Written by
Robert Frost |
SHE stood against the kitchen sink, and looked
Over the sink out through a dusty window
At weeds the water from the sink made tall.
She wore her cape; her hat was in her hand.
Behind her was confusion in the room,
Of chairs turned upside down to sit like people
In other chairs, and something, come to look,
For every room a house has—parlor, bed-room,
And dining-room—thrown pell-mell in the kitchen.
And now and then a smudged, infernal face
Looked in a door behind her and addressed
Her back. She always answered without turning.
“Where will I put this walnut bureau, lady?”
“Put it on top of something that’s on top
Of something else,” she laughed. “Oh, put it where
You can to-night, and go. It’s almost dark;
You must be getting started back to town.”
Another blackened face thrust in and looked
And smiled, and when she did not turn, spoke gently,
“What are you seeing out the window, lady?”
“Never was I beladied so before.
Would evidence of having been called lady
More than so many times make me a lady
In common law, I wonder.”
“But I ask,
What are you seeing out the window, lady?”
“What I’ll be seeing more of in the years
To come as here I stand and go the round
Of many plates with towels many times.”
“And what is that? You only put me off.”
“Rank weeds that love the water from the dish-pan
More than some women like the dish-pan, Joe;
A little stretch of mowing-field for you;
Not much of that until I come to woods
That end all. And it’s scarce enough to call
A view.”
“And yet you think you like it, dear?”
“That’s what you’re so concerned to know! You hope
I like it. Bang goes something big away
Off there upstairs. The very tread of men
As great as those is shattering to the frame
Of such a little house. Once left alone,
You and I, dear, will go with softer steps
Up and down stairs and through the rooms, and none
But sudden winds that snatch them from our hands
Will ever slam the doors.”
“I think you see
More than you like to own to out that window.”
“No; for besides the things I tell you of,
I only see the years. They come and go
In alternation with the weeds, the field,
The wood.”
“What kind of years?”
“Why, latter years—
Different from early years.”
“I see them, too.
You didn’t count them?”
“No, the further off
So ran together that I didn’t try to.
It can scarce be that they would be in number
We’d care to know, for we are not young now.
And bang goes something else away off there.
It sounds as if it were the men went down,
And every crash meant one less to return
To lighted city streets we, too, have known,
But now are giving up for country darkness.”
“Come from that window where you see too much for me,
And take a livelier view of things from here.
They’re going. Watch this husky swarming up
Over the wheel into the sky-high seat,
Lighting his pipe now, squinting down his nose
At the flame burning downward as he sucks it.”
“See how it makes his nose-side bright, a proof
How dark it’s getting. Can you tell what time
It is by that? Or by the moon? The new moon!
What shoulder did I see her over? Neither.
A wire she is of silver, as new as we
To everything. Her light won’t last us long.
It’s something, though, to know we’re going to have her
Night after night and stronger every night
To see us through our first two weeks. But, Joe,
The stove! Before they go! Knock on the window;
Ask them to help you get it on its feet.
We stand here dreaming. Hurry! Call them back!”
“They’re not gone yet.”
“We’ve got to have the stove,
Whatever else we want for. And a light.
Have we a piece of candle if the lamp
And oil are buried out of reach?”
Again
The house was full of tramping, and the dark,
Door-filling men burst in and seized the stove.
A cannon-mouth-like hole was in the wall,
To which they set it true by eye; and then
Came up the jointed stovepipe in their hands,
So much too light and airy for their strength
It almost seemed to come ballooning up,
Slipping from clumsy clutches toward the ceiling.
“A fit!” said one, and banged a stovepipe shoulder.
“It’s good luck when you move in to begin
With good luck with your stovepipe. Never mind,
It’s not so bad in the country, settled down,
When people ’re getting on in life, You’ll like it.”
Joe said: “You big boys ought to find a farm,
And make good farmers, and leave other fellows
The city work to do. There’s not enough
For everybody as it is in there.”
“God!” one said wildly, and, when no one spoke:
“Say that to Jimmy here. He needs a farm.”
But Jimmy only made his jaw recede
Fool-like, and rolled his eyes as if to say
He saw himself a farmer. Then there was a French boy
Who said with seriousness that made them laugh,
“Ma friend, you ain’t know what it is you’re ask.”
He doffed his cap and held it with both hands
Across his chest to make as ’twere a bow:
“We’re giving you our chances on de farm.”
And then they all turned to with deafening boots
And put each other bodily out of the house.
“Goodby to them! We puzzle them. They think—
I don’t know what they think we see in what
They leave us to: that pasture slope that seems
The back some farm presents us; and your woods
To northward from your window at the sink,
Waiting to steal a step on us whenever
We drop our eyes or turn to other things,
As in the game ‘Ten-step’ the children play.”
“Good boys they seemed, and let them love the city.
All they could say was ‘God!’ when you proposed
Their coming out and making useful farmers.”
“Did they make something lonesome go through you?
It would take more than them to sicken you—
Us of our bargain. But they left us so
As to our fate, like fools past reasoning with.
They almost shook me.”
“It’s all so much
What we have always wanted, I confess
It’s seeming bad for a moment makes it seem
Even worse still, and so on down, down, down.
It’s nothing; it’s their leaving us at dusk.
I never bore it well when people went.
The first night after guests have gone, the house
Seems haunted or exposed. I always take
A personal interest in the locking up
At bedtime; but the strangeness soon wears off.”
He fetched a dingy lantern from behind
A door. “There’s that we didn’t lose! And these!”—
Some matches he unpocketed. “For food—
The meals we’ve had no one can take from us.
I wish that everything on earth were just
As certain as the meals we’ve had. I wish
The meals we haven’t had were, anyway.
What have you you know where to lay your hands on?”
“The bread we bought in passing at the store.
There’s butter somewhere, too.”
“Let’s rend the bread.
I’ll light the fire for company for you;
You’ll not have any other company
Till Ed begins to get out on a Sunday
To look us over and give us his idea
Of what wants pruning, shingling, breaking up.
He’ll know what he would do if he were we,
And all at once. He’ll plan for us and plan
To help us, but he’ll take it out in planning.
Well, you can set the table with the loaf.
Let’s see you find your loaf. I’ll light the fire.
I like chairs occupying other chairs
Not offering a lady—”
“There again, Joe!
You’re tired.”
“I’m drunk-nonsensical tired out;
Don’t mind a word I say. It’s a day’s work
To empty one house of all household goods
And fill another with ’em fifteen miles away,
Although you do no more than dump them down.”
“Dumped down in paradise we are and happy.”
“It’s all so much what I have always wanted,
I can’t believe it’s what you wanted, too.”
“Shouldn’t you like to know?”
“I’d like to know
If it is what you wanted, then how much
You wanted it for me.”
“A troubled conscience!
You don’t want me to tell if I don’t know.”
“I don’t want to find out what can’t be known.
But who first said the word to come?”
“My dear,
It’s who first thought the thought. You’re searching, Joe,
For things that don’t exist; I mean beginnings.
Ends and beginnings—there are no such things.
There are only middles.”
“What is this?”
“This life?
Our sitting here by lantern-light together
Amid the wreckage of a former home?
You won’t deny the lantern isn’t new.
The stove is not, and you are not to me,
Nor I to you.”
“Perhaps you never were?”
“It would take me forever to recite
All that’s not new in where we find ourselves.
New is a word for fools in towns who think
Style upon style in dress and thought at last
Must get somewhere. I’ve heard you say as much.
No, this is no beginning.”
“Then an end?”
“End is a gloomy word.”
“Is it too late
To drag you out for just a good-night call
On the old peach trees on the knoll to grope
By starlight in the grass for a last peach
The neighbors may not have taken as their right
When the house wasn’t lived in? I’ve been looking:
I doubt if they have left us many grapes.
Before we set ourselves to right the house,
The first thing in the morning, out we go
To go the round of apple, cherry, peach,
Pine, alder, pasture, mowing, well, and brook.
All of a farm it is.”
“I know this much:
I’m going to put you in your bed, if first
I have to make you build it. Come, the light.”
When there was no more lantern in the kitchen,
The fire got out through crannies in the stove
And danced in yellow wrigglers on the ceiling,
As much at home as if they’d always danced there.
|
Written by
William Shakespeare |
But, lo! from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts and neighs aloud;
The strong-neck'd steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.
Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven's thunder;
The iron bit he crushes 'tween his teeth
Controlling what he was controlled with.
His ears up-prick'd; his braided hanging mane
Upon his compass'd crest now stand on end;
His nostrils drink the air, and forth again,
As from a furnace, vapours doth he send:
His eye, which scornfully glisters like fire,
Shows his hot courage and his high desire.
Sometime her trots, as if he told the steps,
With gentle majesty and modest pride;
Anon he rears upright, curvets and leaps,
As who should say, 'Lo! thus my strength is tried;
And this I do to captivate the eye
Of the fair breeder that is standing by.'
What recketh he his rider's angry stir,
His flattering 'Holla,' or his 'Stand, I say?'
What cares he now for curb of pricking spur?
For rich caparisons or trapping gay?
He sees his love, and nothing else he sees,
Nor nothing else with his proud sight agrees.
Look, when a painter would surpass the life,
In limning out a well-proportion'd steed,
His art with nature's workmanship at strife,
As if the dead the living should exceed;
So did this horse excel a common one,
In shape, in courage, colour, pace and bone
Round-hoof'd, short-jointed, fetlocks shag and long,
Broad breast, full eye, small head, and nostril wide,
High crest, short ears, straight legs and passing strong,
Thin mane, thick tail, broad buttock, tender hide:
Look, what a horse should have he did not lack,
Save a proud rider on so proud a back.
Sometimes he scuds far off, and there he stares;
Anon he starts at stirring of a feather;
To bid the wind a race he now prepares,
And whe'r he run or fly they know not whether;
For through his mane and tail the high wind sings,
Fanning the hairs, who wave like feather'd wings.
He looks upon his love, and neighs unto her;
She answers him as if she knew his mind;
Being proud, as females are, to see him woo her,
She puts on outward strangeness, seems unkind,
Spurns at his love and scorns the heat he feels,
Beating his kind embracements with her heels.
Then, like a melancholy malcontent,
He vails his tail that, like a falling plume
Cool shadow to his melting buttock lent:
He stamps, and bites the poor flies in his fume.
His love, perceiving how he is enrag'd,
Grew kinder, and his fury was assuag'd.
His testy master goeth about to take him;
When lo! the unback'd breeder, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them,
Out-stripping crows that strive to over-fly them.
I prophesy they death, my living sorrow,
If thou encounter with the boar to-morrow.
"But if thou needs wilt hunt, be rul'd by me;
Uncouple at the timorous flying hare,
Or at the fox which lives by subtlety,
Or at the roe which no encounter dare:
Pursue these fearful creatures o'er the downs,
And on they well-breath'd horse keep with they hounds.
"And when thou hast on food the purblind hare,
Mark the poor wretch, to overshoot his troubles
How he outruns with winds, and with what care
He cranks and crosses with a thousand doubles:
The many musits through the which he goes
Are like a labyrinth to amaze his foes.
"Sometime he runs among a flock of sheep,
To make the cunning hounds mistake their smell,
And sometime where earth-delving conies keep,
To stop the loud pursuers in their yell,
And sometime sorteth with a herd of deer;
Danger deviseth shifts; wit waits on fear:
"For there his smell with other being mingled,
The hot scent-snuffing hounds are driven to doubt,
Ceasing their clamorous cry till they have singled
With much ado the cold fault cleanly out;
Then do they spend their mouths: Echo replies,
As if another chase were in the skies.
"By this, poor Wat, far off upon a hill,
Stands on his hinder legs with listening ear,
To hearken if his foes pursue him still:
Anon their loud alarums he doth hear;
And now his grief may be compared well
To one sore sick that hears the passing-bell.
"Then shalt thou see the dew-bedabbled wretch
Turn, and return, indenting with the way;
Each envious briar his weary legs doth scratch,
Each shadow makes him stop, each murmur stay:
For misery is trodden on by many,
And being low never reliev'd by any.
"Lie quietly, and hear a little more;
Nay, do not struggle, for thou shalt not rise:
To make thee hate the hunting of the boar,
Unlike myself thou hear'st me moralize,
Applying this to that, and so to so;
For love can comment upon every woe."
|
Written by
Robert Louis Stevenson |
When at home alone I sit
And am very tired of it,
I have just to shut my eyes
To go sailing through the skies--
To go sailing far away
To the pleasant Land of Play;
To the fairy land afar
Where the Little People are;
Where the clover-tops are trees,
And the rain-pools are the seas,
And the leaves, like little ships,
Sail about on tiny trips;
And above the Daisy tree
Through the grasses,
High o'erhead the Bumble Bee
Hums and passes.
In that forest to and fro
I can wander, I can go;
See the spider and the fly,
And the ants go marching by,
Carrying parcels with their feet
Down the green and grassy street.
I can in the sorrel sit
Where the ladybird alit.
I can climb the jointed grass
And on high
See the greater swallows pass
In the sky,
And the round sun rolling by
Heeding no such things as I.
Through that forest I can pass
Till, as in a looking-glass,
Humming fly and daisy tree
And my tiny self I see,
Painted very clear and neat
On the rain-pool at my feet.
Should a leaflet come to land
Drifting near to where I stand,
Straight I'll board that tiny boat
Round the rain-pool sea to float.
Little thoughtful creatures sit
On the grassy coasts of it;
Little things with lovely eyes
See me sailing with surprise.
Some are clad in armour green--
(These have sure to battle been!)--
Some are pied with ev'ry hue,
Black and crimson, gold and blue;
Some have wings and swift are gone;--
But they all look kindly on.
When my eyes I once again
Open, and see all things plain:
High bare walls, great bare floor;
Great big knobs on drawer and door;
Great big people perched on chairs,
Stitching tucks and mending tears,
Each a hill that I could climb,
And talking nonsense all the time--
O dear me,
That I could be
A sailor on a the rain-pool sea,
A climber in the clover tree,
And just come back a sleepy-head,
Late at night to go to bed.
|
Written by
Philip Larkin |
Side by side, their faces blurred,
The earl and countess lie in stone,
Their proper habits vaguely shown
As jointed armour, stiffened pleat,
And that faint hint of the absurd -
The little dogs under their feet.
Such plainness of the pre-baroque
Hardly involves the eye, until
It meets his left-hand gauntlet, still
Clasped empty in the other; and
One sees, with a sharp tender shock,
His hand withdrawn, holding her hand.
They would not think to lie so long.
Such faithfulness in effigy
Was just a detail friends would see:
A sculptor's sweet commissioned grace
Thrown off in helping to prolong
The Latin names around the base.
They would no guess how early in
Their supine stationary voyage
The air would change to soundless damage,
Turn the old tenantry away;
How soon succeeding eyes begin
To look, not read. Rigidly they
Persisted, linked, through lengths and breadths
Of time. Snow fell, undated. Light
Each summer thronged the grass. A bright
Litter of birdcalls strewed the same
Bone-littered ground. And up the paths
The endless altered people came,
Washing at their identity.
Now, helpless in the hollow of
An unarmorial age, a trough
Of smoke in slow suspended skeins
Above their scrap of history,
Only an attitude remains:
Time has transfigures them into
Untruth. The stone fidelity
They hardly meant has come to be
Their final blazon, and to prove
Our almost-instinct almost true:
What will survive of us is love.
|
Written by
Sylvia Plath |
I shall never get you put together entirely,
Pieced, glued, and properly jointed.
Mule-bray, pig-grunt and bawdy cackles
Proceed from your great lips.
It's worse than a barnyard.
Perhaps you consider yourself an oracle,
Mouthpiece of the dead, or of some god or other.
Thirty years now I have labored
To dredge the silt from your throat.
I am none the wiser.
Scaling little ladders with glue pots and pails of Lysol
I crawl like an ant in mourning
Over the weedy acres of your brow
To mend the immense skull-plates and clear
The bald, white tumuli of your eyes.
A blue sky out of the Oresteia
Arches above us. O father, all by yourself
You are pithy and historical as the Roman Forum.
I open my lunch on a hill of black cypress.
Your fluted bones and acanthine hair are littered
In their old anarchy to the horizon-line.
It would take more than a lightning-stroke
To create such a ruin.
Nights, I squat in the cornucopia
Of your left ear, out of the wind,
Counting the red stars and those of plum-color.
The sun rises under the pillar of your tongue.
My hours are married to shadow.
No longer do I listen for the scrape of a keel
On the blank stones of the landing.
|
Written by
Countee Cullen |
That bright chimeric beast
Conceived yet never born,
Save in the poet's breast,
The white-flanked unicorn,
Never may be shaken
From his solitude;
Never may be taken
In any earthly wood.
That bird forever feathered,
Of its new self the sire,
After aeons weathered,
Reincarnate by fire,
Falcon may not nor eagle
Swerve from his eyrie,
Nor any crumb inveigle
Down to an earthly tree.
That fish of the dread regime
Invented to become
The fable and the dream
Of the Lord's aquarium,
Leviathan, the jointed
Harpoon was never wrought
By which the Lord's anointed
Will suffer to be caught.
Bird of the deathless breast,
Fish of the frantic fin,
That bright chimeric beast
Flashing the argent skin,--
If beasts like these you'd harry,
Plumb then the poet's dream;
Make it your aviary,
Make it your wood and stream.
There only shall the swish
Be heard of the regal fish;
There like a golden knife
Dart the feet of the unicorn,
And there, death brought to life,
The dead bird be reborn.
|
Written by
William Butler Yeats |
I
On the grey rock of Cashel the mind's eye
Has called up the cold spirits that are born
When the old moon is vanished from the sky
And the new still hides her horn.
Under blank eyes and fingers never still
The particular is pounded till it is man.
When had I my own will?
O not since life began.
Constrained, arraigned, baffled, bent and unbent
By these wire-jointed jaws and limbs of wood,
Themselves obedient,
Knowing not evil and good;
Obedient to some hidden magical breath.
They do not even feel, so abstract are they.
So dead beyond our death,
Triumph that we obey.
II
On the grey rock of Cashel I suddenly saw
A Sphinx with woman breast and lion paw.
A Buddha, hand at rest,
Hand lifted up that blest;
And right between these two a girl at play
That, it may be, had danced her life away,
For now being dead it seemed
That she of dancing dreamed.
Although I saw it all in the mind's eye
There can be nothing solider till I die;
I saw by the moon's light
Now at its fifteenth night.
One lashed her tail; her eyes lit by the moon
Gazed upon all things known, all things unknown,
In triumph of intellect
With motionless head erect.
That other's moonlit eyeballs never moved,
Being fixed on all things loved, all things unloved.
Yet little peace he had,
For those that love are sad.
Little did they care who danced between,
And little she by whom her dance was seen
So she had outdanced thought.
Body perfection brought,
For what but eye and ear silence the mind
With the minute particulars of mankind?
Mind moved yet seemed to stop
As 'twere a spinning-top.
In contemplation had those three so wrought
Upon a moment, and so stretched it out
That they, time overthrown,
Were dead yet flesh and bone.
III
I knew that I had seen, had seen at last
That girl my unremembering nights hold fast
Or else my dreams that fly
If I should rub an eye,
And yet in flying fling into my meat
A crazy juice that makes the pulses beat
As though I had been undone
By Homer's Paragon
Who never gave the burning town a thought;
To such a pitch of folly I am brought,
Being caught between the pull
Of the dark moon and the full,
The commonness of thought and images
That have the frenzy of our western seas.
Thereon I made my moan,
And after kissed a stone,
And after that arranged it in a song
Seeing that I, ignorant for So long,
Had been rewarded thus
In Cormac's ruined house.
|
Written by
David Wagoner |
They don't want to be your hedge,
Your barrier, your living wall, the no-go
Go-between between your property
And the prying of dogs and strangers. They don't
Want to settle any of your old squabbles
Inside or out of bounds. Their new growth
In three-foot shoots goes thrusting straight
Up in the air each April or goes off
Half-cocked sideways to reconnoiter
Wilder dimensions: the very idea
Of squareness, of staying level seems
Alien to them, and they aren't in the least
Discouraged by being suddenly lopped off
Year after year by clippers or the stuttering
Electric teeth of trimmers hedging their bets
To keep them all in line, all roughly
In order. They don't even
Want to be good-neighborly bushes
(Though under the outer stems and leaves
The thick, thick-headed, soot-blackened
Elderly branches have been dodging
And weaving through so many disastrous springs,
So many whacked-out, contra-
Dictory changes of direction, they've locked
Themselves together for good). Yet each
Original planting, left to itself, would be
No fence, no partition, no crook-jointed
Entanglement, but a tree by now outspread
With all of itself turned upward at every
Inconvenient angle you can imagine,
And look, on the ground, the fallen leaves,
Brown, leathery, as thick as tongues, remain
Almost what they were, tougher than ever,
Slow to molder, to give in, dead slow to feed
The earth with themselves, there at the feet
Of their fathers in the evergreen shade
Of their replacements. Remember, admirers
Long ago would sometimes weave fresh clippings
Into crowns and place them squarely on the heads
Of their most peculiar poets.
|
Written by
Dylan Thomas |
I
All all and all the dry worlds lever,
Stage of the ice, the solid ocean,
All from the oil, the pound of lava.
City of spring, the governed flower,
Turns in the earth that turns the ashen
Towns around on a wheel of fire.
How now my flesh, my naked fellow,
Dug of the sea, the glanded morrow,
Worm in the scalp, the staked and fallow.
All all and all, the corpse's lover,
Skinny as sin, the foaming marrow,
All of the flesh, the dry worlds lever.
II
Fear not the waking world, my mortal,
Fear not the flat, synthetic blood,
Nor the heart in the ribbing metal.
Fear not the tread, the seeded milling,
The trigger and scythe, the bridal blade,
Nor the flint in the lover's mauling.
Man of my flesh, the jawbone riven,
Know now the flesh's lock and vice,
And the cage for the scythe-eyed raver.
Know, O my bone, the jointed lever,
Fear not the screws that turn the voice,
And the face to the driven lover.
III
All all and all the dry worlds couple,
Ghost with her ghost, contagious man
With the womb of his shapeless people.
All that shapes from the caul and suckle,
Stroke of mechanical flesh on mine,
Square in these worlds the mortal circle.
Flower, flower the people's fusion,
O light in zenith, the coupled bud,
And the flame in the flesh's vision.
Out of the sea, the drive of oil,
Socket and grave, the brassy blood,
Flower, flower, all all and all.
|
Written by
Hilaire Belloc |
The Microbe is so very small
You cannot make him out at all,
But many sanguine people hope
To see him through a microscope.
His jointed tongue that lies beneath
A hundred curious rows of teeth;
His seven tufted tails with lots
Of lovely pink and purple spots,
On each of which a pattern stands,
Composed of forty separate bands;
His eyebrows of a tender green;
All these have never yet been seen--
But Scientists, who ought to know,
Assure us that they must be so....
Oh! let us never, never doubt
What nobody is sure about!
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