10 Best Famous Ballad Poems

Here is a collection of the top 10 all-time best famous Ballad poems. This is a select list of the best famous Ballad poetry. Reading, writing, and enjoying famous Ballad poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of ballad poems.

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Jabberwocky

by Lewis Carroll
'Twas brillig, and the slithy toves 
Did gyre and gimble in the wabe: 
All mimsy were the borogoves, 
And the mome raths outgrabe. 

"Beware the Jabberwock, my son! 
The jaws that bite, the claws that catch! 
Beware the Jubjub bird, and shun 
The frumious Bandersnatch!" 

He took his vorpal sword in hand: 
Long time the manxome foe he sought 
So rested he by the Tumtum tree, 
And stood a while in thought. 

And, as in uffish thought he stood, 
The Jabberwock, with eyes of flame, 
Came whiffling through the tulgey wood, 
And burbled as it came! 

One two! One two! And through and through 
The vorpal blade went snicker-snack! 
He left it dead, and with its head 
He went galumphing back. 
"And hast thou slain the Jabberwock? 
Come to my arms, my beamish boy! 
Oh frabjous day! Callooh! Callay!" 
He chortled in his joy. 

'Twas brillig, and the slithy toves 
Did gyre and gimble in the wabe: 
All mimsy were the borogoves, 
And the mome raths outgrabe. 

The Raven

by Edgar Allan Poe
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!

I had no time to hate because

by Emily Dickinson
I had no time to hate, because
The grave would hinder me,
And life was not so ample I
Could finish enmity.

Nor had I time to love, but since
Some industry must be,
The little toil of love, I thought,
Was large enough for me.

Because I could not stop for Death

by Emily Dickinson
Because I could not stop for Death-- 
He kindly stopped for me-- 
The Carriage held but just Ourselves-- 
And Immortality. 

We slowly drove--He knew no haste 
And I had put away 
My labor and my leisure too, 
For His Civility-- 

We passed the School, where Children strove 
At Recess--in the Ring-- 
We passed the Fields of Gazing Grain-- 
We passed the Setting Sun-- 

Or rather--He passed us-- 
The Dews drew quivering and chill-- 
For only Gossamer, my Gown-- 
My Tippet--only Tulle-- 

We paused before a House that seemed 
A Swelling of the Ground-- 
The Roof was scarcely visible-- 
The Cornice--in the Ground-- 

Since then--'tis Centuries--and yet 
Feels shorter than the Day 
I first surmised the Horses' Heads 
Were toward Eternity-- 

Annabel Lee

by Edgar Allan Poe
It was many and many a year ago 
In a kingdom by the sea 
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.

I was a child and she was a child 
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.

And this was the reason that long ago 
In this kingdom by the sea 
A wind blew out of a cloud chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me 
To shut her up in a sepulchre
In this kingdom by the sea.

The angels not half so happy in heaven 
Went envying her and me-
Yes!- that was the reason (as all men know 
In this kingdom by the sea)
That the wind came out of the cloud by night 
Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above 
Nor the demons down under the sea 
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.

For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so all the night-tide I lie down by the side
Of my darling- my darling- my life and my bride 
In the sepulchre there by the sea 
In her tomb by the sounding sea.

Courage

by Robert William Service
 Today I opened wide my eyes,
And stared with wonder and surprise,
To see beneath November skies
An apple blossom peer;
Upon a branch as bleak as night
It gleamed exultant on my sight,
A fairy beacon burning bright
Of hope and cheer.

"Alas!" said I, "poor foolish thing,
Have you mistaken this for Spring?
Behold, the thrush has taken wing,
And Winter's near."
Serene it seemed to lift its head:
"The Winter's wrath I do not dread,
Because I am," it proudly said,
"A Pioneer.

"Some apple blossom must be first,
With beauty's urgency to burst
Into a world for joy athirst,
And so I dare;
And I shall see what none shall see -
December skies gloom over me,
And mock them with my April glee,
And fearless fare.

"And I shall hear what none shall hear -
The hardy robin piping clear,
The Storm King gallop dark and drear
Across the sky;
And I shall know what none shall know -
The silent kisses of the snow,
The Christmas candles' silver glow,
Before I die.

"Then from your frost-gemmed window pane
One morning you will look in vain,
My smile of delicate disdain
No more to see;
But though I pass before my time,
And perish in the grale and grime,
Maybe you'll have a little rhyme
To spare for me."

Gratitude -- is not the mention

by Emily Dickinson
 Gratitude -- is not the mention
Of a Tenderness,
But its still appreciation
Out of Plumb of Speech.

When the Sea return no Answer
By the Line and Lead
Proves it there's no Sea, or rather
A remoter Bed?

A bird came down the walk

by Emily Dickinson
A bird came down the walk:
He did not know I saw;
He bit an angle-worm in halves
And ate the fellow, raw.

And then he drank a dew
From a convenient grass,
And then hopped sidewise to the wall
To let a beetle pass.

He glanced with rapid eyes
That hurried all abroad,--
They looked like frightened beads, I thought;
He stirred his velvet head

Like one in danger; cautious,
I offered him a crumb,
And he unrolled his feathers
And rowed him softer home

Than oars divide the ocean,
Too silver for a seam,
Or butterflies, off banks of noon,
Leap, splashless, as they swim.

The Day is Done

by Henry Wadsworth Longfellow
THE DAY is done and the darkness 
Falls from the wings of Night  
As a feather is wafted downward 
From an eagle in his flight. 

I see the lights of the village 5 
Gleam through the rain and the mist  
And a feeling of sadness comes o'er me 
That my soul cannot resist: 

A feeling of sadness and longing  
That is not akin to pain 10 
And resembles sorrow only 
As the mist resembles the rain. 

Come read to me some poem  
Some simple and heartfelt lay  
That shall soothe this restless feeling 15 
And banish the thoughts of day. 

Not from the grand old masters  
Not from the bards sublime  
Whose distant footsteps echo 
Through the corridors of Time. 20 

For like strains of martial music  
Their mighty thoughts suggest 
Life's endless toil and endeavor; 
And to-night I long for rest. 

Read from some humbler poet 25 
Whose songs gushed from his heart  
As showers from the clouds of summer  
Or tears from the eyelids start; 

Who through long days of labor  
And nights devoid of ease 30 
Still heard in his soul the music 
Of wonderful melodies. 

Such songs have power to quiet 
The restless pulse of care  
And come like the benediction 35 
That follows after prayer. 

Then read from the treasured volume 
The poem of thy choice  
And lend to the rhyme of the poet 
The beauty of thy voice. 40 

And the night shall be filled with music  
And the cares that infest the day  
Shall fold their tents like the Arabs  
And as silently steal away.

Ballad of the Moon

by Federico García Lorca
 The moon came into the forge
in her bustle of flowering nard.
The little boy stares at her, stares.
The boy is staring hard.
In the shaken air
the moon moves her amrs,
and shows lubricious and pure,
her breasts of hard tin.
"Moon, moon, moon, run!
If the gypsies come,
they will use your heart
to make white necklaces and rings."
"Let me dance, my little one.
When the gypsies come,
they'll find you on the anvil
with your lively eyes closed tight.
"Moon, moon, moon, run!
I can feelheir horses come."
"Let me be, my little one,
don't step on me, all starched and white!"

Closer comes the the horseman,
drumming on the plain.
The boy is in the forge;
his eyes are closed.
Through the olive grove
come the gypsies, dream and bronze,
their heads held high,
their hooded eyes.

Oh, how the night owl calls,
calling, calling from its tree!
The moon is climbing through the sky
with the child by the hand.

They are crying in the forge,
all the gypsies, shouting, crying.
The air is veiwing all, views all.
The air is at the viewing.
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