Written by
Philip Larkin |
Coming up England by a different line
For once, early in the cold new year,
We stopped, and, watching men with number plates
Sprint down the platform to familiar gates,
'Why, Coventry!' I exclaimed. 'I was born here.'
I leant far out, and squinnied for a sign
That this was still the town that had been 'mine'
So long, but found I wasn't even clear
Which side was which. From where those cycle-crates
Were standing, had we annually departed
For all those family hols? . . . A whistle went:
Things moved. I sat back, staring at my boots.
'Was that,' my friend smiled, 'where you "have your roots"?'
No, only where my childhood was unspent,
I wanted to retort, just where I started:
By now I've got the whole place clearly charted.
Our garden, first: where I did not invent
Blinding theologies of flowers and fruits,
And wasn't spoken to by an old hat.
And here we have that splendid family
I never ran to when I got depressed,
The boys all biceps and the girls all chest,
Their comic Ford, their farm where I could be
'Really myself'. I'll show you, come to that,
The bracken where I never trembling sat,
Determined to go through with it; where she
Lay back, and 'all became a burning mist'.
And, in those offices, my doggerel
Was not set up in blunt ten-point, nor read
By a distinguished cousin of the mayor,
Who didn't call and tell my father There
Before us, had we the gift to see ahead -
'You look as though you wished the place in Hell,'
My friend said, 'judging from your face.' 'Oh well,
I suppose it's not the place's fault,' I said.
'Nothing, like something, happens anywhere.'
|
Written by
Philip Levine |
Some days I catch a rhythm, almost a song
in my own breath. I'm alone here
in Brooklyn Heights, late morning, the sky
above the St. George Hotel clear, clear
for New York, that is. The radio playing
"Bird Flight," Parker in his California
tragic voice fifty years ago, his faltering
"Lover Man" just before he crashed into chaos.
I would guess that outside the recording studio
in Burbank the sun was high above the jacarandas,
it was late March, the worst of yesterday's rain
had come and gone, the sky washed blue. Bird
could have seen for miles if he'd looked, but what
he saw was so foreign he clenched his eyes,
shook his head, and barked like a dog--just once--
and then Howard McGhee took his arm and assured him
he'd be OK. I know this because Howard told me
years later that he thought Bird could
lie down in the hotel room they shared, sleep
for an hour or more, and waken as himself.
The perfect sunlight angles into my little room
above Willow Street. I listen to my breath
come and go and try to catch its curious taste,
part milk, part iron, part blood, as it passes
from me into the world. This is not me,
this is automatic, this entering and exiting,
my body's essential occupation without which
I am a thing. The whole process has a name,
a word I don't know, an elegant word not
in English or Yiddish or Spanish, a word
that means nothing to me. Howard truly believed
what he said that day when he steered
Parker into a cab and drove the silent miles
beside him while the bright world
unfurled around them: filling stations, stands
of fruits and vegetables, a kiosk selling trinkets
from Mexico and the Philippines. It was all
so actual and Western, it was a new creation
coming into being, like the music of Charlie Parker
someone later called "glad," though that day
I would have said silent, "the silent music
of Charlie Parker." Howard said nothing.
He paid the driver and helped Bird up two flights
to their room, got his boots off, and went out
to let him sleep as the afternoon entered
the history of darkness. I'm not judging
Howard, he did better than I could have
now or then. Then I was 19, working
on the loading docks at Railway Express
coming day by day into the damaged body
of a man while I sang into the filthy air
the Yiddish drinking songs my Zadie taught me
before his breath failed. Now Howard is gone,
eleven long years gone, the sweet voice silenced.
"The subtle bridge between Eldridge and Navarro,"
they later wrote, all that rising passion
a footnote to others. I remember in '85
walking the halls of Cass Tech, the high school
where he taught after his performing days,
when suddenly he took my left hand in his
two hands to tell me it all worked out
for the best. Maybe he'd gotten religion,
maybe he knew how little time was left,
maybe that day he was just worn down
by my questions about Parker. To him Bird
was truly Charlie Parker, a man, a silent note
going out forever on the breath of genius
which now I hear soaring above my own breath
as this bright morning fades into afternoon.
Music, I'll call it music. It's what we need
as the sun staggers behind the low gray clouds
blowing relentlessly in from that nameless ocean,
the calm and endless one I've still to cross.
|
Written by
Robert Frost |
To drive Paul out of any lumber camp
All that was needed was to say to him,
"How is the wife, Paul?"--and he'd disappear.
Some said it was because be bad no wife,
And hated to be twitted on the subject;
Others because he'd come within a day
Or so of having one, and then been Jilted;
Others because he'd had one once, a good one,
Who'd run away with someone else and left him;
And others still because he had one now
He only had to be reminded of--
He was all duty to her in a minute:
He had to run right off to look her up,
As if to say, "That's so, how is my wife?
I hope she isn't getting into mischief."
No one was anxious to get rid of Paul.
He'd been the hero of the mountain camps
Ever since, just to show them, he bad slipped
The bark of a whole tamarack off whole
As clean as boys do off a willow twig
To make a willow whistle on a Sunday
April by subsiding meadow brooks.
They seemed to ask him just to see him go,
"How is the wife, Paul?" and he always went.
He never stopped to murder anyone
Who asked the question. He just disappeared--
Nobody knew in what direction,
Although it wasn't usually long
Before they beard of him in some new camp,
The same Paul at the same old feats of logging.
The question everywhere was why should Paul
Object to being asked a civil question--
A man you could say almost anything to
Short of a fighting word. You have the answers.
And there was one more not so fair to Paul:
That Paul had married a wife not his equal.
Paul was ashamed of her. To match a hero
She would have had to be a heroine;
Instead of which she was some half-breed squaw.
But if the story Murphy told was true,
She wasn't anything to be ashamed of.
You know Paul could do wonders. Everyone's
Heard how he thrashed the horses on a load
That wouldn't budge, until they simply stretched
Their rawhide harness from the load to camp.
Paul told the boss the load would be all right,
"The sun will bring your load in"--and it did--
By shrinking the rawhide to natural length.
That's what is called a stretcher. But I guess
The one about his jumping so's to land
With both his feet at once against the ceiling,
And then land safely right side up again,
Back on the floor, is fact or pretty near fact.
Well, this is such a yarn. Paul sawed his wife
Out of a white-pine log. Murphy was there
And, as you might say, saw the lady born.
Paul worked at anything in lumbering.
He'd been bard at it taking boards away
For--I forget--the last ambitious sawyer
To want to find out if he couldn't pile
The lumber on Paul till Paul begged for mercy.
They'd sliced the first slab off a big butt log,
And the sawyer had slammed the carriage back
To slam end-on again against the saw teeth.
To judge them by the way they caught themselves
When they saw what had happened to the log,
They must have had a guilty expectation
Something was going to go with their slambanging.
Something bad left a broad black streak of grease
On the new wood the whole length of the log
Except, perhaps, a foot at either end.
But when Paul put his finger in the grease,
It wasn't grease at all, but a long slot.
The log was hollow. They were sawing pine.
"First time I ever saw a hollow pine.
That comes of having Paul around the place.
Take it to bell for me," the sawyer said.
Everyone had to have a look at it
And tell Paul what he ought to do about it.
(They treated it as his.) "You take a jackknife,
And spread the opening, and you've got a dugout
All dug to go a-fishing in." To Paul
The hollow looked too sound and clean and empty
Ever to have housed birds or beasts or bees.
There was no entrance for them to get in by.
It looked to him like some new kind of hollow
He thought he'd better take his jackknife to.
So after work that evening be came back
And let enough light into it by cutting
To see if it was empty. He made out in there
A slender length of pith, or was it pith?
It might have been the skin a snake had cast
And left stood up on end inside the tree
The hundred years the tree must have been growing.
More cutting and he bad this in both hands,
And looking from it to the pond nearby,
Paul wondered how it would respond to water.
Not a breeze stirred, but just the breath of air
He made in walking slowly to the beach
Blew it once off his hands and almost broke it.
He laid it at the edge, where it could drink.
At the first drink it rustled and grew limp.
At the next drink it grew invisible.
Paul dragged the shallows for it with his fingers,
And thought it must have melted. It was gone.
And then beyond the open water, dim with midges,
Where the log drive lay pressed against the boom,
It slowly rose a person, rose a girl,
Her wet hair heavy on her like a helmet,
Who, leaning on a log, looked back at Paul.
And that made Paul in turn look back
To see if it was anyone behind him
That she was looking at instead of him.
(Murphy had been there watching all the time,
But from a shed where neither of them could see him.)
There was a moment of suspense in birth
When the girl seemed too waterlogged to live,
Before she caught her first breath with a gasp
And laughed. Then she climbed slowly to her feet,
And walked off, talking to herself or Paul,
Across the logs like backs of alligators,
Paul taking after her around the pond.
Next evening Murphy and some other fellows
Got drunk, and tracked the pair up Catamount,
From the bare top of which there is a view
TO other hills across a kettle valley.
And there, well after dark, let Murphy tell it,
They saw Paul and his creature keeping house.
It was the only glimpse that anyone
Has had of Paul and her since Murphy saw them
Falling in love across the twilight millpond.
More than a mile across the wilderness
They sat together halfway up a cliff
In a small niche let into it, the girl
Brightly, as if a star played on the place,
Paul darkly, like her shadow. All the light
Was from the girl herself, though, not from a star,
As was apparent from what happened next.
All those great ruffians put their throats together,
And let out a loud yell, and threw a bottle,
As a brute tribute of respect to beauty.
Of course the bottle fell short by a mile,
But the shout reached the girl and put her light out.
She went out like a firefly, and that was all.
So there were witnesses that Paul was married
And not to anyone to be ashamed of
Everyone had been wrong in judging Paul.
Murphy told me Paul put on all those airs
About his wife to keep her to himself.
Paul was what's called a terrible possessor.
Owning a wife with him meant owning her.
She wasn't anybody else's business,
Either to praise her or much as name her,
And he'd thank people not to think of her.
Murphy's idea was that a man like Paul
Wouldn't be spoken to about a wife
In any way the world knew how to speak.
|
Written by
Robert William Service |
You've heard of "Casey at The Bat,"
And "Casey's Tabble Dote";
But now it's time
To write a rhyme
Of "Casey's Billy-goat."
Pat Casey had a billy-goat he gave the name of Shamus,
Because it was (the neighbours said) a national disgrace.
And sure enough that animal was eminently famous
For masticating every rag of laundry round the place.
For shirts to skirts prodigiously it proved its powers of chewing;
The question of digestion seemed to matter not at all;
But you'll agree, I think with me, its limit of misdoing
Was reached the day it swallowed Missis Rooney's ould red shawl.
Now Missis Annie Rooney was a winsome widow women,
And many a bouncing boy had sought to make her change her name;
And living just across the way 'twas surely only human
A lonesome man like Casey should be wishfully the same.
So every Sunday, shaved and shined, he'd make the fine occasion
To call upon the lady, and she'd take his and coat;
And supping tea it seemed that she might yield to his persuasion,
But alas! he hadn't counted on that devastating goat.
For Shamus loved his master with a deep and dumb devotion,
And everywhere that Casey went that goat would want to go;
And though I cannot analyze a quadruped's emotion,
They said the baste was jealous, and I reckon it was so.
For every time that Casey went to call on Missis Rooney,
Beside the gate the goat would wait with woefulness intense;
Until one day it chanced that they were fast becoming spooney,
When Shamus spied that ould red shawl a-flutter on the fence.
Now Missis Rooney loved that shawl beyond all rhyme or reason,
And maybe 'twas an heirloom or a cherished souvenir;
For judging by the way she wore it season after season,
I might have been as precious as a product of Cashmere.
So Shamus strolled towards it, and no doubt the colour pleased him,
For he biffed it and he sniffed it, as most any goat might do;
Then his melancholy vanished as a sense of hunger seized him,
And he wagged his tail with rapture as he started in to chew.
"Begorrah! you're a daisy," said the doting Mister Casey
to the blushing Widow Rooney as they parted at the door.
"Wid yer tinderness an' tazin' sure ye've set me heart a-blazin',
And I dread the day I'll nivver see me Anniw anny more."
"Go on now wid yer blarney," said the widow softly sighing;
And she went to pull his whiskers, when dismay her bosom smote. . . .
Her ould red shawl! 'Twas missin' where she'd left it bravely drying -
Then she saw it disappearing - down the neck of Casey's goat.
Fiercely flamed her Irish temper, "Look!" says she, "The thavin' divvle!
Sure he's made me shawl his supper. Well, I hope it's to his taste;
But excuse me, Mister Casey, if I seem to be oncivil,
For I'll nivver wed a man wid such a misbegotten baste."
So she slammed the door and left him in a state of consternation,
And he couldn't understand it, till he saw that grinning goat:
Then with eloquence he cussed it, and his final fulmination
Was a poem of profanity impossible to quote.
So blasting goats and petticoats and feeling downright sinful,
Despairfully he wandered in to Shinnigan's shebeen;
And straightway he proceeded to absorb a might skinful
Of the deadliest variety of Shinnigan's potheen.
And when he started homeward it was in the early morning,
But Shamus followed faithfully, a yard behind his back;
Then Casey slipped and stumbled, and without the slightest warning
like a lump of lead he tumbled - right across the railroad track.
And there he lay, serenely, and defied the powers to budge him,
Reposing like a baby, with his head upon the rail;
But Shamus seemed unhappy, and from time to time would nudge him,
Though his prods to protestation were without the least avail.
Then to that goatish mind, maybe, a sense of fell disaster
Came stealing like a spectre in the dim and dreary dawn;
For his bleat of warning blended with the snoring of his master
In a chorus of calamity - but Casey slumbered on.
Yet oh, that goat was troubled, for his efforts were redoubled;
Now he tugged at Casey's whisker, now he nibbled at his ear;
Now he shook him by the shoulder, and with fear become bolder,
He bellowed like a fog-horn, but the sleeper did not hear.
Then up and down the railway line he scampered for assistance;
But anxiously he hurried back and sought with tug and strain
To pull his master off the track . . . when sudden! in the distance
He heard the roar and rumble of the fast approaching train.
Did Shamus faint and falter? No, he stood there stark and splendid.
True, his tummy was distended, but he gave his horns a toss.
By them his goathood's honour would be gallantly defended,
And if their valour failed him - he would perish with his boss
So dauntlessly he lowered his head, and ever clearer, clearer,
He heard the throb and thunder of the Continental Mail.
He would face the mighty monster. It was coming nearer, nearer;
He would fight it, he would smite it, but he'd never show his tail.
Can you see that hirsute hero, standing there in tragic glory?
Can you hear the Pullman porters shrieking horror to the sky?
No, you can't; because my story has no end so grim and gory,
For Shamus did not perish and his master did not die.
At this very present moment Casey swaggers hale and hearty,
And Shamus strolls beside him with a bright bell at his throat;
While recent Missis Rooney is the gayest of the party,
For now she's Missis Casey and she's crazy for that goat.
You're wondering what happened? Well, you know that truth is stranger
Than the wildest brand of fiction, so Ill tell you without shame. . . .
There was Shamus and his master in the face of awful danger,
And the giant locomotive dashing down in smoke and flame. . . .
What power on earth could save them? Yet a golden inspiration
To gods and goats alike may come, so in that brutish brain
A thought was born - the ould red shawl. . . . Then rearing with elation,
Like lightning Shamus threw it up - AND FLAGGED AND STOPPED THE TRAIN.
|
Written by
Anne Bradstreet |
Proem.
1.1 Although great Queen, thou now in silence lie,
1.2 Yet thy loud Herald Fame, doth to the sky
1.3 Thy wondrous worth proclaim, in every clime,
1.4 And so has vow'd, whilst there is world or time.
1.5 So great's thy glory, and thine excellence,
1.6 The sound thereof raps every human sense
1.7 That men account it no impiety
1.8 To say thou wert a fleshly Deity.
1.9 Thousands bring off'rings (though out of date)
1.10 Thy world of honours to accumulate.
1.11 'Mongst hundred Hecatombs of roaring Verse,
1.12 'Mine bleating stands before thy royal Hearse.
1.13 Thou never didst, nor canst thou now disdain,
1.14 T' accept the tribute of a loyal Brain.
1.15 Thy clemency did yerst esteem as much
1.16 The acclamations of the poor, as rich,
1.17 Which makes me deem, my rudeness is no wrong,
1.18 Though I resound thy greatness 'mongst the throng.
The Poem.
2.1 No Ph{oe}nix Pen, nor Spenser's Poetry,
2.2 No Speed's, nor Camden's learned History;
2.3 Eliza's works, wars, praise, can e're compact,
2.4 The World's the Theater where she did act.
2.5 No memories, nor volumes can contain,
2.6 The nine Olymp'ades of her happy reign,
2.7 Who was so good, so just, so learn'd, so wise,
2.8 From all the Kings on earth she won the prize.
2.9 Nor say I more than truly is her due.
2.10 Millions will testify that this is true.
2.11 She hath wip'd off th' aspersion of her Sex,
2.12 That women wisdom lack to play the Rex.
2.13 Spain's Monarch sa's not so, not yet his Host:
2.14 She taught them better manners to their cost.
2.15 The Salic Law had not in force now been,
2.16 If France had ever hop'd for such a Queen.
2.17 But can you Doctors now this point dispute,
2.18 She's argument enough to make you mute,
2.19 Since first the Sun did run, his ne'er runn'd race,
2.20 And earth had twice a year, a new old face;
2.21 Since time was time, and man unmanly man,
2.22 Come shew me such a Ph{oe}nix if you can.
2.23 Was ever people better rul'd than hers?
2.24 Was ever Land more happy, freed from stirs?
2.25 Did ever wealth in England so abound?
2.26 Her Victories in foreign Coasts resound?
2.27 Ships more invincible than Spain's, her foe
2.28 She rack't, she sack'd, she sunk his Armadoe.
2.29 Her stately Troops advanc'd to Lisbon's wall,
2.30 Don Anthony in's right for to install.
2.31 She frankly help'd Franks' (brave) distressed King,
2.32 The States united now her fame do sing.
2.33 She their Protectrix was, they well do know,
2.34 Unto our dread Virago, what they owe.
2.35 Her Nobles sacrific'd their noble blood,
2.36 Nor men, nor coin she shap'd, to do them good.
2.37 The rude untamed Irish she did quell,
2.38 And Tiron bound, before her picture fell.
2.39 Had ever Prince such Counsellors as she?
2.40 Her self Minerva caus'd them so to be.
2.41 Such Soldiers, and such Captains never seen,
2.42 As were the subjects of our (Pallas) Queen:
2.43 Her Sea-men through all straits the world did round,
2.44 Terra incognitæ might know her sound.
2.45 Her Drake came laded home with Spanish gold,
2.46 Her Essex took Cadiz, their Herculean hold.
2.47 But time would fail me, so my wit would too,
2.48 To tell of half she did, or she could do.
2.49 Semiramis to her is but obscure;
2.50 More infamy than fame she did procure.
2.51 She plac'd her glory but on Babel's walls,
2.52 World's wonder for a time, but yet it falls.
2.53 Fierce Tomris (Cirus' Heads-man, Sythians' Queen)
2.54 Had put her Harness off, had she but seen
2.55 Our Amazon i' th' Camp at Tilbury,
2.56 (Judging all valour, and all Majesty)
2.57 Within that Princess to have residence,
2.58 And prostrate yielded to her Excellence.
2.59 Dido first Foundress of proud Carthage walls
2.60 (Who living consummates her Funerals),
2.61 A great Eliza, but compar'd with ours,
2.62 How vanisheth her glory, wealth, and powers.
2.63 Proud profuse Cleopatra, whose wrong name,
2.64 Instead of glory, prov'd her Country's shame:
2.65 Of her what worth in Story's to be seen,
2.66 But that she was a rich Ægyptian Queen.
2.67 Zenobia, potent Empress of the East,
2.68 And of all these without compare the best
2.69 (Whom none but great Aurelius could quell)
2.70 Yet for our Queen is no fit parallel:
2.71 She was a Ph{oe}nix Queen, so shall she be,
2.72 Her ashes not reviv'd more Ph{oe}nix she.
2.73 Her personal perfections, who would tell,
2.74 Must dip his Pen i' th' Heliconian Well,
2.75 Which I may not, my pride doth but aspire
2.76 To read what others write and then admire.
2.77 Now say, have women worth, or have they none?
2.78 Or had they some, but with our Queen is't gone?
2.79 Nay Masculines, you have thus tax'd us long,
2.80 But she, though dead, will vindicate our wrong.
2.81 Let such as say our sex is void of reason
2.82 Know 'tis a slander now, but once was treason.
2.83 But happy England, which had such a Queen,
2.84 O happy, happy, had those days still been,
2.85 But happiness lies in a higher sphere.
2.86 Then wonder not, Eliza moves not here.
2.87 Full fraught with honour, riches, and with days,
2.88 She set, she set, like Titan in his rays.
2.89 No more shall rise or set such glorious Sun,
2.90 Until the heaven's great revolution:
2.91 If then new things, their old form must retain,
2.92 Eliza shall rule Albian once again.
Her Epitaph.
3.1 Here sleeps T H E Queen, this is the royal bed
3.2 O' th' Damask Rose, sprung from the white and red,
3.3 Whose sweet perfume fills the all-filling air,
3.4 This Rose is withered, once so lovely fair:
3.5 On neither tree did grow such Rose before,
3.6 The greater was our gain, our loss the more.
Another.
4.1 Here lies the pride of Queens, pattern of Kings:
4.2 So blaze it fame, here's feathers for thy wings.
4.3 Here lies the envy'd, yet unparallel'd Prince,
4.4 Whose living virtues speak (though dead long since).
4.5 If many worlds, as that fantastic framed,
4.6 In every one, be her great glory famed
|
Written by
John Milton |
In this Monody the author bewails a learned Friend, unfortunately
drowned in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.
YET once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven's descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o'ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd's ear.
Where were ye, Nymphs, when the remorseless deep
Closed o'er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd's trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera's hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,"
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed."
O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune's plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft," quoth he, Rmy dearest pledge?"
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:--
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies' sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers' feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman's art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more."
Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf suck the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the pansy freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where'er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit'st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep'st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona's hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
|
Written by
John Donne |
Here take my picture; though I bid farewell,
Thine, in my heart, where my soul dwells, shall dwell.
'Tis like me now, but I dead, 'twill be more
When we are shadows both than 'twas before.
When weather-beaten I come back, my hand
Perhaps with rude oars torn, or sunbeams tanned,
My face and breast of haircloth, and my head
With cares rash sudden storms being o'erspread,
My body a sack of bones, broken within,
And powder's blue stains scattered on my skin;
If rival fools tax thee t' have loved a man
So foul and course as, Oh, I may seem then,
This shall say what I was: and thou shalt say,
Do his hurts reach me? doth my worth decay?
Or do they reach his judging mind, that he
Should now love less what he did love to see?
That which in him was fair and delicate
Was but the milk, which in love's childish state
Did nurse it: who now is grown strong enough
To feed on that, which to disused tastes seems tough.
|
Written by
John Dryden |
To the Pious Memory of the Accomplished Young Lady, Mrs Anne Killigrew,
Excellent in the Two Sister-arts of Poesy and Painting
Thou youngest Virgin Daughter of the skies,
Made in the last promotion of the blest;
Whose palms, new-plucked from Paradise,
In spreading branches more sublimely rise,
Rich with immortal green, above the rest:
Whether, adopted to some neighbouring star,
Thou roll'st above us in thy wand'ring race,
Or, in procession fixed and regular
Moved with the heavens' majestic pace;
Or, called to more superior bliss,
Thou tread'st with seraphims the vast abyss:
Whatever happy region be thy place,
Cease thy celestial song a little space;
(Thou wilt have time enough for hymns divine,
Since Heaven's eternal year is thine.)
Hear then a mortal muse thy praise rehearse
In no ignoble verse;
But such as thy own voice did practise here,
When thy first fruits of poesie were given,
To make thyself a welcome inmate there;
While yet a young probationer
And candidate of Heaven.
If by traduction came thy mind,
Our wonder is the less to find
A soul so charming from a stock so good;
Thy father was transfused into thy blood:
So wert thou born into the tuneful strain,
(An early, rich, and inexhausted vein.)
But if thy pre-existing soul
Was formed, at first, with myriads more,
It did through all the mighty poets roll
Who Greek or Latin laurels wore,
And was that Sappho last, which once it was before;
If so, then cease thy flight, O Heav'n-born mind!
Thou hast no dross to purge from thy rich ore:
Nor can thy soul a fairer mansion find
Than was the beauteous frame she left behind:
Return, to fill or mend the choir of thy celestial kind.
May we presume to say that at thy birth
New joy was sprung in Heav'n as well as here on earth?
For sure the milder planets did combine
On thy auspicious horoscope to shine,
And ev'n the most malicious were in trine.
Thy brother-angels at thy birth
Strung each his lyre, and tuned it high,
That all the people of the sky
Might know a poetess was born on earth;
And then if ever, mortal ears
Had heard the music of the spheres!
And if no clust'ring swarm of bees
On thy sweet mouth distilled their golden dew,
'Twas that such vulgar miracles
Heav'n had not leisure to renew:
For all the blest fraternity of love
Solemnized there thy birth, and kept thy holyday above.
O gracious God! how far have we
Profaned thy Heav'nly gift of poesy!
Made prostitute and profligate the Muse,
Debased to each obscene and impious use,
Whose harmony was first ordained above,
For tongues of angels and for hymns of love!
Oh wretched we! why were we hurried down
This lubrique and adult'rate age
(Nay, added fat pollutions of our own)
T' increase the steaming ordures of the stage?
What can we say t' excuse our second fall?
Let this thy vestal, Heav'n, atone for all:
Her Arethusian stream remains unsoiled,
Unmixed with foreign filth and undefiled;
Her wit was more than man, her innocence a child.
Art she had none, yet wanted none,
For nature did that want supply:
So rich in treasures of her own,
She might our boasted stores defy:
Such noble vigour did her verse adorn,
That it seemed borrowed, where 'twas only born.
Her morals too were in her bosom bred
By great examples daily fed,
What in the best of books, her father's life, she read.
And to be read herself she need not fear;
Each test and ev'ry light her muse will bear,
Though Epictetus with his lamp were there.
Ev'n love (for love sometimes her muse expressed)
Was but a lambent-flame which played about her breast,
Light as the vapours of a morning dream;
So cold herself, while she such warmth expressed,
'Twas Cupid bathing in Diana's stream.
Born to the spacious empire of the Nine,
One would have thought she should have been content
To manage well that mighty government;
But what can young ambitious souls confine?
To the next realm she stretched her sway,
For painture near adjoining lay,
A plenteous province, and alluring prey.
A chamber of dependences was framed,
(As conquerers will never want pretence,
When armed, to justify th' offence),
And the whole fief, in right of poetry, she claimed.
The country open lay without defence;
For poets frequent inroads there had made,
And perfectly could represent
The shape, the face, with ev'ry lineament;
And all the large domains which the dumb-sister swayed,
All bowed beneath her government,
Received in triumph wheresoe'er she went.
Her pencil drew whate'er her soul designed,
And oft the happy draught surpassed the image in her mind.
The sylvan scenes of herds and flocks,
And fruitful plains and barren rocks;
Of shallow brooks that flowed so clear,
The bottom did the top appear;
Of deeper too and ampler floods
Which as in mirrors showed the woods;
Of lofty trees, with sacred shades,
And perspectives of pleasant glades,
Where nymphs of brightest form appear,
And shaggy satyrs standing near,
Which them at once admire and fear.
The ruins too of some majestic piece,
Boasting the pow'r of ancient Rome or Greece,
Whose statues, friezes, columns, broken lie,
And, though defaced, the wonder of the eye;
What nature, art, bold fiction, e'er durst frame,
Her forming hand gave feature to the name.
So strange a concourse ne'er was seen before,
But when the peopled ark the whole creation bore.
The scene then changed; with bold erected look
Our martial king the sight with rev'rence strook:
For, not content t' express his outward part,
Her hand called out the image of his heart,
His warlike mind, his soul devoid of fear,
His high-designing thoughts were figured there,
As when, by magic, ghosts are made appear.
Our phoenix Queen was portrayed too so bright,
Beauty alone could beauty take so right:
Her dress, her shape, her matchless grace,
Were all observed, as well as heavenly face.
With such a peerless majesty she stands,
As in that day she took the crown from sacred hands:
Before a train of heroines was seen,
In beauty foremost, as in rank, the Queen!
Thus nothing to her genius was denied,
But like a ball of fire, the farther thrown,
Still with a greater blaze she shone,
And her bright soul broke out on ev'ry side.
What next she had designed, Heaven only knows:
To such immod'rate growth her conquest rose,
That Fate alone its progress could oppose.
Now all those charms, that blooming grace,
That well-proportioned shape, and beauteous face,
Shall never more be seen by mortal eyes;
In earth the much-lamented virgin lies!
Not wit nor piety could Fate prevent;
Nor was the cruel destiny content
To finish all the murder at a blow,
To sweep at once her life and beauty too;
But, like a hardened felon, took a pride
To work more mischievously slow,
And plundered first, and then destroyed.
O double sacrilege on things divine,
To rob the relic, and deface the shrine!
But thus Orinda died:
Heaven, by the same disease, did both translate;
As equal were their souls, so equal was their fate.
Meantime, her warlike brother on the seas
His waving streamers to the winds displays,
And vows for his return, with vain devotion, pays.
Ah, gen'rous youth! that wish forbear,
The winds too soon will waft thee here!
Slack all thy sails, and fear to come,
Alas, thou know'st not, thou art wrecked at home!
No more shalt thou behold thy sister's face,
Thou hast already had her last embrace.
But look aloft, and if thou kenn'st from far
Among the Pleiads a new-kindled star,
If any sparkles than the rest more bright,
'Tis she that shines in that propitious light.
When in mid-air the golden trump shall sound,
To raise the nations underground;
When in the valley of Jehosaphat
The judging God shall close the book of Fate;
And there the last assizes keep
For those who wake and those who sleep;
When rattling bones together fly
From the four corners of the sky,
When sinews o'er the skeletons are spread,
Those clothed with flesh, and life inspires the dead;
The sacred poets first shall hear the sound,
And foremost from the tomb shall bound:
For they are covered with the lightest ground;
And straight with in-born vigour, on the wing,
Like mounting larks, to the New Morning sing.
There thou, sweet saint, before the choir shall go,
As harbinger of Heav'n, the way to show,
The way which thou so well hast learned below.
|
Written by
Edgar Lee Masters |
Reverend Wiley advised me not to divorce him
For the sake of the children,
And Judge Somers advised him the same.
So we stuck to the end of the path.
But two of the children thought he was right,
And two of the children thought I was right.
And the two who sided with him blamed me,
And the two who sided with me blamed him,
And they grieved for the one they sided with.
And all were torn with the guilt of judging,
And tortured in soul because they could not admire
Equally him and me.
Now every gardener knows that plants grown in cellars
Or under stones are twisted and yellow and weak.
And no mother would let her baby suck
Diseased milk from her breast.
Yet preachers and judges advise the raising of souls
Where there is no sunlight, but only twilight,
No warmth, but only dampness and cold --
Preachers and judges!
|
Written by
Ella Wheeler Wilcox |
You call me an angel of love and of light,
A being of goodness and heavenly fire,
Sent out from God’s kingdom to guide you aright,
In paths where your spirits may mount and aspire.
You say that I glow like a star on its course,
Like a ray from the alter, a spark from the source.
Now list to my answer; let all the world hear it;
I speak unafraid what I know to be true:
A pure, faithful love is the creative spirit
Which makes women angels! I live in but you.
We are bound soul to soul by life’s holiest laws;
If I am an angel – why, you are the cause.
As my ship skims the sea, I look up from the deck.
Fair, firm at the wheel shines Love’s beautiful form,
And shall I curse the barque that last night went to wreck,
By the Pilot abandoned to darkness and storm?
My craft is no stauncher, she too had been lost –
Had the wheelman deserted, or slept at his post.
I laid down the wealth of my soul at your feet
(Some woman does this for some man every day) .
No desperate creature who walks in the street,
Has a wickeder heart that I might have, I say,
Had you wantonly misused the treasures you woon,
-As so many men with heart riches have done.
This flame from God’s altar, this holy love flame,
That burns like sweet incense for ever for you,
Might now be a wild conflagration of shame,
Had you tortured my heart, or been base or untrue.
For angels and devils are cast in one mould,
Till love guides them upward, or downward, I hold.
I tell you the women who make fervent wives
And sweet tender mothers, had Fate been less fair,
Are the women who might have abandoned their lives
To the madness that springs from and ends in despair.
As the fire on the hearth which sheds brightness around,
Neglected, may level the walls to the ground.
The world makes grave errors in judging these things,
Great good and great evil are born in one breast.
Love horns us and hoofs us – or gives us our wings,
And the best could be worst, as the worst could be best.
You must thank your own worth for what I grew to be,
For the demon lurked under the angel in me.
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