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Best Famous Low Lying Poems

Here is a collection of the all-time best famous Low Lying poems. This is a select list of the best famous Low Lying poetry. Reading, writing, and enjoying famous Low Lying poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of low lying poems.

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Written by Sidney Lanier | Create an image from this poem

The Crystal

 At midnight, death's and truth's unlocking time,
When far within the spirit's hearing rolls
The great soft rumble of the course of things --
A bulk of silence in a mask of sound, --
When darkness clears our vision that by day
Is sun-blind, and the soul's a ravening owl
For truth and flitteth here and there about
Low-lying woody tracts of time and oft
Is minded for to sit upon a bough,
Dry-dead and sharp, of some long-stricken tree
And muse in that gaunt place, -- 'twas then my heart,
Deep in the meditative dark, cried out:

"Ye companies of governor-spirits grave,
Bards, and old bringers-down of flaming news
From steep-wall'd heavens, holy malcontents,
Sweet seers, and stellar visionaries, all
That brood about the skies of poesy,
Full bright ye shine, insuperable stars;
Yet, if a man look hard upon you, none
With total lustre blazeth, no, not one
But hath some heinous freckle of the flesh
Upon his shining cheek, not one but winks
His ray, opaqued with intermittent mist
Of defect; yea, you masters all must ask
Some sweet forgiveness, which we leap to give,
We lovers of you, heavenly-glad to meet
Your largesse so with love, and interplight
Your geniuses with our mortalities.

Thus unto thee, O sweetest Shakespeare sole,
A hundred hurts a day I do forgive
('Tis little, but, enchantment! 'tis for thee):
Small curious quibble; Juliet's prurient pun
In the poor, pale face of Romeo's fancied death;
Cold rant of Richard; Henry's fustian roar
Which frights away that sleep he invocates;
Wronged Valentine's unnatural haste to yield;
Too-silly shifts of maids that mask as men
In faint disguises that could ne'er disguise --
Viola, Julia, Portia, Rosalind;
Fatigues most drear, and needless overtax
Of speech obscure that had as lief be plain;
Last I forgive (with more delight, because
'Tis more to do) the labored-lewd discourse
That e'en thy young invention's youngest heir
Besmirched the world with.

Father Homer, thee,
Thee also I forgive thy sandy wastes
Of prose and catalogue, thy drear harangues
That tease the patience of the centuries,
Thy sleazy scrap of story, -- but a rogue's
Rape of a light-o'-love, -- too soiled a patch
To broider with the gods.

Thee, Socrates,
Thou dear and very strong one, I forgive
Thy year-worn cloak, thine iron stringencies
That were but dandy upside-down, thy words
Of truth that, mildlier spoke, had mainlier wrought.

So, Buddha, beautiful! I pardon thee
That all the All thou hadst for needy man
Was Nothing, and thy Best of being was
But not to be.

Worn Dante, I forgive
The implacable hates that in thy horrid hells
Or burn or freeze thy fellows, never loosed
By death, nor time, nor love.

And I forgive
Thee, Milton, those thy comic-dreadful wars
Where, armed with gross and inconclusive steel,
Immortals smite immortals mortalwise
And fill all heaven with folly.

Also thee,
Brave Aeschylus, thee I forgive, for that
Thine eye, by bare bright justice basilisked,
Turned not, nor ever learned to look where Love
Stands shining.

So, unto thee, Lucretius mine
(For oh, what heart hath loved thee like to this
That's now complaining?), freely I forgive
Thy logic poor, thine error rich, thine earth
Whose graves eat souls and all.

Yea, all you hearts
Of beauty, and sweet righteous lovers large:
Aurelius fine, oft superfine; mild Saint
A Kempis, overmild; Epictetus,
Whiles low in thought, still with old slavery tinct;
Rapt Behmen, rapt too far; high Swedenborg,
O'ertoppling; Langley, that with but a touch
Of art hadst sung Piers Plowman to the top
Of English songs, whereof 'tis dearest, now,
And most adorable; Caedmon, in the morn
A-calling angels with the cow-herd's call
That late brought up the cattle; Emerson,
Most wise, that yet, in finding Wisdom, lost
Thy Self, sometimes; tense Keats, with angels' nerves
Where men's were better; Tennyson, largest voice
Since Milton, yet some register of wit
Wanting; -- all, all, I pardon, ere 'tis asked,
Your more or less, your little mole that marks
You brother and your kinship seals to man.

But Thee, but Thee, O sovereign Seer of time,
But Thee, O poets' Poet, Wisdom's Tongue,
But Thee, O man's best Man, O love's best Love,
O perfect life in perfect labor writ,
O all men's Comrade, Servant, King, or Priest, --
What `if' or `yet', what mole, what flaw, what lapse,
What least defect or shadow of defect,
What rumor, tattled by an enemy,
Of inference loose, what lack of grace
Even in torture's grasp, or sleep's, or death's, --
Oh, what amiss may I forgive in Thee,
Jesus, good Paragon, thou Crystal Christ?"


Written by Bob Kaufman | Create an image from this poem

On

 On yardbird corners of embryonic hopes, drowned in a heroin tear.
On yardbird corners of parkerflights to sound filled pockets in space.
On neuro-corners of striped brains & desperate electro-surgeons.
On alcohol corners of pointless discussion & historical hangovers.
On television corners of cornflakes & rockwells impotent America.
On university corners of tailored intellect & greek letter openers.
On military corners of megathon deaths & universal anesthesia.
On religious corners of theological limericks and
On radio corners of century-long records & static events.
On advertising corners of filter-tipped ice-cream & instant instants
On teen-age corners of comic book seduction and corrupted guitars,
On political corners of wamted candidates & ritual lies.
On motion picture corners of lassie & other symbols.
On intellectual corners of conversational therapy & analyzed fear.
On newspaper corners of sexy headlines & scholarly comics.
On love divided corners of die now pay later mortuaries.
On philosophical corners of semantic desperadoes & idea-mongers.
On middle class corners of private school puberty & anatomical revolts
On ultra-real corners of love on abandoned roller-coasters
On lonely poet corners of low lying leaves & moist prophet eyes.
Written by Algernon Charles Swinburne | Create an image from this poem

Ave atque Vale (In memory of Charles Baudelaire)

 SHALL I strew on thee rose or rue or laurel, 
 Brother, on this that was the veil of thee? 
 Or quiet sea-flower moulded by the sea, 
Or simplest growth of meadow-sweet or sorrel, 
 Such as the summer-sleepy Dryads weave, 
 Waked up by snow-soft sudden rains at eve? 
Or wilt thou rather, as on earth before, 
 Half-faded fiery blossoms, pale with heat 
 And full of bitter summer, but more sweet 
To thee than gleanings of a northern shore 
 Trod by no tropic feet? 

For always thee the fervid languid glories 
 Allured of heavier suns in mightier skies; 
 Thine ears knew all the wandering watery sighs 
Where the sea sobs round Lesbian promontories, 
 The barren kiss of piteous wave to wave 
 That knows not where is that Leucadian grave 
Which hides too deep the supreme head of song. 
 Ah, salt and sterile as her kisses were, 
 The wild sea winds her and the green gulfs bear 
Hither and thither, and vex and work her wrong, 
 Blind gods that cannot spare. 

Thou sawest, in thine old singing season, brother, 
 Secrets and sorrows unbeheld of us: 
 Fierce loves, and lovely leaf-buds poisonous, 
Bare to thy subtler eye, but for none other 
 Blowing by night in some unbreathed-in clime; 
 The hidden harvest of luxurious time, 
Sin without shape, and pleasure without speech; 
 And where strange dreams in a tumultuous sleep 
 Make the shut eyes of stricken spirits weep; 
And with each face thou sawest the shadow on each, 
 Seeing as men sow men reap. 

O sleepless heart and sombre soul unsleeping, 
 That were athirst for sleep and no more life 
 And no more love, for peace and no more strife! 
Now the dim gods of death have in their keeping 
 Spirit and body and all the springs of song, 
 Is it well now where love can do no wrong, 
Where stingless pleasure has no foam or fang 
 Behind the unopening closure of her lips? 
 Is it not well where soul from body slips 
And flesh from bone divides without a pang 
 As dew from flower-bell drips? 

It is enough; the end and the beginning 
 Are one thing to thee, who art past the end. 
 O hand unclasp'd of unbeholden friend, 
For thee no fruits to pluck, no palms for winning, 
 No triumph and no labour and no lust, 
 Only dead yew-leaves and a little dust. 
O quiet eyes wherein the light saith naught, 
 Whereto the day is dumb, nor any night 
 With obscure finger silences your sight, 
Nor in your speech the sudden soul speaks thought, 
 Sleep, and have sleep for light. 

Now all strange hours and all strange loves are over, 
 Dreams and desires and sombre songs and sweet, 
 Hast thou found place at the great knees and feet 
Of some pale Titan-woman like a lover, 
 Such as thy vision here solicited, 
 Under the shadow of her fair vast head, 
The deep division of prodigious breasts, 
 The solemn slope of mighty limbs asleep, 
 The weight of awful tresses that still keep 
The savour and shade of old-world pine-forests 
 Where the wet hill-winds weep? 

Hast thou found any likeness for thy vision? 
 O gardener of strange flowers, what bud, what bloom, 
 Hast thou found sown, what gather'd in the gloom? 
What of despair, of rapture, of derision, 
 What of life is there, what of ill or good? 
 Are the fruits gray like dust or bright like blood? 
Does the dim ground grow any seed of ours, 
 The faint fields quicken any terrene root, 
 In low lands where the sun and moon are mute 
And all the stars keep silence? Are there flowers 
 At all, or any fruit? 

Alas, but though my flying song flies after, 
 O sweet strange elder singer, thy more fleet 
 Singing, and footprints of thy fleeter feet, 
Some dim derision of mysterious laughter 
 From the blind tongueless warders of the dead, 
 Some gainless glimpse of Proserpine's veil'd head, 
Some little sound of unregarded tears 
 Wept by effaced unprofitable eyes, 
 And from pale mouths some cadence of dead sighs-- 
These only, these the hearkening spirit hears, 
 Sees only such things rise. 

Thou art far too far for wings of words to follow, 
 Far too far off for thought or any prayer. 
 What ails us with thee, who art wind and air? 
What ails us gazing where all seen is hollow? 
 Yet with some fancy, yet with some desire, 
 Dreams pursue death as winds a flying fire, 
Our dreams pursue our dead and do not find. 
 Still, and more swift than they, the thin flame flies, 
 The low light fails us in elusive skies, 
Still the foil'd earnest ear is deaf, and blind 
 Are still the eluded eyes. 

Not thee, O never thee, in all time's changes, 
 Not thee, but this the sound of thy sad soul, 
 The shadow of thy swift spirit, this shut scroll 
I lay my hand on, and not death estranges 
 My spirit from communion of thy song-- 
 These memories and these melodies that throng 
Veil'd porches of a Muse funereal-- 
 These I salute, these touch, these clasp and fold 
 As though a hand were in my hand to hold, 
Or through mine ears a mourning musical 
 Of many mourners roll'd. 

I among these, I also, in such station 
 As when the pyre was charr'd, and piled the sods. 
 And offering to the dead made, and their gods, 
The old mourners had, standing to make libation, 
 I stand, and to the Gods and to the dead 
 Do reverence without prayer or praise, and shed 
Offering to these unknown, the gods of gloom, 
 And what of honey and spice my seed-lands bear, 
 And what I may of fruits in this chill'd air, 
And lay, Orestes-like, across the tomb 
 A curl of sever'd hair. 

But by no hand nor any treason stricken, 
 Not like the low-lying head of Him, the King, 
 The flame that made of Troy a ruinous thing, 
Thou liest and on this dust no tears could quicken. 
 There fall no tears like theirs that all men hear 
 Fall tear by sweet imperishable tear 
Down the opening leaves of holy poets' pages. 
 Thee not Orestes, not Electra mourns; 
 But bending us-ward with memorial urns 
The most high Muses that fulfil all ages 
 Weep, and our God's heart yearns. 

For, sparing of his sacred strength, not often 
 Among us darkling here the lord of light 
 Makes manifest his music and his might 
In hearts that open and in lips that soften 
 With the soft flame and heat of songs that shine. 
 Thy lips indeed he touch'd with bitter wine, 
And nourish'd them indeed with bitter bread; 
 Yet surely from his hand thy soul's food came, 
 The fire that scarr'd thy spirit at his flame 
Was lighted, and thine hungering heart he fed 
 Who feeds our hearts with fame. 

Therefore he too now at thy soul's sunsetting, 
 God of all suns and songs, he too bends down 
 To mix his laurel with thy cypress crown, 
And save thy dust from blame and from forgetting. 
 Therefore he too, seeing all thou wert and art, 
 Compassionate, with sad and sacred heart, 
Mourns thee of many his children the last dead, 
 And hollows with strange tears and alien sighs 
 Thine unmelodious mouth and sunless eyes, 
And over thine irrevocable head 
 Sheds light from the under skies. 

And one weeps with him in the ways Lethean, 
 And stains with tears her changing bosom chill; 
 That obscure Venus of the hollow hill, 
That thing transform'd which was the Cytherean, 
 With lips that lost their Grecian laugh divine 
 Long since, and face no more call'd Erycine-- 
A ghost, a bitter and luxurious god. 
 Thee also with fair flesh and singing spell 
 Did she, a sad and second prey, compel 
Into the footless places once more trod, 
 And shadows hot from hell. 

And now no sacred staff shall break in blossom, 
 No choral salutation lure to light 
 A spirit sick with perfume and sweet night 
And love's tired eyes and hands and barren bosom. 
 There is no help for these things; none to mend, 
 And none to mar; not all our songs, O friend, 
Will make death clear or make life durable. 
 Howbeit with rose and ivy and wild vine 
 And with wild notes about this dust of thine 
At least I fill the place where white dreams dwell 
 And wreathe an unseen shrine. 

Sleep; and if life was bitter to thee, pardon, 
 If sweet, give thanks; thou hast no more to live; 
 And to give thanks is good, and to forgive. 
Out of the mystic and the mournful garden 
 Where all day through thine hands in barren braid 
 Wove the sick flowers of secrecy and shade, 
Green buds of sorrow and sin, and remnants gray, 
 Sweet-smelling, pale with poison, sanguine-hearted, 
 Passions that sprang from sleep and thoughts that started, 
Shall death not bring us all as thee one day 
 Among the days departed? 

For thee, O now a silent soul, my brother, 
 Take at my hands this garland, and farewell. 
 Thin is the leaf, and chill the wintry smell, 
And chill the solemn earth, a fatal mother, 
 With sadder than the Niobean womb, 
 And in the hollow of her breasts a tomb. 
Content thee, howsoe'er, whose days are done; 
 There lies not any troublous thing before, 
 Nor sight nor sound to war against thee more, 
For whom all winds are quiet as the sun, 
 All waters as the shore.
Written by Carl Sandburg | Create an image from this poem

Baltic Fog Notes

 (Bergen)SEVEN days all fog, all mist, and the turbines pounding through high seas.
I was a plaything, a rat’s neck in the teeth of a scuffling mastiff.
Fog and fog and no stars, sun, moon.
Then an afternoon in fjords, low-lying lands scrawled in granite languages on a gray sky,
A night harbor, blue dusk mountain shoulders against a night sky,
And a circle of lights blinking: Ninety thousand people here.
 Among the Wednesday night thousands in goloshes and coats slickered for rain,
 I learned how hungry I was for streets and people.

I would rather be water than anything else.
I saw a drive of salt fog and mist in the North Atlantic and an iceberg dusky as a cloud in the gray of morning.
And I saw the dream pools of fjords in Norway … and the scarf of dancing water on the rocks and over the edges of mountain shelves.
Bury me in a mountain graveyard in Norway.
Three tongues of water sing around it with snow from the mountains.

Bury me in the North Atlantic.
A fog there from Iceland will be a murmur in gray over me and a long deep wind sob always.

Bury me in an Illinois cornfield.
The blizzards loosen their pipe organ voluntaries in winter stubble and the spring rains and the fall rains bring letters from the sea.
Written by Lucy Maud Montgomery | Create an image from this poem

A Request

 When I am dead
I would that ye make my bed
On that low-lying, windy waste by the sea,
Where the silvery grasses rustle and lisp;
There, where the crisp
Foam-flakes shall fly over me,
And murmurs creep 
From the ancient heart of the deep,
Lulling me ever, I shall most sweetly sleep.
While the eerie sea-folk croon
On the long dim shore by the light of a waning moon.

I shall not hear
Clamor of young life anear,
Voices of gladness to stir an unrest;
Only the wandering mists of the sea
Shall companion me;
Only the wind in its quest
Shall come where I lie,
Or the rain from the brooding sky
With furtive footstep shall pass me by,
And never a dream of the earth
Shall break on my slumber with lure of an out-lived mirth.


Written by William Morris | Create an image from this poem

Riding Together

 For many, many days together
The wind blew steady from the East;
For many days hot grew the weather,
About the time of our Lady's Feast.

For many days we rode together,
Yet met we neither friend nor foe;
Hotter and clearer grew the weather,
Steadily did the East wind blow.

We saw the trees in the hot, bright weather,
Clear-cut, with shadows very black,
As freely we rode on together
With helms unlaced and bridles slack.

And often, as we rode together,
We, looking down the green-bank'd stream,
Saw flowers in the sunny weather,
And saw the bubble-making bream.

And in the night lay down together,
And hung above our heads the rood,
Or watch'd night-long in the dewy weather,
The while the moon did watch the wood.

Our spears stood bright and thick together,
Straight out the banners stream'd behind,
As we gallop'd on in the sunny weather,
With faces turn'd towards the wind.

Down sank our threescore spears together,
As thick we saw the pagans ride;
His eager face in the clear fresh weather,
Shone out that last time by my side.

Up the sweep of the bridge we dash'd together,
It rock'd to the crash of the meeting spears,
Down rain'd the buds of the dear spring weather,
The elm-tree flowers fell like tears.

There, as we roll'd and writhed together,
I threw my arms above my head,
For close by my side, in the lovely weather,
I saw him reel and fall back dead.

I and the slayer met together,
He waited the death-stroke there in his place,
With thoughts of death, in the lovely weather,
Gapingly mazed at my madden'd face.

Madly I fought as we fought together;
In vain: the little Christian band
The pagans drown'd, as in stormy weather
The river drowns low-lying land.

They bound my blood-stain'd hands together,
They bound his corpse to nod by my side:
Then on we rode, in the bright March weather,
With clash of cymbals did we ride.

We ride no more, no more together;
My prison-bars are thick and strong,
I take no heed of any weather,
The sweet Saints grant I live not long.
Written by Lucy Maud Montgomery | Create an image from this poem

You

 Only a long, low-lying lane
That follows to the misty sea,
Across a bare and russet plain
Where wild winds whistle vagrantly;
I know that many a fairer path
With lure of song and bloom may woo,
But oh ! I love this lonely strath
Because it is so full of you. 

Here we have walked in elder years,
And here your truest memories wait,
This spot is sacred to your tears,
That to your laughter dedicate;
Here, by this turn, you gave to me
A gem of thought that glitters yet,
This tawny slope is graciously
By a remembered smile beset. 

Here once you lingered on an hour
When stars were shining in the west,
To gather one pale, scented flower
And place it smiling on your breast;
And since that eve its fragrance blows
For me across the grasses sere,
Far sweeter than the latest rose,
That faded bloom of yesteryear. 

For me the sky, the sea, the wold,
Have beckoning visions wild and fair, 
The mystery of a tale untold,
The grace of an unuttered prayer. 
Let others choose the fairer path
That winds the dimpling valley through, 
I gladly seek this lonely strath
Companioned by my dreams of you.
Written by Sidney Lanier | Create an image from this poem

From "The Marshes Of The Glynn"

As the marsh-hen secretly builds on the watery sod,
Behold I will build me a nest on the greatness of God:
I will fly in the greatness of God as the marsh-hen flies
In the freedom that fills all the space ’twixt the marsh and the skies:
By so many roots as the marsh-grass sends in the sod
I will heartily lay me a-hold on the greatness of God:
Oh, like to the greatness of God is the greatness within
The range of the marshes, the liberal marshes of Glynn.

And the sea lends large, as the marsh: lo, out of his plenty the sea
Pours fast: full soon the time of the flood-tide must be:
Look how the grace of the sea doth go
About and about through the intricate channels that flow
               Here and there,
                             Everywhere,
Till his waters have flooded the uttermost creeks and the low-lying lanes,
And the marsh is meshed with a million veins,
33That like as with rosy and silvery essences flow
In the rose-and-silver evening glow.
                             Farewell, my lord Sun!
The creeks overflow; a thousand rivulets run
’Twixt the roots of the sod; the blades of the marsh-grass stir;
Passeth a hurrying sound of wings that westward whirr;
Passeth, and all is still; and the currents cease to run;
And the sea and the marsh are one.
How still the plains of the waters be!
The tide in his ecstasy.
The tide is at his highest height:
                             And it is night.

And now from the Vast of the Lord will the waters of sleep
Roll in on the souls of men,
But who will reveal to our waking ken
The forms that swim and the shapes that creep
                             Under the waters of sleep?
And I would I could know what swimmeth below when the tide comes in
On the length and breadth of the marvellous marshes of Glynn.

Book: Reflection on the Important Things