Written by
Sylvia Plath |
Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors --
Stage curtains, a widow's frizz.
And I, love, am a pathological liar,
And my child -- look at her, face down on the floor,
Little unstrung puppet, kicking to disappear --
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can't hear.
You say you can't stand her,
The bastard's a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She'll cut her throat at ten if she's mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He's a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet sex like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.
Meanwhile there's a stink of fat and baby crap.
I'm doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: 'Through?
Gee baby, you are rare.'
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.
O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.
Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and sucking, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. 'Every woman's a whore.
I can't communicate.'
I see your cute décor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.
Even in your Zen heaven we shan't meet.
|
Written by
Robert Southey |
Argument.
To leap from the promontory of LEUCADIA was believed by the Greeks to be
a remedy for hopeless love, if the self-devoted victim escaped with
life. Artemisia lost her life in the dangerous experiment: and Sappho is
said thus to have perished, in attempting to cure her passion for Phaon.
SAPPHO
(Scene the promontory of Leucadia.)
This is the spot:--'tis here Tradition says
That hopeless Love from this high towering rock
Leaps headlong to Oblivion or to Death.
Oh 'tis a giddy height! my dizzy head
Swims at the precipice--'tis death to fall!
Lie still, thou coward heart! this is no time
To shake with thy strong throbs the frame convuls'd.
To die,--to be at rest--oh pleasant thought!
Perchance to leap and live; the soul all still,
And the wild tempest of the passions husht
In one deep calm; the heart, no more diseas'd
By the quick ague fits of hope and fear,
Quietly cold!
Presiding Powers look down!
In vain to you I pour'd my earnest prayers,
In vain I sung your praises: chiefly thou
VENUS! ungrateful Goddess, whom my lyre
Hymn'd with such full devotion! Lesbian groves,
Witness how often at the languid hour
Of summer twilight, to the melting song
Ye gave your choral echoes! Grecian Maids
Who hear with downcast look and flushing cheek
That lay of love bear witness! and ye Youths,
Who hang enraptur'd on the empassion'd strain
Gazing with eloquent eye, even till the heart
Sinks in the deep delirium! and ye too
Shall witness, unborn Ages! to that song
Of warmest zeal; ah witness ye, how hard,
Her fate who hymn'd the votive hymn in vain!
Ungrateful Goddess! I have hung my lute
In yonder holy pile: my hand no more
Shall wake the melodies that fail'd to move
The heart of Phaon--yet when Rumour tells
How from Leucadia Sappho hurl'd her down
A self-devoted victim--he may melt
Too late in pity, obstinate to love.
Oh haunt his midnight dreams, black NEMESIS!
Whom, self-conceiving in the inmost depths
Of CHAOS, blackest NIGHT long-labouring bore,
When the stern DESTINIES, her elder brood.
And shapeless DEATH, from that more monstrous birth
Leapt shuddering! haunt his slumbers, Nemesis,
Scorch with the fires of Phlegethon his heart,
Till helpless, hopeless, heaven-abandon'd wretch
He too shall seek beneath the unfathom'd deep
To hide him from thy fury.
How the sea
Far distant glitters as the sun-beams smile,
And gayly wanton o'er its heaving breast
Phoebus shines forth, nor wears one cloud to mourn
His votary's sorrows! God of Day shine on--
By Man despis'd, forsaken by the Gods,
I supplicate no more.
How many a day,
O pleasant Lesbos! in thy secret streams
Delighted have I plung'd, from the hot sun
Screen'd by the o'er-arching groves delightful shade,
And pillowed on the waters: now the waves
Shall chill me to repose.
Tremendous height!
Scarce to the brink will these rebellious limbs
Support me. Hark! how the rude deep below
Roars round the rugged base, as if it called
Its long-reluctant victim! I will come.
One leap, and all is over! The deep rest
Of Death, or tranquil Apathy's dead calm
Welcome alike to me. Away vain fears!
Phaon is cold, and why should Sappho live?
Phaon is cold, or with some fairer one--
Thought worse than death!
(She throws herself from the precipice.)
|
Written by
Mary Darby Robinson |
O'er the tall cliff that bounds the billowy main
Shad'wing the surge that sweeps the lonely strand,
While the thin vapours break along the sand,
Day's harbinger unfolds the liquid plain.
The rude Sea murmurs, mournful as the strain
That love-lorn minstrels strike with trembling hand,
While from their green beds rise the Syren band
With tongues aerial to repeat my pain!
The vessel rocks beside the pebbly shore,
The foamy curls its gaudy trappings lave;
Oh! Bark propitious! bear me gently o'er,
Breathe soft, ye winds; rise slow, O! swelling wave!
Lesbos; these eyes shall meet thy sands no more:
I fly, to seek my Lover, or my Grave!
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