Written by
William Butler Yeats |
I
Blessed be this place,
More blessed still this tower;
A bloody, arrogant power
Rose out of the race
Uttering, mastering it,
Rose like these walls from these
Storm-beaten cottages -
In mockery I have set
A powerful emblem up,
And sing it rhyme upon rhyme
In mockery of a time
Half dead at the top.
II
Alexandria's was a beacon tower, and Babylon's
An image of the moving heavens, a log-book of the sun's journey and the moon's;
And Shelley had his towers, thought's crowned powers he called them once.
I declare this tower is my symbol; I declare
This winding, gyring, spiring treadmill of a stair is my ancestral stair;
That Goldsmith and the Dean, Berkeley and Burke have travelled there.
Swift beating on his breast in sibylline frenzy blind
Because the heart in his blood-sodden breast had dragged him down into mankind,
Goldsmith deliberately sipping at the honey-pot of his mind,
And haughtier-headed Burke that proved the State a tree,
That this unconquerable labyrinth of the birds, century after century,
Cast but dead leaves to mathematical equality;
And God-appointed Berkeley that proved all things a dream,
That this pragmatical, preposterous pig of a world, its farrow that so solid seem,
Must vanish on the instant if the mind but change its theme;
Saeva Indignatio and the labourer's hire,
The strength that gives our blood and state magnanimity of its own desire;
Everything that is not God consumed with intellectual fire.
III
The purity of the unclouded moon
Has flung its atrowy shaft upon the floor.
Seven centuries have passed and it is pure,
The blood of innocence has left no stain.
There, on blood-saturated ground, have stood
Soldier, assassin, executioner.
Whether for daily pittance or in blind fear
Or out of abstract hatred, and shed blood,
But could not cast a single jet thereon.
Odour of blood on the ancestral stair!
And we that have shed none must gather there
And clamour in drunken frenzy for the moon.
IV
Upon the dusty, glittering windows cling,
And seem to cling upon the moonlit skies,
Tortoiseshell butterflies, peacock butterflies,
A couple of night-moths are on the wing.
Is every modern nation like the tower,
Half dead at the top? No matter what I said,
For wisdom is the property of the dead,
A something incompatible with life; and power,
Like everything that has the stain of blood,
A property of the living; but no stain
Can come upon the visage of the moon
When it has looked in glory from a cloud.
|
Written by
Alexander Pushkin |
In lakeside leafy groves, a friar
Escaped all worries; there he passed
His summer days in constant prayer,
Deep studies and eternal fast.
Already with a humble shovel
The elder dug himself a grave -
As, calling saints to bless his hovel,
Death - nothing other - did he crave.
So once, upon a falling night, he
Was bowing by his wilted shack
With meekest prayer to the Almighty.
The grove was turning slowly black;
Above the lake a mist was lifting;
Through milky clouds across the sky
The ruddy moon was softly drifting,
When water drew the friar's eye.
.
.
He's looking puzzled, full of trouble,
Of fear he cannot quite explain,
He sees the waves begin to bubble
And suddenly grow calm again.
Then -- white as first snow in the highlands,
Light-footed as nocturnal shade,
There comes ashore, and sits in silence
Upon the bank, a naked maid.
She eyes the monk and brushes gently
Her hair, and water off her arms.
He shakes with fear and looks intently
At her, and at her lovely charms.
With eager hand she waves and beckons,
Nods quickly, smiles as from afar
And shoots, within two flashing seconds,
Into still water like a star.
The glum old man slept not an instant;
All day, not even once he prayed:
Before his eyes still hung and glistened
The wondrous, the relentless shade.
.
.
The grove puts on its gown of nightfall;
The moon walks on the cloudy floor;
And there's the maiden - pale, delightful,
Reclining on the spellbound shore.
She looks at him, her hair she brushes,
Blows airy kisses, gestures wild,
Plays with the waves - caresses, splashes -
Now laughs, now whimpers like a child,
Moans tenderly, calls louder, louder.
.
.
"Come, monk, come, monk! To me, to me!.
.
"
Then - disappears in limpid water,
And all is silent instantly.
.
.
On the third day the zealous hermit
Was sitting by the shore, in love,
Awaiting the delightful mermaid,
As shade was covering the grove.
.
.
Dark ceded to the sun's emergence;
Our monk had wholly disappeared -
Before a crowd of local urchins,
While fishing, found his hoary beard.
Translated by: Genia Gurarie, summer of 1995
Copyright retained by Genia Gurarie.
email: egurarie@princeton.
edu
http://www.
princeton.
edu/~egurarie/
For permission to reproduce, write personally to the translator.
|
Written by
Richard Brautigan |
Sometimes life is merely a matter of coffee and whatever intimacy a cup of coffee
affords.
I once read something about coffee.
The thing said that coffee is good for you;
it stimulates all the organs.
I thought at first this was a strange way to put it, and not altogether pleasant, but
as time goes by I have found out that it makes sense in its own limited way.
I'll tell you
what I mean.
Yesterday morning I went over to see a girl.
I like her.
Whatever we had going for us
is gone now.
She does not care for me.
I blew it and wish I hadn't.
I rang the door bell and waited on the stairs.
I could hear her moving around upstairs.
The way she moved I could tell that she was getting up.
I had awakened her.
Then she came down the stairs.
I could feel her approach in my stomach.
Every step she
took stirred my feelings and lead indirectly to her opening the door.
She saw me and it
did not please her.
Once upon a time it pleased her very much, last week.
I wonder where it went,
pretending to be naive.
"I feel strange now," she said.
"I don't want to talk.
"
"I want a cup of coffee," I said, because it was the last thing in the world
that I wanted.
I said it in such a way that it sounded as if I were reading her a telegram
from somebody else, a person who really wanted a cup of coffee, who cared about nothing
else.
"All right," she said.
I followed her up the stairs.
It was ridiculous.
She had just put some clothes on.
They
had not quite adjusted themselves to her body.
I could tell you about her ass.
We went
into the kitchen.
She took a jar of instant coffee off the shelf and put it on the table.
She placed a
cup next to it, and a spoon.
I looked at them.
She put a pan full of water on the stove
and turned the gas on under it.
All this time she did not say a word.
Her clothes adjusted themselves to her body.
I
won't.
She left the kitchen.
Then she went down the stairs and outside to see if she had any mail.
I didn't remember
seeing any.
She came back up the stairs and went into another room.
She closed the door
after her.
I looked at the pan full of water on the stove.
I knew that it would take a year before the water started to boil.
It was now October
and there was too much water in the pan.
That was the problem.
I threw half of the water
into the sink.
The water would boil faster now.
It would take only six months.
The house was quiet.
I looked out the back porch.
There were sacks of garbage there.
I stared at the garbage
and tried to figure out what she had been eating lately by studying the containers and
peelings and stuff.
I couldn't tell a thing.
It was now March.
The water started to boil.
I was pleased by this.
I looked at the table.
There was the jar of instant coffee, the empty cup and the spoon
all laid out like a funeral service.
These are the things that you need to make a cup of
coffee.
When I left the house ten minutes later, the cup of coffee safely inside me like a
grave, I said, "Thank you for the cup of coffee.
"
"You're welcome," she said.
Her voice came from behind a closed door.
Her
voice sounded like another telegram.
It was really time for me to leave.
I spent the rest of the day not making coffee.
It was a comfort.
And evening came, I
had dinner in a restaurant and went to a bar.
I had some drinks and talked to some people.
We were bar people and said bar things.
None of them remembered, and the bar closed.
It
was two o'clock in the morning.
I had to go outside.
It was foggy and cold in San
Francisco.
I wondered about the fog and felt very human and exposed.
I decided to go visit another girl.
We had not been friends for over a year.
Once we
were very close.
I wondered what she was thinking about now.
I went to her house.
She didn't have a door bell.
That was a small victory.
One must
keep track of all the small victories.
I do, anyway.
She answered the door.
She was holding a robe in front of her.
She didn't believe that
she was seeing me.
"What do you want?" she said, believing now that she was
seeing me.
I walked right into the house.
She turned and closed the door in such a way that I could see her profile.
She had not
bothered to wrap the robe completely around herself.
She was just holding the robe in
front of herself.
I could see an unbroken line of body running from her head to her feet.
It looked kind
of strange.
Perhaps because it was so late at night.
"What do you want?" she said.
"I want a cup of coffee," I said.
What a funny thing to say, to say again for
a cup of coffee was not what I really wanted.
She looked at me and wheeled slightly on the profile.
She was not pleased to see me.
Let the AMA tell us that time heals.
I looked at the unbroken line of her body.
"Why don't you have a cup of coffee with me?" I said.
"I feel like
talking to you.
We haven't talked for a long time.
"
She looked at me and wheeled slightly on the profile.
I stared at the unbroken line of
her body.
This was not good.
"It's too late," she said.
"I have to get up in the morning.
If you want
a cup of coffee, there's instant in the kitchen.
I have to go to bed.
"
The kitchen light was on.
I looked down the hall into the kitchen.
I didn't feel like
going into the kitchen and having another cup of coffee by myself.
I didn't feel like
going to anybody else's house and asking them for a cup of coffee.
I realized that the day had been committed to a very strange pilgrimage, and I had not
planned it that way.
At least the jar of instant coffee was not on the table, beside an
empty white cup and a spoon.
They say in the spring a young man's fancy turns to thoughts of love.
Perhaps if he has
enough time left over, his fancy can even make room for a cup of coffee.
-from Revenge of the Lawn
|
Written by
William Vaughn Moody |
After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.
I
Before the solemn bronze Saint Gaudens made
To thrill the heedless passer's heart with awe,
And set here in the city's talk and trade
To the good memory of Robert Shaw,
This bright March morn I stand,
And hear the distant spring come up the land;
Knowing that what I hear is not unheard
Of this boy soldier and his ***** band,
For all their gaze is fixed so stern ahead,
For all the fatal rhythm of their tread.
The land they died to save from death and shame
Trembles and waits, hearing the spring's great name,
And by her pangs these resolute ghosts are stirred.
II
Through street and mall the tides of people go
Heedless; the trees upon the Common show
No hint of green; but to my listening heart
The still earth doth impart
Assurance of her jubilant emprise,
And it is clear to my long-searching eyes
That love at last has might upon the skies.
The ice is runneled on the little pond;
A telltale patter drips from off the trees;
The air is touched with southland spiceries,
As if but yesterday it tossed the frond
Of pendant mosses where the live-oaks grow
Beyond Virginia and the Carolines,
Or had its will among the fruits and vines
Of aromatic isles asleep beyond
Florida and the Gulf of Mexico.
III
Soon shall the Cape Ann children shout in glee,
Spying the arbutus, spring's dear recluse;
Hill lads at dawn shall hearken the wild goose
Go honking northward over Tennessee;
West from Oswego to Sault Sainte-Marie,
And on to where the Pictured Rocks are hung,
And yonder where, gigantic, wilful, young,
Chicago sitteth at the northwest gates,
With restless violent hands and casual tongue
Moulding her mighty fates,
The Lakes shall robe them in ethereal sheen;
And like a larger sea, the vital green
Of springing wheat shall vastly be outflung
Over Dakota and the prairie states.
By desert people immemorial
On Arizonan mesas shall be done
Dim rites unto the thunder and the sun;
Nor shall the primal gods lack sacrifice
More splendid, when the white Sierras call
Unto the Rockies straightway to arise
And dance before the unveiled ark of the year,
Sounding their windy cedars as for shawms,
Unrolling rivers clear
For flutter of broad phylacteries;
While Shasta signals to Alaskan seas
That watch old sluggish glaciers downward creep
To fling their icebergs thundering from the steep,
And Mariposa through the purple calms
Gazes at far Hawaii crowned with palms
Where East and West are met, --
A rich seal on the ocean's bosom set
To say that East and West are twain,
With different loss and gain:
The Lord hath sundered them; let them be sundered yet.
IV
Alas! what sounds are these that come
Sullenly over the Pacific seas, --
Sounds of ignoble battle, striking dumb
The season's half-awakened ecstasies?
Must I be humble, then,
Now when my heart hath need of pride?
Wild love falls on me from these sculptured men;
By loving much the land for which they died
I would be justified.
My spirit was away on pinions wide
To soothe in praise of her its passionate mood
And ease it of its ache of gratitude.
Too sorely heavy is the debt they lay
On me and the companions of my day.
I would remember now
My country's goodliness, make sweet her name.
Alas! what shade art thou
Of sorrow or of blame
Liftest the lyric leafage from her brow,
And pointest a slow finger at her shame?
V
Lies! lies! It cannot be! The wars we wage
Are noble, and our battles still are won
By justice for us, ere we lift the gage.
We have not sold our loftiest heritage.
The proud republic hath not stooped to cheat
And scramble in the market-place of war;
Her forehead weareth yet its solemn star.
Here is her witness: this, her perfect son,
This delicate and proud New England soul
Who leads despisèd men, with just-unshackled feet,
Up the large ways where death and glory meet,
To show all peoples that our shame is done,
That once more we are clean and spirit-whole.
VI
Crouched in the sea fog on the moaning sand
All night he lay, speaking some simple word
From hour to hour to the slow minds that heard,
Holding each poor life gently in his hand
And breathing on the base rejected clay
Till each dark face shone mystical and grand
Against the breaking day;
And lo, the shard the potter cast away
Was grown a fiery chalice crystal-fine
Fulfilled of the divine
Great wine of battle wrath by God's ring-finger stirred.
Then upward, where the shadowy bastion loomed
Huge on the mountain in the wet sea light,
Whence now, and now, infernal flowerage bloomed,
Bloomed, burst, and scattered down its deadly seed, --
They swept, and died like freemen on the height,
Like freemen, and like men of noble breed;
And when the battle fell away at night
By hasty and contemptuous hands were thrust
Obscurely in a common grave with him
The fair-haired keeper of their love and trust.
Now limb doth mingle with dissolvèd limb
In nature's busy old democracy
To flush the mountain laurel when she blows
Sweet by the southern sea,
And heart with crumbled heart climbs in the rose: --
The untaught hearts with the high heart that knew
This mountain fortress for no earthly hold
Of temporal quarrel, but the bastion old
Of spiritual wrong,
Built by an unjust nation sheer and strong,
Expugnable but by a nation's rue
And bowing down before that equal shrine
By all men held divine,
Whereof his band and he were the most holy sign.
VII
O bitter, bitter shade!
Wilt thou not put the scorn
And instant tragic question from thine eye?
Do thy dark brows yet crave
That swift and angry stave --
Unmeet for this desirous morn --
That I have striven, striven to evade?
Gazing on him, must I not deem they err
Whose careless lips in street and shop aver
As common tidings, deeds to make his cheek
Flush from the bronze, and his dead throat to speak?
Surely some elder singer would arise,
Whose harp hath leave to threaten and to mourn
Above this people when they go astray.
Is Whitman, the strong spirit, overworn?
Has Whittier put his yearning wrath away?
I will not and I dare not yet believe!
Though furtively the sunlight seems to grieve,
And the spring-laden breeze
Out of the gladdening west is sinister
With sounds of nameless battle overseas;
Though when we turn and question in suspense
If these things be indeed after these ways,
And what things are to follow after these,
Our fluent men of place and consequence
Fumble and fill their mouths with hollow phrase,
Or for the end-all of deep arguments
Intone their dull commercial liturgies --
I dare not yet believe! My ears are shut!
I will not hear the thin satiric praise
And muffled laughter of our enemies,
Bidding us never sheathe our valiant sword
Till we have changed our birthright for a gourd
Of wild pulse stolen from a barbarian's hut;
Showing how wise it is to cast away
The symbols of our spiritual sway,
That so our hands with better ease
May wield the driver's whip and grasp the jailer's keys.
VIII
Was it for this our fathers kept the law?
This crown shall crown their struggle and their ruth?
Are we the eagle nation Milton saw
Mewing its mighty youth,
Soon to possess the mountain winds of truth,
And be a swift familiar of the sun
Where aye before God's face his trumpets run?
Or have we but the talons and the maw,
And for the abject likeness of our heart
Shall some less lordly bird be set apart? --
Some gross-billed wader where the swamps are fat?
Some gorger in the sun? Some prowler with the bat?
IX
Ah no!
We have not fallen so.
We are our fathers' sons: let those who lead us know!
'T was only yesterday sick Cuba's cry
Came up the tropic wind, "Now help us, for we die!"
Then Alabama heard,
And rising, pale, to Maine and Idaho
Shouted a burning word.
Proud state with proud impassioned state conferred,
And at the lifting of a hand sprang forth,
East, west, and south, and north,
Beautiful armies.
Oh, by the sweet blood and young
Shed on the awful hill slope at San Juan,
By the unforgotten names of eager boys
Who might have tasted girls' love and been stung
With the old mystic joys
And starry griefs, now the spring nights come on,
But that the heart of youth is generous, --
We charge you, ye who lead us,
Breathe on their chivalry no hint of stain!
Turn not their new-world victories to gain!
One least leaf plucked for chaffer from the bays
Of their dear praise,
One jot of their pure conquest put to hire,
The implacable republic will require;
With clamor, in the glare and gaze of noon,
Or subtly, coming as a thief at night,
But surely, very surely, slow or soon
That insult deep we deeply will requite.
Tempt not our weakness, our cupidity!
For save we let the island men go free,
Those baffled and dislaureled ghosts
Will curse us from the lamentable coasts
Where walk the frustrate dead.
The cup of trembling shall be drainèd quite,
Eaten the sour bread of astonishment,
With ashes of the hearth shall be made white
Our hair, and wailing shall be in the tent;
Then on your guiltier head
Shall our intolerable self-disdain
Wreak suddenly its anger and its pain;
For manifest in that disastrous light
We shall discern the right
And do it, tardily.
-- O ye who lead,
Take heed!
Blindness we may forgive, but baseness we will smite.
|
Written by
Andrew Marvell |
Had we but world enough, and time,
This coyness, lady, were no crime.
We would sit down, and think which way
To walk, and pass our long love's day.
Thou by the Indian Ganges' side
Shouldst rubies find; I by the tide
Of Humber would complain.
I would
Love you ten years before the Flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires and more slow;
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time's wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found;
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity,
And your quaint honor turn to dust,
And into ashes all my lust:
The grave's a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapped power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Thorough the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.
|
Written by
Gil Scott-Heron |
You will not be able to stay home, brother
You will not be able to plug in, turn on and cop out
You will not be able to lose yourself on skag
And skip out for beer during commercials
Because the revolution will not be televised
The revolution will not be televised
The revolution will not be brought to you by Xerox
In 4 parts without commercial interruptions
The revolution will not show you pictures of Nixon
Blowing a bugle and leading a charge by John Mitchell
General Abrams and Spiro Agnew to eat hog maws
Confiscated from a Harlem sanctuary
The revolution will not be televised
The revolution will not be brought to you by the
Schaefer Award Theater and will not star Natalie Woods
And Steve McQueen or Bullwinkle and Julia
The revolution will not give your mouth sex appeal
The revolution will not get rid of the nubs
The revolution will not make you look five pounds thinner
Because the revolution will not be televised, Brother
There will be no pictures of you and Willie May
Pushing that shopping cart down the block on the dead run
Or trying to slide that color TV into a stolen ambulance
NBC will not be able predict the winner at 8:32
Or report from 29 districts
The revolution will not be televised
There will be no pictures of pigs shooting down
Brothers on the instant replay
There will be no pictures of pigs shooting down
Brothers on the instant replay
There will be no pictures of Whitney Young
Being run out of Harlem on a rail with a brand new process
There will be no slow motion or still life of Roy Wilkens
Strolling through Watts in a red, black and green
Liberation jumpsuit that he had been saving
For just the proper occasion
Green Acres, The Beverly Hillbillies and Hooter ville Junction
Will no longer be so damned relevant
And women will not care if Dick finally gets down with Jane
On search for tomorrow because black people
Will be in the street looking for a brighter day
The revolution will not be televised
There will be no highlights on the eleven o'clock news
And no pictures of hairy armed women liberationists
And Jackie Onassis blowing her nose
The theme song will not be written by Jim Webb
Francis Scott Key, nor sung by Glen Campbell, Tom Jones
Johnny Cash, Englebert Humperdink or the Rare Earth
The revolution will not be televised
The revolution will not be right back after a message
About a white tornado, white lightning, or white people
You will not have to worry about a dove in your bedroom
The tiger in your tank or the giant in your toilet bowl
The revolution will not go better with Coke
The revolution will not fight the germs that may cause bad breath
The revolution will put you in the driver's seat
The revolution will not be televised, will not be televised
Will not be televised, will not be televised
The revolution will be no re-run brothers
The revolution will be live
|
Written by
José Martí |
A sincere man am I
From the land where palm trees grow,
And I want before I die
My soul's verses to bestow.
I'm a traveler to all parts,
And a newcomer to none:
I am art among the arts,
With the mountains I am one.
I know how to name and class
All the strange flowers that grow;
I know every blade of grass,
Fatal lie and sublime woe.
I have seen through dead of night
Upon my head softly fall,
Rays formed of the purest light
From beauty celestial.
I have seen wings that were surging
From beautiful women's shoulders,
And seen butterflies emerging
From the refuse heap that moulders.
I have known a man to live
With a dagger at his side,
And never once the name give
Of she by whose hand he died.
Twice, for an instant, did I
My soul's reflection espy:
Twice: when my poor father died
And when she bade me good-bye.
I trembled once, when I flung
The vineyard gate, and to my dread,
The wicked hornet had stung
My little girl on the forehead.
I rejoiced once and felt lucky
The day that my jailer came
To read the death warrant to me
That bore his tears and my name.
I hear a sigh across the earth,
I hear a sigh over the deep:
It is no sign reaching my hearth,
But my son waking from sleep.
If they say I have obtained
The pick of the jeweller's trove,
A good friend is what I've gained
And I have put aside love.
I have seen across the skies
A wounded eagle still flying;
I know the cubby where lies
The snake of its venom dying.
I know that the world is weak
And must soon fall to the ground,
Then the gentle brook will speak
Above the quiet profound.
While trembling with joy and dread,
I have touched with hand so bold
A once-bright star that fell dead
From heaven at my threshold.
On my brave heart is engraved
The sorrow hidden from all eyes:
The son of a land enslaved,
Lives for it, suffers and dies.
All is beautiful and right,
All is as music and reason;
And all, like diamonds, is light
That was coal before its season.
I know when fools are laid to rest
Honor and tears will abound,
And that of all fruits, the best
Is left to rot in holy ground.
Without a word, the pompous muse
I've set aside, and understood:
From a withered branch, I choose
To hang my doctoral hood.
|
Written by
Emily Dickinson |
Because that you are going
And never coming back
And I, however absolute,
May overlook your Track --
Because that Death is final,
However first it be,
This instant be suspended
Above Mortality --
Significance that each has lived
The other to detect
Discovery not God himself
Could now annihilate
Eternity, Presumption
The instant I perceive
That you, who were Existence
Yourself forgot to live --
The "Life that is" will then have been
A thing I never knew --
As Paradise fictitious
Until the Realm of you --
The "Life that is to be," to me,
A Residence too plain
Unless in my Redeemer's Face
I recognize your own --
Of Immortality who doubts
He may exchange with me
Curtailed by your obscuring Face
Of everything but He --
Of Heaven and Hell I also yield
The Right to reprehend
To whoso would commute this Face
For his less priceless Friend.
If "God is Love" as he admits
We think that me must be
Because he is a "jealous God"
He tells us certainly
If "All is possible with" him
As he besides concedes
He will refund us finally
Our confiscated Gods --
|
Written by
Francis Thompson |
I fled Him down the nights and down the days
I fled Him down the arches of the years
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
Up vistaed hopes I sped and shot precipitated
Adown titanic glooms of chasme d hears
From those strong feet that followed, followed after
But with unhurrying chase and unperturbe d pace,
Deliberate speed, majestic instancy,
They beat, and a Voice beat,
More instant than the feet:
All things betray thee who betrayest me.
I pleaded, outlaw--wise by many a hearted casement,
curtained red, trellised with inter-twining charities,
For though I knew His love who followe d,
Yet was I sore adread, lest having Him,
I should have nought beside.
But if one little casement parted wide,
The gust of his approach would clash it to.
Fear wist not to evade as Love wist to pursue.
Across the margent of the world I fled,
And troubled the gold gateways of the stars,
Smiting for shelter on their clange d bars,
Fretted to dulcet jars and silvern chatter
The pale ports of the moon.
I said to Dawn --- be sudden, to Eve --- be soon,
With thy young skiey blossoms heap me over
From this tremendous Lover.
Float thy vague veil about me lest He see.
I tempted all His servitors but to find
My own betrayal in their constancy,
In faith to Him, their fickleness to me,
Their traitorous trueness and their loyal deceit.
To all swift things for swiftness did I sue,
Clung to the whistling mane of every wind,
But whether they swept, smoothly fleet,
The long savannahs of the blue,
Or whether, thunder-driven,
They clanged His chariot thwart a heaven,
Plashy with flying lightnings round the spurn of their feet,
Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase and unperturbed pace
Deliberate speed, majestic instancy,
Came on the following feet, and a Voice above their beat:
Nought shelters thee who wilt not shelter Me.
I sought no more that after which I strayed
In face of Man or Maid.
But still within the little childrens' eyes
Seems something, something that replies,
They at least are for me, surely for me.
But just as their young eyes grew sudden fair,
With dawning answers there,
Their angel plucked them from me by the hair.
Come then, ye other children, Nature's
Share with me, said I, your delicate fellowship.
Let me greet you lip to lip,
Let me twine with you caresses,
Wantoning with our Lady Mother's vagrant tresses,
Banqueting with her in her wind walled palace,
Underneath her azured dai:s,
Quaffing, as your taintless way is,
From a chalice, lucent weeping out of the dayspring.
So it was done.
I in their delicate fellowship was one.
Drew the bolt of Nature's secrecies,
I knew all the swift importings on the wilful face of skies,
I knew how the clouds arise,
Spume d of the wild sea-snortings.
All that's born or dies,
Rose and drooped with,
Made them shapers of mine own moods, or wailful, or Divine.
With them joyed and was bereaven.
I was heavy with the Even,
when she lit her glimmering tapers round the day's dead sanctities.
I laughed in the morning's eyes.
I triumphed and I saddened with all weather,
Heaven and I wept together,
and its sweet tears were salt with mortal mine.
Against the red throb of its sunset heart,
I laid my own to beat
And share commingling heat.
But not by that, by that was eased my human smart.
In vain my tears were wet on Heaven's grey cheek.
For ah! we know what each other says,
these things and I; In sound I speak,
Their sound is but their stir, they speak by silences.
Nature, poor step-dame, cannot slake my drouth.
Let her, if she would owe me
Drop yon blue-bosomed veil of sky
And show me the breasts o' her tenderness.
Never did any milk of hers once bless my thirsting mouth.
Nigh and nigh draws the chase, with unperturbe d pace
Deliberate speed, majestic instancy,
And past those noise d feet, a Voice comes yet more fleet:
Lo, nought contentst thee who content'st nought Me.
Naked, I wait thy Love's uplifted stroke.
My harness, piece by piece,
thou'st hewn from me
And smitten me to my knee,
I am defenceless, utterly.
I slept methinks, and awoke.
And slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers,
I shook the pillaring hours,
and pulled my life upon me.
Grimed with smears,
I stand amidst the dust o' the mounded years--
My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke,
Have puffed and burst like sunstarts on a stream.
Yeah, faileth now even dream the dreamer
and the lute, the lutanist.
Even the linked fantasies in whose blossomy twist,
I swung the Earth, a trinket at my wrist,
Have yielded, cords of all too weak account,
For Earth, with heavy grief so overplussed.
Ah! is thy Love indeed a weed,
albeit an Amaranthine weed,
Suffering no flowers except its own to mount?
Ah! must, Designer Infinite,
Ah! must thou char the wood 'ere thou canst limn with it ?
My freshness spent its wavering shower i' the dust.
And now my heart is as a broken fount,
Wherein tear-drippings stagnate, spilt down ever
From the dank thoughts that shiver upon the sighful branches of my
mind.
Such is.
What is to be ?
The pulp so bitter, how shall taste the rind ?
I dimly guess what Time in mists confounds,
Yet ever and anon, a trumpet sounds
From the hid battlements of Eternity.
Those shaken mists a space unsettle,
Then round the half-glimpse d turrets, slowly wash again.
But not 'ere Him who summoneth
I first have seen, enwound
With glooming robes purpureal; Cypress crowned.
His name I know, and what his trumpet saith.
Whether Man's Heart or Life it be that yield thee harvest,
Must thy harvest fields be dunged with rotten death ?
Now of that long pursuit,
Comes at hand the bruit.
That Voice is round me like a bursting Sea:
And is thy Earth so marred,
Shattered in shard on shard?
Lo, all things fly thee, for thou fliest me.
Strange, piteous, futile thing;
Wherefore should any set thee love apart?
Seeing none but I makes much of Naught (He said).
And human love needs human meriting ---
How hast thou merited,
Of all Man's clotted clay, the dingiest clot.
Alack! Thou knowest not
How little worthy of any love thou art.
Whom wilt thou find to love ignoble thee,
Save me, save only me?
All which I took from thee, I did'st but take,
Not for thy harms,
But just that thou might'st seek it in my arms.
All which thy childs mistake fancies as lost,
I have stored for thee at Home.
Rise, clasp my hand, and come.
Halts by me that Footfall.
Is my gloom, after all,
Shade of His hand, outstretched caressingly?
Ah, Fondest, Blindest, Weakest,
I am He whom thou seekest.
Thou dravest Love from thee who dravest Me.
|
Written by
Annie Finch |
HLF, August 8, 1918—August 22, 1997
“Bequeath us to no earthly shore until
Is answered in the vortex of our grave
The seal’s wide spindrift gaze towards paradise.
”
—Hart Crane, “Voyages”
“If a lion could talk, we couldn’t understand it”
—Ludwig Wittgenstein
Under the ocean that stretches out wordlessly
past the long edge of the last human shore,
there are deep windows the waves haven't opened,
where night is reflected through decades of glass.
There is the nursery, there is the nanny,
there are my father’s unreachable eyes
turned towards the window.
Is the child uneasy?
His is the death that is circling the stars.
In the deep room where candles burn soundlessly
and peace pours at last through the cells of our bodies,
three of us are watching, one of us is staring
with the wide gaze of a wild, wave-fed seal.
Incense and sage speak in smoke loud as waves,
and crickets sing sand towards the edge of the hourglass.
We wait outside time, while night collects courage
around us.
The vigil is wordless.
And you
watch the longest, move the farthest, besieged by your breath,
pulling into your body.
You stare towards your death,
head arched on the pillow, your left fingers curled.
Your mouth sucking gently, unmoved by these hours
and their vigil of salt spray, you show us how far
you are going, and how long the long minutes are,
while spiralling night watches over the room
and takes you, until you watch us in turn.
Lions speak their own language.
You are still breathing.
Here is release.
Here is your pillow,
cool like a handkerchief pressed in a pocket.
Here is your white tousled long growing hair.
Here is a kiss on your temple to hold you
safe through your solitude’s long steady war;
here, you can go.
We will stay with you,
keeping the silence we all came here for.
Night, take his left hand, turning the pages.
Spin with the windows and doors that he mended.
Spin with his answers, patient, impatient.
Spin with his dry independence, his arms
warmed by the needs of his family, his hands
flying under the wide, carved gold ring, and the pages
flying so his thought could fly.
His breath slows,
lending its edges out to the night.
Here is his open mouth.
Silence is here
like one more new question that he will not answer.
A leaf is his temple.
The dark is the prayer.
He has given his body; his hand lies above
the sheets in a symbol of wholeness, a curve
of thumb and forefinger, ringed with wide gold,
and the instant that empties his breath is a flame
faced with a sudden cathedral's new stone.
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