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Best Famous Jays Poems

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Written by Henry Wadsworth Longfellow | Create an image from this poem

Blessing The Cornfields

 Sing, O Song of Hiawatha,
Of the happy days that followed,
In the land of the Ojibways,
In the pleasant land and peaceful!
Sing the mysteries of Mondamin,
Sing the Blessing of the Cornfields!
Buried was the bloody hatchet,
Buried was the dreadful war-club,
Buried were all warlike weapons,
And the war-cry was forgotten.
There was peace among the nations; Unmolested roved the hunters, Built the birch canoe for sailing, Caught the fish in lake and river, Shot the deer and trapped the beaver; Unmolested worked the women, Made their sugar from the maple, Gathered wild rice in the meadows, Dressed the skins of deer and beaver.
All around the happy village Stood the maize-fields, green and shining, Waved the green plumes of Mondamin, Waved his soft and sunny tresses, Filling all the land with plenty.
`T was the women who in Spring-time Planted the broad fields and fruitful, Buried in the earth Mondamin; `T was the women who in Autumn Stripped the yellow husks of harvest, Stripped the garments from Mondamin, Even as Hiawatha taught them.
Once, when all the maize was planted, Hiawatha, wise and thoughtful, Spake and said to Minnehaha, To his wife, the Laughing Water: "You shall bless to-night the cornfields, Draw a magic circle round them, To protect them from destruction, Blast of mildew, blight of insect, Wagemin, the thief of cornfields, Paimosaid, who steals the maize-ear "In the night, when all Is silence,' In the night, when all Is darkness, When the Spirit of Sleep, Nepahwin, Shuts the doors of all the wigwams, So that not an ear can hear you, So that not an eye can see you, Rise up from your bed in silence, Lay aside your garments wholly, Walk around the fields you planted, Round the borders of the cornfields, Covered by your tresses only, Robed with darkness as a garment.
"Thus the fields shall be more fruitful, And the passing of your footsteps Draw a magic circle round them, So that neither blight nor mildew, Neither burrowing worm nor insect, Shall pass o'er the magic circle; Not the dragon-fly, Kwo-ne-she, Nor the spider, Subbekashe, Nor the grasshopper, Pah-puk-keena; Nor the mighty caterpillar, Way-muk-kwana, with the bear-skin, King of all the caterpillars!" On the tree-tops near the cornfields Sat the hungry crows and ravens, Kahgahgee, the King of Ravens, With his band of black marauders.
And they laughed at Hiawatha, Till the tree-tops shook with laughter, With their melancholy laughter, At the words of Hiawatha.
"Hear him!" said they; "hear the Wise Man, Hear the plots of Hiawatha!" When the noiseless night descended Broad and dark o'er field and forest, When the mournful Wawonaissa Sorrowing sang among the hemlocks, And the Spirit of Sleep, Nepahwin, Shut the doors of all the wigwams, From her bed rose Laughing Water, Laid aside her garments wholly, And with darkness clothed and guarded, Unashamed and unaffrighted, Walked securely round the cornfields, Drew the sacred, magic circle Of her footprints round the cornfields.
No one but the Midnight only Saw her beauty in the darkness, No one but the Wawonaissa Heard the panting of her bosom Guskewau, the darkness, wrapped her Closely in his sacred mantle, So that none might see her beauty, So that none might boast, "I saw her!" On the morrow, as the day dawned, Kahgahgee, the King of Ravens, Gathered all his black marauders, Crows and blackbirds, jays and ravens, Clamorous on the dusky tree-tops, And descended, fast and fearless, On the fields of Hiawatha, On the grave of the Mondamin.
"We will drag Mondamin," said they, "From the grave where he is buried, Spite of all the magic circles Laughing Water draws around it, Spite of all the sacred footprints Minnehaha stamps upon it!" But the wary Hiawatha, Ever thoughtful, careful, watchful, Had o'erheard the scornful laughter When they mocked him from the tree-tops.
"Kaw!" he said, "my friends the ravens! Kahgahgee, my King of Ravens! I will teach you all a lesson That shall not be soon forgotten!" He had risen before the daybreak, He had spread o'er all the cornfields Snares to catch the black marauders, And was lying now in ambush In the neighboring grove of pine-trees, Waiting for the crows and blackbirds, Waiting for the jays and ravens.
Soon they came with caw and clamor, Rush of wings and cry of voices, To their work of devastation, Settling down upon the cornfields, Delving deep with beak and talon, For the body of Mondamin.
And with all their craft and cunning, All their skill in wiles of warfare, They perceived no danger near them, Till their claws became entangled, Till they found themselves imprisoned In the snares of Hiawatha.
From his place of ambush came he, Striding terrible among them, And so awful was his aspect That the bravest quailed with terror.
Without mercy he destroyed them Right and left, by tens and twenties, And their wretched, lifeless bodies Hung aloft on poles for scarecrows Round the consecrated cornfields, As a signal of his vengeance, As a warning to marauders.
Only Kahgahgee, the leader, Kahgahgee, the King of Ravens, He alone was spared among them As a hostage for his people.
With his prisoner-string he bound him, Led him captive to his wigwam, Tied him fast with cords of elm-bark To the ridge-pole of his wigwam.
"Kahgahgee, my raven!" said he, "You the leader of the robbers, You the plotter of this mischief, The contriver of this outrage, I will keep you, I will hold you, As a hostage for your people, As a pledge of good behavior!" And he left him, grim and sulky, Sitting in the morning sunshine On the summit of the wigwam, Croaking fiercely his displeasure, Flapping his great sable pinions, Vainly struggling for his freedom, Vainly calling on his people! Summer passed, and Shawondasee Breathed his sighs o'er all the landscape, From the South-land sent his ardor, Wafted kisses warm and tender; And the maize-field grew and ripened, Till it stood in all the splendor Of its garments green and yellow, Of its tassels and its plumage, And the maize-ears full and shining Gleamed from bursting sheaths of verdure.
Then Nokomis, the old woman, Spake, and said to Minnehaha: `T is the Moon when, leaves are falling; All the wild rice has been gathered, And the maize is ripe and ready; Let us gather in the harvest, Let us wrestle with Mondamin, Strip him of his plumes and tassels, Of his garments green and yellow!" And the merry Laughing Water Went rejoicing from the wigwam, With Nokomis, old and wrinkled, And they called the women round them, Called the young men and the maidens, To the harvest of the cornfields, To the husking of the maize-ear.
On the border of the forest, Underneath the fragrant pine-trees, Sat the old men and the warriors Smoking in the pleasant shadow.
In uninterrupted silence Looked they at the gamesome labor Of the young men and the women; Listened to their noisy talking, To their laughter and their singing, Heard them chattering like the magpies, Heard them laughing like the blue-jays, Heard them singing like the robins.
And whene'er some lucky maiden Found a red ear in the husking, Found a maize-ear red as blood is, "Nushka!" cried they all together, "Nushka! you shall have a sweetheart, You shall have a handsome husband!" "Ugh!" the old men all responded From their seats beneath the pine-trees.
And whene'er a youth or maiden Found a crooked ear in husking, Found a maize-ear in the husking Blighted, mildewed, or misshapen, Then they laughed and sang together, Crept and limped about the cornfields, Mimicked in their gait and gestures Some old man, bent almost double, Singing singly or together: "Wagemin, the thief of cornfields! Paimosaid, who steals the maize-ear!" Till the cornfields rang with laughter, Till from Hiawatha's wigwam Kahgahgee, the King of Ravens, Screamed and quivered in his anger, And from all the neighboring tree-tops Cawed and croaked the black marauders.
"Ugh!" the old men all responded, From their seats beneath the pine-trees!


Written by Philip Levine | Create an image from this poem

The Rat Of Faith

 A blue jay poses on a stake 
meant to support an apple tree 
newly planted.
A strong wind on this clear cold morning barely ruffles his tail feathers.
When he turns his attention toward me, I face his eyes without blinking.
A week ago my wife called me to come see this same bird chase a rat into the thick leaves of an orange tree.
We came as close as we could and watched the rat dig his way into an orange, claws working meticulously.
Then he feasted, face deep into the meal, and afterwards washed himself in juice, paws scrubbing soberly.
Surprised by the whiteness of the belly, how open it was and vulnerable, I suggested I fetch my .
22.
She said, "Do you want to kill him?" I didn't.
There are oranges enough for him, the jays, and us, across the fence in the yard next door oranges rotting on the ground.
There is power in the name rat, a horror that may be private.
When I was a boy and heir to tales of savagery, of sleeping men and kids eaten half away before they could wake, I came to know that horror.
I was afraid that left alive the animal would invade my sleep, grown immense now and powerful with the need to eat flesh.
I was wrong.
Night after night I wake from dreams of a city like no other, the bright city of beauty I thought I'd lost when I lost my faith that one day we would come into our lives.
The wind gusts and calms shaking this miniature budding apple tree that in three months has taken to the hard clay of our front yard.
In one hop the jay turns his back on me, dips as though about to drink the air itself, and flies.
Written by Alfred Lord Tennyson | Create an image from this poem

The Progress of Spring

 THE groundflame of the crocus breaks the mould, 
Fair Spring slides hither o'er the Southern sea, 
Wavers on her thin stem the snowdrop cold 
That trembles not to kisses of the bee: 
Come Spring, for now from all the dripping eaves 
The spear of ice has wept itself away, 
And hour by hour unfolding woodbine leaves 
O'er his uncertain shadow droops the day.
She comes! The loosen'd rivulets run; The frost-bead melts upon her golden hair; Her mantle, slowly greening in the Sun, Now wraps her close, now arching leaves her bar To breaths of balmier air; Up leaps the lark, gone wild to welcome her, About her glance the ****, and shriek the jays, Before her skims the jubilant woodpecker, The linnet's bosom blushes at her gaze, While round her brows a woodland culver flits, Watching her large light eyes and gracious looks, And in her open palm a halcyon sits Patient--the secret splendour of the brooks.
Come Spring! She comes on waste and wood, On farm and field: but enter also here, Diffuse thyself at will thro' all my blood, And, tho' thy violet sicken into sere, Lodge with me all the year! Once more a downy drift against the brakes, Self-darken'd in the sky, descending slow! But gladly see I thro' the wavering flakes Yon blanching apricot like snow in snow.
These will thine eyes not brook in forest-paths, On their perpetual pine, nor round the beech; They fuse themselves to little spicy baths, Solved in the tender blushes of the peach; They lose themselves and die On that new life that gems the hawthorn line; Thy gay lent-lilies wave and put them by, And out once more in varnish'd glory shine Thy stars of celandine.
She floats across the hamlet.
Heaven lours, But in the tearful splendour of her smiles I see the slowl-thickening chestnut towers Fill out the spaces by the barren tiles.
Now past her feet the swallow circling flies, A clamorous cuckoo stoops to meet her hand; Her light makes rainbows in my closing eyes, I hear a charm of song thro' all the land.
Come, Spring! She comes, and Earth is glad To roll her North below thy deepening dome, But ere thy maiden birk be wholly clad, And these low bushes dip their twigs in foam, Make all true hearths thy home.
Across my garden! and the thicket stirs, The fountain pulses high in sunnier jets, The blackcap warbles, and the turtle purrs, The starling claps his tiny castanets.
Still round her forehead wheels the woodland dove, And scatters on her throat the sparks of dew, The kingcup fills her footprint, and above Broaden the glowing isles of vernal blue.
Hail ample presence of a Queen, Bountiful, beautiful, apparell'd gay, Whose mantle, every shade of glancing green, Flies back in fragrant breezes to display A tunic white as May! She whispers, 'From the South I bring you balm, For on a tropic mountain was I born, While some dark dweller by the coco-palm Watch'd my far meadow zoned with airy morn; From under rose a muffled moan of floods; I sat beneath a solitude of snow; There no one came, the turf was fresh, the woods Plunged gulf on gulf thro' all their vales below I saw beyond their silent tops The steaming marshes of the scarlet cranes, The slant seas leaning oll the mangrove copse, And summer basking in the sultry plains About a land of canes; 'Then from my vapour-girdle soaring forth I scaled the buoyant highway of the birds, And drank the dews and drizzle of the North, That I might mix with men, and hear their words On pathway'd plains; for--while my hand exults Within the bloodless heart of lowly flowers To work old laws of Love to fresh results, Thro' manifold effect of simple powers-- I too would teach the man Beyond the darker hour to see the bright, That his fresh life may close as it began, The still-fulfilling promise of a light Narrowing the bounds of night.
' So wed thee with my soul, that I may mark The coming year's great good and varied ills, And new developments, whatever spark Be struck from out the clash of warring wills; Or whether, since our nature cannot rest, The smoke of war's volcano burst again From hoary deeps that belt the changeful West, Old Empires, dwellings of the kings of men; Or should those fail, that hold the helm, While the long day of knowledge grows and warms, And in the heart of this most ancient realm A hateful voice be utter'd, and alarms Sounding 'To arms! to arms!' A simpler, saner lesson might he learn Who reads thy gradual process, Holy Spring.
Thy leaves possess the season in their turn, And in their time thy warblers rise on wing.
How surely glidest thou from March to May, And changest, breathing it, the sullen wind, Thy scope of operation, day by day, Larger and fuller, like the human mind ' Thy warmths from bud to bud Accomplish that blind model in the seed, And men have hopes, which race the restless blood That after many changes may succeed Life, which is Life indeed.
Written by Sidney Lanier | Create an image from this poem

A Florida Sunday

 From cold Norse caves or buccaneer Southern seas
Oft come repenting tempests here to die;
Bewailing old-time wrecks and robberies,
They shrive to priestly pines with many a sigh,
Breathe salutary balms through lank-lock'd hair
Of sick men's heads, and soon -- this world outworn --
Sink into saintly heavens of stirless air,
Clean from confessional.
One died, this morn, And willed the world to wise Queen Tranquil: she, Sweet sovereign Lady of all souls that bide In contemplation, tames the too bright skies Like that faint agate film, far down descried, Restraining suns in sudden thoughtful eyes Which flashed but now.
Blest distillation rare Of o'er-rank brightness filtered waterwise Through all the earths in heaven -- thou always fair, Still virgin bride of e'er-creating thought -- Dream-worker, in whose dream the Future's wrought -- Healer of hurts, free balm for bitter wrongs -- Most silent mother of all sounding songs -- Thou that dissolvest hells to make thy heaven -- Thou tempest's heir, that keep'st no tempest leaven -- But after winds' and thunders' wide mischance Dost brood, and better thine inheritance -- Thou privacy of space, where each grave Star As in his own still chamber sits afar To meditate, yet, by thy walls unpent, Shines to his fellows o'er the firmament -- Oh! as thou liv'st in all this sky and sea That likewise lovingly do live in thee, So melt my soul in thee, and thine in me, Divine Tranquillity! Gray Pelican, poised where yon broad shallows shine, Know'st thou, that finny foison all is mine In the bag below thy beak -- yet thine, not less? For God, of His most gracious friendliness, Hath wrought that every soul, this loving morn, Into all things may be new-corporate born, And each live whole in all: I sail with thee, Thy Pelican's self is mine; yea, silver Sea, In this large moment all thy fishes, ripples, bights, Pale in-shore greens and distant blue delights, White visionary sails, long reaches fair By moon-horn'd strands that film the far-off air, Bright sparkle-revelations, secret majesties, Shells, wrecks and wealths, are mine; yea, Orange-trees, That lift your small world-systems in the light, Rich sets of round green heavens studded bright With globes of fruit that like still planets shine, Mine is your green-gold universe; yea, mine, White slender Lighthouse fainting to the eye That wait'st on yon keen cape-point wistfully, Like to some maiden spirit pausing pale, New-wing'd, yet fain to sail Above the serene Gulf to where a bridegroom soul Calls o'er the soft horizon -- mine thy dole Of shut undaring wings and wan desire -- Mine, too, thy later hope and heavenly fire Of kindling expectation; yea, all sights, All sounds, that make this morn -- quick flights Of pea-green paroquets 'twixt neighbor trees, Like missives and sweet morning inquiries From green to green, in green -- live oaks' round heads, Busy with jays for thoughts -- grays, whites and reds Of pranked woodpeckers that ne'er gossip out, But alway tap at doors and gad about -- Robins and mocking-birds that all day long Athwart straight sunshine weave cross-threads of song, Shuttles of music -- clouds of mosses gray That rain me rains of pleasant thoughts alway From a low sky of leaves -- faint yearning psalms Of endless metre breathing through the palms That crowd and lean and gaze from off the shore Ever for one that cometh nevermore -- Palmettos ranked, with childish spear-points set Against no enemy -- rich cones that fret High roofs of temples shafted tall with pines -- Green, grateful mangroves where the sand-beach shines -- Long lissome coast that in and outward swerves, The grace of God made manifest in curves -- All riches, goods and braveries never told Of earth, sun, air and heaven -- now I hold Your being in my being; I am ye, And ye myself; yea, lastly, Thee, God, whom my roads all reach, howe'er they run, My Father, Friend, Beloved, dear All-One, Thee in my soul, my soul in Thee, I feel, Self of my self.
Lo, through my sense doth steal Clear cognizance of all selves and qualities, Of all existence that hath been or is, Of all strange haps that men miscall of chance, And all the works of tireless circumstance: Each borders each, like mutual sea and shore, Nor aught misfits his neighbor that's before, Nor him that's after -- nay, through this still air, Out of the North come quarrels, and keen blare Of challenge by the hot-breath'd parties blown; Yet break they not this peace with alien tone, Fray not my heart, nor fright me for my land, -- I hear from all-wards, allwise understand, The great bird Purpose bears me twixt her wings, And I am one with all the kinsmen things That e'er my Father fathered.
Oh, to me All questions solve in this tranquillity: E'en this dark matter, once so dim, so drear, Now shines upon my spirit heavenly-clear: Thou, Father, without logic, tellest me How this divine denial true may be, -- How `All's in each, yet every one of all Maintains his Self complete and several.
'
Written by Edgar Lee Masters | Create an image from this poem

Russian Sonia

 I, born in Weimar
Of a mother who was French
And German father, a most learned professor,
Orphaned at fourteen years,
Became a dancer, known as Russian Sonia,
All up and down the boulevards of Paris,
Mistress betimes of sundry dukes and counts,
And later of poor artists and of poets.
At forty years, passée, I sought New York And met old Patrick Hummer on the boat, Red-faced and hale, though turned his sixtieth year, Returning after having sold a ship-load Of cattle in the German city, Hamburg.
He brought me to Spoon River and we lived here For twenty years -- they thought that we were married! This oak tree near me is the favorite haunt Of blue jays chattering, chattering all the day.
And why not? for my very dust is laughing For thinking of the humorous thing called life.


Written by Philip Levine | Create an image from this poem

The Simple Truth

 I bought a dollar and a half's worth of small red potatoes,
took them home, boiled them in their jackets
and ate them for dinner with a little butter and salt.
Then I walked through the dried fields on the edge of town.
In middle June the light hung on in the dark furrows at my feet, and in the mountain oaks overhead the birds were gathering for the night, the jays and mockers squawking back and forth, the finches still darting into the dusty light.
The woman who sold me the potatoes was from Poland; she was someone out of my childhood in a pink spangled sweater and sunglasses praising the perfection of all her fruits and vegetables at the road-side stand and urging me to taste even the pale, raw sweet corn trucked all the way, she swore, from New Jersey.
"Eat, eat" she said, "Even if you don't I'll say you did.
" Some things you know all your life.
They are so simple and true they must be said without elegance, meter and rhyme, they must be laid on the table beside the salt shaker, the glass of water, the absence of light gathering in the shadows of picture frames, they must be naked and alone, they must stand for themselves.
My friend Henri and I arrived at this together in 1965 before I went away, before he began to kill himself, and the two of us to betray our love.
Can you taste what I'm saying? It is onions or potatoes, a pinch of simple salt, the wealth of melting butter, it is obvious, it stays in the back of your throat like a truth you never uttered because the time was always wrong, it stays there for the rest of your life, unspoken, made of that dirt we call earth, the metal we call salt, in a form we have no words for, and you live on it.
Written by Eugene Field | Create an image from this poem

With brutus in st. jo

 Of all the opry-houses then obtaining in the West
The one which Milton Tootle owned was, by all odds, the best;
Milt, being rich, was much too proud to run the thing alone,
So he hired an "acting manager," a gruff old man named Krone--
A stern, commanding man with piercing eyes and flowing beard,
And his voice assumed a thunderous tone when Jack and I appeared;
He said that Julius Caesar had been billed a week or so,
And would have to have some armies by the time he reached St.
Jo! O happy days, when Tragedy still winged an upward flight, When actors wore tin helmets and cambric robes at night! O happy days, when sounded in the public's rapturous ears The creak of pasteboard armor and the clash of wooden spears! O happy times for Jack and me and that one other supe That then and there did constitute the noblest Roman's troop! With togas, battle axes, shields, we made a dazzling show, When we were Roman soldiers with Brutus in St.
Jo! We wheeled and filed and double-quicked wherever Brutus led, The folks applauding what we did as much as what he said; 'T was work, indeed; yet Jack and I were willing to allow 'T was easier following Brutus than following father's plough; And at each burst of cheering, our valor would increase-- We tramped a thousand miles that night, at fifty cents apiece! For love of Art--not lust for gold--consumed us years ago, When we were Roman soldiers with Brutus in St.
Jo! To-day, while walking in the Square, Jack Langrish says to me: "My friend, the drama nowadays ain't what it used to be! These farces and these comedies--how feebly they compare With that mantle of the tragic art which Forrest used to wear! My soul is warped with bitterness to think that you and I-- Co-heirs to immortality in seasons long gone by-- Now draw a paltry stipend from a Boston comic show, We, who were Roman soldiers with Brutus in St.
Jo!" And so we talked and so we mused upon the whims of Fate That had degraded Tragedy from its old, supreme estate; And duly, at the Morton bar, we stigmatized the age As sinfully subversive of the interests of the Stage! For Jack and I were actors in the halcyon, palmy days Long, long before the Hoyt school of farce became the craze; Yet, as I now recall it, it was twenty years ago That we were Roman soldiers with Brutus in St.
Jo! We were by birth descended from a race of farmer kings Who had done eternal battle with grasshoppers and things; But the Kansas farms grew tedious--we pined for that delight We read of in the Clipper in the barber's shop by night! We would be actors--Jack and I--and so we stole away From our native spot, Wathena, one dull September day, And started for Missouri--ah, little did we know We were going to train as soldiers with Brutus in St.
Jo! Our army numbered three in all--Marc Antony's was four; Our army hankered after fame, but Marc's was after gore! And when we reached Philippi, at the outset we were met With an inartistic gusto I can never quite forget.
For Antony's overwhelming force of thumpers seemed to be Resolved to do "them Kansas jays"--and that meant Jack and me! My lips were sealed but that it seems quite proper you should know That Rome was nowhere in it at Philippi in St.
Jo! I've known the slow-consuming grief and ostentatious pain Accruing from McKean Buchanan's melancholy Dane; Away out West I've witnessed Bandmann's peerless hardihood, With Arthur Cambridge have I wrought where walking was not good; In every phase of horror have I bravely borne my part, And even on my uppers have I proudly stood for Art! And, after all my suffering, it were not hard to show That I got my allopathic dose with Brutus at St.
Jo! That army fell upon me in a most bewildering rage And scattered me and mine upon that histrionic stage; My toga rent, my helmet gone and smashed to smithereens, They picked me up and hove me through whole centuries of scenes! I sailed through Christian eras and mediæval gloom And fell from Arden forest into Juliet's painted tomb! Oh, yes, I travelled far and fast that night, and I can show The scars of honest wounds I got with Brutus in St.
Jo! Ah me, old Davenport is gone, of fickle fame forgot, And Barrett sleeps forever in a much neglected spot; Fred Warde, the papers tell me, in far woolly western lands Still flaunts the banner of high Tragic Art at one-night stands; And Jack and I, in Charley Hoyt's Bostonian dramas wreak Our vengeance on creation at some eensty dolls per week.
By which you see that public taste has fallen mighty low Since we fought as Roman soldiers with Brutus in St.
Jo!
Written by Edna St Vincent Millay | Create an image from this poem

Doubt No More That Oberon

 Doubt no more that Oberon—
Never doubt that Pan
Lived, and played a reed, and ran
After nymphs in a dark forest,
In the merry, credulous days,—
Lived, and led a fairy band
Over the indulgent land!
Ah, for in this dourest, sorest
Age man's eye has looked upon,
Death to fauns and death to fays,
Still the dog-wood dares to raise—
Healthy tree, with trunk and root—
Ivory bowls that bear no fruit,
And the starlings and the jays—
Birds that cannot even sing—
Dare to come again in spring!
Written by Emily Dickinson | Create an image from this poem

By my Window have I for Scenery

 By my Window have I for Scenery
Just a Sea -- with a Stem --
If the Bird and the Farmer -- deem it a "Pine" --
The Opinion will serve -- for them --

It has no Port, nor a "Line" -- but the Jays --
That split their route to the Sky --
Or a Squirrel, whose giddy Peninsula
May be easier reached -- this way --

For Inlands -- the Earth is the under side --
And the upper side -- is the Sun --
And its Commerce -- if Commerce it have --
Of Spice -- I infer from the Odors borne --

Of its Voice -- to affirm -- when the Wind is within --
Can the Dumb -- define the Divine?
The Definition of Melody -- is --
That Definition is none --

It -- suggests to our Faith --
They -- suggest to our Sight --
When the latter -- is put away
I shall meet with Conviction I somewhere met
That Immortality --

Was the Pine at my Window a "Fellow
Of the Royal" Infinity?
Apprehensions -- are God's introductions --
To be hallowed -- accordingly --
Written by Henry Van Dyke | Create an image from this poem

Spring in the South

 Now in the oak the sap of life is welling,
Tho' to the bough the rusty leafage clings;
Now on the elm the misty buds are swelling,
See how the pine-wood grows alive with wings;
Blue-jays fluttering, yodeling and crying,
Meadow-larks sailing low above the faded grass,
Red-birds whistling clear, silent robins flying,--
Who has waked the birds up? What has come to pass?

Last year's cotton-plants, desolately bowing,
Tremble in the March-wind, ragged and forlorn;
Red are the hill-sides of the early ploughing,
Gray are the lowlands, waiting for the corn.
Earth seems asleep still, but she's only feigning; Deep in her bosom thrills a sweet unrest.
Look where the jasmine lavishly is raining Jove's golden shower into Danae's breast! Now on the plum the snowy bloom is sifted, Now on the peach the glory of the rose, Over the hills a tender haze is drifted, Full to the brim the yellow river flows.
Dark cypress boughs with vivid jewels glisten, Greener than emeralds shining in the sun.
Who has wrought the magic? Listen, sweetheart, listen! The mocking-bird is singing Spring has begun.
Hark, in his song no tremor of misgiving! All of his heart he pours into his lay,-- "Love, love, love, and pure delight of living: Winter is forgotten: here's a happy day!" Fair in your face I read the flowery presage, Snowy on your brow and rosy on your mouth: Sweet in your voice I hear the season's message,-- Love, love, love, and Spring in the South!

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