS

Angle of blizzards and blackouts, do you know raspberries,
those rubies that sat in the gree of my grandfather's garden?
You of the snow tires, you of the sugary wings, you freeze
me out. Leet me crawl through the patch. Let me be ten.
Let me pick those sweet kisses, thief that I was,
as the sea on my left slapped its applause.

Only my grandfather was allowed there. Or the maid
who came with a scullery pan to pick for breakfast.
She of the rols that floated in the air, she of the inlaid
woodwork all greasy with lemon, she of the feather and dust,
not I. Nonetheless I came sneaking across the salt lawn
in bare feet and jumping-jack pajamas in the spongy dawn.

Oh Angel of the blizzard and blackout, Madam white face,
take me back to that red mouth, that July 21st place.



6. ANGEL OF BEACH HOUSES AND PICNICS

Angel of beach houses and picnics, do you know solitaire?
Fifty-two reds and blacks and only myslef to blame.
My blood buzzes like a hornet's nest. I sit in a kitchen chair
at a table set for one. The silverware is the same
and the glass and the sugar bowl. I hear my lungs fill and expel
as in an operation. But I have no one left to tell.

Once I was a couple. I was my own king and queen
with cheese and bread and rosé on the rocks of Rockport.
Once I sunbathed in the buff, all brown and lean,
watching the toy sloops go by, holding court
for busloads of tourists. Once I called breakfast the sexiest
meal of the day. Once I invited arrest

at the peace march in Washington. Once I was young and bold
and left hundreds of unmatched people out in the cold.


Written by Percy Bysshe Shelley | Create an image from this poem

Julian and Maddalo (excerpt)

 I rode one evening with Count Maddalo 
Upon the bank of land which breaks the flow
Of Adria towards Venice: a bare strand
Of hillocks, heap'd from ever-shifting sand,
Matted with thistles and amphibious weeds,
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste, but one dwarf tree and some few stakes
Broken and unrepair'd, and the tide makes
A narrow space of level sand thereon,
Where 'twas our wont to ride while day went down.
This ride was my delight. I love all waste
And solitary places; where we taste
The pleasure of believing what we see
Is boundless, as we wish our souls to be:
And such was this wide ocean, and this shore
More barren than its billows; and yet more
Than all, with a remember'd friend I love
To ride as then I rode; for the winds drove
The living spray along the sunny air
Into our faces; the blue heavens were bare,
Stripp'd to their depths by the awakening north;
And, from the waves, sound like delight broke forth
Harmonizing with solitude, and sent
Into our hearts aëreal merriment.
So, as we rode, we talk'd; and the swift thought,
Winging itself with laughter, linger'd not,
But flew from brain to brain--such glee was ours,
Charg'd with light memories of remember'd hours,
None slow enough for sadness: till we came
Homeward, which always makes the spirit tame.
This day had been cheerful but cold, and now
The sun was sinking, and the wind also.
Our talk grew somewhat serious, as may be
Talk interrupted with such raillery
As mocks itself, because it cannot scorn
The thoughts it would extinguish: 'twas forlorn,
Yet pleasing, such as once, so poets tell,
The devils held within the dales of Hell
Concerning God, freewill and destiny:
Of all that earth has been or yet may be,
All that vain men imagine or believe,
Or hope can paint or suffering may achieve,
We descanted, and I (for ever still
Is it not wise to make the best of ill?)
Argu'd against despondency, but pride
Made my companion take the darker side.
The sense that he was greater than his kind
Had struck, methinks, his eagle spirit blind
By gazing on its own exceeding light.
Meanwhile the sun paus'd ere it should alight,
Over the horizon of the mountains--Oh,
How beautiful is sunset, when the glow
Of Heaven descends upon a land like thee,
Thou Paradise of exiles, Italy!
Thy mountains, seas, and vineyards, and the towers
Of cities they encircle! It was ours
To stand on thee, beholding it: and then,
Just where we had dismounted, the Count's men
Were waiting for us with the gondola.
As those who pause on some delightful way
Though bent on pleasant pilgrimage, we stood
Looking upon the evening, and the flood
Which lay between the city and the shore,
Pav'd with the image of the sky.... The hoar
And aëry Alps towards the North appear'd
Through mist, an heaven-sustaining bulwark rear'd
Between the East and West; and half the sky
Was roof'd with clouds of rich emblazonry
Dark purple at the zenith, which still grew
Down the steep West into a wondrous hue
Brighter than burning gold, even to the rent
Where the swift sun yet paus'd in his descent
Among the many-folded hills: they were
Those famous Euganean hills, which bear,
As seen from Lido thro' the harbour piles,
The likeness of a clump of peakèd isles--
And then--as if the Earth and Sea had been
Dissolv'd into one lake of fire, were seen
Those mountains towering as from waves of flame
Around the vaporous sun, from which there came
The inmost purple spirit of light, and made
Their very peaks transparent. "Ere it fade,"
Said my companion, "I will show you soon
A better station"--so, o'er the lagune
We glided; and from that funereal bark
I lean'd, and saw the city, and could mark
How from their many isles, in evening's gleam,
Its temples and its palaces did seem
Like fabrics of enchantment pil'd to Heaven.
I was about to speak, when--"We are even
Now at the point I meant," said Maddalo,
And bade the gondolieri cease to row.
"Look, Julian, on the west, and listen well
If you hear not a deep and heavy bell."
I look'd, and saw between us and the sun
A building on an island; such a one
As age to age might add, for uses vile,
A windowless, deform'd and dreary pile;
And on the top an open tower, where hung
A bell, which in the radiance sway'd and swung;
We could just hear its hoarse and iron tongue:
The broad sun sunk behind it, and it toll'd
In strong and black relief. "What we behold
Shall be the madhouse and its belfry tower,"
Said Maddalo, "and ever at this hour
Those who may cross the water, hear that bell
Which calls the maniacs, each one from his cell,
To vespers." "As much skill as need to pray
In thanks or hope for their dark lot have they
To their stern Maker," I replied. "O ho!
You talk as in years past," said Maddalo.
" 'Tis strange men change not. You were ever still
Among Christ's flock a perilous infidel,
A wolf for the meek lambs--if you can't swim
Beware of Providence." I look'd on him,
But the gay smile had faded in his eye.
"And such," he cried, "is our mortality,
And this must be the emblem and the sign
Of what should be eternal and divine!
And like that black and dreary bell, the soul,
Hung in a heaven-illumin'd tower, must toll
Our thoughts and our desires to meet below
Round the rent heart and pray--as madmen do
For what? they know not--till the night of death,
As sunset that strange vision, severeth
Our memory from itself, and us from all
We sought and yet were baffled." I recall
The sense of what he said, although I mar
The force of his expressions. The broad star
Of day meanwhile had sunk behind the hill,
And the black bell became invisible,
And the red tower look'd gray, and all between
The churches, ships and palaces were seen
Huddled in gloom;--into the purple sea
The orange hues of heaven sunk silently.
We hardly spoke, and soon the gondola
Convey'd me to my lodgings by the way.

The following morn was rainy, cold and dim:
Ere Maddalo arose, I call'd on him,
And whilst I waited with his child I play'd;
A lovelier toy sweet Nature never made,
A serious, subtle, wild, yet gentle being,
Graceful without design and unforeseeing,
With eyes--Oh speak not of her eyes!--which seem
Twin mirrors of Italian Heaven, yet gleam
With such deep meaning, as we never see
But in the human countenance: with me
She was a special favourite: I had nurs'd
Her fine and feeble limbs when she came first
To this bleak world; and she yet seem'd to know
On second sight her ancient playfellow,
Less chang'd than she was by six months or so;
For after her first shyness was worn out
We sate there, rolling billiard balls about,
When the Count enter'd. Salutations past--
"The word you spoke last night might well have cast
A darkness on my spirit--if man be
The passive thing you say, I should not see
Much harm in the religions and old saws
(Though I may never own such leaden laws)
Which break a teachless nature to the yoke:
Mine is another faith"--thus much I spoke
And noting he replied not, added: "See
This lovely child, blithe, innocent and free;
She spends a happy time with little care,
While we to such sick thoughts subjected are
As came on you last night. It is our will
That thus enchains us to permitted ill.
We might be otherwise. We might be all
We dream of happy, high, majestical.
Where is the love, beauty, and truth we seek
But in our mind? and if we were not weak
Should we be less in deed than in desire?"
"Ay, if we were not weak--and we aspire
How vainly to be strong!" said Maddalo:
"You talk Utopia." "It remains to know,"
I then rejoin'd, "and those who try may find
How strong the chains are which our spirit bind;
Brittle perchance as straw.... We are assur'd
Much may be conquer'd, much may be endur'd,
Of what degrades and crushes us. We know
That we have power over ourselves to do
And suffer--what, we know not till we try;
But something nobler than to live and die:
So taught those kings of old philosophy
Who reign'd, before Religion made men blind;
And those who suffer with their suffering kind
Yet feel their faith, religion." "My dear friend,"
Said Maddalo, "my judgement will not bend
To your opinion, though I think you might
Make such a system refutation-tight
As far as words go. I knew one like you
Who to this city came some months ago,
With whom I argu'd in this sort, and he
Is now gone mad--and so he answer'd me--
Poor fellow! but if you would like to go
We'll visit him, and his wild talk will show
How vain are such aspiring theories."
"I hope to prove the induction otherwise,
And that a want of that true theory, still,
Which seeks a 'soul of goodness' in things ill
Or in himself or others, has thus bow'd
His being. There are some by nature proud,
Who patient in all else demand but this--
To love and be belov'd with gentleness;
And being scorn'd, what wonder if they die
Some living death? this is not destiny
But man's own wilful ill."

As thus I spoke
Servants announc'd the gondola, and we
Through the fast-falling rain and high-wrought sea
Sail'd to the island where the madhouse stands.
Written by Anne Sexton | Create an image from this poem

You Doctor Martin

 You, Doctor Martin, walk
from breakfast to madness. Late August,
I speed through the antiseptic tunnel
where the moving dead still talk
of pushing their bones against the thrust
of cure. And I am queen of this summer hotel
or the laughing bee on a stalk

of death. We stand in broken
lines and wait while they unlock
the doors and count us at the frozen gates
of dinner. The shibboleth is spoken
and we move to gravy in our smock
of smiles. We chew in rows, our plates
scratch and whine like chalk

in school. There are no knives
for cutting your throat. I make
moccasins all morning. At first my hands
kept empty, unraveled for the lives
they used to work. Now I learn to take
them back, each angry finger that demands
I mend what another will break

tomorrow. Of course, I love you;
you lean above the plastic sky,
god of our block, prince of all the foxes.
The breaking crowns are new
that Jack wore.
Your third eye
moves among us and lights the separate boxes
where we sleep or cry.

What large children we are
here. All over I grow most tall
in the best ward. Your business is people,
you call at the madhouse, an oracular
eye in our nest. Out in the hall
the intercom pages you. You twist in the pull
of the foxy children who fall

like floods of life in frost.
And we are magic talking to itself,
noisy and alone. I am queen of all my sins
forgotten. Am I still lost?
Once I was beautiful. Now I am myself,
counting this row and that row of moccasins
waiting on the silent shelf.
Written by Dylan Thomas | Create an image from this poem

Love In The Asylum

 A stranger has come
To share my room in the house not right in the head,
 A girl mad as birds

Bolting the night of the door with her arm her plume.
 Strait in the mazed bed
She deludes the heaven-proof house with entering clouds

Yet she deludes with walking the nightmarish room,
 At large as the dead,
Or rides the imagined oceans of the male wards.

 She has come possessed
Who admits the delusive light through the bouncing wall,
 Possessed by the skies

She sleeps in the narrow trough yet she walks the dust
 Yet raves at her will
On the madhouse boards worn thin by my walking tears.

And taken by light in her arms at long and dear last
 I may without fail
Suffer the first vision that set fire to the stars.
Written by Andrew Barton Paterson | Create an image from this poem

The Deficit Demon

 It was the lunatic poet escaped from the local asylum, 
Loudly he twanged on his banjo and sang with his voice like a saw-mill, 
While as with fervour he sang there was borne o'er the shuddering wildwood, 
Borne on the breath of the poet a flavour of rum and of onions. 
He sang of the Deficit Demon that dqelt in the Treasury Mountains, 
How it was small in its youth and a champion was sent to destroy it: 
Dibbs he was salled, and he boasted, "Soon I will wipe out the Monster," 
But while he was boasting and bragging the monster grew larger and larger. 

One day as Dibbs bragged of his prowess in daylight the Deficit met him, 
Settled his hash in one act and made him to all man a byword, 
Sent hin, a raving ex-Premier, to dwell in the shades of oblivion, 
And the people put forward a champion known as Sir Patrick the Portly. 

As in the midnight the tom-cat who seeketh his love on the house top, 
Lifteth his voice up and is struck by the fast whizzing brickbat, 
Drops to the ground in a swoon and glides to the silent hereafter, 
So fell Sir Patrick the Portly at the stroke of the Deficit Demon. 

Then were the people amazed and they called for the champion of champions 
Known as Sir 'Enry the Fishfag unequalled in vilification. 
He is the man, said the people, to wipe out the Deficit Monster, 
If nothing else fetches him through he can at the least talk its head off. 

So he sharpened his lance of Freetrade and he practised in loud-mouthing abusing, 
"Poodlehead," "Craven," and "Mole-eyes" were things that he purposed to call it, 
He went to the fight full of valour and all men are waiting the issue, 
Though they know not his armour nor weapons excepting his power of abusing. 

Loud sang the lunatic his song of the champions of valour 
Until he was sighted and captured by fleet-footed keepers pursuing, 
To whom he remarked with a smile as they ran him off back to the madhouse, 
"If you want to back Parkes I'm your man -- here's a cool three to one on the Deficit."


Written by Conrad Aiken | Create an image from this poem

The House Of Dust: Part 02: 02: The Fulfilled Dream

 More towers must yet be built—more towers destroyed—
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
Sucked out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,—
And so went out . . . For once, he forgot his pail.

Something had changed—but it was not the street—
The street was just the same—it was himself.
Puddles flashed in the sun. In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .

He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,—deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . . Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,—
He slowed his pace a little, and thought with horror
How monstrously that small tree thrust to meet him! . . .
He slowed his pace a little and remembered his wife.

Was forty, then, too old for work like this?
Why should it be? He'd never been afraid—
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?

Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,—
That blue-eyed innocent girl, in a soft blouse,—
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.

He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off. Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God—I'm done for now, the dream was right . . .'
Written by John Berryman | Create an image from this poem

Dream Song 21: Some good people daring and subtle voices

 Some good people, daring & subtle voices
and their tense faces, as I think of it
I see sank underground.
I see. My radar digs. I do not dig.
Cool their flushing blood, them eyes is shut—
eyes?

Appalled: by all the dead: Henry brooded.
Without exception! All.
ALL.
The senior population waits. Come down! come down!
A ghastly & flashing pause, clothed,
life called; us do.

In a madhouse heard I an ancient man
tube-fed who had not said for fifteen years
(they said) one canny word,
senile forever, who a heart might pierce,
mutter 'O come on down. O come on down.'
Clear whom he meant.

Book: Reflection on the Important Things