Written by
Matthew Prior |
Dear Chloe, how blubbered is that pretty face;
Thy cheek all on fire, and thy hair all uncurled!
Prithee quit this caprice, and (as old Falstaff says)
Let us e'en talk a little like folks of this world.
How canst thou presume thou hast leave to destroy
The beauties which Venus but lent to thy keeping?
Those looks were designed to inspire love and joy:
More ord'nary eyes may serve people for weeping.
To be vexed at a trifle or two that I writ,
Your judgment at once, and my passion, you wrong:
You take that for fact which will scarce be found wit—
Od's life! must one swear to the truth of a song?
What I speak, my fair Chloe, and what I write, shows
The diff'rence there is betwixt nature and art:
I court others in verse, but I love thee in prose;
And they have my whimsies, but thou hast my heart.
The god of us verse-men (you know, child) the sun,
How after his journeys he sets up his rest;
If at morning o'er earth 'tis his fancy to run,
At night he reclines on his Thetis's breast.
So when I am wearied with wand'ring all day,
To thee, my delight, in the evening I come:
No matter what beauties I saw in my way,
They were but my visits, but thou art my home.
Then finish, dear Chloe, this pastoral war,
And let us like Horace and Lydia agree;
For thou art a girl as much brighter than her,
As he was a poet sublimer than me.
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Written by
Archibald MacLeish |
A year or two, and grey Euripides,
And Horace and a Lydia or so,
And Euclid and the brush of Angelo,
Darwin on man, Vergilius on bees,
The nose and Dialogues of Socrates,
Don Quixote, Hudibras and Trinculo,
How worlds are spawned and where the dead gods go,--
All shall be shard of broken memories.
And there shall linger other, magic things,--
The fog that creeps in wanly from the sea,
The rotton harbor smell, the mystery
Of moonlit elms, the flash of pigeon wings,
The sunny Green, the old-world peace that clings
About the college yard, where endlessly
The dead go up and down. These things shall be
Enchantment of our heart's rememberings.
And these are more than memories of youth
Which earth's four winds of pain shall blow away;
These are earth's symbols of eternal truth,
Symbols of dream and imagery and flame,
Symbols of those same verities that play
Bright through the crumbling gold of a great name.
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Written by
Edgar Lee Masters |
Knowlt Hoheimer ran away to the war
The day before Curl Trenary
Swore out a warrant through Justice Arnett
For stealing hogs.
But that's not the reason he turned a soldier.
He caught me running with Lucius Atherton.
We quarreled and I told him never again
To cross my path.
Then he stole the hogs and went to the war --
Back of every soldier is a woman.
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Written by
Isaac Watts |
Children devoted to God. [For those who practise infant Baptism.]
Gen. 17:7,10; Acts 16:14,15,33.
Thus saith the mercy of the Lord,
"I'll be a God to thee;
I'll bless thy num'rous race, and they
Shall be a seed for me."
Abram believed the promised grace,
And gave his sons to God;
But water seals the blessing now,
That once was sealed with blood.
Thus Lydia sanctified her house,
When she received the word;
Thus the believing jailer gave
His household to the Lord.
Thus later saints, eternal King!
Thine ancient truth embrace;
To thee their infant offspring bring,
And humbly claim the grace.
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Written by
Horace |
Lydia, by all above,
Why bear so hard on Sybaris, to ruin him with love?
What change has made him shun
The playing-ground, who once so well could bear the dust and sun?
Why does he never sit
On horseback in his company, nor with uneven bit
His Gallic courser tame?
Why dreads he yellow Tiber, as 'twould sully that fair frame?
Like poison loathes the oil,
His arms no longer black and blue with honourable toil,
He who erewhile was known
For quoit or javelin oft and oft beyond the limit thrown?
Why skulks he, as they say
Did Thetis' son before the dawn of Ilion's fatal day,
For fear the manly dress
Should fling him into danger's arms, amid the Lycian press?
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Written by
Matthew Prior |
Dear Chloe, how blubber'd is that pretty face;
Thy cheek all on fire, and thy hair all uncurl'd:
Prythee quit this caprice; and (as old Falstaff says)
Let us e'en talk a little like folks of this world.
How canst thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.
To be vext at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:
You take that for fact, which will scarce be found wit:
Odds life! must one swear to the truth of a song?
What I speak, my fair Chloe, and what I write, shows
The diff'rence there is betwixt nature and art:
I court others in verse; but I love thee in prose:
And they have my whimsies, but thou hast my heart.
The god of us verse-men (you know, child) the Sun,
How after his journeys he sets up his rest:
If at morning o'er earth 'tis his fancy to run;
At night he declines on his Thetis's breast.
So when I am wearied with wand'ring all day,
To thee my delight in the evening I come:
No matter what beauties I saw in my way;
They were but my visits, but thou art my home.
Then finish, dear Chloe, this pastoral war;
And let us like Horace and Lydia agree:
For thou art a girl as much brighter than her,
As he was a poet sublimer than me.
|
Written by
Eugene Field |
HORACE
When you were mine in auld lang syne,
And when none else your charms might ogle,
I'll not deny,
Fair nymph, that I
Was happier than a Persian mogul.
LYDIA
Before she came--that rival flame!--
(Was ever female creature sillier?)
In those good times,
Bepraised in rhymes,
I was more famed than Mother Ilia!
HORACE
Chloe of Thrace! With what a grace
Does she at song or harp employ her!
I'd gladly die
If only I
Might live forever to enjoy her!
LYDIA
My Sybaris so noble is
That, by the gods! I love him madly--
That I might save
Him from the grave
I'd give my life, and give it gladly!
HORACE
What if ma belle from favor fell,
And I made up my mind to shake her,
Would Lydia, then,
Come back again
And to her quondam flame betake her?
LYDIA
My other beau should surely go,
And you alone should find me gracious;
For no one slings
Such odes and things
As does the lauriger Horatius!
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Written by
Edgar Lee Masters |
Back and forth, back and forth, to and from the church,
With my Bible under my arm
Till I was gray and old;
Unwedded, alone in the world,
Finding brothers and sisters in the congregation,
And children in the church.
I know they laughed and thought me *****.
I knew of the eagle souls that flew high in the sunlight,
Above the spire of the church, and laughed at the church,
Disdaining me, not seeing me.
But if the high air was sweet to them, sweet was the church to me.
It was the vision, vision, vision of the poets
Democratized!
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Written by
Horace |
Telephus—you praise him still,
His waxen arms, his rosy-tinted neck;
Ah! and all the while I thrill
With jealous pangs I cannot, cannot check.
See, my colour comes and goes,
My poor heart flutters, Lydia, and the dew,
Down my cheek soft stealing, shows
What lingering torments rack me through and through.
Oh, 'tis agony to see
Those snowwhite shoulders scarr'd in drunken fray,
Or those ruby lips, where he
Has left strange marks, that show how rough his play!
Never, never look to find
A faithful heart in him whose rage can harm
Sweetest lips, which Venus kind
Has tinctured with her quintessential charm.
Happy, happy, happy they
Whose living love, untroubled by all strife,
Binds them till the last sad day,
Nor parts asunder but with parting life!
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Written by
Eugene Field |
It is very aggravating
To hear the solemn prating
Of the fossils who are stating
That old Horace was a prude;
When we know that with the ladies
He was always raising Hades,
And with many an escapade his
Best productions are imbued.
There's really not much harm in a
Large number of his carmina,
But these people find alarm in a
Few records of his acts;
So they'd squelch the muse caloric,
And to students sophomoric
They d present as metaphoric
What old Horace meant for facts.
We have always thought 'em lazy;
Now we adjudge 'em crazy!
Why, Horace was a daisy
That was very much alive!
And the wisest of us know him
As his Lydia verses show him,--
Go, read that virile poem,--
It is No. 25.
He was a very owl, sir,
And starting out to prowl, sir,
You bet he made Rome howl, sir,
Until he filled his date;
With a massic-laden ditty
And a classic maiden pretty
He painted up the city,
And Maecenas paid the freight!
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