by
Barry Tebb
for Ken Kesey and his merry pranksters in a bus called ‘Further...’
Dear _______ and here’s where the problem begins
For who shall I address this letter to?
Friends are few and very special, muses in the main
I must confess, the first I lost just fifty years ago.
Perhaps the best.
I searched for years and wrote en route
‘Bridge Over the Aire’ after that vision and that voice
“I am here. I am waiting”. I followed every lead
Margaret Gardiner last heard of in the Falmouth’s
Of Leeds 9, early fifties. Barry Tebb your friend from then
Would love to hear from you.”
The sole reply
A mis-directed estimate for papering a bungalow
In Penge. I nearly came unhinged as weeks
Ran into months of silence. Was it. I wondered.
A voice from the beyond?
The vision was given
Complete with backcloth of resplendent stars
The bridge’s grey transmuted to a sheen of pearl
The chipped steps became transparent stairs to heaven
Our worn clothes, like Cinders’ at the ball, cloaks and gowns
Of infinite splendour but only for the night, remember!
I passed the muse’s diadem to Sheila Pritchard,
My genius-child-poet of whom Redgrove said
“Of course, you are in love” and wrote for her
‘My Perfect Rose!’
Last year a poet saw it
In the British Council Reading Room in distant Kazakstan
And sent his poems to me on paper diaphanous
As angels’ wings and delicate as ash
And tinted with a splash of lemon
And a dash of mignonette.
I last saw Sheila circa nineteen sixty seven
Expelled from grammar school wearing a poncho
Hand-made from an army blanket
Working a stall in Kirkgate Market.
Brenda Williams, po?te maudit if ever,
By then installed as muse number three
Grew sadly jealous for the only time
In thirty-seven years: muse number two
Passed into the blue
There is another muse, who makes me chronologically confused.
Barbara, who overlaps both two and three
And still is there, somewhere in Leeds.
Who does remember me and who, almost alone.
Inspired my six novellas: we write and
Talk sometimes and in a crisis she is there for me,
Muse number four, though absent for a month in Indonesia.
Remains. I doubt if there will be a fifth.
There is a poet, too, who is a friend and writes to me
From Hampstead, from a caf? in South End Green.
His cursive script on rose pink paper symptomatic
Of his gift for eloquent prose and poetry sublime
His elegy on David Gascoyne’s death quite takes my breath
And the title of his novel ‘Lipstick Boys’ I'll envy always,
There are some few I talk and write to
And occasionally meet. David Lambert, poet and teacher
Of creative writing, doing it ‘my way’ in the nineties,
UEA found his services superfluous to their needs.
? ? you may **** like hell,
But I abhor your jealous narcissistic smell
And as for your much vaunted pc prose
I’d rather stick my prick inside the thorniest rose.
Jeanne Conn of ‘Connections’ your letters
are even longer than my own and Maggie Allen
Sent me the only Valentine I’ve had in sixty years
These two do know my longings and my fears,
Dear Simon Jenner, Eratica’s erratic editor, your speech
So like the staccato of a bren, yet loaded
With a lifetime’s hard-won ken of poetry’s obscurest corners.
I salute David Wright, that ‘difficult deaf son’
Of the sixties, acknowledged my own youthful spasm of enthusiasm
But Simon you must share the honour with Jimmy Keery,
Of whom I will admit I’m somewhat leery,
His critical acuity so absolute and steely.
I ask you all to stay with me
Through time into infinity
Not even death can undo
The love I have for you.
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by
Delmore Schwartz
Nothing is given which is not taken.
Little or nothing is taken which is not freely desired,
freely, truly and fully.
"You would not seek me if you had not found me": this is
true of all that is supremely desired and admired...
"An enigma is an animal," said the hurried, harried
schoolboy:
And a horse divided against itself cannot stand;
And a moron is a man who believes in having too many
wives: what harm is there in that?
O the endless fecundity of poetry is equaled
By its endless inexhaustible freshness, as in the discovery
of America and of poetry.
Hence it is clear that the truth is not strait and narrow but infinite:
All roads lead to Rome and to poetry
and to poem, sweet poem
and from, away and towards are the same typography.
Hence the poet must be, in a way, stupid and naive and a
little child;
Unless ye be as a little child ye cannot enter the kingdom
of poetry.
Hence the poet must be able to become a tiger like Blake; a
carousel like Rilke.
Hence he must be all things to be free, for all impersonations
a doormat and a monument
to all situations possible or actual
The cuckold, the cuckoo, the conqueror, and the coxcomb.
It is to him in the zoo that the zoo cries out and the hyena:
"Hello, take off your hat, king of the beasts, and be seated,
Mr. Bones."
And hence the poet must seek to be essentially anonymous.
He must die a little death each morning.
He must swallow his toad and study his vomit
as Baudelaire studied la charogne of Jeanne Duval.
The poet must be or become both Keats and Renoir and
Keats as Renoir.
Mozart as Figaro and Edgar Allan Poe as Ophelia, stoned
out of her mind
drowning in the river called forever river and ever...
Keats as Mimi, Camille, and an aging gourmet.
He must also refuse the favors of the unattainable lady
(As Baudelaire refused Madame Sabatier when the fair
blonde summoned him,
For Jeanne Duval was enough and more than enough,
although she cuckolded him
With errand boys, servants, waiters; reality was Jeanne Duval.
Had he permitted Madame Sabatier to teach the poet a greater whiteness,
His devotion and conception of the divinity of Beauty
would have suffered an absolute diminution.)
The poet must be both Casanova and St. Anthony,
He must be Adonis, Nero, Hippolytus, Heathcliff, and
Phaedre,
Genghis Kahn, Genghis Cohen, and Gordon Martini
Dandy Ghandi and St. Francis,
Professor Tenure, and Dizzy the dean and Disraeli of Death.
He would have worn the horns of existence upon his head,
He would have perceived them regarding the looking-glass,
He would have needed them the way a moose needs a hatrack;
Above his heavy head and in his loaded eyes, black and scorched,
He would have seen the meaning of the hat-rack, above the glass
Looking in the dark foyer.
For the poet must become nothing but poetry,
He must be nothing but a poem when he is writing
Until he is absent-minded as the dead are
Forgetful as the nymphs of Lethe and a lobotomy...
("the fat weed that rots on Lethe wharf").
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by
Czeslaw Milosz
Let us not talk philosophy, drop it, Jeanne.
So many words, so much paper, who can stand it.
I told you the truth about my distancing myself.
I've stopped worrying about my misshapen life.
It was no better and no worse than the usual human tragedies.
For over thirty years we have been waging our dispute
As we do now, on the island under the skies of the tropics.
We flee a downpour, in an instant the bright sun again,
And I grow dumb, dazzled by the emerald essence of the leaves.
We submerge in foam at the line of the surf,
We swim far, to where the horizon is a tangle of banana bush,
With little windmills of palms.
And I am under accusation: That I am not up to my oeuvre,
That I do not demand enough from myself,
As I could have learned from Karl Jaspers,
That my scorn for the opinions of this age grows slack.
I roll on a wave and look at white clouds.
You are right, Jeanne, I don't know how to care about the salvation of my soul.
Some are called, others manage as well as they can.
I accept it, what has befallen me is just.
I don't pretend to the dignity of a wise old age.
Untranslatable into words, I chose my home in what is now,
In things of this world, which exist and, for that reason, delight us:
Nakedness of women on the beach, coppery cones of their breasts,
Hibiscus, alamanda, a red lily, devouring
With my eyes, lips, tongue, the guava juice, the juice of la prune de Cyth?re,
Rum with ice and syrup, lianas-orchids
In a rain forest, where trees stand on the stilts of their roots.
Death, you say, mine and yours, closer and closer,
We suffered and this poor earth was not enough.
The purple-black earth of vegetable gardens
Will be here, either looked at or not.
The sea, as today, will breathe from its depths.
Growing small, I disappear in the immense, more and more free.
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by
Amy Lowell
Cross-ribboned shoes; a muslin gown,
High-waisted, girdled with bright blue;
A straw poke bonnet which hid the frown
She pluckered her little brows into
As she picked her dainty passage through
The dusty street. "Ah, Mademoiselle,
A dirty pathway, we need rain,
My poor fruits suffer, and the shell
Of this nut's too big for its kernel, lain
Here in the sun it has shrunk again.
The baker down at the corner says
We need a battle to shake the clouds;
But I am a man of peace, my ways
Don't look to the killing of men in crowds.
Poor fellows with guns and bayonets for shrouds!
Pray, Mademoiselle, come out of the sun.
Let me dust off that wicker chair. It's cool
In here, for the green leaves I have run
In a curtain over the door, make a pool
Of shade. You see the pears on that stool --
The shadow keeps them plump and fair."
Over the fruiterer's door, the leaves
Held back the sun, a greenish flare
Quivered and sparked the shop, the sheaves
Of sunbeams, glanced from the sign on the eaves,
Shot from the golden letters, broke
And splintered to little scattered lights.
Jeanne Tourmont entered the shop, her poke
Bonnet tilted itself to rights,
And her face looked out like the moon on nights
Of flickering clouds. "Monsieur Popain, I
Want gooseberries, an apple or two,
Or excellent plums, but not if they're high;
Haven't you some which a strong wind blew?
I've only a couple of francs for you."
Monsieur Popain shrugged and rubbed his hands.
What could he do, the times were sad.
A couple of francs and such demands!
And asking for fruits a little bad.
Wind-blown indeed! He never had
Anything else than the very best.
He pointed to baskets of blunted pears
With the thin skin tight like a bursting vest,
All yellow, and red, and brown, in smears.
Monsieur Popain's voice denoted tears.
He took up a pear with tender care,
And pressed it with his hardened thumb.
"Smell it, Mademoiselle, the perfume there
Is like lavender, and sweet thoughts come
Only from having a dish at home.
And those grapes! They melt in the mouth like wine,
Just a click of the tongue, and they burst to honey.
They're only this morning off the vine,
And I paid for them down in silver money.
The Corporal's widow is witness, her pony
Brought them in at sunrise to-day.
Those oranges -- Gold! They're almost red.
They seem little chips just broken away
From the sun itself. Or perhaps instead
You'd like a pomegranate, they're rarely gay,
When you split them the seeds are like crimson spray.
Yes, they're high, they're high, and those Turkey figs,
They all come from the South, and Nelson's ships
Make it a little hard for our rigs.
They must be forever giving the slips
To the cursed English, and when men clips
Through powder to bring them, why dainties mounts
A bit in price. Those almonds now,
I'll strip off that husk, when one discounts
A life or two in a ****** row
With the man who grew them, it does seem how
They would come dear; and then the fight
At sea perhaps, our boats have heels
And mostly they sail along at night,
But once in a way they're caught; one feels
Ivory's not better nor finer -- why peels
From an almond kernel are worth two sous.
It's hard to sell them now," he sighed.
"Purses are tight, but I shall not lose.
There's plenty of cheaper things to choose."
He picked some currants out of a wide
Earthen bowl. "They make the tongue
Almost fly out to suck them, bride
Currants they are, they were planted long
Ago for some new Marquise, among
Other great beauties, before the Chateau
Was left to rot. Now the Gardener's wife,
He that marched off to his death at Marengo,
Sells them to me; she keeps her life
From snuffing out, with her pruning knife.
She's a poor old thing, but she learnt the trade
When her man was young, and the young Marquis
Couldn't have enough garden. The flowers he made
All new! And the fruits! But 'twas said that
he
Was no friend to the people, and so they laid
Some charge against him, a cavalcade
Of citizens took him away; they meant
Well, but I think there was some mistake.
He just pottered round in his garden, bent
On growing things; we were so awake
In those days for the New Republic's sake.
He's gone, and the garden is all that's left
Not in ruin, but the currants and apricots,
And peaches, furred and sweet, with a cleft
Full of morning dew, in those green-glazed pots,
Why, Mademoiselle, there is never an eft
Or worm among them, and as for theft,
How the old woman keeps them I cannot say,
But they're finer than any grown this way."
Jeanne Tourmont drew back the filigree ring
Of her striped silk purse, tipped it upside down
And shook it, two coins fell with a ding
Of striking silver, beneath her gown
One rolled, the other lay, a thing
Sparked white and sharply glistening,
In a drop of sunlight between two shades.
She jerked the purse, took its empty ends
And crumpled them toward the centre braids.
The whole collapsed to a mass of blends
Of colours and stripes. "Monsieur Popain, friends
We have always been. In the days before
The Great Revolution my aunt was kind
When you needed help. You need no more;
'Tis we now who must beg at your door,
And will you refuse?" The little man
Bustled, denied, his heart was good,
But times were hard. He went to a pan
And poured upon the counter a flood
Of pungent raspberries, tanged like wood.
He took a melon with rough green rind
And rubbed it well with his apron tip.
Then he hunted over the shop to find
Some walnuts cracking at the lip,
And added to these a barberry slip
Whose acrid, oval berries hung
Like fringe and trembled. He reached a round
Basket, with handles, from where it swung
Against the wall, laid it on the ground
And filled it, then he searched and found
The francs Jeanne Tourmont had let fall.
"You'll return the basket, Mademoiselle?"
She smiled, "The next time that I call,
Monsieur. You know that very well."
'Twas lightly said, but meant to tell.
Monsieur Popain bowed, somewhat abashed.
She took her basket and stepped out.
The sunlight was so bright it flashed
Her eyes to blindness, and the rout
Of the little street was all about.
Through glare and noise she stumbled, dazed.
The heavy basket was a care.
She heard a shout and almost grazed
The panels of a chaise and pair.
The postboy yelled, and an amazed
Face from the carriage window gazed.
She jumped back just in time, her heart
Beating with fear. Through whirling light
The chaise departed, but her smart
Was keen and bitter. In the white
Dust of the street she saw a bright
Streak of colours, wet and gay,
Red like blood. Crushed but fair,
Her fruit stained the cobbles of the way.
Monsieur Popain joined her there.
"Tiens, Mademoiselle,
c'est le General Bonaparte,
partant pour la Guerre!"
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by
Henry Van Dyke
1914-1916
What hast thou done, O womanhood of France,
Mother and daughter, sister, sweetheart, wife,
What hast thou done, amid this fateful strife,
To prove the pride of thine inheritance
In this fair land of freedom and romance?
I hear thy voice with tears and courage rife,--
Smiling against the swords that seek thy life,--
Make answer in a noble utterance:
"I give France all I have, and all she asks.
Would it were more! Ah, let her ask and take:
My hands to nurse her wounded, do her tasks,--
My feet to run her errands through the dark,--
My heart to bleed in triumph for her sake,--
And all my soul to follow thee, Jeanne d'Arc!"
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by
Marilyn L Taylor
Now the Barbaras have begun to die,
trailing their older sisters to the grave,
the Helens, Margies, Nans—who said goodbye
just days ago, it seems, taking their leave
a step or two behind the hooded girls
who bloomed and withered with the century—
the Dorotheas, Eleanors and Pearls
now swaying on the edge of memory.
Soon, soon, the scythe will sweep for Jeanne
and Angela, Patricia and Diane—
pause, and return for Karen and Christine
while Susan spends a sleepless night again.
Ah, Debra, how can you be growing old?
Jennifer, Michelle, your hands are cold.
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by
Henry Van Dyke
The land was broken in despair,
The princes quarrelled in the dark,
When clear and tranquil, through the troubled air
Of selfish minds and wills that did not dare,
Your star arose, Jeanne d'Arc.
O virgin breast with lilies white,
O sun-burned hand that bore the lance,
You taught the prayer that helps men to unite,
You brought the courage equal to the fight,
You gave a heart to France!
Your king was crowned, your country free,
At Rheims you had your soul's desire:
And then, at Rouen, maid of Domremy,
The black-robed judges gave your victory
The martyr's crown of fire.
And now again the times are ill,
And doubtful leaders miss the mark;
The people lack the single faith and will
To make them one, -- your country needs you still, --
Come back again, Jeanne d'Arc!
O woman-star, arise once more
And shine to bid your land advance:
The old heroic trust in God restore,
Renew the brave, unselfish hopes of yore,
And give a heart to France!
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by
Victor Hugo
("O Charles, je te sens près de moi.")
{July, 1871.}
I feel thy presence, Charles. Sweet martyr! down
In earth, where men decay,
I search, and see from cracks which rend thy tomb,
Burst out pale morning's ray.
Close linked are bier and cradle: here the dead,
To charm us, live again:
Kneeling, I mourn, when on my threshold sounds
Two little children's strain.
George, Jeanne, sing on! George, Jeanne, unconscious play!
Your father's form recall,
Now darkened by his sombre shade, now gilt
By beams that wandering fall.
Oh, knowledge! what thy use? did we not know
Death holds no more the dead;
But Heaven, where, hand in hand, angel and star
Smile at the grave we dread?
A Heaven, which childhood represents on earth.
Orphans, may God be nigh!
That God, who can your bright steps turn aside
From darkness, where I sigh.
All joy be yours, though sorrow bows me down!
To each his fitting wage:
Children, I've passed life's span, and men are plagued
By shadows at that stage.
Hath any done—nay, only half performed—
The good he might for others?
Hath any conquered hatred, or had strength
To treat his foes like brothers?
E'en he, who's tried his best, hath evil wrought:
Pain springs from happiness:
My heart has triumphed in defeat, my pulse
Ne'er quickened at success.
I seemed the greater when I felt the blow:
The prick gives sense of gain;
Since to make others bleed my courage fails,
I'd rather bear the pain.
To grow is sad, since evils grow no less;
Great height is mark for all:
The more I have of branches, more of clustering boughs,
The ghastlier shadows fall.
Thence comes my sadness, though I grant your charms:
Ye are the outbursting
Of the soul in bloom, steeped in the draughts
Of nature's boundless spring.
George is the sapling, set in mournful soil;
Jeanne's folding petals shroud
A mind which trembles at our uproar, yet
Half longs to speak aloud.
Give, then, my children—lowly, blushing plants,
Whom sorrow waits to seize—
Free course to instincts, whispering 'mid the flowers,
Like hum of murmuring bees.
Some day you'll find that chaos comes, alas!
That angry lightning's hurled,
When any cheer the People, Atlas huge,
Grim bearer of the world!
You'll see that, since our fate is ruled by chance,
Each man, unknowing, great,
Should frame life so, that at some future hour
Fact and his dreamings meet.
I, too, when death is past, one day shall grasp
That end I know not now;
And over you will bend me down, all filled
With dawn's mysterious glow.
I'll learn what means this exile, what this shroud
Enveloping your prime;
And why the truth and sweetness of one man
Seem to all others crime.
I'll hear—though midst these dismal boughs you sang—
How came it, that for me,
Who every pity feel for every woe,
So vast a gloom could be.
I'll know why night relentless holds me, why
So great a pile of doom:
Why endless frost enfolds me, and methinks
My nightly bed's a tomb:
Why all these battles, all these tears, regrets,
And sorrows were my share;
And why God's will of me a cypress made,
When roses bright ye were.
MARWOOD TUCKER.
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by
Robert William Service
Hurrah! I'm off to Finistere, to Finistere, to Finistere;
My satchel's swinging on my back, my staff is in my hand;
I've twenty louis in my purse, I know the sun and sea are there,
And so I'm starting out to-day to tramp the golden land.
I'll go alone and glorying, with on my lips a song of joy;
I'll leave behind the city with its canker and its care;
I'll swing along so sturdily -- oh, won't I be the happy boy!
A-singing on the rocky roads, the roads of Finistere.
Oh, have you been to Finistere, and do you know a whin-gray town
That echoes to the clatter of a thousand wooden shoes?
And have you seen the fisher-girls go gallivantin' up and down,
And watched the tawny boats go out, and heard the roaring crews?
Oh, would you sit with pipe and bowl, and dream upon some sunny quay,
Or would you walk the windy heath and drink the cooler air;
Oh, would you seek a cradled cove and tussle with the topaz sea! --
Pack up your kit to-morrow, lad, and haste to Finistere.
Oh, I will go to Finistere, there's nothing that can hold me back.
I'll laugh with Yves and Le/on, and I'll chaff with Rose and Jeanne;
I'll seek the little, quaint buvette that's kept by Mother Merdrinac,
Who wears a cap of many frills, and swears just like a man.
I'll yarn with hearty, hairy chaps who dance and leap and crack their heels;
Who swallow cupfuls of cognac and never turn a hair;
I'll watch the nut-brown boats come in with mullet, plaice and conger eels,
The jeweled harvest of the sea they reap in Finistere.
Yes, I'll come back from Finistere with memories of shining days,
Of scaly nets and salty men in overalls of brown;
Of ancient women knitting as they watch the tethered cattle graze
By little nestling beaches where the gorse goes blazing down;
Of headlands silvering the sea, of Calvarys against the sky,
Of scorn of angry sunsets, and of Carnac grim and bare;
Oh, won't I have the leaping veins, and tawny cheek and sparkling eye,
When I come back to Montparnasse and dream of Finistere.
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by
Victor Hugo
("Vous eûtes donc hier un an.")
{September, 1870.}
You've lived a year, then, yesterday, sweet child,
Prattling thus happily! So fledglings wild,
New-hatched in warmer nest 'neath sheltering bough,
Chirp merrily to feel their feathers grow.
Your mouth's a rose, Jeanne! In these volumes grand
Whose pictures please you—while I trembling stand
To see their big leaves tattered by your hand—
Are noble lines; but nothing half your worth,
When all your tiny frame rustles with mirth
To welcome me. No work of author wise
Can match the thought half springing to your eyes,
And your dim reveries, unfettered, strange,
Regarding man with all the boundless range
Of angel innocence. Methinks, 'tis clear
That God's not far, Jeanne, when I see you here.
Ah! twelve months old: 'tis quite an age, and brings
Grave moments, though your soul to rapture clings,
You're at that hour of life most like to heaven,
When present joy no cares, no sorrows leaven
When man no shadow feels: if fond caress
Round parent twines, children the world possess.
Your waking hopes, your dreams of mirth and love
From Charles to Alice, father to mother, rove;
No wider range of view your heart can take
Than what her nursing and his bright smiles make;
They two alone on this your opening hour
Can gleams of tenderness and gladness pour:
They two—none else, Jeanne! Yet 'tis just, and I,
Poor grandsire, dare but to stand humbly by.
You come—I go: though gloom alone my right,
Blest be the destiny which gives you light.
Your fair-haired brother George and you beside
Me play—in watching you is all my pride;
And all I ask—by countless sorrows tried—
The grave; o'er which in shadowy form may show
Your cradles gilded by the morning's glow.
Pure new-born wonderer! your infant life
Strange welcome found, Jeanne, in this time of strife.
Like wild-bee humming through the woods your play,
And baby smiles have dared a world at bay:
Your tiny accents lisp their gentle charms
To mighty Paris clashing mighty arms.
Ah! when I see you, child, and when I hear
You sing, or try, with low voice whispering near,
And touch of fingers soft, my grief to cheer,
I dream this darkness, where the tempests groan,
Trembles, and passes with half-uttered moan.
For though these hundred towers of Paris bend,
Though close as foundering ship her glory's end,
Though rocks the universe, which we defend;
Still to great cannon on our ramparts piled,
God sends His blessing by a little child.
MARWOOD TUCKER.
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