Written by
Joseph Brodsky |
I said fate plays a game without a score,
and who needs fish if you've got caviar?
The triumph of the Gothic style would come to pass
and turn you on--no need for coke, or grass.
I sit by the window.
Outside, an aspen.
When I loved, I loved deeply.
It wasn't often.
I said the forest's only part of a tree.
Who needs the whole girl if you've got her knee?
Sick of the dust raised by the modern era,
the Russian eye would rest on an Estonian spire.
I sit by the window.
The dishes are done.
I was happy here.
But I won't be again.
I wrote: The bulb looks at the flower in fear,
and love, as an act, lacks a verb; the zer-
o Euclid thought the vanishing point became
wasn't math--it was the nothingness of Time.
I sit by the window.
And while I sit
my youth comes back.
Sometimes I'd smile.
Or spit.
I said that the leaf may destory the bud;
what's fertile falls in fallow soil--a dud;
that on the flat field, the unshadowed plain
nature spills the seeds of trees in vain.
I sit by the window.
Hands lock my knees.
My heavy shadow's my squat company.
My song was out of tune, my voice was cracked,
but at least no chorus can ever sing it back.
That talk like this reaps no reward bewilders
no one--no one's legs rest on my sholders.
I sit by the window in the dark.
Like an express,
the waves behind the wavelike curtain crash.
A loyal subject of these second-rate years,
I proudly admit that my finest ideas
are second-rate, and may the future take them
as trophies of my struggle against suffocation.
I sit in the dark.
And it would be hard to figure out
which is worse; the dark inside, or the darkness out.
|
Written by
Joseph Brodsky |
Everything has its limit, including sorrow.
A windowpane stalls a stare.
Nor does a grill abandon
a leaf.
One may rattle the keys, gurgle down a swallow.
Loneless cubes a man at random.
A camel sniffs at the rail with a resentful nostril;
a perspective cuts emptiness deep and even.
And what is space anyway if not the
body's absence at every given
point? That's why Urania's older sister Clio!
in daylight or with the soot-rich lantern,
you see the globe's pate free of any bio,
you see she hides nothing, unlike the latter.
There they are, blueberry-laden forests,
rivers where the folk with bare hands catch sturgeon
or the towns in whose soggy phone books
you are starring no longer; father eastward surge on
brown mountain ranges; wild mares carousing
in tall sedge; the cheeckbones get yellower
as they turn numerous.
And still farther east, steam dreadnoughts
or cruisers,
and the expanse grows blue like lace underwear.
|
Written by
Joseph Brodsky |
All the huskies are eaten.
There is no space
left in the diary And the beads of quick
words scatter over his spouse's sepia-shaded face
adding the date in question like a mole to her lovely cheek.
Next the snapshot of his sister.
He doesn't spare his kin:
what's been reached is the highest possible latitude!
And like the silk stocking of a burlesque half-nude
queen it climbs up his thigh: gangrene.
|
Written by
Joseph Brodsky |
About a year has passed.
I've returned to the place of the battle
to its birds that have learned their unfolding of wings
from a subtle
lift of a surprised eyebrow or perhaps from a razor blade
- wings now the shade of early twilight now of state
bad blood.
Now the place is abuzz with trading
in your ankles's remanants bronzes
of sunburnt breastplates dying laughter bruises
rumors of fresh reserves memories of high treason
laundered banners with imprints of the many
who since have risen.
All's overgrown with people.
A ruin's a rather stubborn
architectural style.
And the hearts's distinction
from a pitch-black cavern
isn't that great; not great enough to fear
that we may collide again like blind eggs somewhere.
At sunrise when nobody stares at one's face I often
set out on foot to a monument cast in molten
lengthy bad dreams.
And it says on the plinth "commander
in chief.
" But it reads "in grief " or "in brief "
or "in going under.
"
1985 translated by the author.
|
Written by
Joseph Brodsky |
I have braved, for want of wild beasts, steel cages,
carved my term and nickname on bunks and rafters,
lived by the sea, flashed aces in an oasis,
dined with the-devil-knows-whom, in tails, on truffles.
From the height of a glacier I beheld half a world, the earthly width.
Twice have drowned, thrice let knives rake my nitty-gritty.
Quit the country the bore and nursed me.
Those who forgot me would make a city.
I have waded the steppes that saw yelling Huns in saddles, worn the clothes nowadays back in fashion in every quarter, planted rye, tarred the roofs of pigsties and stables, guzzled everything save dry water.
I've admitted the sentries' third eye into my wet and foul dreams.
Munched the bread of exile; it's stale and warty.
Granted my lungs all sounds except the howl;
switched to a whisper.
Now I am forty.
What should I say about my life? That it's long and abhors transparence.
Broken eggs make me grieve; the omelette, though, makes me vomit.
Yet until brown clay has been rammed down my larynx,
only gratitude will be gushing from it.
|
Written by
Joseph Brodsky |
The perilous blue sun follows with its slant eyes
masts of the shuddered grove steaming up to capsize
in the frozen straits of Epiphany.
February has fewer
days than the other months; therefore it's morecruel
than the rest.
Dearest it's more sound
to wrap up our sailing round
the globe with habitual naval grace
moving your cot to the fireplace
where our dreadnought is going under
in great smoke.
Only fire can grasp a winter!
Golder unharnessed stallions in the chimney
dye their manes to more corvine shades as they near the finish
and the dark room fills with the plaintive incessant chirring
of a naked lounging grasshopper one cannot cup in fingers.
|
Written by
Joseph Brodsky |
I have braved for want of wild beasts steel cages
carved my term and nickname on bunks and rafters
lived by the sea flashed aces in an oasis
dined with the-devil-knows-whom in tails on truffles.
From the height of a glacier I beheld half a world the earthly
width.
Twice have drowned thrice let knives rake my nitty-gritty.
Quit the country the bore and nursed me.
Those who forgot me would make a city.
I have waded the steppes that saw yelling Huns in saddles
worn the clothes nowadays back in fashion in every quarter
planted rye tarred the roofs of pigsties and stables
guzzled everything save dry water.
I've admitted the sentries' third eye into my wetand foul
dreams.
Munched the bread of exile; it's stale and warty.
Granted my lungs all sounds except the howl;
switched to a whisper.
Now I am forty.
What should I say about my life? That it's long and abhors transparence.
Broken eggs make me grieve; the omelette though makes me vomit.
Yet until brown clay has been rammed down my larynx
only gratitude will be gushing from it.
|
Written by
Joseph Brodsky |
Here's a girl from a dangerous town
She crops her dark hair short
so that less of her has to frown
when someine gets hurt.
She folds her memories like a parachute.
Dropped she collects the peat
and cooks her veggies at home: they shoot
here where they eat.
Ah there's more sky in these parts than say
ground.
Hence her voice's pitch
and her stare stains your retina like a gray
bulb when you switch
hemispheres and her knee-length quilt
skirt's cut to catch the squal
I dream of her either loved or killed
because the town's too small.
|
Written by
Joseph Brodsky |
A list of some observation.
In a corner it's warm.
A glance leaves an imprint on anything it's dwelt on.
Water is glass's most public form.
Man is more frightening than its skeleton.
A nowhere winter evening with wine.
A black
porch resists an osier's stiff assaults.
Fixed on an elbow the body bulks
like a glacier's debris a moraine of sorts.
A millennium hence they'll no doubt expose
a fossil bivalve propped behind this gauze
cloth with the print of lips under the print of fringe
mumbling "Good night" to a window hinge.
|
Written by
Joseph Brodsky |
Everything has its limit including sorrow.
A windowpane stalls a stare.
Nor does a grill abandon
a leaf.
One may rattle the keys gurgle down a swallow.
Loneless cubes a man at random.
A camel sniffs at the rail with a resentful nostril;
a perspective cuts emptiness deep and even.
And what is space anyway if not the
body's absence at every given
point? That's why Urania's older sister Clio!
in daylight or with the soot-rich lantern
you see the globe's pate free of any bio
you see she hides nothing unlike the latter.
There they are blueberry-laden forests
rivers where the folk with bare hands catch sturgeon
or the towns in whose soggy phone books
you are starring no longer; father eastward surge on
brown mountain ranges; wild mares carousing
in tall sedge; the cheeckbones get blueer
as they turn numerous.
And still farther
east steam dreadnoughts
or cruisers
and the expanse grows blue like lace underwear.
|