Get Your Premium Membership

Best Famous Jibe Poems

Here is a collection of the all-time best famous Jibe poems. This is a select list of the best famous Jibe poetry. Reading, writing, and enjoying famous Jibe poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of jibe poems.

Search and read the best famous Jibe poems, articles about Jibe poems, poetry blogs, or anything else Jibe poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Robert William Service | Create an image from this poem

Equality

 The Elders of the Tribe were grouped
And squatted in the Council Cave;
They seemed to be extremely pooped,
And some were grim, but all were grave:
The subject of their big To-do
Was axe-man Chow, the son of Choo.

Then up spoke Tribal Wiseman Waw:
"Brothers, today I talk to grieve:
As an upholder of the Law
You know how deeply we believe
In Liberty, Fraternity,
And likewise Equality.

"A chipper of the flint am I;
I make the weapons that you use,
And though to hunt I never try,
To bow to hunters I refuse:
But stalwart Chow, the son of Choo
Is equal to us any two.

"He is the warrior supreme,
The Super-caveman, one might say;
The pride of youth, the maiden's dream,
And in the chase the first to slay.
Where we are stunted he is tall:
In short, a menace to us all.

"He struts with throwing stone and spear;
And is he not the first to wear
Around his waist with bully leer
The pelt of wolf and baby bear!
Admitting that he made the kill
Why should he so exploit his skill?

"Comrades, grave counsel we must take,
And as he struts with jest and jibe,
Let us act swiftly lest he make
Himself Dictator of our Tribe:
The Gods have built him on their plan:
Let us reduce him to a man."

And so they seized him in the night,
And on the sacrificial stone
The axe-men of the Tribe did smite,
Until one limb he ceased to own.
There! They had equalized the odds,
Foiling unfairness of the Gods.

So Chow has lost his throwing arm,
And goes around like every one;
No longer does he threaten harm,
And tribal justice has been done.
For men are equal, let us seek
To grade the Strong down to the weak.


Written by Bob Hicok | Create an image from this poem

What Would Freud Say?

 Wasn't on purpose that I drilled 
through my finger or the nurse 
laughed. She apologized 
three times and gave me a shot 
of something that was a lusher 
apology. The person 
who drove me home 
said my smile was a smeared 
totem that followed 
his body that night as it arced 
over a cliff in a dream.
He's always flying 
in his dreams and lands 
on cruise ships or hovers 
over Atlanta with an ********.
He put me to bed and the drugs
wore off and I woke 
to cannibals at my extremities. 
I woke with a sense
of what nails in the palms 
might do to a spirit 
temporarily confined to flesh. 
That too was an accident 
if you believe Judas 
merely wanted to be loved. 
To be loved by God, 
Urban the 8th 
had heads cut off 
that were inadequately 
bowed by dogma. To be loved 
by Blondie, Dagwood
gets nothing right 
except the hallucinogenic 
architecture of sandwiches. 
He would have drilled 
through a finger too 
while making a case for books 
on home repair and health. 
Drilling through my finger's 
not the dumbest thing 
I've done. Second place 
was approaching 
a frozen gas-cap with lighter
in hand while thinking 
heat melts ice and not 
explosion kills *******. First 
place was passing 
through a bedroom door 
and removing silk that did not
belong to my wife.
Making a bookcase is not 
the extent of my apology. 
I've also been beaten up 
in a bar for saying huevos 
rancheros in a way 
insulting to the patrons' 
ethnicity. I've also lost 
my job because lying 
face down on the couch 
didn't jibe with my employer's 
definition of home 
office. I wanted her to come
through the door on Sunday
and see the bookcase 
she'd asked me to build 
for a year and be impressed 
that it didn't lean 
or wobble even though 
I've only leaned and often 
wobbled. Now it's half
done but certainly
a better gift with its map
of my unfaithful blood.
Written by Robert William Service | Create an image from this poem

My Library

 Like prim Professor of a College
I primed my shelves with books of knowledge;
And now I stand before them dumb,
Just like a child that sucks its thumb,
And stares forlorn and turns away,
With dolls or painted bricks to play.

They glour at me, my tomes of learning.
"You dolt!" they jibe; "you undiscerning
Moronic oaf, you make a fuss,
With highbrow swank selecting us;
Saying: "I'll read you all some day' -
And now you yawn and turn away.

"Unwanted wait we with our store
Of facts and philosophic lore;
The scholarship of all the ages
Snug packed within our uncut pages;
The mystery of all mankind
In part revealed - but you are blind.

"You have no time to read, you tell us;
Oh, do not think that we are jealous
Of all the trash that wins your favour,
The flimsy fiction that you savour:
We only beg that sometimes you
Will spare us just an hour or two.

"For all the minds that went to make us
Are dust if folk like you forsake us,
And they can only live again
By virtue of your kindling brain;
In magice print they packed their best:
Come - try their wisdom to digest. . . ."

Said I: "Alas! I am not able;
I lay my cards upon the table,
And with deep shame and blame avow
I am too old to read you now;
So I will lock you in glass cases
And shun your sad, reproachful faces."

 * * * * * * * * *

My library is noble planned,
Yet in it desolate I stand;
And though my thousand books I prize,
Feeling a witling in their eyes,
I turn from them in weariness
To wallow in the Daily Press.

For, oh, I never, never will
The noble field of knowledge till:
I pattern words with artful tricks,
As children play with painted bricks,
And realize with futile woe,
Nothing I know - nor want to know.

My library has windowed nooks;
And so I turn from arid books
To vastitude of sea and sky,
And like a child content am I
With peak and plain and brook and tree,
Crying: "Behold! the books for me:
Nature, be thou my Library!"
Written by Robert William Service | Create an image from this poem

The Ballad Of The Brand

 'Twas up in a land long famed for gold, where women were far and rare,
Tellus, the smith, had taken to wife a maiden amazingly fair;
Tellus, the brawny worker in iron, hairy and heavy of hand,
Saw her and loved her and bore her away from the tribe of a Southern land;
Deeming her worthy to queen his home and mother him little ones,
That the name of Tellus, the master smith, might live in his stalwart sons.

Now there was little of law in the land, and evil doings were rife,
And every man who joyed in his home guarded the fame of his wife;
For there were those of the silver tongue and the honeyed art to beguile,
Who would cozen the heart from a woman's breast and damn her soul with a smile.
And there were women too quick to heed a look or a whispered word,
And once in a while a man was slain, and the ire of the King was stirred;
So far and wide he proclaimed his wrath, and this was the law he willed:
"That whosoever killeth a man, even shall he be killed."

Now Tellus, the smith, he trusted his wife; his heart was empty of fear.
High on the hill was the gleam of their hearth, a beacon of love and cheer.
High on the hill they builded their bower, where the broom and the bracken meet;
Under a grave of oaks it was, hushed and drowsily sweet.
Here he enshrined her, his dearest saint, his idol, the light of his eye;
Her kisses rested upon his lips as brushes a butterfly.
The weight of her arms around his neck was light as the thistle down;
And sweetly she studied to win his smile, and gently she mocked his frown.
And when at the close of the dusty day his clangorous toil was done,
She hastened to meet him down the way all lit by the amber sun.

Their dove-cot gleamed in the golden light, a temple of stainless love;
Like the hanging cup of a big blue flower was the topaz sky above.
The roses and lilies yearned to her, as swift through their throng she pressed;
A little white, fragile, fluttering thing that lay like a child on his breast.
Then the heart of Tellus, the smith, was proud, and sang for the joy of life,
And there in the bronzing summertide he thanked the gods for his wife.

Now there was one called Philo, a scribe, a man of exquisite grace,
Carved like the god Apollo in limb, fair as Adonis in face;
Eager and winning in manner, full of such radiant charm,
Womenkind fought for his favor and loved to their uttermost harm.
Such was his craft and his knowledge, such was his skill at the game,
Never was woman could flout him, so be he plotted her shame.
And so he drank deep of pleasure, and then it fell on a day
He gazed on the wife of Tellus and marked her out for his prey.

Tellus, the smith, was merry, and the time of the year it was June,
So he said to his stalwart helpers: "Shut down the forge at noon.
Go ye and joy in the sunshine, rest in the coolth of the grove,
Drift on the dreamy river, every man with his love."
Then to himself: "Oh, Beloved, sweet will be your surprise;
To-day will we sport like children, laugh in each other's eyes;
Weave gay garlands of poppies, crown each other with flowers,
Pull plump carp from the lilies, rifle the ferny bowers.
To-day with feasting and gladness the wine of Cyprus will flow;
To-day is the day we were wedded only a twelvemonth ago."

The larks trilled high in the heavens; his heart was lyric with joy;
He plucked a posy of lilies; he sped like a love-sick boy.
He stole up the velvety pathway--his cottage was sunsteeped and still;
Vines honeysuckled the window; softly he peeped o'er the sill.
The lilies dropped from his fingers; devils were choking his breath;
Rigid with horror, he stiffened; ghastly his face was as death.
Like a nun whose faith in the Virgin is met with a prurient jibe,
He shrank--'twas the wife of his bosom in the arms of Philo, the scribe.

Tellus went back to his smithy; he reeled like a drunken man;
His heart was riven with anguish; his brain was brooding a plan.
Straight to his anvil he hurried; started his furnace aglow;
Heated his iron and shaped it with savage and masterful blow.
Sparks showered over and round him; swiftly under his hand
There at last it was finished--a hideous and infamous Brand.

That night the wife of his bosom, the light of joy in her eyes,
Kissed him with words of rapture; but he knew that her words were lies.
Never was she so beguiling, never so merry of speech
(For passion ripens a woman as the sunshine ripens a peach).
He clenched his teeth into silence; he yielded up to her lure,
Though he knew that her breasts were heaving from the fire of her paramour.
"To-morrow," he said, "to-morrow"--he wove her hair in a strand,
Twisted it round his fingers and smiled as he thought of the Brand.

The morrow was come, and Tellus swiftly stole up the hill.
Butterflies drowsed in the noon-heat; coverts were sunsteeped and still.
Softly he padded the pathway unto the porch, and within
Heard he the low laugh of dalliance, heard he the rapture of sin.
Knew he her eyes were mystic with light that no man should see,
No man kindle and joy in, no man on earth save he.
And never for him would it kindle. The bloodlust surged in his brain;
Through the senseless stone could he see them, wanton and warily fain.
Horrible! Heaven he sought for, gained it and gloried and fell--
Oh, it was sudden--headlong into the nethermost hell. . . .

Was this he, Tellus, this marble? Tellus . . . not dreaming a dream?
Ah! sharp-edged as a javelin, was that a woman's scream?
Was it a door that shattered, shell-like, under his blow?
Was it his saint, that strumpet, dishevelled and cowering low?
Was it her lover, that wild thing, that twisted and gouged and tore?
Was it a man he was crushing, whose head he beat on the floor?
Laughing the while at its weakness, till sudden he stayed his hand--
Through the red ring of his madness flamed the thought of the Brand.

Then bound he the naked Philo with thongs that cut in the flesh,
And the wife of his bosom, fear-frantic, he gagged with a silken mesh,
Choking her screams into silence; bound her down by the hair;
Dragged her lover unto her under her frenzied stare.
In the heat of the hearth-fire embers he heated the hideous Brand;
Twisting her fingers open, he forced its haft in her hand.
He pressed it downward and downward; she felt the living flesh sear;
She saw the throe of her lover; she heard the scream of his fear.
Once, twice and thrice he forced her, heedless of prayer and shriek--
Once on the forehead of Philo, twice in the soft of his cheek.
Then (for the thing was finished) he said to the woman: "See
How you have branded your lover! Now will I let him go free."
He severed the thongs that bound him, laughing: "Revenge is sweet",
And Philo, sobbing in anguish, feebly rose to his feet.
The man who was fair as Apollo, god-like in woman's sight,
Hideous now as a satyr, fled to the pity of night.

Then came they before the Judgment Seat, and thus spoke the Lord of the Land:
"He who seeketh his neighbor's wife shall suffer the doom of the Brand.
Brutish and bold on his brow be it stamped, deep in his cheek let it sear,
That every man may look on his shame, and shudder and sicken and fear.
He shall hear their mock in the market-place, their fleering jibe at the feast;
He shall seek the caves and the shroud of night, and the fellowship of the beast.
Outcast forever from homes of men, far and far shall he roam.
Such be the doom, sadder than death, of him who shameth a home."
Written by Ezra Pound | Create an image from this poem

Cino

 Italian Campagna 1309, the open road


Bah! I have sung women in three cities,
But it is all the same;
And I will sing of the sun.

Lips, words, and you snare them,
Dreams, words, and they are as jewels,
Strange spells of old deity,
Ravens, nights, allurement:
And they are not;
Having become the souls of song.

Eyes, dreams, lips, and the night goes.
Being upon the road once more,
They are not.
Forgetful in their towers of our tuneing
Once for wind-runeing
They dream us-toward and
Sighing, say, "Would Cino,
Passionate Cino, of the wrinkling eyes,
Gay Cino, of quick laughter,
Cino, of the dare, the jibe.
Frail Cino, strongest of his tribe
That tramp old ways beneath the sun-light,
Would Cino of the Luth were here!"

Once, twice a year---
Vaguely thus word they:

 "Cino?" "Oh, eh, Cino Polnesi
 The singer is't you mean?"
 "Ah yes, passed once our way,
 A saucy fellow, but . . .
 (Oh they are all one these vagabonds),
 Peste! 'tis his own songs?
 Or some other's that he sings?
 But *you*, My Lord, how with your city?"

My you "My Lord," God's pity!
And all I knew were out, My Lord, you
Were Lack-land Cino, e'en as I am,
O Sinistro.

I have sung women in three cities.
But it is all one.
I will sing of the sun.
. . . eh? . . . they mostly had grey eyes,
But it is all one, I will sing of the sun.

 "'Pollo Phoibee, old tin pan, you
 Glory to Zeus' aegis-day,
 Shield o' steel-blue, th' heaven o'er us
 Hath for boss thy lustre gay!

 'Pollo Phoibee, to our way-fare
 Make thy laugh our wander-lied;
 Bid thy 'flugence bear away care.
 Cloud and rain-tears pass they fleet!

 Seeking e'er the new-laid rast-way
 To the gardens of the sun . . .

 * * *

 I have sung women in theree cities
 But it is all one.
 I will sing of the white birds
 In the blue waters of heaven,
 The clouds that are spray to its sea."


Written by Rudyard Kipling | Create an image from this poem

The Undertakers Horse

 The eldest son bestrides him,
And the pretty daughter rides him,
And I meet him oft o' mornings on the Course;
And there kindles in my bosom
An emotion chill and gruesome
As I canter past the Undertaker's Horse.

Neither shies he nor is restive,
But a hideously suggestive
Trot, professional and placid, he affects;
And the cadence of his hoof-beats
To my mind this grim reproof beats: --
"Mend your pace, my friend, I'm coming. Who's the next?"

Ah! stud-bred of ill-omen,
I have watched the strongest go -- men
Of pith and might and muscle -- at your heels,
Down the plantain-bordered highway,
(Heaven send it ne'er be my way!)
In a lacquered box and jetty upon wheels.

Answer, sombre beast and dreary,
Where is Brown, the young, the cheery,
Smith, the pride of all his friends and half the Force?
You were at that last dread dak
We must cover at a walk,
Bring them back to me, O Undertaker's Horse!

With your mane unhogged and flowing,
And your curious way of going,
And that businesslike black crimping of your tail,
E'en with Beauty on your back, Sir,
Pacing as a lady's hack, Sir,
What wonder when I meet you I turn pale?

It may be you wait your time, Beast,
Till I write my last bad rhyme, Beast --
Quit the sunlight, cut the rhyming, drop the glass --
Follow after with the others,
Where some dusky heathen smothers
Us with marigolds in lieu of English grass.

Or, perchance, in years to follow,
I shall watch your plump sides hollow,
See Carnifex (gone lame) become a corse --
See old age at last o'erpower you,
And the Station Pack devour you,
I shall chuckle then, O Undertaker's Horse!

But to insult, jibe, and quest, I've
Still the hideously suggestive
Trot that hammers out the unrelenting text,
And I hear it hard behind me
In what place soe'er I find me: --
"'Sure to catch you sooner or later. Who's the next?"
Written by Robert William Service | Create an image from this poem

Only A Boche

 We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;
And how we were wet with blood and with sweat! but we carried him in like our own.

Now there he lies in the dug-out dim, awaiting the ambulance,
And the doctor shrugs his shoulders at him, and remarks, "He hasn't a chance."
And we squat and smoke at our game of bridge on the glistening, straw-packed floor,
And above our oaths we can hear his breath deep-drawn in a kind of snore.
For the dressing station is long and low, and the candles gutter dim,
And the mean light falls on the cold clay walls and our faces bristly and grim;
And we flap our cards on the lousy straw, and we laugh and jibe as we play,
And you'd never know that the cursed foe was less than a mile away.
As we con our cards in the rancid gloom, oppressed by that snoring breath,
You'd never dream that our broad roof-beam was swept by the broom of death.

Heigh-ho! My turn for the dummy hand; I rise and I stretch a bit;
The fetid air is making me yawn, and my cigarette's unlit,
So I go to the nearest candle flame, and the man we brought is there,
And his face is white in the shabby light, and I stand at his feet and stare.
Stand for a while, and quietly stare: for strange though it seems to be,
The dying Boche on the stretcher there has a ***** resemblance to me.

It gives one a kind of a turn, you know, to come on a thing like that.
It's just as if I were lying there, with a turban of blood for a hat,
Lying there in a coat grey-green instead of a coat grey-blue,
With one of my eyes all shot away, and my brain half tumbling through;
Lying there with a chest that heaves like a bellows up and down,
And a cheek as white as snow on a grave, and lips that are coffee brown.

And confound him, too! He wears, like me, on his finger a wedding ring,
And around his neck, as around my own, by a greasy bit of string,
A locket hangs with a woman's face, and I turn it about to see:
Just as I thought . . . on the other side the faces of children three;
Clustered together cherub-like, three little laughing girls,
With the usual tiny rosebud mouths and the usual silken curls.
"Zut!" I say. "He has beaten me; for me, I have only two,"
And I push the locket beneath his shirt, feeling a little blue.

Oh, it isn't cheerful to see a man, the marvellous work of God,
Crushed in the mutilation mill, crushed to a smeary clod;
Oh, it isn't cheerful to hear him moan; but it isn't that I mind,
It isn't the anguish that goes with him, it's the anguish he leaves behind.
For his going opens a tragic door that gives on a world of pain,
And the death he dies, those who live and love, will die again and again.

So here I am at my cards once more, but it's kind of spoiling my play,
Thinking of those three brats of his so many a mile away.
War is war, and he's only a Boche, and we all of us take our chance;
But all the same I'll be mighty glad when I'm hearing the ambulance.
One foe the less, but all the same I'm heartily glad I'm not
The man who gave him his broken head, the sniper who fired the shot.

No trumps you make it, I think you said? You'll pardon me if I err;
For a moment I thought of other things . . .Mon Dieu! Quelle vache de gueerre.
Written by Amy Lowell | Create an image from this poem

The Allies

 August 14th, 1914

Into the brazen, burnished sky, the cry hurls itself. The 
zigzagging cry
of hoarse throats, it floats against the hard winds, and binds the 
head
of the serpent to its tail, the long snail-slow serpent of marching 
men.
Men weighed down with rifles and knapsacks, and parching with war.
The cry jars and splits against the brazen, burnished sky.
This is the war of wars, and the cause? Has 
this writhing worm of men
a cause?
Crackling against the polished sky is an eagle 
with a sword. The eagle is red
and its head is flame.

In the shoulder of the worm is a teacher.
His tongue laps the war-sucked air in drought, 
but he yells defiance
at the red-eyed eagle, and in his ears are the bells of new philosophies,
and their tinkling drowns the sputter of the burning sword. He 
shrieks,
"God damn you! When you are broken, the word will strike 
out new shoots."
His boots are tight, the sun is hot, and he may 
be shot, but he is in
the shoulder of the worm.

A dust speck in the worm's belly is a poet.
He laughs at the flaring eagle and makes a long 
nose with his fingers.
He will fight for smooth, white sheets of paper, and uncurdled ink.
The sputtering sword cannot make him blink, and his thoughts are
wet and rippling. They cool his heart.
He will tear the eagle out of the sky and give 
the earth tranquillity,
and loveliness printed on white paper.

The eye of the serpent is an owner of mills.
He looks at the glaring sword which has snapped 
his machinery
and struck away his men.
But it will all come again, when the sword is broken 
to a million dying stars,
and there are no more wars.

Bankers, butchers, shop-keepers, painters, farmers -- men, sway 
and sweat.
They will fight for the earth, for the increase of the slow, sure 
roots
of peace, for the release of hidden forces. They jibe 
at the eagle
and his scorching sword.
One! Two! -- One! Two! -- 
clump the heavy boots. The cry hurtles
against the sky.
Each man pulls his belt a little tighter, and shifts 
his gun
to make it lighter. Each man thinks of a woman, and slaps 
out a curse
at the eagle. The sword jumps in the hot sky, and the 
worm crawls on
to the battle, stubbornly.
This is the war of wars, from eye to tail the serpent 
has one cause:
PEACE!
Written by Sidney Lanier | Create an image from this poem

Laughter In The Senate

 In the South lies a lonesome, hungry Land;
He huddles his rags with a cripple's hand;
He mutters, prone on the barren sand,
What time his heart is breaking.

He lifts his bare head from the ground;
He listens through the gloom around:
The winds have brought him a strange sound
Of distant merrymaking.

Comes now the Peace so long delayed?
Is it the cheerful voice of Aid?
Begins the time his heart has prayed,
When men may reap and sow?

Ah, God! Back to the cold earth's breast!
The sages chuckle o'er their jest;
Must they, to give a people rest,
Their dainty wit forego?

The tyrants sit in a stately hall;
They jibe at a wretched people's fall;
The tyrants forget how fresh is the pall
Over their dead and ours.

Look how the senators ape the clown,
And don the motley and hide the gown,
But yonder a fast-rising frown
On the people's forehead lowers.

Book: Radiant Verses: A Journey Through Inspiring Poetry