Written by
Czeslaw Milosz |
1
We, whose lungs fill with the sweetness of day.
Who in May admire trees flowering
Are better than those who perished.
We, who taste of exotic dishes,
And enjoy fully the delights of love,
Are better than those who were buried.
We, from the fiery furnaces, from behind barbed wires
On which the winds of endless autumns howled,
We, who remember battles where the wounded air roared in
paroxysms of pain.
We, saved by our own cunning and knowledge.
By sending others to the more exposed positions
Urging them loudly to fight on
Ourselves withdrawing in certainty of the cause lost.
Having the choice of our own death and that of a friend
We chose his, coldly thinking: Let it be done quickly.
We sealed gas chamber doors, stole bread
Knowing the next day would be harder to bear than the day before.
As befits human beings, we explored good and evil.
Our malignant wisdom has no like on this planet.
Accept it as proven that we are better than they,
The gullible, hot-blooded weaklings, careless with their lives.
2
Treasure your legacy of skills, child of Europe.
Inheritor of Gothic cathedrals, of baroque churches.
Of synagogues filled with the wailing of a wronged people.
Successor of Descartes, Spinoza, inheritor of the word 'honor',
Posthumous child of Leonidas
Treasure the skills acquired in the hour of terror.
You have a clever mind which sees instantly
The good and bad of any situation.
You have an elegant, skeptical mind which enjoys pleasures
Quite unknown to primitive races.
Guided by this mind you cannot fail to see
The soundness of the advice we give you:
Let the sweetness of day fill your lungs
For this we have strict but wise rules.
3
There can be no question of force triumphant
We live in the age of victorious justice.
Do not mention force, or you will be accused
Of upholding fallen doctrines in secret.
He who has power, has it by historical logic.
Respectfully bow to that logic.
Let your lips, proposing a hypothesis
Not know about the hand faking the experiment.
Let your hand, faking the experiment
No know about the lips proposing a hypothesis.
Learn to predict a fire with unerring precision
Then burn the house down to fulfill the prediction.
4
Grow your tree of falsehood from a single grain of truth.
Do not follow those who lie in contempt of reality.
Let your lie be even more logical than the truth itself
So the weary travelers may find repose in the lie.
After the Day of the Lie gather in select circles
Shaking with laughter when our real deeds are mentioned.
Dispensing flattery called: perspicacious thinking.
Dispensing flattery called: a great talent.
We, the last who can still draw joy from cynicism.
We, whose cunning is not unlike despair.
A new, humorless generation is now arising
It takes in deadly earnest all we received with laughter.
5
Let your words speak not through their meanings
But through them against whom they are used.
Fashion your weapon from ambiguous words.
Consign clear words to lexical limbo.
Judge no words before the clerks have checked
In their card index by whom they were spoken.
The voice of passion is better than the voice of reason.
The passionless cannot change history.
6
Love no country: countries soon disappear
Love no city: cities are soon rubble.
Throw away keepsakes, or from your desk
A choking, poisonous fume will exude.
Do not love people: people soon perish.
Or they are wronged and call for your help.
Do not gaze into the pools of the past.
Their corroded surface will mirror
A face different from the one you expected.
7
He who invokes history is always secure.
The dead will not rise to witness against him.
You can accuse them of any deeds you like.
Their reply will always be silence.
Their empty faces swim out of the deep dark.
You can fill them with any feature desired.
Proud of dominion over people long vanished,
Change the past into your own, better likeness.
8
The laughter born of the love of truth
Is now the laughter of the enemies of the people.
Gone is the age of satire. We no longer need mock.
The sensible monarch with false courtly phrases.
Stern as befits the servants of a cause,
We will permit ourselves sycophantic humor.
Tight-lipped, guided by reasons only
Cautiously let us step into the era of the unchained fire.
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Written by
Jonathan Swift |
As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones;
But all admire Inigo Jones:
So, if this pile of scattered rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
Thou, Stella, wert no longer young,
When first for thee my harp was strung,
Without one word of Cupid's darts,
Of killing eyes, or bleeding hearts;
With friendship and esteem possest,
I ne'er admitted Love a guest.
In all the habitudes of life,
The friend, the mistress, and the wife,
Variety we still pursue,
In pleasure seek for something new;
Or else, comparing with the rest,
Take comfort that our own is best;
The best we value by the worst,
As tradesmen show their trash at first;
But his pursuits are at an end,
Whom Stella chooses for a friend.
A poet starving in a garret,
Invokes his mistress and his Muse,
And stays at home for want of shoes:
Should but his Muse descending drop
A slice of bread and mutton-chop;
Or kindly, when his credit's out,
Surprise him with a pint of stout;
Or patch his broken stocking soles;
Or send him in a peck of coals;
Exalted in his mighty mind,
He flies and leaves the stars behind;
Counts all his labours amply paid,
Adores her for the timely aid.
Or, should a porter make inquiries
For Chloe, Sylvia, Phillis, Iris;
Be told the lodging, lane, and sign,
The bowers that hold those nymphs divine;
Fair Chloe would perhaps be found
With footmen tippling under ground;
The charming Sylvia beating flax,
Her shoulders marked with bloody tracks;
Bright Phyllis mending ragged smocks:
And radiant Iris in the pox.
These are the goddesses enrolled
In Curll's collection, new and old,
Whose scoundrel fathers would not know 'em,
If they should meet them in a poem.
True poets can depress and raise,
Are lords of infamy and praise;
They are not scurrilous in satire,
Nor will in panegyric flatter.
Unjustly poets we asperse;
Truth shines the brighter clad in verse,
And all the fictions they pursue
Do but insinuate what is true.
Now, should my praises owe their truth
To beauty, dress, or paint, or youth,
What stoics call without our power,
They could not be ensured an hour;
'Twere grafting on an annual stock,
That must our expectation mock,
And, making one luxuriant shoot,
Die the next year for want of root:
Before I could my verses bring,
Perhaps you're quite another thing.
So Maevius, when he drained his skull
To celebrate some suburb trull,
His similes in order set,
And every crambo he could get;
Had gone through all the common-places
Worn out by wits, who rhyme on faces;
Before he could his poem close,
The lovely nymph had lost her nose.
Your virtues safely I commend;
They on no accidents depend:
Let malice look with all her eyes,
She dare not say the poet lies.
Stella, when you these lines transcribe,
Lest you should take them for a bribe,
Resolved to mortify your pride,
I'll here expose your weaker side.
Your spirits kindle to a flame,
Moved by the lightest touch of blame;
And when a friend in kindness tries
To show you where your error lies,
Conviction does but more incense;
Perverseness is your whole defence;
Truth, judgment, wit, give place to spite,
Regardless both of wrong and right;
Your virtues all suspended wait,
Till time has opened reason's gate;
And, what is worse, your passion bends
Its force against your nearest friends,
Which manners, decency, and pride,
Have taught from you the world to hide;
In vain; for see, your friend has brought
To public light your only fault;
And yet a fault we often find
Mixed in a noble, generous mind:
And may compare to Etna's fire,
Which, though with trembling, all admire;
The heat that makes the summit glow,
Enriching all the vales below.
Those who, in warmer climes, complain
From Phoebus' rays they suffer pain,
Must own that pain is largely paid
By generous wines beneath a shade.
Yet, when I find your passions rise,
And anger sparkling in your eyes,
I grieve those spirits should be spent,
For nobler ends by nature meant.
One passion, with a different turn,
Makes wit inflame, or anger burn:
So the sun's heat, with different powers,
Ripens the grape, the liquor sours:
Thus Ajax, when with rage possest,
By Pallas breathed into his breast,
His valour would no more employ,
Which might alone have conquered Troy;
But, blinded be resentment, seeks
For vengeance on his friends the Greeks.
You think this turbulence of blood
From stagnating preserves the flood,
Which, thus fermenting by degrees,
Exalts the spirits, sinks the lees.
Stella, for once your reason wrong;
For, should this ferment last too long,
By time subsiding, you may find
Nothing but acid left behind;
From passion you may then be freed,
When peevishness and spleen succeed.
Say, Stella, when you copy next,
Will you keep strictly to the text?
Dare you let these reproaches stand,
And to your failing set your hand?
Or, if these lines your anger fire,
Shall they in baser flames expire?
Whene'er they burn, if burn they must,
They'll prove my accusation just.
|
Written by
Friedrich von Schiller |
Priam's castle-walls had sunk,
Troy in dust and ashes lay,
And each Greek, with triumph drunk,
Richly laden with his prey,
Sat upon his ship's high prow,
On the Hellespontic strand,
Starting on his journey now,
Bound for Greece, his own fair land.
Raise the glad exulting shout!
Toward the land that gave them birth
Turn they now the ships about,
As they seek their native earth.
And in rows, all mournfully,
Sat the Trojan women there,--
Beat their breasts in agony,
Pallid, with dishevelled hair.
In the feast of joy so glad
Mingled they the song of woe,
Weeping o'er their fortunes sad,
In their country's overthrow.
"Land beloved, oh, fare thee well!
By our foreign masters led,
Far from home we're doomed to dwell,--
Ah, how happy are the dead!"
Soon the blood by Calchas spilt
On the altar heavenward smokes;
Pallas, by whom towns are built
And destroyed, the priest invokes;
Neptune, too, who all the earth
With his billowy girdle laves,--
Zeus, who gives to terror birth,
Who the dreaded Aegis waves.
Now the weary fight is done,
Ne'er again to be renewed;
Time's wide circuit now is run,
And the mighty town subdued!
Atreus' son, the army's head,
Told the people's numbers o'er,
Whom he, as their captain, led
To Scamander's vale of yore.
Sorrow's black and heavy clouds
Passed across the monarch's brow:
Of those vast and valiant crowds,
Oh, how few were left him now!
Joyful songs let each one raise,
Who will see his home again,
In whose veins the life-blood plays,
For, alas! not all remain!
"All who homeward wend their way,
Will not there find peace of mind;
On their household altars, they
Murder foul perchance may find.
Many fall by false friend's stroke,
Who in fight immortal proved:"--
So Ulysses warning spoke,
By Athene's spirit moved.
Happy he, whose faithful spouse
Guards his home with honor true!
Woman ofttimes breaks her vows,
Ever loves she what is new.
And Atrides glories there
In the prize he won in fight,
And around her body fair
Twines his arms with fond delight.
Evil works must punished be.
Vengeance follows after crime,
For Kronion's just decree
Rules the heavenly courts sublime.
Evil must in evil end;
Zeus will on the impious band
Woe for broken guest-rights send,
Weighing with impartial hand.
"It may well the glad befit,"
Cried Olleus' valiant son,
"To extol the Gods who sit
On Olympus' lofty throne!
Fortune all her gifts supplies,
Blindly, and no justice knows,
For Patroclus buried lies,
And Thersites homeward goes!
Since she blindly throws away
Each lot in her wheel contained,
Let him shout with joy to-day
Who the prize of life has gained."
"Ay, the wars the best devour!
Brother, we will think of thee,
In the fight a very tower,
When we join in revelry!
When the Grecian ships were fired,
By thine arm was safety brought;
Yet the man by craft inspired
Won the spoils thy valor sought.
Peace be to thine ashes blest!
Thou wert vanquished not in fight:
Anger 'tis destroys the best,--
Ajax fell by Ajax' might!"
Neoptolemus poured then,
To his sire renowned the wine--
"'Mongst the lots of earthly men,
Mighty father, prize I thine!
Of the goods that life supplies,
Greatest far of all is fame;
Though to dust the body flies,
Yet still lives a noble name.
Valiant one, thy glory's ray
Will immortal be in song;
For, though life may pass away,
To all time the dead belong!"
"Since the voice of minstrelsy
Speaks not of the vanquished man,
I will Hector's witness be,"--
Tydeus' noble son began:
"Fighting bravely in defence
Of his household-gods he fell.
Great the victor's glory thence,
He in purpose did excel!
Battling for his altars dear,
Sank that rock, no more to rise;
E'en the foemen will revere
One whose honored name ne'er dies."
Nestor, joyous reveller old,
Who three generations saw,
Now the leaf-crowned cup of gold
Gave to weeping Hecuba.
"Drain the goblet's draught so cool,
And forget each painful smart!
Bacchus' gifts are wonderful,--
Balsam for a broken heart.
Drain the goblet's draught so cool,
And forget each painful smart!
Bacchus' gifts are wonderful,--
Balsam for a broken heart.
"E'en to Niobe, whom Heaven
Loved in wrath to persecute,
Respite from her pangs was given,
Tasting of the corn's ripe fruit.
Whilst the thirsty lip we lave
In the foaming, living spring,
Buried deep in Lethe's wave
Lies all grief, all sorrowing!
Whilst the thirsty lip we lave
In the foaming, living spring,
Swallowed up in Lethe's wave
Is all grief, all sorrowing!"
And the Prophetess inspired
By her God, upstarted now,--
Toward the smoke of homesteads fired,
Looking from the lofty prow.
"Smoke is each thing here below;
Every worldly greatness dies,
As the vapory columns go,--
None are fixed but Deities!
Cares behind the horseman sit--
Round about the vessel play;
Lest the morrow hinder it,
Let us, therefore, live to-day."
|
Written by
William Topaz McGonagall |
Immortal! William Shakespeare, there's none can you excel,
You have drawn out your characters remarkably well,
Which is delightful for to see enacted upon the stage
For instance, the love-sick Romeo, or Othello, in a rage;
His writings are a treasure, which the world cannot repay,
He was the greatest poet of the past or of the present day
Also the greatest dramatist, and is worthy of the name,
I'm afraid the world shall never look upon his like again.
His tragedy of Hamlet is moral and sublime,
And for purity of langucge, nothing can be more fine
For instance, to hear the fair Ophelia making her moan,
At her father's grave, sad and alone....
In his beautiful play, "As You Like If," one passage is very fine,
Just for instance in fhe forest of Arden, the language is sublime,
Where Orlando speaks of his Rosilind, most lovely and divine,
And no other poet I am sure has written anything more fine;
His language is spoken in the Church and by the Advocate at the bar,
Here and there and everywhere throughout the world afar;
His writings abound with gospel truths, moral and sublime,
And I'm sure in my opinion they are surpassing fine;
In his beautiful tragedy of Othello, one passage is very fine,
Just for instance where Cassio looses his lieutenancy
... By drinking too much wine;
And in grief he exclaims, "Oh! that men should put an
Enemy in their mouths to steal away their brains."
In his great tragedy of Richard the III, one passage is very fine
Where the Duchess of York invokes the aid of the Divine
For to protect her innocent babes from the murderer's uplifted hand,
And smite him powerless, and save her babes, I'm sure 'tie really grand.
Immortal! Bard of Avon, your writings are divine,
And will live in the memories of you admirers until the end of time;
Your plays are read in family ciFcles with wonder and delight,
While seated around the fireside on a cold winter's night.
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