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Best Famous Johnny Poems

Here is a collection of the all-time best famous Johnny poems. This is a select list of the best famous Johnny poetry. Reading, writing, and enjoying famous Johnny poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of johnny poems.

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Written by Gil Scott-Heron | Create an image from this poem

The revolution will not be televised

You will not be able to stay home, brother
 You will not be able to plug in, turn on and cop out
 You will not be able to lose yourself on skag
 And skip out for beer during commercials
 Because the revolution will not be televised

The revolution will not be televised
 The revolution will not be brought to you by Xerox
 In 4 parts without commercial interruptions
 The revolution will not show you pictures of Nixon
 Blowing a bugle and leading a charge by John Mitchell
 General Abrams and Spiro Agnew to eat hog maws
 Confiscated from a Harlem sanctuary
 The revolution will not be televised

 The revolution will not be brought to you by the
 Schaefer Award Theater and will not star Natalie Woods
 And Steve McQueen or Bullwinkle and Julia
 The revolution will not give your mouth sex appeal
 The revolution will not get rid of the nubs
 The revolution will not make you look five pounds thinner
 Because the revolution will not be televised, Brother

There will be no pictures of you and Willie May
 Pushing that shopping cart down the block on the dead run
 Or trying to slide that color TV into a stolen ambulance
 NBC will not be able predict the winner at 8:32
 Or report from 29 districts
 The revolution will not be televised

 There will be no pictures of pigs shooting down
 Brothers on the instant replay
 There will be no pictures of pigs shooting down
 Brothers on the instant replay

There will be no pictures of Whitney Young
 Being run out of Harlem on a rail with a brand new process
 There will be no slow motion or still life of Roy Wilkens
 Strolling through Watts in a red, black and green
 Liberation jumpsuit that he had been saving
 For just the proper occasion

 Green Acres, The Beverly Hillbillies and Hooter ville Junction
 Will no longer be so damned relevant
 And women will not care if Dick finally gets down with Jane
 On search for tomorrow because black people
 Will be in the street looking for a brighter day
 The revolution will not be televised

There will be no highlights on the eleven o'clock news
 And no pictures of hairy armed women liberationists
 And Jackie Onassis blowing her nose
 The theme song will not be written by Jim Webb
 Francis Scott Key, nor sung by Glen Campbell, Tom Jones
 Johnny Cash, Englebert Humperdink or the Rare Earth
 The revolution will not be televised

 The revolution will not be right back after a message
 About a white tornado, white lightning, or white people
 You will not have to worry about a dove in your bedroom
 The tiger in your tank or the giant in your toilet bowl
 The revolution will not go better with Coke
 The revolution will not fight the germs that may cause bad breath
 The revolution will put you in the driver's seat

The revolution will not be televised, will not be televised
 Will not be televised, will not be televised
 The revolution will be no re-run brothers
 The revolution will be live




Written by Maggie Estep | Create an image from this poem

Bad Day At The Beauty Salon

 I was a 20 year old unemployed receptionist with
dyed orange dreadlocks sprouting out of my skull.
I needed a job, but first, I needed a haircut.
So I head for this beauty salon on Avenue B.
I'm gonna get a hairdo.
I'm gonna look just like those hot Spanish haircut models, become brown and bodacious, grow some 7 inch fingernails painted ***** red and rake them down the chalkboard of the job market's soul.
So I go in the beauty salon.
This beautiful Puerto Rican girl in tight white spandex and a push-up bra sits me down and starts chopping my hair: "Girlfriend," she says, "what the hell you got growing outta your head there, what is that, hair implants? Yuck, you want me to touch that ****, whadya got in there, sandwiches?" I just go: "I'm sorry.
" She starts snipping my carefully cultivated Johnny Lydon post-Pistols hairdo.
My foul little dreadlocks are flying around all over the place but I'm not looking in the mirror cause I just don't want to know.
"So what's your name anyway?" My stylist demands then.
"Uh, Maggie.
" "Maggie? Well, that's an okay name, but my name is Suzy.
" "Yeah, so?" "Yeah so it ain't just Suzy S.
U.
Z.
Y, I spell it S.
U.
Z.
E.
E, the extra "e" is for extra Suzee.
" I nod emphatically.
Suzee tells me when she's not busy chopping hair, she works as an exotic dancer at night to support her boyfriend named Rocco.
Suzee loves Rocco, she loves him so much she's got her eyes closed as she describes him: "6 foot 2, 193 pounds and, girlfriend, his arms so big and long they wrap around me twice like I'm a little Suzee sandwich.
" Little Suzee Sandwich is rapt, she blindly snips and clips at my poor punk head.
She snips and clips and snips and clips, she pauses, I look in the mirror: "Holy ****, I'm bald.
" "Holy ****, baby, you're bald.
" Suzee says, finally opening her eyes and then gasping.
All I've got left is little post-nuke clumps of orange fuzz.
And I'll never get a receptionist job now.
But Suzy waves her manicured finger in my face: "Don't you worry, baby, I'm gonna get you a job at the dancing club.
" "What?" "Baby, let me tell you, the boys are gonna like a bald go go dancer.
" That said, she whips out some clippers, shaves my head smooth and insists I'm gonna love getting naked for a living.
None of this sounds like my idea of a good time, but I'm broke and I'm bald so I go home and get my best panties.
Suzee lends me some 6 inch pumps, paints my lips bright red, and gives me 7 shots of Jack Daniels to relax me.
8pm that night I take the stage.
I'm bald, I'm drunk, and by god, I'm naked.
HOLY **** I'M NAKED IN A ROOM FULL OF STRANGERS THIS IS NOT ONE OF THOSE RECURRING NIGHTMARES WE ALL HAVE ABOUT BEING BUTT NAKED IN PUBLIC, I AM NAKED, I DON'T KNOW THESE PEOPLE, THIS REALLY SUCKS.
A few guys feel sorry for me and risk getting their hands bitten off by sticking dollars in my garter belt.
My disheveled pubic hairs stand at full attention, ready to poke the guys' eyes out if they get too close.
Then I notice this bald guy in the audience, I've got a new empathy for bald people, I figure maybe it works both ways, maybe this guy will stick 10 bucks in my garter.
I saunter over.
I'm teetering around unrhythmically, I'm the surliest, unsexiest dancer that ever go-go across this hemisphere.
The bald guy looks down into his beer, he'd much rather look at that than at my pubic mound which has now formed into one vicious spike so it looks like I've got a unicorn in my crotch.
I stand there weaving through the air.
The strobe light is illuminating my pubic unicorn.
Madonna's song Borderline is pumping through the club's speaker system for the 5th time tonight: "BORDERLINE BORDERLINE BORDERLINE/LOVE ME TIL I JUST CAN'T SEE.
" And suddenly, I start to wonder: What does that mean anyway? "LOVE ME TIL I JUST CAN'T SEE" What? Screw me so much my eyes pop out, I go blind, end up walking down 2nd Avenue crazy, horny, naked and blind? What? There's a glitch in the tape and it starts to skip.
"Borderl.
.
.
ooop.
.
.
.
.
Borderl.
.
.
.
ooop.
.
.
Borderlin.
.
.
.
.
ooop" I stumble and twist my ankle.
My g-string rides between my buttcheeks making me twitch with pain.
My head starts spinning, my knees wobble, I go down on all fours and puke all over the bald guy's lap.
So there I am.
Butt naked on all fours.
But before I have time to regain my composure, the strip club manager comes over, points his smarmy strip club manager finger at me and goes: "You're bald, you're drunk, you can't dance and you're fired.
" I stand up.
"Oh yeah, well you stink like a sneaker, pal.
" I peel off one of my pumps and throw it in the direction of his fat head then I get the hell out of there.
A few days later I run into Suzee on Avenue A.
Turns out she got fired for getting me a job there in the first place.
But she was completely undaunted, she dragged me up to this wig store on 14th Street, bought me a mouse brown shag wig, then got us both telemarketing jobs on Wall Street.
And I never went to a beauty salon again.
Written by Mother Goose | Create an image from this poem

Ride Away, Ride Away


Ride away, ride away,
  Johnny shall ride,
And he shall have pussy-cat
  Tied to one side;
And he shall have little dog
  Tied to the other,
And Johnny shall ride
  To see his grandmother.

Written by Charles Bukowski | Create an image from this poem

Here I Am ..

 drunk again at 3 a.
m.
at the end of my 2nd bottle of wine, I have typed from a dozen to 15 pages of poesy an old man maddened for the flesh of young girls in this dwindling twilight liver gone kidneys going pancrea pooped top-floor blood pressure while all the fear of the wasted years laughs between my toes no woman will live with me no Florence Nightingale to watch the Johnny Carson show with if I have a stroke I will lay here for six days, my three cats hungrily ripping the flesh from my elbows, wrists, head the radio playing classical music .
.
.
I promised myself never to write old man poems but this one's funny, you see, excusable, be- cause I've long gone past using myself and there's still more left here at 3 a.
m.
I am going to take this sheet from the typer pour another glass and insert make love to the fresh new whiteness maybe get lucky again first for me later for you.
from "All's Normal Here" - 1985
Written by Billy Collins | Create an image from this poem

Nightclub

 You are so beautiful and I am a fool
to be in love with you
is a theme that keeps coming up
in songs and poems.
There seems to be no room for variation.
I have never heard anyone sing I am so beautiful and you are a fool to be in love with me, even though this notion has surely crossed the minds of women and men alike.
You are so beautiful, too bad you are a fool is another one you don't hear.
Or, you are a fool to consider me beautiful.
That one you will never hear, guaranteed.
For no particular reason this afternoon I am listening to Johnny Hartman whose dark voice can curl around the concepts on love, beauty, and foolishness like no one else's can.
It feels like smoke curling up from a cigarette someone left burning on a baby grand piano around three o'clock in the morning; smoke that billows up into the bright lights while out there in the darkness some of the beautiful fools have gathered around little tables to listen, some with their eyes closed, others leaning forward into the music as if it were holding them up, or twirling the loose ice in a glass, slipping by degrees into a rhythmic dream.
Yes, there is all this foolish beauty, borne beyond midnight, that has no desire to go home, especially now when everyone in the room is watching the large man with the tenor sax that hangs from his neck like a golden fish.
He moves forward to the edge of the stage and hands the instrument down to me and nods that I should play.
So I put the mouthpiece to my lips and blow into it with all my living breath.
We are all so foolish, my long bebop solo begins by saying, so damn foolish we have become beautiful without even knowing it.


Written by Robert Burns | Create an image from this poem

Tam OShanter

 A Tale

"Of Brownyis and of Bogilis full is this Buke.
" —Gawin Douglas.
When chapman billies leave the street, And drouthy neebors neebors meet, As market-days are wearing late, An' folk begin to tak' the gate; While we sit bousing at the nappy, An' getting fou and unco happy, We think na on the lang Scots miles, The mosses, waters, slaps, and stiles, That lie between us and our hame, Whare sits our sulky, sullen dame, Gathering her brows like gathering storm, Nursing her wrath to keep it warm.
This truth fand honest Tam o'Shanter, As he frae Ayr ae night did canter, (Auld Ayr, wham ne'er a town surpasses, For honest men and bonie lasses).
O Tam! hadst thou but been sae wise, As ta'en thy ain wife Kate's advice! She tauld thee weel thou was a skellum, A blethering, blustering, drunken blellum, That frae November till October, Ae market-day thou was nae sober; That ilka melder, wi' the miller, Thou sat as lang as thou had siller; That ev'ry naig was ca'd a shoe on, The smith and thee gat roarin fou on; That at the Lord's house, ev'n on Sunday, Thou drank wi' Kirkton Jean till Monday.
She prophesied that, late or soon, Thou would be found deep drowned in Doon; Or catched wi' warlocks in the mirk, By Alloway's auld haunted kirk.
Ah, gentle dames! it gars me greet, To think how mony counsels sweet, How mony lengthened sage advices, The husband frae the wife despises! But to our tale: Ae market-night, Tam had got planted unco right; Fast by an ingle, bleezing finely, Wi' reaming swats, that drank divinely; And at his elbow, Souter Johnny, His ancient, trusty, drouthy crony; Tam lo'ed him like a vera brither; They had been fou for weeks thegither.
The night drave on wi' sangs an' clatter; And aye the ale was growing better: The landlady and Tam grew gracious, Wi' favours, secret, sweet, and precious: The Souter tauld his queerest stories; The landlord's laugh was ready chorus: The storm without might rair and rustle, Tam did na mind the storm a whistle.
Care, mad to see a man sae happy, E'en drowned himself amang the nappy; As bees flee hame wi' lades o' treasure, The minutes winged their way wi' pleasure: Kings may be blest, but Tam was glorious, O'er a' the ills o' life victorious! But pleasures are like poppies spread, You seize the flow'r, its bloom is shed; Or like the snow falls in the river, A moment white—then melts for ever; Or like the borealis race, That flit ere you can point their place; Or like the rainbow's lovely form Evanishing amid the storm.
— Nae man can tether time or tide; The hour approaches Tam maun ride; That hour, o' night's black arch the key-stane, That dreary hour he mounts his beast in; And sic a night he tak's the road in, As ne'er poor sinner was abroad in.
The wind blew as 'twad blawn its last; The rattling showers rose on the blast; The speedy gleams the darkness swallowed; Loud, deep, and lang the thunder bellowed: That night, a child might understand, The De'il had business on his hand.
Weel mounted on his grey mare, Meg, A better never lifted leg, Tam skelpit on thro' dub and mire, Despising wind, and rain, and fire; Whiles holding fast his gude blue bonnet; Whiles crooning o'er some auld Scots sonnet; Whiles glow'rin round wi' prudent cares, Lest bogles catch him unawares; Kirk-Alloway was drawing nigh, Whare ghaists and houlets nightly cry.
By this time he was cross the ford, Whare in the snaw the chapman smoored; And past the birks and meikle stane, Whare drunken Charlie brak's neck-bane; And thro' the whins, and by the cairn, Whare hunters fand the murdered bairn; And near the thorn, aboon the well, Whare Mungo's mither hanged hersel'.
Before him Doon pours all his floods; The doubling storm roars thro' the woods; The lightnings flash from pole to pole; Near and more near the thunders roll; When, glimmering thro' the groaning trees, Kirk-Alloway seemed in a bleeze; Thro' ilka bore the beams were glancing; And loud resounded mirth and dancing.
Inspiring bold John Barleycorn! What dangers thou canst mak' us scorn! Wi' tippenny, we fear nae evil; Wi' usquabae, we'll face the devil! The swats sae reamed in Tammie's noddle, Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished, Till, by the heel and hand admonished, She ventured forward on the light; And, wow! Tam saw an unco sight! Warlocks and witches in a dance; Nae cotillion, brent new frae France, But hornpipes, jigs, strathspeys, and reels, Put life and mettle in their heels.
A winnock-bunker in the east, There sat auld Nick, in shape o' beast; A towzie tyke, black, grim, and large, To gie them music was his charge: He screwed the pipes and gart them skirl, Till roof and rafters a' did dirl.
— Coffins stood round, like open presses, That shawed the Dead in their last dresses; And by some devilish cantraip sleight Each in its cauld hand held a light, By which heroic Tam was able To note upon the haly table, A murderer's banes in gibbet-airns; Twa span-lang, wee, unchristened bairns; A thief, new-cutted frae a rape, Wi' his last gasp his gab did gape; Five tomahawks, wi' blude red-rusted; Five scimitars, wi' murder crusted; A garter, which a babe had strangled; A knife, a father's throat had mangled, Whom his ain son o' life bereft, The grey hairs yet stack to the heft; Wi' mair of horrible and awfu', Which even to name wad be unlawfu'.
As Tammie glowered, amazed and curious, The mirth and fun grew fast and furious: The Piper loud and louder blew; The dancers quick and quicker flew; They reeled, they set, they crossed, they cleekit, Till ilka carlin swat and reekit, And coost her duddies to the wark, And linket at it in her sark! Now Tam, O Tam! had they been queans, A' plump and strapping in their teens; Their sarks, instead o' creeshie flainen, Been snaw-white seventeen hunder linen!— Thir breeks o' mine, my only pair, That ance were plush, o' gude blue hair, I wad hae gi'en them off my hurdies, For ae blink o' the bonie burdies! But withered beldams, auld and droll, Rigwoodie hags wad spean a foal, Lowping and flinging on a crummock, I wonder didna turn thy stomach.
But Tam kenned what was what fu' brawlie: `There was ae winsome wench and waulie', That night enlisted in the core (Lang after kenned on Carrick shore; For mony a beast to dead she shot, And perished mony a bonie boat, And shook baith meikle corn and bear, And kept the country-side in fear); Her cutty sark, o' Paisley harn, That while a lassie she had worn, In longitude tho' sorely scanty, It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie, That sark she coft for her wee Nannie, Wi' twa pund Scots ('twas a' her riches), Wad ever graced a dance of witches! But here my Muse her wing maun cour, Sic flights are far beyond her power; To sing how Nannie lap and flang, (A souple jade she was and strang), And how Tam stood, like ane bewitched, And thought his very een enriched; Even Satan glowered, and fidged fu' fain, And hotched and blew wi' might and main: Till first ae caper, syne anither, Tam tint his reason a' thegither, And roars out, "Weel done, Cutty-sark!" And in an instant all was dark: And scarcely had he Maggie rallied, When out the hellish legion sallied.
As bees bizz out wi' angry fyke, When plundering herds assail their byke; As open pussie's mortal foes, When, pop! she starts before their nose; As eager runs the market-crowd, When "Catch the thief!" resounds aloud; So Maggie runs, the witches follow, Wi' mony an eldritch screech and hollow.
Ah, Tam! ah, Tam! thou'll get thy fairin! In hell they'll roast thee like a herrin! In vain thy Kate awaits thy comin! Kate soon will be a woefu' woman! Now, do thy speedy utmost, Meg, And win the key-stane of the brig; There at them thou thy tail may toss, A running stream they dare na cross.
But ere the key-stane she could make, The fient a tail she had to shake! For Nannie, far before the rest, Hard upon noble Maggie prest, And flew at Tam wi' furious ettle; But little wist she Maggie's mettle— Ae spring brought off her master hale, But left behind her ain grey tail: The carlin claught her by the rump, And left poor Maggie scarce a stump.
Now, wha this tale o' truth shall read, Ilk man and mother's son, take heed: Whene'er to drink you are inclined, Or cutty-sarks run in your mind, Think, ye may buy the joys o'er dear, Remember Tam o'Shanter's mare.
Written by Lewis Carroll | Create an image from this poem

Hiawathas Photographing

 From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly, Folded into nearly nothing; But he opened out the hinges, Pushed and pulled the joints and hinges, Till it looked all squares and oblongs, Like a complicated figure In the Second Book of Euclid.
This he perched upon a tripod - Crouched beneath its dusky cover - Stretched his hand, enforcing silence - Said, "Be motionless, I beg you!" Mystic, awful was the process.
All the family in order Sat before him for their pictures: Each in turn, as he was taken, Volunteered his own suggestions, His ingenious suggestions.
First the Governor, the Father: He suggested velvet curtains Looped about a massy pillar; And the corner of a table, Of a rosewood dining-table.
He would hold a scroll of something, Hold it firmly in his left-hand; He would keep his right-hand buried (Like Napoleon) in his waistcoat; He would contemplate the distance With a look of pensive meaning, As of ducks that die ill tempests.
Grand, heroic was the notion: Yet the picture failed entirely: Failed, because he moved a little, Moved, because he couldn't help it.
Next, his better half took courage; SHE would have her picture taken.
She came dressed beyond description, Dressed in jewels and in satin Far too gorgeous for an empress.
Gracefully she sat down sideways, With a simper scarcely human, Holding in her hand a bouquet Rather larger than a cabbage.
All the while that she was sitting, Still the lady chattered, chattered, Like a monkey in the forest.
"Am I sitting still?" she asked him.
"Is my face enough in profile? Shall I hold the bouquet higher? Will it came into the picture?" And the picture failed completely.
Next the Son, the Stunning-Cantab: He suggested curves of beauty, Curves pervading all his figure, Which the eye might follow onward, Till they centered in the breast-pin, Centered in the golden breast-pin.
He had learnt it all from Ruskin (Author of 'The Stones of Venice,' 'Seven Lamps of Architecture,' 'Modern Painters,' and some others); And perhaps he had not fully Understood his author's meaning; But, whatever was the reason, All was fruitless, as the picture Ended in an utter failure.
Next to him the eldest daughter: She suggested very little, Only asked if he would take her With her look of 'passive beauty.
' Her idea of passive beauty Was a squinting of the left-eye, Was a drooping of the right-eye, Was a smile that went up sideways To the corner of the nostrils.
Hiawatha, when she asked him, Took no notice of the question, Looked as if he hadn't heard it; But, when pointedly appealed to, Smiled in his peculiar manner, Coughed and said it 'didn't matter,' Bit his lip and changed the subject.
Nor in this was he mistaken, As the picture failed completely.
So in turn the other sisters.
Last, the youngest son was taken: Very rough and thick his hair was, Very round and red his face was, Very dusty was his jacket, Very fidgety his manner.
And his overbearing sisters Called him names he disapproved of: Called him Johnny, 'Daddy's Darling,' Called him Jacky, 'Scrubby School-boy.
' And, so awful was the picture, In comparison the others Seemed, to one's bewildered fancy, To have partially succeeded.
Finally my Hiawatha Tumbled all the tribe together, ('Grouped' is not the right expression), And, as happy chance would have it Did at last obtain a picture Where the faces all succeeded: Each came out a perfect likeness.
Then they joined and all abused it, Unrestrainedly abused it, As the worst and ugliest picture They could possibly have dreamed of.
'Giving one such strange expressions - Sullen, stupid, pert expressions.
Really any one would take us (Any one that did not know us) For the most unpleasant people!' (Hiawatha seemed to think so, Seemed to think it not unlikely).
All together rang their voices, Angry, loud, discordant voices, As of dogs that howl in concert, As of cats that wail in chorus.
But my Hiawatha's patience, His politeness and his patience, Unaccountably had vanished, And he left that happy party.
Neither did he leave them slowly, With the calm deliberation, The intense deliberation Of a photographic artist: But he left them in a hurry, Left them in a mighty hurry, Stating that he would not stand it, Stating in emphatic language What he'd be before he'd stand it.
Hurriedly he packed his boxes: Hurriedly the porter trundled On a barrow all his boxes: Hurriedly he took his ticket: Hurriedly the train received him: Thus departed Hiawatha.
Written by Lewis Carroll | Create an image from this poem

Hiawathas photographing ( Part V )

 Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters Called him names he disapproved of: Called him Johnny, 'Daddy's Darling,' Called him Jacky, 'Scrubby School-boy.
' And, so awful was the picture, In comparison the others Seemed, to one's bewildered fancy, To have partially succeeded.
Finally my Hiawatha Tumbled all the tribe together, ('Grouped' is not the right expression), And, as happy chance would have it, Did at last obtain a picture Where the faces all succeeded: Each came out a perfect likeness.
Then they joined and all abused it, Unrestrainedly abused it, As the worst and ugliest picture They could possibly have dreamed of.
'Giving one such strange expressions-- Sullen, stupid, pert expressions.
Really any one would take us (Any one that did not know us) For the most unpleasant people!' (Hiawatha seemed to think so, Seemed to think it not unlikely).
All together rang their voices, Angry, loud, discordant voices, As of dogs that howl in concert, As of cats that wail in chorus.
Written by David Lehman | Create an image from this poem

July 12

 Wisteria, hysteria is as obvious a rhyme
as Viagra and Niagara there must be a reason
honeymooners traditionally went to the Falls
which were, said the divine Oscar,
an American bride's second biggest disappointment
tell me which do you like better,
the American Falls or the Horseshoe Falls,
I say the Horseshoe Falls, Joe says,
because its magnificence surpasses the American Falls
thank you, Joe, and did you know
when Casey Stengel managed the Yankees
he sat next to Bob Cerv on the bench one day,
put his arm around the big outfielder, and said,
"One of us has just been traded to Kansas City"
I don't know what put that in my mind
except that it backs up Michael Malinowitz's line
about John Ashbery being the Casey Stengel of poetry
meanwhile the Yankees are playing like the Bronx Bombers of old
and though I used to hate the Yankees I'm just enough
of a New York chauvinist to feel gleeful about it
wait a minute I'll be right back I am back that's
another line I've always wanted to put in a poem
what it will say on Johnny Carson's gravestone
"I'll be right back"
Written by Andrew Barton Paterson | Create an image from this poem

Johnny Boer

 Men fight all shapes and sizes as the racing horses run, 
And no man knows his courage till he stands before a gun.
At mixed-up fighting, hand to hand, and clawing men about They reckon Fuzzy-Wuzzy is the hottest fighter out.
But Fuzzy gives himself away -- his style is out of date, He charges like a driven grouse that rushes on its fate; You've nothing in the world to do but pump him full of lead: But when you're fighting Johhny Boer you have to use your head; He don't believe in front attacks or charging at the run, He fights you from a kopje with his little Maxim gun.
For when the Lord He made the earth, it seems uncommon clear, He gave the job of Africa to some good engineer, Who started building fortresses on fashions of his own -- Lunettes, redoubts, and counterscarps all made of rock and stone.
The Boer need only bring a gun, for ready to his hand He finds these heaven-built fortresses all scattered through the land; And there he sits and winks his eye and wheels his gun about, And we must charge across the plain to hunt the beggar out.
It ain't a game that grows on us -- there's lots of better fun Than charging at old Johnny with his little Maxim gun.
On rocks a goat could scarcely climb, steep as the walls of Troy, He wheels a four-point-seven about as easy as a toy; With bullocks yoked and drag-ropes manned, he lifts her up the rocks And shifts her every now and then, as cunning as a fox.
At night you mark her right ahead, you see her clean and clear, Next day at dawn -- "What, ho! she bumps" -- from somewhere in the rear.
Or else the keenest-eyed patrol will miss him with the glass -- He's lying hidden in the rocks to let the leaders pass; But when the mainguard comes along he opens up the fun; There's lots of ammunition for the little Maxim gun.
But after all the job is sure, although the job is slow.
We have to see the business through, the Boer has got to go.
With Nordenfeldt and lyddite shell it's certain, soon or late, We'll hunt him from his kopjes and across the Orange State; And then across those open flats you'll see the beggar run, And we'll be running after him with our little Maxim gun.

Book: Shattered Sighs