Written by
Anne Sexton |
"Angels of the love affair, do you know that other,
the dark one, that other me?"
1. ANGEL OF FIRE AND GENITALS
Angel of fire and genitals, do you know slime,
that green mama who first forced me to sing,
who put me first in the latrine, that pantomime
of brown where I was beggar and she was king?
I said, "The devil is down that festering hole."
Then he bit me in the buttocks and took over my soul.
Fire woman, you of the ancient flame, you
of the Bunsen burner, you of the candle,
you of the blast furnace, you of the barbecue,
you of the fierce solar energy, Mademoiselle,
take some ice, take come snow, take a month of rain
and you would gutter in the dark, cracking up your brain.
Mother of fire, let me stand at your devouring gate
as the sun dies in your arms and you loosen it's terrible weight.
2. ANGEL OF CLEAN SHEETS
Angel of clean sheets, do you know bedbugs?
Once in the madhouse they came like specks of cinnamon
as I lay in a choral cave of drugs,
as old as a dog, as quiet as a skeleton.
Little bits of dried blood. One hundred marks
upon the sheet. One hundred kisses in the dark.
White sheets smelling of soap and Clorox
have nothing to do with this night of soil,
nothing to do with barred windows and multiple locks
and all the webbing in the bed, the ultimate recoil.
I have slept in silk and in red and in black.
I have slept on sand and, on fall night, a haystack.
I have known a crib. I have known the tuck-in of a child
but inside my hair waits the night I was defiled.
3. ANGEL OF FLIGHT AND SLEIGH BELLS
Angel of flight and sleigh bells, do you know paralysis,
that ether house where your arms and legs are cement?
You are as still as a yardstick. You have a doll's kiss.
The brain whirls in a fit. The brain is not evident.
I have gone to that same place without a germ or a stroke.
A little solo act--that lady with the brain that broke.
In this fashion I have become a tree.
I have become a vase you can pick up or drop at will,
inanimate at last. What unusual luck! My body
passively resisting. Part of the leftovers. Part of the kill.
Angels of flight, you soarer, you flapper, you floater,
you gull that grows out of my back in the drreams I prefer,
stay near. But give me the totem. Give me the shut eye
where I stand in stone shoes as the world's bicycle goes by.
4. ANGEL OF HOPE AND CALENDARS
Angel of hope and calendars, do you know despair?
That hole I crawl into with a box of Kleenex,
that hole where the fire woman is tied to her chair,
that hole where leather men are wringing their necks,
where the sea has turned into a pond of urine.
There is no place to wash and no marine beings to stir in.
In this hole your mother is crying out each day.
Your father is eating cake and digging her grave.
In this hole your baby is strangling. Your mouth is clay.
Your eyes are made of glass. They break. You are not brave.
You are alone like a dog in a kennel. Your hands
break out in boils. Your arms are cut and bound by bands
of wire. Your voice is out there. Your voice is strange.
There are no prayers here. Here there is no change.
5. ANGEL OF BLIZZARDS AND BLACKOUTS
Angle of blizzards and blackouts, do you know raspberries,
those rubies that sat in the gree of my grandfather's garden?
You of the snow tires, you of the sugary wings, you freeze
me out. Leet me crawl through the patch. Let me be ten.
Let me pick those sweet kisses, thief that I was,
as the sea on my left slapped its applause.
Only my grandfather was allowed there. Or the maid
who came with a scullery pan to pick for breakfast.
She of the rols that floated in the air, she of the inlaid
woodwork all greasy with lemon, she of the feather and dust,
not I. Nonetheless I came sneaking across the salt lawn
in bare feet and jumping-jack pajamas in the spongy dawn.
Oh Angel of the blizzard and blackout, Madam white face,
take me back to that red mouth, that July 21st place.
6. ANGEL OF BEACH HOUSES AND PICNICS
Angel of beach houses and picnics, do you know solitaire?
Fifty-two reds and blacks and only myslef to blame.
My blood buzzes like a hornet's nest. I sit in a kitchen chair
at a table set for one. The silverware is the same
and the glass and the sugar bowl. I hear my lungs fill and expel
as in an operation. But I have no one left to tell.
Once I was a couple. I was my own king and queen
with cheese and bread and rosé on the rocks of Rockport.
Once I sunbathed in the buff, all brown and lean,
watching the toy sloops go by, holding court
for busloads of tourists. Once I called breakfast the sexiest
meal of the day. Once I invited arrest
at the peace march in Washington. Once I was young and bold
and left hundreds of unmatched people out in the cold.
|
Written by
Charles Bukowski |
There are sketches on the walls of men and women and ducks,
and outside a large green bus swerves through traffic like
insanity sprung from a waving line; Turgenev, Turgenev,
says the radio, and Jane Austin, Jane Austin, too.
"I am going to do her portrait on the 28th, while you are
at work."
He is just this edge of fat and he walks constantly, he
fritters; they have him; they are eating him hollow like
a webbed fly, and his eyes are red-suckled with anger-fear.
He feels hatred and discard of the world, sharper than
his razor, and his gut-feel hangs like a wet polyp; and he
self-decisions himself defeated trying to shake his
hung beard from razor in water (like life), not warm enough.
Daumier. Rue Transonian, le 15 Avril, 1843. (lithograph.)
Paris, Bibliotheque Nationale.
"She has a face unlike that of any woman I have ever known."
"What is it? A love affair?"
"Silly. I can't love a woman. Besides, she's pregnant."
I can paint- a flower eaten by a snake; that sunlight is a
lie; and that markets smell of shoes and naked boys clothed,
and that under everything some river, some beat, some twist that
clambers along the edge of my temple and bites nip-dizzy. . .
men drive cars and paint their houses,
but they are mad; men sit in barber chairs; buy hats.
Corot. Recollection of Mortefontaine.
Paris, Louvre.
"I must write Kaiser, though I think he's a homosexual."
"Are you still reading Freud?"
"Page 299."
She made a little hat and he fastened two snaps under one
arm, reaching up from the bed like a long feeler from the
snail, and she went to church, and he thought now I h've
time and the dog.
About church: the trouble with a mask is it
never changes.
So rude the flowers that grow and do not grow beautiful.
So magic the chair on the patio that does not hold legs
and belly and arm and neck and mouth that bites into the
wind like the ned of a tunnel.
He turned in bed and thought: I am searching for some
segment in the air. It floats about the peoples heads.
When it rains on the trees it sits between the branches
warmer and more blood-real than the dove.
Orozco. Christ Destroying the Cross.
Hanover, Dartmouth College, Baker Library.
He burned away in his sleep.
|
Written by
Marilyn L Taylor |
The children are back, the children are back—
They’ve come to take refuge, exhale and unpack;
The marriage has faltered, the job has gone bad,
Come open the door for them, Mother and Dad.
The city apartment is leaky and cold,
The landlord lascivious, greedy and old—
The mattress is lumpy, the oven’s encrusted,
The freezer, the fan, and the toilet have rusted.
The company caved, the boss went broke,
The job and the love-affair, all up in smoke.
The anguish of loneliness comes as a shock—
O heart in the doldrums, O heart in hock.
And so they return with their piles of possessions,
Their terrified cats and their mournful expressions
Reclaiming the bedrooms they had in their teens,
Clean towels, warm comforter, glass figurines.
Downstairs in the kitchen the father and mother
Don’t say a word, but they look at each other
As down the hill comes Jill, comes Jack.
The children are back. The children are back.
|
Written by
William Topaz McGonagall |
In an immense wood in the south of Kent,
There lived a band of robbers which caused the people discontent;
And the place they infested was called the Weald,
Where they robbed wayside travellers and left them dead on the field.
Their leader was called Grif, of the Bloody Hand,
And so well skilled in sword practice there's few could him withstand;
And sometimes they robbed villages when nothing else could be gained,
In the year of 1336, when King Edward the III. reigned.
The dress the robbers wore was deep coloured black,
And in courage and evil deeds they didn't lack;
And Grif. Of the Bloody Hand, called them his devils,
Because they were ever ready to perform all kinds of ills.
'Twas towards the close of a very stormy day,
A stranger walked through the wood in search of Grif, without dismay;
And as the daylight faded he quickened his pace and ran,
Never suspecting that in his rear he was followed by a man.
And as the man to the stranger drew near,
He demanded in a gruff voice, what seek you here;
And when the stranger saw him he trembled with fear,
Because upon his head he wore a steel helmet, and in his hand he bore a spear.
What seek you here repeated the dark habited man,
Come, sir, speak out, and answer me if you can;
Are you then one of the devils demanded the stranger faintly,
That I am said the man, now what matters that to thee.
Then repeated the stranger, sir, you have put me to a stand,
But if I guess aright, you are Grif, of the Bloody Hand;
That I am replied Grif, and to confess it I'm not afraid,
Oh! Well then I require your service and you'll be well paid.
But first I must know thy name, I, that's the point,
Then you shall have the help of my band conjoint;
Before any of my men on your mission goes,
Well then replied the stranger call me Martin Dubois.
Well sir, come tell me what you want as quick as you can,
Well then replied Dubois do you know one Halbert Evesham
That dwells in the little village of Brenchley,
Who has a foster child called Violet Evesham of rare beauty.
And you seek my aid to carry her off,
Ha! Ha! A love affair, nay do not think I scoff;
For you shall enjoy her sir before this time to-morrow,
If that will satisfy you, or help to drown your sorrow.
And now sir what is your terms with me,
Before I carry off Violet Evesham from the village of Brenchley;
Well Grif, one thousand marks shall be the pay,
'Tis agreed then cried Grif, and you shall enjoy her without delay.
Then the bargains struck, uttered Grif, how many men will you require,
Come sir, speak, you can have all of my band if you desire;
Oh, thanks sir, replied Dubois, I consider four men will do,
That's to say sir, if the four men's courage be true.
And to-morrow sir send the men to Brenchley without delay,
And remember one thousand marks will be the pay;
And the plan I propose is to carry her to the wood,
And I will be there to receive her, the plan is good.
And on the next morning Grif, of the bloody Hand,
Told off four of his best men and gave them strict command;
To carry off Violet Evesham from the village of Brenchley,
And to go about it fearlessly and to make no delay.
And when ye have captured her carry her to the wood,
Now remember men I wish my injunctions to be understood;
All right, captain, we'll do as we've been told,
And carry her off all right for the sake of the gold.
So on the next morning before the villagers were out of bed,
The four robbers marched into the village of Brenchley without any dread;
And boldly entered Violet Evesham's house and carried her, away,
While loudly the beautiful girl shrieked in dismay.
But when her old father missed her through the village he ran,
And roused the villagers to a man;
And a great number of them gathered, and Wat Tyler at their head,
And all armed to the teeth, and towards the wood they quickly sped.
And once within the wood Wat Tyler cried, where is Violet Evesham,
Then Grif, of the Bloody Hand cried, what ails the man;
My dear sir I assure you that Violet Evesham is not here.
Therefore good people I advise ye to retire from here.
No! I'll not back cried Wat Tyler, until I rescue Violet Evesham,
Therefore liar, and devil, defend thyself if you can;
Ay replied Grif, that I will thou braggart loon,
And with my sword you silly boy prepare to meet thy doom.
Then they rained their blows on each other as thick as hail,
Until at last Grif's strength began to fail;
Then Wat leaped upon him and threw him to the ground,
Then his men fled into the wood that were standing around.
Then the villagers shouted hurrah for Wat Tyler and victory,
And to search for Violet Evesham they willingly did agree;
And they searched the wood and found her at the foot of a tree,
And when she was taken home the villagers danced with glee.
And 'tis said Wat Tyler married Violet Evesham,
And there was great rejoicing among the villagers at the marriage so grand;
And Wat Tyler captured Dubois, and bound him to a tree,
And left him there struggling hard to gain his liberty.
|
Written by
Johann Wolfgang von Goethe |
[Goethe says of this ode, that it is the only
one remaining out of several strange hymns and dithyrambs composed
by him at a period of great unhappiness, when the love-affair between
him and Frederica had been broken off by him. He used to sing them
while wandering wildly about the country. This particular one was
caused by his being caught in a tremendous storm on one of these
occasions. He calls it a half-crazy piece (halkunsinn), and the
reader will probably agree with him.]
He whom thou ne'er leavest, Genius,
Feels no dread within his heart
At the tempest or the rain.
He whom thou ne'er leavest, Genius,
Will to the rain-clouds,
Will to the hailstorm,
Sing in reply
As the lark sings,
Oh thou on high!
Him whom thou ne'er leavest, Genius,
Thou wilt raise above the mud-track
With thy fiery pinions.
He will wander,
As, with flowery feet,
Over Deucalion's dark flood,
Python-slaying, light, glorious,
Pythius Apollo.
Him whom thou ne'er leavest, Genius,
Thou wilt place upon thy fleecy pinion
When he sleepeth on the rock,--
Thou wilt shelter with thy guardian wing
In the forest's midnight hour.
Him whom thou ne'er leavest, Genius,
Thou wilt wrap up warmly
In the snow-drift;
Tow'rd the warmth approach the Muses,
Tow'rd the warmth approach the Graces.
Ye Muses, hover round me!
Ye Graces also!
That is water, that is earth,
And the son of water and of earth
Over which I wander,
Like the gods.
Ye are pure, like the heart of the water,
Ye are pure like the marrow of earth,
Hov'ring round me, while I hover
Over water, o'er the earth
Like the gods.
Shall he, then, return,
The small, the dark, the fiery peasant?
Shall he, then, return, waiting
Only thy gifts, oh Father Bromius,
And brightly gleaming, warmth-spreading fire?
Return with joy?
And I, whom ye attended,
Ye Muses and ye Graces,
Whom all awaits that ye,
Ye Muses and ye Graces,
Of circling bliss in life
Have glorified--shall I
Return dejected?
Father Bromius!
Thourt the Genius,
Genius of ages,
Thou'rt what inward glow
To Pindar was,
What to the world
Phoebus Apollo.
Woe! Woe Inward warmth,
Spirit-warmth,
Central-point!
Glow, and vie with
Phoebus Apollo!
Coldly soon
His regal look
Over thee will swiftly glide,--
Envy-struck
Linger o'er the cedar's strength,
Which, to flourish,
Waits him not.
Why doth my lay name thee the last?
Thee, from whom it began,
Thee, in whom it endeth,
Thee, from whom it flows,
Jupiter Pluvius!
Tow'rd thee streams my song.
And a Castalian spring
Runs as a fellow-brook,
Runs to the idle ones,
Mortal, happy ones,
Apart from thee,
Who cov'rest me around,
Jupiter Pluvius!
Not by the elm-tree
Him didst thou visit,
With the pair of doves
Held in his gentle arm,--
With the beauteous garland of roses,--
Caressing him, so blest in his flowers,
Anacreon,
Storm-breathing godhead!
Not in the poplar grove,
Near the Sybaris' strand,
Not on the mountain's
Sun-illumined brow
Didst thou seize him,
The flower-singing,
Honey-breathing,
Sweetly nodding
Theocritus.
When the wheels were rattling,
Wheel on wheel tow'rd the goal,
High arose
The sound of the lash
Of youths with victory glowing,
In the dust rolling,
As from the mountain fall
Showers of stones in the vale--
Then thy soul was brightly glowing, Pindar--
Glowing? Poor heart!
There, on the hill,--
Heavenly might!
But enough glow
Thither to wend,
Where is my cot!
1771.
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