Written by
Allen Ginsberg |
railroad yard in San Jose
I wandered desolate
in front of a tank factory
and sat on a bench
near the switchman's shack.
A flower lay on the hay on
the asphalt highway
--the dread hay flower
I thought--It had a
brittle black stem and
corolla of yellowish dirty
spikes like Jesus' inchlong
crown, and a soiled
dry center cotton tuft
like a used shaving brush
that's been lying under
the garage for a year.
Yellow, yellow flower, and
flower of industry,
tough spiky ugly flower,
flower nonetheless,
with the form of the great yellow
Rose in your brain!
This is the flower of the World.
San Jose, 1954
|
Written by
Allen Ginsberg |
railroad yard in San Jose
I wandered desolate
in front of a tank factory
and sat on a bench
near the switchman's shack.
A flower lay on the hay on
the asphalt highway
--the dread hay flower
I thought--It had a
brittle black stem and
corolla of yellowish dirty
spikes like Jesus' inchlong
crown, and a soiled
dry center cotton tuft
like a used shaving brush
that's been lying under
the garage for a year.
Yellow, yellow flower, and
flower of industry,
tough spiky ugly flower,
flower nonetheless,
with the form of the great yellow
Rose in your brain!
This is the flower of the World.
|
Written by
Jose Asuncion Silva |
One night
one night all full of murmurings, of perfumes and music of wings;
one night
in which fantastic fireflies burnt in the humid nuptial shadows,
slowly by my side, pressed altogether close, silent and pale,
as if a presentiment of infinite bitternesses
agitated you unto the most hidden fibers of your being,
along the flowering path which crosses the plain
you walked;
and the full moon
in the infinite and profound blue heavens scattered its white light;
and your shadow,
fine and languid,
and my shadow
projected by the rays of the moon,
upon the sorrowful sands
of the path, joined together;
and they became one,
and they became one,
and they became only one long shadow,
and they became only one long shadow,
and they became only one long shadow.
.
.
.
Tonight
alone; my soul
full of the infinite bitternesses and agonies of your death,
separated from you by time, by the tomb and by distance,
by the infinite blackness
where our voice cannot reach,
silent and alone
along the path I walked .
.
.
And the barking of dogs at the moon could be heard,
at the pale moon,
and the chirping
of the frogs .
.
.
I felt cold.
It was the coldness that in your alcove
your cheeks and your temples and your adoréd hands possessed
within the snowy whiteness
of the mortuary sheets.
It was the coldness of the sepulcher, it was the ice of death,
it was the coldness of oblivion.
And my shadow,
projected by the rays of the moon,
walked alone,
walked alone,
walked alone along the solitary plain;
and your shadow, svelte and agile,
fine and languid,
as in that warm night of springtime death,
as in that night full of murmurings, of perfumes and music of wings,
approached and walked with mine,
approached and walked with mine,
approached and walked with mine .
.
.
Oh, the shadows intertwined!
Oh, the corporeal shadows united with the shadows of the souls!
Oh, the seeking shadows in those nights of sorrows and of tears!
|
Written by
Antonio Machado |
Palacio, good friend,
is spring there
showing itself on branches of black poplars
by the roads and river? On the steeps
of the high Duero, spring is late,
but so soft and lovely when it comes!
Are there a few new leaves
on the old elms?
The acacias must still be bare,
and the mountain peaks snow-filled.
Oh the massed pinks and whites
of Moncayo, massed up there,
beauty, in the sky of Aragon!
Are there brambles flowering,
among the grey stones,
and white daisies,
in the thin grass?
On the belltowers
the storks will be landing now.
The wheat must be green
and the brown mules working sown furrows,
the people seeding late crops,
in April rain.
There’ll be bees,
drunk on rosemary and thyme.
Are the plum trees in flower? Violets still?
There must be hunters about, stealthy,
their decoys under long capes.
Palacio, good friend,
are there nightingales by the river?
When the first lilies,
and the first roses, open,
on a blue evening, climb to Espino,
high Espino, where she is in the earth.
|
Written by
Philip Levine |
When the Lieutenant of the Guardia de Asalto
heard the automatic go off, he turned
and took the second shot just above
the sternum, the third tore away
the right shoulder of his uniform,
the fourth perforated his cheek.
As he
slid out of his comrade's hold
toward the gray cement of the Ramblas
he lost count and knew only
that he would not die and that the blue sky
smudged with clouds was not heaven
for heaven was nowhere and in his eyes
slowly filling with their own light.
The pigeons that spotted the cold floor
of Barcelona rose as he sank below
the waves of silence crashing
on the far shores of his legs, growing
faint and watery.
His hands opened
a last time to receive the benedictions
of automobile exhaust and rain
and the rain of soot.
His mouth,
that would never again say "I am afraid,"
closed on nothing.
The old grandfather
hawking daisies at his stand pressed
a handkerchief against his lips
and turned his eyes away before they held
the eyes of a gunman.
The shepherd dogs
on sale howled in their cages
and turned in circles.
There is more
to be said, but by someone who has suffered
and died for his sister the earth
and his brothers the beasts and the trees.
The Lieutenant can hear it, the prayer
that comes on the voices of water, today
or yesterday, form Chicago or Valladolid,
and hands like smoke above this street
he won't walk as a man ever again.
|