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Best Famous Intenser Poems

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Written by Edgar Allan Poe | Create an image from this poem

Tamerlane

 Kind solace in a dying hour!
Such, father, is not (now) my theme-
I will not madly deem that power
Of Earth may shrive me of the sin
Unearthly pride hath revell'd in-
I have no time to dote or dream:
You call it hope- that fire of fire!
It is but agony of desire:
If I can hope- Oh God! I can-
Its fount is holier- more divine-
I would not call thee fool, old man,
But such is not a gift of thine.

Know thou the secret of a spirit
Bow'd from its wild pride into shame.
O yearning heart! I did inherit
Thy withering portion with the fame,
The searing glory which hath shone
Amid the jewels of my throne,
Halo of Hell! and with a pain
Not Hell shall make me fear again-
O craving heart, for the lost flowers
And sunshine of my summer hours!
The undying voice of that dead time,
With its interminable chime,
Rings, in the spirit of a spell,
Upon thy emptiness- a knell.

I have not always been as now:
The fever'd diadem on my brow
I claim'd and won usurpingly-
Hath not the same fierce heirdom given
Rome to the Caesar- this to me?
The heritage of a kingly mind,
And a proud spirit which hath striven
Triumphantly with human kind.

On mountain soil I first drew life:
The mists of the Taglay have shed
Nightly their dews upon my head,
And, I believe, the winged strife
And tumult of the headlong air
Have nestled in my very hair.

So late from Heaven- that dew- it fell
(Mid dreams of an unholy night)
Upon me with the touch of Hell,
While the red flashing of the light
From clouds that hung, like banners, o'er,
Appeared to my half-closing eye
The pageantry of monarchy,
And the deep trumpet-thunder's roar
Came hurriedly upon me, telling
Of human battle, where my voice,
My own voice, silly child!- was swelling
(O! how my spirit would rejoice,
And leap within me at the cry)
The battle-cry of Victory!

The rain came down upon my head
Unshelter'd- and the heavy wind
Rendered me mad and deaf and blind.
It was but man, I thought, who shed
Laurels upon me: and the rush-
The torrent of the chilly air
Gurgled within my ear the crush
Of empires- with the captive's prayer-
The hum of suitors- and the tone
Of flattery 'round a sovereign's throne.

My passions, from that hapless hour,
Usurp'd a tyranny which men
Have deem'd, since I have reach'd to power,
My innate nature- be it so:
But father, there liv'd one who, then,
Then- in my boyhood- when their fire
Burn'd with a still intenser glow,
(For passion must, with youth, expire)
E'en then who knew this iron heart
In woman's weakness had a part.

I have no words- alas!- to tell
The loveliness of loving well!
Nor would I now attempt to trace
The more than beauty of a face
Whose lineaments, upon my mind,
Are- shadows on th' unstable wind:
Thus I remember having dwelt
Some page of early lore upon,
With loitering eye, till I have felt
The letters- with their meaning- melt
To fantasies- with none.

O, she was worthy of all love!
Love- as in infancy was mine-
'Twas such as angel minds above
Might envy; her young heart the shrine
On which my every hope and thought
Were incense- then a goodly gift,
For they were childish and upright-
Pure- as her young example taught:
Why did I leave it, and, adrift,
Trust to the fire within, for light?

We grew in age- and love- together,
Roaming the forest, and the wild;
My breast her shield in wintry weather-
And when the friendly sunshine smil'd,
And she would mark the opening skies,
I saw no Heaven- but in her eyes.

Young Love's first lesson is- the heart:
For 'mid that sunshine, and those smiles,
When, from our little cares apart,
And laughing at her girlish wiles,
I'd throw me on her throbbing breast,
And pour my spirit out in tears-
There was no need to speak the rest-
No need to quiet any fears
Of her- who ask'd no reason why,
But turn'd on me her quiet eye!

Yet more than worthy of the love
My spirit struggled with, and strove,
When, on the mountain peak, alone,
Ambition lent it a new tone-
I had no being- but in thee:
The world, and all it did contain
In the earth- the air- the sea-
Its joy- its little lot of pain
That was new pleasure- the ideal,
Dim vanities of dreams by night-

And dimmer nothings which were real-
(Shadows- and a more shadowy light!)
Parted upon their misty wings,
And, so, confusedly, became
Thine image, and- a name- a name!
Two separate- yet most intimate things.

I was ambitious- have you known
The passion, father? You have not:
A cottager, I mark'd a throne
Of half the world as all my own,
And murmur'd at such lowly lot-
But, just like any other dream,
Upon the vapour of the dew
My own had past, did not the beam
Of beauty which did while it thro'
The minute- the hour- the day- oppress
My mind with double loveliness.

We walk'd together on the crown
Of a high mountain which look'd down
Afar from its proud natural towers
Of rock and forest, on the hills-
The dwindled hills! begirt with bowers,
And shouting with a thousand rills.

I spoke to her of power and pride,
But mystically- in such guise
That she might deem it nought beside
The moment's converse; in her eyes
I read, perhaps too carelessly-
A mingled feeling with my own-
The flush on her bright cheek, to me
Seem'd to become a queenly throne
Too well that I should let it be
Light in the wilderness alone.

I wrapp'd myself in grandeur then,
And donn'd a visionary crown-
Yet it was not that Fantasy
Had thrown her mantle over me-
But that, among the rabble- men,
Lion ambition is chained down-
And crouches to a keeper's hand-
Not so in deserts where the grand-
The wild- the terrible conspire
With their own breath to fan his fire.

Look 'round thee now on Samarcand!
Is not she queen of Earth? her pride
Above all cities? in her hand
Their destinies? in all beside
Of glory which the world hath known
Stands she not nobly and alone?
Falling- her veriest stepping-stone
Shall form the pedestal of a throne-
And who her sovereign? Timour- he
Whom the astonished people saw
Striding o'er empires haughtily
A diadem'd outlaw!

O, human love! thou spirit given
On Earth, of all we hope in Heaven!
Which fall'st into the soul like rain
Upon the Siroc-wither'd plain,
And, failing in thy power to bless,
But leav'st the heart a wilderness!
Idea! which bindest life around
With music of so strange a sound,
And beauty of so wild a birth-
Farewell! for I have won the Earth.

When Hope, the eagle that tower'd, could see
No cliff beyond him in the sky,
His pinions were bent droopingly-
And homeward turn'd his soften'd eye.
'Twas sunset: when the sun will part
There comes a sullenness of heart
To him who still would look upon
The glory of the summer sun.
That soul will hate the ev'ning mist,
So often lovely, and will list
To the sound of the coming darkness (known
To those whose spirits hearken) as one
Who, in a dream of night, would fly
But cannot from a danger nigh.

What tho' the moon- the white moon
Shed all the splendour of her noon,
Her smile is chilly, and her beam,
In that time of dreariness, will seem
(So like you gather in your breath)
A portrait taken after death.
And boyhood is a summer sun
Whose waning is the dreariest one-
For all we live to know is known,
And all we seek to keep hath flown-
Let life, then, as the day-flower, fall
With the noon-day beauty- which is all.

I reach'd my home- my home no more
For all had flown who made it so.
I pass'd from out its mossy door,
And, tho' my tread was soft and low,
A voice came from the threshold stone
Of one whom I had earlier known-
O, I defy thee, Hell, to show
On beds of fire that burn below,
A humbler heart- a deeper woe.

Father, I firmly do believe-
I know- for Death, who comes for me
From regions of the blest afar,
Where there is nothing to deceive,
Hath left his iron gate ajar,
And rays of truth you cannot see
Are flashing thro' Eternity-
I do believe that Eblis hath
A snare in every human path-
Else how, when in the holy grove
I wandered of the idol, Love,
Who daily scents his snowy wings
With incense of burnt offerings
From the most unpolluted things,
Whose pleasant bowers are yet so riven
Above with trellis'd rays from Heaven,
No mote may shun- no tiniest fly-
The lightning of his eagle eye-
How was it that Ambition crept,
Unseen, amid the revels there,
Till growing bold, he laughed and leapt
In the tangles of Love's very hair?


Written by Robert Browning | Create an image from this poem

A Grammarians Funeral

 SHORTLY AFTER THE REVIVAL OF
LEARNING IN EUROPE.

Let us begin and carry up this corpse,
Singing together.
Leave we the common crofts, the vulgar thorpes
Each in its tether
Sleeping safe on the bosom of the plain,
Cared-for till cock-crow:
Look out if yonder be not day again
Rimming the rock-row!
That's the appropriate country; there, man's thought,
Rarer, intenser,
Self-gathered for an outbreak, as it ought,
Chafes in the censer.
Leave we the unlettered plain its herd and crop;
Seek we sepulture
On a tall mountain, citied to the top,
Crowded with culture!
All the peaks soar, but one the rest excels;
Clouds overcome it;
No! yonder sparkle is the citadel's
Circling its summit.
Thither our path lies; wind we up the heights:
Wait ye the warning?
Our low life was the level's and the night's;
He's for the morning.
Step to a tune, square chests, erect each head,
'Ware the beholders!
This is our master, famous calm and dead,
Borne on our shoulders.

Sleep, crop and herd! sleep, darkling thorpe and croft,
Safe from the weather!
He, whom we convoy to his grave aloft,
Singing together,
He was a man born with thy face and throat,
Lyric Apollo!
Long he lived nameless: how should spring take note
Winter would follow?
Till lo, the little touch, and youth was gone!
Cramped and diminished,
Moaned he, ``New measures, other feet anon!
``My dance is finished?''
No, that's the world's way: (keep the mountain-side,
Make for the city!)
He knew the signal, and stepped on with pride
Over men's pity;
Left play for work, and grappled with the world
Bent on escaping:
``What's in the scroll,'' quoth he, ``thou keepest furled?
``Show me their shaping,
``Theirs who most studied man, the bard and sage,---
``Give!''---So, he gowned him,
Straight got by heart that hook to its last page:
Learned, we found him.
Yea, but we found him bald too, eyes like lead,
Accents uncertain:
``Time to taste life,'' another would have said,
``Up with the curtain!''
This man said rather, ``Actual life comes next?
``Patience a moment!
``Grant I have mastered learning's crabbed text,
``Still there's the comment.
``Let me know all! Prate not of most or least,
``Painful or easy!
``Even to the crumbs I'd fain eat up the feast,
``Ay, nor feel queasy.''
Oh, such a life as he resolved to live,
When he had learned it,
When he had gathered all books had to give!
Sooner, he spurned it.
Image the whole, then execute the parts---
Fancy the fabric
Quite, ere you build, ere steel strike fire from quartz,
Ere mortar dab brick!

(Here's the town-gate reached: there's the market-place
Gaping before us.)
Yea, this in him was the peculiar grace
(Hearten our chorus!)
That before living he'd learn how to live---
No end to learning:
Earn the means first---God surely will contrive
Use for our earning.
Others mistrust and say, ``But time escapes:
``Live now or never!''
He said, ``What's time? Leave Now for dogs and apes!
``Man has Forever.''
Back to his book then: deeper drooped his head
_Calculus_ racked him:
Leaden before, his eyes grew dross of lead:
_Tussis_ attacked him.
``Now, master, take a little rest!''---not he!
(Caution redoubled,
Step two abreast, the way winds narrowly!)
Not a whit troubled
Back to his studies, fresher than at first,
Fierce as a dragon
He (soul-hydroptic with a sacred thirst)
Sucked at the flagon.

Oh, if we draw a circle premature,
Heedless of far gain,
Greedy for quick returns of profit, sure
Bad is our bargain!
Was it not great? did not he throw on God,
(He loves the burthen)---
God's task to make the heavenly period
Perfect the earthen?
Did not he magnify the mind, show clear
Just what it all meant?
He would not discount life, as fools do here,
Paid by instalment.
He ventured neck or nothing---heaven's success
Found, or earth's failure:
``Wilt thou trust death or not?'' He answered ``Yes:
``Hence with life's pale lure!''
That low man seeks a little thing to do,
Sees it and does it:
This high man, with a great thing to pursue,
Dies ere he knows it.
That low man goes on adding nine to one,
His hundred's soon hit:
This high man, aiming at a million,
Misses an unit.
That, has the world here---should he need the next,
Let the world mind him!
This, throws himself on God, and unperplexed
Seeking shall find him.
So, with the throttling hands of death at strife,
Ground he at grammar;
Still, thro' the rattle, parts of speech were rife:
While he could stammer
He settled _Hoti's_ business---let it be!---
Properly based _Oun_---
Gave us the doctrine of the enclitic _De_,
Dead from the waist down.
Well, here's the platform, here's the proper place:
Hail to your purlieus,
All ye highfliers of the feathered race,
Swallows and curlews!
Here's the top-peak; the multitude below
Live, for they can, there:
This man decided not to Live but Know---
Bury this man there?
Here---here's his place, where meteors shoot, clouds form,
Lightnings are loosened,
Stars come and go! Let joy break with the storm,
Peace let the dew send!
Lofty designs must close in like effects
Loftily lying,
Leave him---still loftier than the world suspects,
Living and dying.
Written by Percy Bysshe Shelley | Create an image from this poem

Ode to the West Wind

O WILD West Wind, thou breath of Autumn's being¡ª 
Thou from whose unseen presence the leaves dead 
Are driven, like ghosts from an enchanter fleeing, 
Yellow, and black, and pale, and hectic red, 
Pestilence-stricken multitudes!¡ªO thou 5 
Who chariotest to their dark wintry bed 
The wing¨¨d seeds, where they lie cold and low, 
Each like a corpse within its grave, until 
Thine azure sister of the Spring shall blow 
Her clarion o'er the dreaming earth, and fill 10 
(Driving sweet buds like flocks to feed in air) 
With living hues and odours plain and hill¡ª 
Wild Spirit, which art moving everywhere¡ª 
Destroyer and Preserver¡ªhear, O hear! 

Thou on whose stream, 'mid the steep sky's commotion, 15 
Loose clouds like earth's decaying leaves are shed, 
Shook from the tangled boughs of Heaven and Ocean, 
Angels of rain and lightning! they are spread 
On the blue surface of thine airy surge, 
Like the bright hair uplifted from the head 20 
Of some fierce M?nad, ev'n from the dim verge 
Of the horizon to the zenith's height¡ª 
The locks of the approaching storm. Thou dirge 
Of the dying year, to which this closing night 
Will be the dome of a vast sepulchre, 25 
Vaulted with all thy congregated might 
Of vapours, from whose solid atmosphere 
Black rain, and fire, and hail will burst:¡ªO hear! 

Thou who didst waken from his summer-dreams 
The blue Mediterranean, where he lay, 30 
Lull'd by the coil of his crystalline streams, 
Beside a pumice isle in Bai?'s bay, 
And saw in sleep old palaces and towers 
Quivering within the wave's intenser day, 
All overgrown with azure moss, and flowers 35 
So sweet, the sense faints picturing them! Thou 
For whose path the Atlantic's level powers 
Cleave themselves into chasms, while far below 
The sea-blooms and the oozy woods which wear 
The sapless foliage of the ocean, know 40 
Thy voice, and suddenly grow gray with fear 
And tremble and despoil themselves:¡ªO hear! 

If I were a dead leaf thou mightest bear; 
If I were a swift cloud to fly with thee; 
A wave to pant beneath thy power, and share 45 
The impulse of thy strength, only less free 
Than thou, O uncontrollable!¡ªif even 
I were as in my boyhood, and could be 
The comrade of thy wanderings over heaven, 
As then, when to outstrip thy skiey speed 50 
Scarce seem'd a vision,¡ªI would ne'er have striven 
As thus with thee in prayer in my sore need. 
O lift me as a wave, a leaf, a cloud! 
I fall upon the thorns of life! I bleed! 
A heavy weight of hours has chain'd and bow'd 55 
One too like thee¡ªtameless, and swift, and proud. 

Make me thy lyre, ev'n as the forest is: 
What if my leaves are falling like its own! 
The tumult of thy mighty harmonies 
Will take from both a deep autumnal tone, 60 
Sweet though in sadness. Be thou, Spirit fierce, 
My spirit! be thou me, impetuous one! 
Drive my dead thoughts over the universe, 
Like wither'd leaves, to quicken a new birth; 
And, by the incantation of this verse, 65 
Scatter, as from an unextinguish'd hearth 
Ashes and sparks, my words among mankind! 
Be through my lips to unawaken'd earth 
The trumpet of a prophecy! O Wind, 
If Winter comes, can Spring be far behind? 70 
Written by Stephen Vincent Benet | Create an image from this poem

The White Peacock

 (France -- Ancient Regime.) 

I.

Go away! 
Go away; I will not confess to you! 
His black biretta clings like a hangman's cap; under his twitching fingers the beads shiver and click, 
As he mumbles in his corner, the shadow deepens upon him; 
I will not confess! . . . 

Is he there or is it intenser shadow? 
Dark huddled coilings from the obscene depths, 
Black, formless shadow, 
Shadow. 
Doors creak; from secret parts of the chateau come the scuffle and worry of rats. 

Orange light drips from the guttering candles, 
Eddying over the vast embroideries of the bed 
Stirring the monstrous tapestries, 
Retreating before the sable impending gloom of the canopy 
With a swift thrust and sparkle of gold, 
Lipping my hands, 
Then 
Rippling back abashed before the ominous silences 
Like the swift turns and starts of an overpowered fencer 
Who sees before him Horror 
Behind him darkness, 
Shadow. 

The clock jars and strikes, a thin, sudden note like the sob of a child. 
Clock, buhl clock that ticked out the tortuous hours of my birth, 
Clock, evil, wizened dwarf of a clock, how many years of agony have you relentlessly measured, 
Yardstick of my stifling shroud? 

I am Aumaury de Montreuil; once quick, soon to be eaten of worms. 
You hear, Father? Hsh, he is asleep in the night's cloak. 

Over me too steals sleep. 
Sleep like a white mist on the rotting paintings of cupids and gods on the ceiling; 
Sleep on the carven shields and knots at the foot of the bed, 
Oozing, blurring outlines, obliterating colors, 
Death. 

Father, Father, I must not sleep! 
It does not hear -- that shadow crouched in the corner . . . 
Is it a shadow? 
One might think so indeed, save for the calm face, yellow as wax, that lifts like the face of a drowned man from the choking darkness. 


II.

Out of the drowsy fog my body creeps back to me. 
It is the white time before dawn. 
Moonlight, watery, pellucid, lifeless, ripples over the world. 
The grass beneath it is gray; the stars pale in the sky. 
The night dew has fallen; 
An infinity of little drops, crystals from which all light has been taken, 
Glint on the sighing branches. 
All is purity, without color, without stir, without passion. 

Suddenly a peacock screams. 

My heart shocks and stops; 
Sweat, cold corpse-sweat 
Covers my rigid body. 
My hair stands on end. I cannot stir. I cannot speak. 
It is terror, terror that is walking the pale sick gardens 
And the eyeless face no man may see and live! 
Ah-h-h-h-h! 
Father, Father, wake! wake and save me! 
In his corner all is shadow. 

Dead things creep from the ground. 
It is so long ago that she died, so long ago! 
Dust crushes her, earth holds her, mold grips her. 
Fiends, do you not know that she is dead? . . . 
"Let us dance the pavon!" she said; the waxlights glittered like swords on the polished floor. 
Twinkling on jewelled snuffboxes, beaming savagely from the crass gold of candelabra, 
From the white shoulders of girls and the white powdered wigs of men . . . 
All life was that dance. 
The mocking, resistless current, 
The beauty, the passion, the perilous madness -- 
As she took my hand, released it and spread her dresses like petals, 
Turning, swaying in beauty, 
A lily, bowed by the rain, -- 
Moonlight she was, and her body of moonlight and foam, 
And her eyes stars. 
Oh the dance has a pattern! 
But the clear grace of her thrilled through the notes of the viols, 
Tremulous, pleading, escaping, immortal, untamed, 
And, as we ended, 
She blew me a kiss from her hand like a drifting white blossom -- 
And the starshine was gone; and she fled like a bird up the stair. 

Underneath the window a peacock screams, 
And claws click, scrape 
Like little lacquered boots on the rough stone. 

Oh the long fantasy of the kiss; the ceaseless hunger, ceaselessly, divinely appeased! 
The aching presence of the beloved's beauty! 
The wisdom, the incense, the brightness! 

Once more on the ice-bright floor they danced the pavon 
But I turned to the garden and her from the lighted candles. 
Softly I trod the lush grass between the black hedges of box. 
Softly, for I should take her unawares and catch her arms, 
And embrace her, dear and startled. 

By the arbor all the moonlight flowed in silver 
And her head was on his breast. 
She did not scream or shudder 
When my sword was where her head had lain 
In the quiet moonlight; 
But turned to me with one pale hand uplifted, 
All her satins fiery with the starshine, 
Nacreous, shimmering, weeping, iridescent, 
Like the quivering plumage of a peacock . . . 
Then her head drooped and I gripped her hair, 
Oh soft, scented cloud across my fingers! -- 
Bending her white neck back. . . . 

Blood writhed on my hands; I trod in blood. . . . 
Stupidly agaze 
At that crumpled heap of silk and moonlight, 
Where like twitching pinions, an arm twisted, 
Palely, and was still 
As the face of chalk. 

The buhl clock strikes. 
Thirty years. Christ, thirty years! 
Agony. Agony. 

Something stirs in the window, 
Shattering the moonlight. 
White wings fan. 
Father, Father! 

All its plumage fiery with the starshine, 
Nacreous, shimmering, weeping, iridescent, 
It drifts across the floor and mounts the bed, 
To the tap of little satin shoes. 
Gazing with infernal eyes. 
Its quick beak thrusting, rending, devil's crimson . . . 
Screams, great tortured screams shake the dark canopy. 
The light flickers, the shadow in the corner stirs; 
The wax face lifts; the eyes open. 

A thin trickle of blood worms darkly against the vast red coverlet and spreads to a pool on the floor.
Written by Stephen Vincent Benet | Create an image from this poem

Winged Man

 The moon, a sweeping scimitar, dipped in the stormy straits, 
The dawn, a crimson cataract, burst through the eastern gates, 
The cliffs were robed in scarlet, the sands were cinnabar, 
Where first two men spread wings for flight and dared the hawk afar. 

There stands the cunning workman, the crafty past all praise, 
The man who chained the Minotaur, the man who built the Maze. 
His young son is beside him and the boy's face is a light, 
A light of dawn and wonder and of valor infinite. 

Their great vans beat the cloven air, like eagles they mount up, 
Motes in the wine of morning, specks in a crystal cup, 
And lest his wings should melt apace old Daedalus flies low, 
But Icarus beats up, beats up, he goes where lightnings go. 

He cares no more for warnings, he rushes through the sky, 
Braving the crags of ether, daring the gods on high, 
Black 'gainst the crimson sunset, golden o'er cloudy snows, 
With all Adventure in his heart the first winged man arose. 

Dropping gold, dropping gold, where the mists of morning rolled, 
On he kept his way undaunted, though his breaths were stabs of cold, 
Through the mystery of dawning that no mortal may behold. 

Now he shouts, now he sings in the rapture of his wings, 
And his great heart burns intenser with the strength of his desire, 
As he circles like a swallow, wheeling, flaming, gyre on gyre. 

Gazing straight at the sun, half his pilgrimage is done, 
And he staggers for a moment, hurries on, reels backward, swerves 
In a rain of scattered feathers as he falls in broken curves. 

Icarus, Icarus, though the end is piteous, 
Yet forever, yea, forever we shall see thee rising thus, 
See the first supernal glory, not the ruin hideous. 

You were Man, you who ran farther than our eyes can scan, 
Man absurd, gigantic, eager for impossible Romance, 
Overthrowing all Hell's legions with one warped and broken lance. 

On the highest steeps of Space he will have his dwelling-place, 
In those far, terrific regions where the cold comes down like Death 
Gleams the red glint of his pinions, smokes the vapor of his breath. 

Floating downward, very clear, still the echoes reach the ear 
Of a little tune he whistles and a little song he sings, 
Mounting, mounting still, triumphant, on his torn and broken wings!


Written by Rainer Maria Rilke | Create an image from this poem

Duino Elegies: The First Elegy

 Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them suddenly
pressed me against his heart, I would perish
in the embrace of his stronger existence.
For beauty is nothing but the beginning of terror
which we are barely able to endure and are awed
because it serenely disdains to annihilate us.
Each single angel is terrifying.
And so I force myself, swallow and hold back
the surging call of my dark sobbing.
Oh, to whom can we turn for help?
Not angels, not humans;
and even the knowing animals are aware that we feel
little secure and at home in our interpreted world.
There remains perhaps some tree on a hillside
daily for us to see; yesterday's street remains for us
stayed, moved in with us and showed no signs of leaving.
Oh, and the night, the night, when the wind
full of cosmic space invades our frightened faces.
Whom would it not remain for -that longed-after,
gently disenchanting night, painfully there for the
solitary heart to achieve? Is it easier for lovers?
Don't you know yet ? Fling out of your arms the 
emptiness into the spaces we breath -perhaps the birds
will feel the expanded air in their more ferven flight.

Yes, the springtime were in need of you. Often a star
waited for you to espy it and sense its light.
A wave rolled toward you out of the distant past,
or as you walked below an open window,
a violin gave itself to your hearing.
All this was trust. But could you manage it?
Were you not always distraught by expectation,
as if all this were announcing the arrival
of a beloved? (Where would you find a place
to hide her, with all your great strange thoughts 
coming and going and often staying for the night.)
When longing overcomes you, sing of women in love;
for their famous passion is far from immortal enough.
Those whom you almost envy, the abandoned and
desolate ones, whom you found so much more loving
than those gratified. Begin ever new again
the praise you cannot attain; remember:
the hero lives on and survives; even his downfall
was for him only a pretext for achieving
his final birth. But nature, exhausted, takes lovers
back into itself, as if such creative forces could never be
achieved a second time.
Have you thought of Gaspara Stampa sufficiently:

that any girl abandoned by her lover may feel
from that far intenser example of loving:
"Ah, might I become like her!" Should not their oldest
sufferings finally become more fruitful for us?
Is it not time that lovingly we freed ourselves
from the beloved and, quivering, endured:
as the arrow endures the bow-string's tension,
and in this tense release becomes more than itself.
For staying is nowhere.

Voices, voices. Listen my heart, as only saints
have listened: until the gigantic call lifted them
clear off the ground. Yet they went on, impossibly,
kneeling, completely unawares: so intense was
their listening. Not that you could endure
the voice of God -far from it! But listen
to the voice of the wind and the ceaseless message
that forms itself out of silence. They sweep
toward you now from those who died young.
Whenever they entered a church in Rome or Naples,
did not their fate quietly speak to you as recently
as the tablet did in Santa Maria Formosa?
What do they want of me? to quietly remove
the appearance of suffered injustice that,
at times, hinders a little their spirits from
freely proceeding onward.

Of course, it is strange to inhabit the earth no longer,
to no longer use skills on had barely time to acquire;
not to observe roses and other things that promised
so much in terms of a human future, no longer
to be what one was in infinitely anxious hands;
to even discard one's own name as easily as a child
abandons a broken toy.
Strange, not to desire to continue wishing one's wishes.
Strange to notice all that was related, fluttering
so loosely in space. And being dead is hard work
and full of retrieving before one can gradually feel a
trace of eternity. -Yes, but the liviing make
the mistake of drawing too sharp a distinction.
Angels (they say) are often unable to distinguish
between moving among the living or the dead.
The eternal torrent whirls all ages along with it,
through both realms forever, and their voices are lost in
its thunderous roar.

In the end the early departed have no longer
need of us. One is gently weaned from things
of this world as a child outgrows the need
of its mother's breast. But we who have need 
of those great mysteries, we for whom grief is
so often the source of spiritual growth,
could we exist without them?
Is the legend vain that tells of music's beginning
in the midst of the mourning for Linos?
the daring first sounds of song piercing
the barren numbness, and how in that stunned space
an almost godlike youth suddenly left forever,
and the emptiness felt for the first time
those harmonious vibrations which now enrapture
and comfort and help us.
Written by John Keats | Create an image from this poem

Why Did I Laugh Tonight? No Voice Will Tell

 Why did I laugh tonight? No voice will tell:
No God, no Demon of severe response,
Deigns to reply from Heaven or from Hell.
Then to my human heart I turn at once.
Heart! Thou and I are here, sad and alone;
I say, why did I laugh? O mortal pain!
O Darkness! Darkness! ever must I moan,
To question Heaven and Hell and Heart in vain.
Why did I laugh? I know this Being's lease,
My fancy to its utmost blisses spreads;
Yet would I on this very midnight cease,
And the world's gaudy ensigns see in shreds;
Verse, Fame, and Beauty are intense indeed,
But Death intenser—Death is Life's high meed.
Written by Elinor Wylie | Create an image from this poem

Nancy

 You are a rose, but set with sharpest spine; 
You are a pretty bird that pecks at me; 
You are a little squirrel on a tree, 
Pelting me with the prickly fruit of the pine; 
A diamond, torn from a crystal mine, 
Not like that milky treasure of the sea, 
A smooth, translucent pearl, but skilfully 
Carven to cut, and faceted to shine.

If you are flame, it dances and burns blue; 
If you are light, it pierces like a star 
Intenser than a needlepoint of ice. 
The dextrous touch that shaped the soul of you, 
Mingled, to mix, and make you what you are, 
Magic between the sugar and the spice.

Book: Reflection on the Important Things