Written by
Rita Dove |
She was thinner, with a mannered gauntness
as she paused just inside the double
glass doors to survey the room, silvery cape
billowing dramatically behind her.What's this,
I thought, lifting a hand until
she nodded and started across the parquet;
that's when I saw she was dressed all in gray,
from a kittenish cashmere skirt and cowl
down to the graphite signature of her shoes.
"Sorry I'm late," she panted, though
she wasn't, sliding into the chair, her cape
tossed off in a shudder of brushed steel.
We kissed.Then I leaned back to peruse
my blighted child, this wary aristocratic mole.
"How's business?" I asked, and hazarded
a motherly smile to keep from crying out:
Are you content to conduct your life
as a cliché and, what's worse,
an anachronism, the brooding artist's demimonde?
Near the rue Princesse they had opened
a gallery cum souvenir shop which featured
fuzzy off-color Monets next to his acrylics, no doubt,
plus beared African drums and the occasional miniature
gargoyle from Notre Dame the Great Artist had
carved at breakfast with a pocket knife.
"Tourists love us.The Parisians, of course"--
she blushed--"are amused, though not without
a certain admiration . . ."
The Chateaubriand
arrived on a bone-white plate, smug and absolute
in its fragrant crust, a black plug steaming
like the heart plucked from the chest of a worthy enemy;
one touch with her fork sent pink juices streaming.
"Admiration for what?"Wine, a bloody
Pinot Noir, brought color to her cheeks."Why,
the aplomb with which we've managed
to support our Art"--meaning he'd convinced
her to pose nude for his appalling canvases,
faintly futuristic landscapes strewn
with carwrecks and bodies being chewed
by rabid cocker spaniels."I'd like to come by
the studio," I ventured, "and see the new stuff."
"Yes, if you wish . . ."A delicate rebuff
before the warning: "He dresses all
in black now.Me, he drapes in blues and carmine--
and even though I think it's kinda cute,
in company I tend toward more muted shades."
She paused and had the grace
to drop her eyes.She did look ravishing,
spookily insubstantial, a lipstick ghost on tissue,
or as if one stood on a fifth-floor terrace
peering through a fringe of rain at Paris'
dreaming chimney pots, each sooty issue
wobbling skyward in an ecstatic oracular spiral.
"And he never thinks of food.I wish
I didn't have to plead with him to eat. . . ."Fruit
and cheese appeared, arrayed on leaf-green dishes.
I stuck with café crème."This Camembert's
so ripe," she joked, "it's practically grown hair,"
mucking a golden glob complete with parsley sprig
onto a heel of bread.Nothing seemed to fill
her up: She swallowed, sliced into a pear,
speared each tear-shaped lavaliere
and popped the dripping mess into her pretty mouth.
Nowhere the bright tufted fields, weighted
vines and sun poured down out of the south.
"But are you happy?"Fearing, I whispered it
quickly."What?You know, Mother"--
she bit into the starry rose of a fig--
"one really should try the fruit here."
I've lost her, I thought, and called for the bill.
|
Written by
Anne Sexton |
1.
Mother, my Mary Gray,
once resident of Gloucester
and Essex County,
a photostat of your will
arrived in the mail today.
This is the division of money.
I am one third
of your daughters counting my bounty
or I am a queen alone
in the parlor still,
eating the bread and honey.
It is Good Friday.
Black birds pick at my window sill.
Your coat in my closet,
your bright stones on my hand,
the gaudy fur animals
I do not know how to use,
settle on me like a debt.
A week ago, while the hard March gales
beat on your house,
we sorted your things: obstacles
of letters, family silver,
eyeglasses and shoes.
Like some unseasoned Christmas, its scales
rigged and reset,
I bundled out gifts I did not choose.
Now the houts of The Cross
rewind. In Boston, the devout
work their cold knees
toward that sweet martyrdom
that Christ planned. My timely loss
is too customary to note; and yet
I planned to suffer
and I cannot. It does not please
my yankee bones to watch
where the dying is done
in its usly hours. Black birds peck
at my window glass
and Easter will take its ragged son.
The clutter of worship
that you taught me, Mary Gray,
is old. I imitate
a memory of belief
that I do not own. I trip
on your death and jesus, my stranger
floats up over
my Christian home, wearing his straight
thorn tree. I have cast my lot
and am one third thief
of you. Time, that rearranger
of estates, equips
me with your garments, but not with grief.
2.
This winter when
cancer began its ugliness
I grieved with you each day
for three months
and found you in your private nook
of the medicinal palace
for New England Women
and never once
forgot how long it took.
I read to you
from The New Yorker, ate suppers
you wouldn't eat, fussed
with your flowers,
joked with your nurses, as if I
were the balm among lepers,
as if I could undo
a life in hours
if I never said goodbye.
But you turned old,
all your fifty-eight years sliding
like masks from your skull;
and at the end
I packed your nightgowns in suitcases,
paid the nurses, came riding
home as if I'd been told
I could pretend
people live in places.
3.
Since then I have pretended ease,
loved with the trickeries of need, but not enough
to shed my daughterhood
or sweeten him as a man.
I drink the five o' clock martinis
and poke at this dry page like a rough
goat. Fool! I fumble my lost childhood
for a mother and lounge in sad stuff
with love to catch and catch as catch can.
And Christ still waits. I have tried
to exorcise the memory of each event
and remain still, a mixed child,
heavy with cloths of you.
Sweet witch, you are my worried guide.
Such dangerous angels walk through Lent.
Their walls creak Anne! Convert! Convert!
My desk moves. Its cavr murmurs Boo
and I am taken and beguiled.
Or wrong. For all the way I've come
I'll have to go again. Instead, I must convert
to love as reasonable
as Latin, as sold as earthenware:
an equilibrium
I never knew. And Lent will keep its hurt
for someone else. Christ knows enough
staunch guys have hitched him in trouble.
thinking his sticks were badges to wear.
4.
Spring rusts on its skinny branch
and last summer's lawn
is soggy and brown.
Yesterday is just a number.
All of its winters avalanche
out of sight. What was, is gone.
Mother, last night I slept
in your Bonwit Teller nightgown.
Divided, you climbed into my head.
There in my jabbering dream
I heard my own angry cries
and I cursed you, Dame
keep out of my slumber.
My good Dame, you are dead.
And Mother, three stones
slipped from your glittering eyes.
Now it's Friday's noon
and I would still curse
you with my rhyming words
and bring you flapping back, old love,
old circus knitting, god-in-her-moon,
all fairest in my lang syne verse,
the gauzy bride among the children,
the fancy amid the absurd
and awkward, that horn for hounds
that skipper homeward, that museum
keeper of stiff starfish, that blaze
within the pilgrim woman,
a clown mender, a dove's
cheek among the stones,
my Lady of first words,
this is the division of ways.
And now, while Christ stays
fastened to his Crucifix
so that love may praise
his sacrifice
and not the grotesque metaphor,
you come, a brave ghost, to fix
in my mind without praise
or paradise
to make me your inheritor.
|
Written by
Robert William Service |
I
I took the clock down from the shelf;
"At eight," said I, "I shoot myself."
It lacked a minute of the hour,
And as I waited all a-cower,
A skinful of black, boding pain,
Bits of my life came back again. . . .
"Mother, there's nothing more to eat --
Why don't you go out on the street?
Always you sit and cry and cry;
Here at my play I wonder why.
Mother, when you dress up at night,
Red are your cheeks, your eyes are bright;
Twining a ribband in your hair,
Kissing good-bye you go down-stair.
Then I'm as lonely as can be.
Oh, how I wish you were with me!
Yet when you go out on the street,
Mother, there's always lots to eat. . . ."
II
For days the igloo has been dark;
But now the rag wick sends a spark
That glitters in the icy air,
And wakes frost sapphires everywhere;
Bright, bitter flames, that adder-like
Dart here and there, yet fear to strike
The gruesome gloom wherein they lie,
My comrades, oh, so keen to die!
And I, the last -- well, here I wait
The clock to strike the hour of eight. . . .
"Boy, it is bitter to be hurled
Nameless and naked on the world;
Frozen by night and starved by day,
Curses and kicks and clouts your pay.
But you must fight! Boy, look on me!
Anarch of all earth-misery;
Beggar and tramp and shameless sot;
Emblem of ill, in rags that rot.
Would you be foul and base as I?
Oh, it is better far to die!
Swear to me now you'll fight and fight,
Boy, or I'll kill you here to-night. . . ."
III
Curse this silence soft and black!
Sting, little light, the shadows back!
Dance, little flame, with freakish glee!
Twinkle with brilliant mockery!
Glitter on ice-robed roof and floor!
Jewel the bear-skin of the door!
Gleam in my beard, illume my breath,
Blanch the clock face that times my death!
But do not pierce that murk so deep,
Where in their sleeping-bags they sleep!
But do not linger where they lie,
They who had all the luck to die! . . .
"There is nothing more to say;
Let us part and go our way.
Since it seems we can't agree,
I will go across the sea.
Proud of heart and strong am I;
Not for woman will I sigh;
Hold my head up gay and glad:
You can find another lad. . . ."
IV
Above the igloo piteous flies
Our frayed flag to the frozen skies.
Oh, would you know how earth can be
A hell -- go north of Eighty-three!
Go, scan the snows day after day,
And hope for help, and pray and pray;
Have seal-hide and sea-lice to eat;
Melt water with your body's heat;
Sleep all the fell, black winter through
Beside the dear, dead men you knew.
(The walrus blubber flares and gleams --
O God! how long a minute seems!) . . .
"Mary, many a day has passed,
Since that morn of hot-head youth.
Come I back at last, at last,
Crushed with knowing of the truth;
How through bitter, barren years
You loved me, and me alone;
Waited, wearied, wept your tears --
Oh, could I atone, atone,
I would pay a million-fold!
Pay you for the love you gave.
Mary, look down as of old --
I am kneeling by your grave." . . .
V
Olaf, the Blonde, was first to go;
Bitten his eyes were by the snow;
Sightless and sealed his eyes of blue,
So that he died before I knew.
Here in those poor weak arms he died:
"Wolves will not get you, lad," I lied;
"For I will watch till Spring come round;
Slumber you shall beneath the ground."
Oh, how I lied! I scarce can wait:
Strike, little clock, the hour of eight! . . .
"Comrade, can you blame me quite?
The horror of the long, long night
Is on me, and I've borne with pain
So long, and hoped for help in vain.
So frail am I, and blind and dazed;
With scurvy sick, with silence crazed.
Beneath the Arctic's heel of hate,
Avid for Death I wait, I wait.
Oh if I falter, fail to fight,
Can you, dear comrade, blame me quite?" . . .
VI
Big Eric gave up months ago.
But seldom do men suffer so.
His feet sloughed off, his fingers died,
His hands shrunk up and mummified.
I had to feed him like a child;
Yet he was valiant, joked and smiled,
Talked of his wife and little one
(Thanks be to God that I have none),
Passed in the night without a moan,
Passed, and I'm here, alone, alone. . . .
"I've got to kill you, Dick.
Your life for mine, you know.
Better to do it quick,
A swift and sudden blow.
See! here's my hand to lick;
A hug before you go --
God! but it makes me sick:
Old dog, I love you so.
Forgive, forgive me, Dick --
A swift and sudden blow. . . ."
VII
Often I start up in the dark,
Thinking the sound of bells to hear.
Often I wake from sleep: "Oh, hark!
Help . . . it is coming . . . near and near."
Blindly I reel toward the door;
There the snow billows bleak and bare;
Blindly I seek my den once more,
Silence and darkness and despair.
Oh, it is all a dreadful dream!
Scurvy and cold and death and dearth;
I will awake to warmth and gleam,
Silvery seas and greening earth.
Life is a dream, its wakening,
Death, gentle shadow of God's wing. . . .
"Tick, little clock, my life away!
Even a second seems a day.
Even a minute seems a year,
Peopled with ghosts, that press and peer
Into my face so charnel white,
Lit by the devilish, dancing light.
Tick, little clock! mete out my fate:
Tortured and tense I wait, I wait. . . ."
VIII
Oh, I have sworn! the hour is nigh:
When it strikes eight, I die, I die.
Raise up the gun -- it stings my brow --
When it strikes eight . . . all ready . . . now --
* * * * *
Down from my hand the weapon dropped;
Wildly I stared. . . .
THE CLOCK HAD STOPPED.
IX
Phantoms and fears and ghosts have gone.
Peace seems to nestle in my brain.
Lo! the clock stopped, I'm living on;
Heart-sick I was, and less than sane.
Yet do I scorn the thing I planned,
Hearing a voice: "O coward, fight!"
Then the clock stopped . . . whose was the hand?
Maybe 'twas God's -- ah well, all's right.
Heap on me darkness, fold on fold!
Pain! wrench and rack me! What care I?
Leap on me, hunger, thirst and cold!
I will await my time to die;
Looking to Heaven that shines above;
Looking to God, and love . . . and love.
X
Hark! what is that? Bells, dogs again!
Is it a dream? I sob and cry.
See! the door opens, fur-clad men
Rush to my rescue; frail am I;
Feeble and dying, dazed and glad.
There is the pistol where it dropped.
"Boys, it was hard -- but I'm not mad. . . .
Look at the clock -- it stopped, it stopped.
Carry me out. The heavens smile.
See! there's an arch of gold above.
Now, let me rest a little while --
Looking to God and Love . . .and Love . . ."
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