Written by
Gil Scott-Heron |
You will not be able to stay home, brother
You will not be able to plug in, turn on and cop out
You will not be able to lose yourself on skag
And skip out for beer during commercials
Because the revolution will not be televised
The revolution will not be televised
The revolution will not be brought to you by Xerox
In 4 parts without commercial interruptions
The revolution will not show you pictures of Nixon
Blowing a bugle and leading a charge by John Mitchell
General Abrams and Spiro Agnew to eat hog maws
Confiscated from a Harlem sanctuary
The revolution will not be televised
The revolution will not be brought to you by the
Schaefer Award Theater and will not star Natalie Woods
And Steve McQueen or Bullwinkle and Julia
The revolution will not give your mouth sex appeal
The revolution will not get rid of the nubs
The revolution will not make you look five pounds thinner
Because the revolution will not be televised, Brother
There will be no pictures of you and Willie May
Pushing that shopping cart down the block on the dead run
Or trying to slide that color TV into a stolen ambulance
NBC will not be able predict the winner at 8:32
Or report from 29 districts
The revolution will not be televised
There will be no pictures of pigs shooting down
Brothers on the instant replay
There will be no pictures of pigs shooting down
Brothers on the instant replay
There will be no pictures of Whitney Young
Being run out of Harlem on a rail with a brand new process
There will be no slow motion or still life of Roy Wilkens
Strolling through Watts in a red, black and green
Liberation jumpsuit that he had been saving
For just the proper occasion
Green Acres, The Beverly Hillbillies and Hooter ville Junction
Will no longer be so damned relevant
And women will not care if Dick finally gets down with Jane
On search for tomorrow because black people
Will be in the street looking for a brighter day
The revolution will not be televised
There will be no highlights on the eleven o'clock news
And no pictures of hairy armed women liberationists
And Jackie Onassis blowing her nose
The theme song will not be written by Jim Webb
Francis Scott Key, nor sung by Glen Campbell, Tom Jones
Johnny Cash, Englebert Humperdink or the Rare Earth
The revolution will not be televised
The revolution will not be right back after a message
About a white tornado, white lightning, or white people
You will not have to worry about a dove in your bedroom
The tiger in your tank or the giant in your toilet bowl
The revolution will not go better with Coke
The revolution will not fight the germs that may cause bad breath
The revolution will put you in the driver's seat
The revolution will not be televised, will not be televised
Will not be televised, will not be televised
The revolution will be no re-run brothers
The revolution will be live
|
Written by
Robert Frost |
Lancaster bore him--such a little town,
Such a great man. It doesn't see him often
Of late years, though he keeps the old homestead
And sends the children down there with their mother
To run wild in the summer--a little wild.
Sometimes he joins them for a day or two
And sees old friends he somehow can't get near.
They meet him in the general store at night,
Pre-occupied with formidable mail,
Rifling a printed letter as he talks.
They seem afraid. He wouldn't have it so:
Though a great scholar, he's a democrat,
If not at heart, at least on principle.
Lately when coming up to Lancaster
His train being late he missed another train
And had four hours to wait at Woodsville Junction
After eleven o'clock at night. Too tired
To think of sitting such an ordeal out,
He turned to the hotel to find a bed.
"No room," the night clerk said. "Unless----"
Woodsville's a place of shrieks and wandering lamps
And cars that shook and rattle--and one hotel.
"You say 'unless.'"
"Unless you wouldn't mind
Sharing a room with someone else."
"Who is it?"
"A man."
"So I should hope. What kind of man?"
"I know him: he's all right. A man's a man.
Separate beds of course you understand."
The night clerk blinked his eyes and dared him on.
"Who's that man sleeping in the office chair?
Has he had the refusal of my chance?"
"He was afraid of being robbed or murdered.
What do you say?"
"I'll have to have a bed."
The night clerk led him up three flights of stairs
And down a narrow passage full of doors,
At the last one of which he knocked and entered.
"Lafe, here's a fellow wants to share your room."
"Show him this way. I'm not afraid of him.
I'm not so drunk I can't take care of myself."
The night clerk clapped a bedstead on the foot.
"This will be yours. Good-night," he said, and went.
"Lafe was the name, I think?"
"Yes, Layfayette.
You got it the first time. And yours?"
"Magoon.
Doctor Magoon."
"A Doctor?"
"Well, a teacher."
"Professor Square-the-circle-till-you're-tired?
Hold on, there's something I don't think of now
That I had on my mind to ask the first
Man that knew anything I happened in with.
I'll ask you later--don't let me forget it."
The Doctor looked at Lafe and looked away.
A man? A brute. Naked above the waist,
He sat there creased and shining in the light,
Fumbling the buttons in a well-starched shirt.
"I'm moving into a size-larger shirt.
I've felt mean lately; mean's no name for it.
I just found what the matter was to-night:
I've been a-choking like a nursery tree
When it outgrows the wire band of its name tag.
I blamed it on the hot spell we've been having.
'Twas nothing but my foolish hanging back,
Not liking to own up I'd grown a size.
Number eighteen this is. What size do you wear?"
The Doctor caught his throat convulsively.
"Oh--ah--fourteen--fourteen."
"Fourteen! You say so!
I can remember when I wore fourteen.
And come to think I must have back at home
More than a hundred collars, size fourteen.
Too bad to waste them all. You ought to have them.
They're yours and welcome; let me send them to you.
What makes you stand there on one leg like that?
You're not much furtherer than where Kike left you.
You act as if you wished you hadn't come.
Sit down or lie down, friend; you make me nervous."
The Doctor made a subdued dash for it,
And propped himself at bay against a pillow.
"Not that way, with your shoes on Kike's white bed.
You can't rest that way. Let me pull your shoes off."
"Don't touch me, please--I say, don't touch me, please.
I'll not be put to bed by you, my man."
"Just as you say. Have it your own way then.
'My man' is it? You talk like a professor.
Speaking of who's afraid of who, however,
I'm thinking I have more to lose than you
If anything should happen to be wrong.
Who wants to cut your number fourteen throat!
Let's have a show down as an evidence
Of good faith. There is ninety dollars.
Come, if you're not afraid."
"I'm not afraid.
There's five: that's all I carry."
"I can search you?
Where are you moving over to? Stay still.
You'd better tuck your money under you
And sleep on it the way I always do
When I'm with people I don't trust at night."
"Will you believe me if I put it there
Right on the counterpane--that I do trust you?"
"You'd say so, Mister Man.--I'm a collector.
My ninety isn't mine--you won't think that.
I pick it up a dollar at a time
All round the country for the Weekly News,
Published in Bow. You know the Weekly News?"
"Known it since I was young."
"Then you know me.
Now we are getting on together--talking.
I'm sort of Something for it at the front.
My business is to find what people want:
They pay for it, and so they ought to have it.
Fairbanks, he says to me--he's editor--
Feel out the public sentiment--he says.
A good deal comes on me when all is said.
The only trouble is we disagree
In politics: I'm Vermont Democrat--
You know what that is, sort of double-dyed;
The News has always been Republican.
Fairbanks, he says to me, 'Help us this year,'
Meaning by us their ticket. 'No,' I says,
'I can't and won't. You've been in long enough:
It's time you turned around and boosted us.
You'll have to pay me more than ten a week
If I'm expected to elect Bill Taft.
I doubt if I could do it anyway.'"
"You seem to shape the paper's policy."
"You see I'm in with everybody, know 'em all.
I almost know their farms as well as they do."
"You drive around? It must be pleasant work."
"It's business, but I can't say it's not fun.
What I like best's the lay of different farms,
Coming out on them from a stretch of woods,
Or over a hill or round a sudden corner.
I like to find folks getting out in spring,
Raking the dooryard, working near the house.
Later they get out further in the fields.
Everything's shut sometimes except the barn;
The family's all away in some back meadow.
There's a hay load a-coming--when it comes.
And later still they all get driven in:
The fields are stripped to lawn, the garden patches
Stripped to bare ground, the apple trees
To whips and poles. There's nobody about.
The chimney, though, keeps up a good brisk smoking.
And I lie back and ride. I take the reins
Only when someone's coming, and the mare
Stops when she likes: I tell her when to go.
I've spoiled Jemima in more ways than one.
She's got so she turns in at every house
As if she had some sort of curvature,
No matter if I have no errand there.
She thinks I'm sociable. I maybe am.
It's seldom I get down except for meals, though.
Folks entertain me from the kitchen doorstep,
All in a family row down to the youngest."
"One would suppose they might not be as glad
To see you as you are to see them."
"Oh,
Because I want their dollar. I don't want
Anything they've not got. I never dun.
I'm there, and they can pay me if they like.
I go nowhere on purpose: I happen by.
Sorry there is no cup to give you a drink.
I drink out of the bottle--not your style.
Mayn't I offer you----?"
"No, no, no, thank you."
"Just as you say. Here's looking at you then.--
And now I'm leaving you a little while.
You'll rest easier when I'm gone, perhaps--
Lie down--let yourself go and get some sleep.
But first--let's see--what was I going to ask you?
Those collars--who shall I address them to,
Suppose you aren't awake when I come back?"
"Really, friend, I can't let you. You--may need them."
"Not till I shrink, when they'll be out of style."
"But really I--I have so many collars."
"I don't know who I rather would have have them.
They're only turning yellow where they are.
But you're the doctor as the saying is.
I'll put the light out. Don't you wait for me:
I've just begun the night. You get some sleep.
I'll knock so-fashion and peep round the door
When I come back so you'll know who it is.
There's nothing I'm afraid of like scared people.
I don't want you should shoot me in the head.
What am I doing carrying off this bottle?
There now, you get some sleep."
He shut the door.
The Doctor slid a little down the pillow.
|
Written by
William Topaz McGonagall |
Ancient town of Leith, most wonderful to be seen,
With your many handsome buildings, and lovely links so green,
And the first buildings I may mention are the Courthouse and Town Hall,
Also Trinity House, and the Sailors' Home of Call.
Then as for Leith Fort, it was erected in 1779, which is really grand,
And which is now the artillery headquarters in Bonnie Scotland;
And as for the Docks, they are magnificent to see,
They comprise five docks, two piers, 1,141 yards long respectively.
And there's steamboat communication with London and the North of Scotland,
And the fares are really cheap and the accommodation most grand;
Then there's many public works in Leith, such as flour mills,
And chemical works, where medicines are made for curing many ills.
Besides, there are sugar refineries and distilleries,
Also engineer works, saw-mills, rope-works, and breweries,
Where many of the inhabitants are daily employed,
And the wages they receive make their hearts feel overjoyed.
In past times Leith shared the fortunes of Edinboro',
Because if withstood nine months' siege, which caused them great sorrow;
They fought against the Protestants in 1559 and in '60,
But they beat them back manfully and made them flee.
Then there's Bailie Gibson's fish shop, most elegant to be seen,
And the fish he sells there are, beautiful and clean;
And for himself, he is a very good man,
And to deny it there's few people can.
The suburban villas of Leith are elegant and grand,
With accommodation that might suit the greatest lady in the land;
And the air is pure and good for the people's health,
And health, I'm sure, is better by far than wealth.
The Links of Leith are beautiful for golfers to play,
After they have finished the toils of the day;
It is good for their health to play at golf there,
On that very beautiful green, and breathe the pure air.
The old town of Leith is situated at the junction of the River of Leith,
Which springs from the land of heather and heath;
And no part in the Empire is growing so rapidly,
Which the inhabitants of Leith are right glad to see.
And Leith in every way is in itself independent,
And has been too busy to attend to its own adornment;
But I venture to say and also mention
That the authorities to the town will pay more attention.
Ancient town of Leith, I must now conclude my muse,
And to write in praise of thee my pen does not refuse,
Because the inhabitants to me have been very kind,
And I'm sure more generous people would be hard to find.
They are very affable in temper and void of pride,
And I hope God will always for them provide;
May He shower His blessings upon them by land and sea,
Because they have always been very kind to me.
|
Written by
Ella Wheeler Wilcox |
All roads that lead to God are good.
What matters it, your faith, or mine?
Both centre at the goal divine
Of love’s eternal Brotherhood.
The kindly life in house or street –
The life of prayer and mystic rite –
The student’s search for truth and light –
These paths at one great Junction meet.
Before the oldest book was writ,
Full many a prehistoric soul
Arrived at this unchanging goal,
Through changeless Love, that leads to it.
What matters that one found his Christ
In rising sun, or burning fire?
In faith within him did not tire,
His longing for the Truth sufficed.
Before our modern hell was brought
To edify the modern world,
Full many a hate-filled soul was hurled
In lakes of fire by its own thought.
A thousand creeds have come and gone,
But what is that to you or me?
Creeds are but branches of a tree –
The root of love lives on and on.
Though branch by branch proved withered wood,
The root is warm with precious wine.
Then keep your faith, and leave me mine –
All roads that lead to God are good.
|
Written by
Thomas Hardy |
As I drive to the junction of lane and highway,
And the drizzle bedrenches the waggonette,
I look behind at the fading byway,
And see on its slope, now glistening wet,
Distinctly yet
Myself and a girlish form benighted
In dry March weather. We climb the road
Beside a chaise. We had just alighted
To ease the sturdy pony's load
When he sighed and slowed.
What we did as we climbed, and what we talked of
Matters not much, nor to what it led, -
Something that life will not be balked of
Without rude reason till hope is dead,
And feeling fled.
It filled but a minute. But was there ever
A time of such quality, since or before,
In that hill's story? To one mind never,
Though it has been climbed, foot-swift, foot-sore,
By thousands more.
Primaeval rocks form the road's steep border,
And much have they faced there, first and last,
Of the transitory in Earth's long order;
But what they record in colour and cast
Is - that we two passed.
And to me, though Time's unflinching rigour,
In mindless rote, has ruled from sight
The substance now, one phantom figure
Remains on the slope, as when that night
Saw us alight.
I look and see it there, shrinking, shrinking,
I look back at it amid the rain
For the very last time; for my sand is sinking,
And I shall traverse old love's domain
Never again.
|
Written by
Emily Dickinson |
To know just how He suffered -- would be dear --
To know if any Human eyes were near
To whom He could entrust His wavering gaze --
Until it settle broad -- on Paradise --
To know if He was patient -- part content --
Was Dying as He thought -- or different --
Was it a pleasant Day to die --
And did the Sunshine face his way --
What was His furthest mind -- Of Home -- or God --
Or what the Distant say --
At news that He ceased Human Nature
Such a Day --
And Wishes -- Had He Any --
Just His Sigh -- Accented --
Had been legible -- to Me --
And was He Confident until
Ill fluttered out -- in Everlasting Well --
And if He spoke -- What name was Best --
What last
What One broke off with
At the Drowsiest --
Was He afraid -- or tranquil --
Might He know
How Conscious Consciousness -- could grow --
Till Love that was -- and Love too best to be --
Meet -- and the Junction be Eternity
|
Written by
Paul Muldoon |
I, too, have trailed my father's spirit
From the mud-walled cabin behind the mountain
Where he was born and bred,
TB and scarletina,
The farm where he was first hired out,
To Wigan, to Crewe junction,
A building-site from which he disappeared
And took passage, almost, for Argentina.
The mountain is coming down with hazel,
The building-site a slum,
While he has gone no further than Brazil.
That's him on the verandah, drinking rum
With a man who might be a Nazi,
His children asleep under their mosquito-nets.
|
Written by
William Topaz McGonagall |
'Twas in the year of 1857 and on the 14th of September
That the Sepoy rebels at Delhi were forced to surrender;
The attack was first to be made by Brigadier Nicholson,
And he was ordered to attack the Cashmere Bastion.
The British were entirely in command.
Of Major-General Reid, assisted by Brigadier-Generals Wilson and Burnand;
After a long march, fighting through a hostile country,
And the brave heroes took up a position before the city.
Delhi gates were encircled with a fringe of fire,
But the British resolved to die rather than retire;
And the brave fellows rushed, towards the gate
Carrying the powder bags that were to seal the Sepoys' fate.
Here their progress was checked, for the drawbridge was destroyed,
But the British felt very little annoyed,
Because a few planks were across the chasm thrown,
Then a match was applied to the powder bags, and into atoms the gate was blown.
Then the rebel artillerymen with terror fled,
For the streets were strewn by the Sepoy dead;
Then the British charged them without fear,
Shouting "On boys, on, for our Queen and Country dear."
Then Lieutenant Home gave orders to advance,
And charge them with your bayonets, it is our only chance;
And with a ringing British cheer they charged, them fearlessly,
And. they drove the enemy before them through the streets of the city.
Then the young bugler blew a blast loud and clear,
Which was answered by a British ringing cheer;
But General Nicholson was killed, which was a great loss,
And afterwards the bugler was decorated with the Victoria Cross.
General Jones formed a junction with Colonel Campbell's Regiment,
And to enter by the Cashmere Gate they were bent;
And they advanced through the streets without delay,
And swept all before them through the gate without dismay.
The streets were filled with mutineers who fought savagely,
Determined to fight to the last and die heroically,
While the alarm drums did beat, and the cannons did roar,
And the dead and the dying lay weltering in their gore.
And the rebels fought for King Timour like tigers in a cage,
He was a very old man, more than ninety years of age;
And their shouts and yells were fearful to hear,
While the shrill sound of the bugle smote on the ear.
The British dash at Delhi will never be forgot,
For the chief instigators of the mutiny were shot;
And their bodies in the Mayor's Court were hung,
And as the people gazed thereon, their hearts with anguish were wrung.
And that evening General Wilson drank the health of the Queen,
Also his officers hailed her Empress of India, which enhanced the scene;
While the assembled thousands shouted "God save the Queen!"
Oh! it was a most beautiful scene.
Delhi was a glorious prize, for the city was full of jewels and gold,
Besides a hundred pieces of cannon, be it told;
But dearly was the victory gained,
But in the book of fame the British are famed;
Oh, it was a glorious and heroic victory,
And will be handed down to posterity.
|
Written by
Edward Lear |
There was an Old Man at a Junction,Whose feelings were wrung with compunctionWhen they said, "The Train's gone!" he exclaimed, "How forlorn!"But remained on the rails of the Junction.
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