Written by
Barry Tebb |
for Ken Kesey and his merry pranksters in a bus called ‘Further...’
Dear _______ and here’s where the problem begins
For who shall I address this letter to?
Friends are few and very special, muses in the main
I must confess, the first I lost just fifty years ago.
Perhaps the best.
I searched for years and wrote en route
‘Bridge Over the Aire’ after that vision and that voice
“I am here. I am waiting”. I followed every lead
Margaret Gardiner last heard of in the Falmouth’s
Of Leeds 9, early fifties. Barry Tebb your friend from then
Would love to hear from you.”
The sole reply
A mis-directed estimate for papering a bungalow
In Penge. I nearly came unhinged as weeks
Ran into months of silence. Was it. I wondered.
A voice from the beyond?
The vision was given
Complete with backcloth of resplendent stars
The bridge’s grey transmuted to a sheen of pearl
The chipped steps became transparent stairs to heaven
Our worn clothes, like Cinders’ at the ball, cloaks and gowns
Of infinite splendour but only for the night, remember!
I passed the muse’s diadem to Sheila Pritchard,
My genius-child-poet of whom Redgrove said
“Of course, you are in love” and wrote for her
‘My Perfect Rose!’
Last year a poet saw it
In the British Council Reading Room in distant Kazakstan
And sent his poems to me on paper diaphanous
As angels’ wings and delicate as ash
And tinted with a splash of lemon
And a dash of mignonette.
I last saw Sheila circa nineteen sixty seven
Expelled from grammar school wearing a poncho
Hand-made from an army blanket
Working a stall in Kirkgate Market.
Brenda Williams, po?te maudit if ever,
By then installed as muse number three
Grew sadly jealous for the only time
In thirty-seven years: muse number two
Passed into the blue
There is another muse, who makes me chronologically confused.
Barbara, who overlaps both two and three
And still is there, somewhere in Leeds.
Who does remember me and who, almost alone.
Inspired my six novellas: we write and
Talk sometimes and in a crisis she is there for me,
Muse number four, though absent for a month in Indonesia.
Remains. I doubt if there will be a fifth.
There is a poet, too, who is a friend and writes to me
From Hampstead, from a caf? in South End Green.
His cursive script on rose pink paper symptomatic
Of his gift for eloquent prose and poetry sublime
His elegy on David Gascoyne’s death quite takes my breath
And the title of his novel ‘Lipstick Boys’ I'll envy always,
There are some few I talk and write to
And occasionally meet. David Lambert, poet and teacher
Of creative writing, doing it ‘my way’ in the nineties,
UEA found his services superfluous to their needs.
? ? you may **** like hell,
But I abhor your jealous narcissistic smell
And as for your much vaunted pc prose
I’d rather stick my prick inside the thorniest rose.
Jeanne Conn of ‘Connections’ your letters
are even longer than my own and Maggie Allen
Sent me the only Valentine I’ve had in sixty years
These two do know my longings and my fears,
Dear Simon Jenner, Eratica’s erratic editor, your speech
So like the staccato of a bren, yet loaded
With a lifetime’s hard-won ken of poetry’s obscurest corners.
I salute David Wright, that ‘difficult deaf son’
Of the sixties, acknowledged my own youthful spasm of enthusiasm
But Simon you must share the honour with Jimmy Keery,
Of whom I will admit I’m somewhat leery,
His critical acuity so absolute and steely.
I ask you all to stay with me
Through time into infinity
Not even death can undo
The love I have for you.
|
Written by
Edgar Lee Masters |
I was the daughter of Lambert Hutchins,
Born in a cottage near the grist-mill,
Reared in the mansion there on the hill,
With its spires, bay-windows, and roof of slate.
How proud my mother was of the mansion!
How proud of father's rise in the world!
And how my father loved and watched us,
And guarded our happiness.
But I believe the house was a curse,
For father's fortune was little beside it;
And when my husband found he had married
A girl who was really poor,
He taunted me with the spires,
And called the house a fraud on the world,
A treacherous lure to young men, raising hopes
Of a dowry not to be had;
And a man while selling his vote
Should get enough from the people's betrayal
To wall the whole of his family in.
He vexed my life till I went back home
And lived like an old maid till I died,
Keeping house for father.
|
Written by
Marriott Edgar |
Henry the Seventh of England
Wasn't out of the Royal top drawer,
The only connection of which he could boast,
He were King's nephew's brother-in-law.
It were after the Wars of the Roses
That he came to the front, as it were,
When on strength of his having slain Richard the Third
He put himself up as his heir.
T'were a bit of a blow to the Barons
When Henry aspired to the Throne,
And some who'd been nursing imperial hopes
Started pushing out claims of their own.
But they didn't get far with their scheming,
For the moment the matter were pressed
A stroke of the pen took them off to the Tower,
Where a stroke of the axe did the rest.
A feller they called Perkin Warbeck
Was the one who led Henry a dance,
To make sure that nowt awkward should happen to him
He worked from an office in France.
He claimed to be one of the Princes
As were smothered to death in the Tower.
His tale was that only his brother was killed
And that he had escaped the seas ower.
Henry knew the appeal of the Princes
Was a strong one for Perkin to make,
And he reckoned he'd best have a chat with the lad
And find out the least he would take.
In reply to his kind invitation
Perkin said he'd he happy to call,
But he'd bring his own escort of ten thousand men
And a hundred pipers an' all.
This reply put the King in a passion
He swore as he'd stop Perkin's fun,
Then he offered a fortune per annum to him
As could tell him how his could be done.
Then up spoke the bold Lambert Simne
The King's private scullion he were,
He said: "Just one word in thy ear 'ole, O King,
I've a plan as will stop all this 'ere."
Then he took the King up in a corner,
Where no one could hear what they said,
He hadn't got far when King started to laff
And he laffed till he had to he bled.
T 'were a plan to anticipate Perkin,
By getting in first with these tales,
Start another rebellion before he arrived
And take the wind out of his sails.
And so Lambert Simnel's rebellion
Made its fateful debut in the North
Experts disagree who he made out to be,
John the Second or Richard the Fourth.
T 'was surprising how many believed him
They flocked to his flag like one man,
For in them days the folk would do owt for a change,
And their motto was, " San fairy ann."
It were quite a success this rebellion
Till t'were routed by Henry at Stoke,
And Lambert were taken and made to confess
That his parents was working class folk.
The public forgave this deception,
The thing that made them proper mad
Was a twopenny increase on every one's rates
To pay for the fun they had had.
And so when Peter Warbeck came over
Expecting his praise to be sung,
He was greeted, defeated, escheated, unseated,
Maltreated and finally hung.
And the Baron went back to his castle,
The Peasant went back to his herd,
Lambert Simnel went back to his scullion's job
Because Henry went back on his word.
|
Written by
Edgar Lee Masters |
I have two monuments besides this granite obelisk:
One, the house I built on the hill,
With its spires, bay windows, and roof of slate;
The other, the lake-front in Chicago,
Where the railroad keeps a switching yard,
With whistling engines and crunching wheels,
And smoke and soot thrown over the city,
And the crash of cars along the boulevard, --
A blot like a hog-pen on the harbor
Of a great metropolis, foul as a sty.
I helped to give this heritage
To generations yet unborn, with my vote
In the House of Representatives,
And the lure of the thing was to be at rest
From the never-ending fright of need,
And to give my daughters gentle breeding,
And a sense of security in life.
But, you see, though I had the mansion house
And traveling passes and local distinction,
I could hear the whispers, whispers, whispers,
Wherever I went, and my daughters grew up
With a look as if some one were about to strike them;
And they married madly, helter-skelter,
Just to get out and have a change.
And what was the whole of the business worth?
Why, it wasn't worth a damn!
|
Written by
William Morris |
Gold on her head, and gold on her feet,
And gold where the hems of her kirtle meet,
And a golden girdle round my sweet;
Ah! qu'elle est belle La Marguerite.
Margaret's maids are fair to see,
Freshly dress'd and pleasantly;
Margaret's hair falls down to her knee;
Ah! qu'elle est belle La Marguerite.
If I were rich I would kiss her feet;
I would kiss the place where the gold hems meet,
And the golden kirtle round my sweet:
Ah! qu'elle est belle La Marguerite.
Ah me! I have never touch'd her hand;
When the arrière-ban goes through the land,
Six basnets under my pennon stand;
Ah! qu'elle est belle La Marguerite.
And many an one grins under his hood:
Sir Lambert du Bois, with all his men good,
Has neither food nor firewood;
Ah! qu'elle est belle la Marguerite.
If I were rich I would kiss her feet,
And the golden girdle of my sweet,
And thereabouts where the gold hems meet;
Ah! qu'elle est belle La Marguerite.
Yet even now it is good to think,
While my few poor varlets grumble and drink
In my desolate hall, where the fires sink,--
Ah! qu'elle est belle La Marguerite,--
Of Margaret sitting glorious there,
In glory of gold and glory of hair,
And glory of glorious face most fair;
Ah! qu'elle est belle La Marguerite.
Likewise to-night I make good cheer,
Because this battle draweth near:
For what have I to lose or fear?
Ah! qu'elle est belle La Marguerite.
For, look you, my horse is good to prance
A right fair measure in this war-dance,
Before the eyes of Philip of France;
Ah! qu'elle est belle La Marguerite.
And sometime it may hap, perdie,
While my new towers stand up three and three,
And my hall gets painted fair to see--
Ah! qu'elle est belle La Marguerite--
That folks may say: Times change, by the rood,
For Lambert, banneret of the wood,
Has heaps of food and firewood;
Ah! qu'elle est belle La Marguerite.
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