Written by
Marianne Moore |
Fanaticism?No.Writing is exciting
and baseball is like writing.
You can never tell with either
how it will go
or what you will do;
generating excitement--
a fever in the victim--
pitcher, catcher, fielder, batter.
Victim in what category?
Owlman watching from the press box?
To whom does it apply?
Who is excited?Might it be I?
It's a pitcher's battle all the way--a duel--
a catcher's, as, with cruel
puma paw, Elston Howard lumbers lightly
back to plate.(His spring
de-winged a bat swing.)
They have that killer instinct;
yet Elston--whose catching
arm has hurt them all with the bat--
when questioned, says, unenviously,
"I'm very satisfied.We won."
Shorn of the batting crown, says, "We";
robbed by a technicality.
When three players on a side play three positions
and modify conditions,
the massive run need not be everything.
"Going, going . . . "Is
it?Roger Maris
has it, running fast.You will
never see a finer catch.Well . . .
"Mickey, leaping like the devil"--why
gild it, although deer sounds better--
snares what was speeding towards its treetop nest,
one-handing the souvenir-to-be
meant to be caught by you or me.
Assign Yogi Berra to Cape Canaveral;
he could handle any missile.
He is no feather."Strike! . . . Strike two!"
Fouled back.A blur.
It's gone.You would infer
that the bat had eyes.
He put the wood to that one.
Praised, Skowron says, "Thanks, Mel.
I think I helped a little bit."
All business, each, and modesty.
Blanchard, Richardson, Kubek, Boyer.
In that galaxy of nine, say which
won the pennant?Each.It was he.
Those two magnificent saves from the knee-throws
by Boyer, finesses in twos--
like Whitey's three kinds of pitch and pre-
diagnosis
with pick-off psychosis.
Pitching is a large subject.
Your arm, too true at first, can learn to
catch your corners--even trouble
Mickey Mantle.("Grazed a Yankee!
My baby pitcher, Montejo!"
With some pedagogy,
you'll be tough, premature prodigy.)
They crowd him and curve him and aim for the knees.Trying
indeed!The secret implying:
"I can stand here, bat held steady."
One may suit him;
none has hit him.
Imponderables smite him.
Muscle kinks, infections, spike wounds
require food, rest, respite from ruffians.(Drat it!
Celebrity costs privacy!)
Cow's milk, "tiger's milk," soy milk, carrot juice,
brewer's yeast (high-potency--
concentrates presage victory
sped by Luis Arroyo, Hector Lopez--
deadly in a pinch.And "Yes,
it's work; I want you to bear down,
but enjoy it
while you're doing it."
Mr. Houk and Mr. Sain,
if you have a rummage sale,
don't sell Roland Sheldon or Tom Tresh.
Studded with stars in belt and crown,
the Stadium is an adastrium.
O flashing Orion,
your stars are muscled like the lion.
|
Written by
Edwin Arlington Robinson |
“Gawaine, Gawaine, what look ye for to see,
So far beyond the faint edge of the world?
D’ye look to see the lady Vivian,
Pursued by divers ominous vile demons
That have another king more fierce than ours?
Or think ye that if ye look far enough
And hard enough into the feathery west
Ye’ll have a glimmer of the Grail itself?
And if ye look for neither Grail nor lady,
What look ye for to see, Gawaine, Gawaine?”
So Dagonet, whom Arthur made a knight
Because he loved him as he laughed at him,
Intoned his idle presence on a day
To Gawaine, who had thought himself alone,
Had there been in him thought of anything
Save what was murmured now in Camelot
Of Merlin’s hushed and all but unconfirmed
Appearance out of Brittany. It was heard
At first there was a ghost in Arthur’s palace,
But soon among the scullions and anon
Among the knights a firmer credit held
All tongues from uttering what all glances told—
Though not for long. Gawaine, this afternoon,
Fearing he might say more to Lancelot
Of Merlin’s rumor-laden resurrection
Than Lancelot would have an ear to cherish,
Had sauntered off with his imagination
To Merlin’s Rock, where now there was no Merlin
To meditate upon a whispering town
Below him in the silence.—Once he said
To Gawaine: “You are young; and that being so,
Behold the shining city of our dreams
And of our King.”—“Long live the King,” said Gawaine.—
“Long live the King,” said Merlin after him;
“Better for me that I shall not be King;
Wherefore I say again, Long live the King,
And add, God save him, also, and all kings—
All kings and queens. I speak in general.
Kings have I known that were but weary men
With no stout appetite for more than peace
That was not made for them.”—“Nor were they made
For kings,” Gawaine said, laughing.—“You are young,
Gawaine, and you may one day hold the world
Between your fingers, knowing not what it is
That you are holding. Better for you and me,
I think, that we shall not be kings.”
Gawaine,
Remembering Merlin’s words of long ago,
Frowned as he thought, and having frowned again,
He smiled and threw an acorn at a lizard:
“There’s more afoot and in the air to-day
Than what is good for Camelot. Merlin
May or may not know all, but he said well
To say to me that he would not be King.
Nor more would I be King.” Far down he gazed
On Camelot, until he made of it
A phantom town of many stillnesses,
Not reared for men to dwell in, or for kings
To reign in, without omens and obscure
Familiars to bring terror to their days;
For though a knight, and one as hard at arms
As any, save the fate-begotten few
That all acknowledged or in envy loathed,
He felt a foreign sort of creeping up
And down him, as of moist things in the dark,—
When Dagonet, coming on him unawares,
Presuming on his title of Sir Fool,
Addressed him and crooned on till he was done:
“What look ye for to see, Gawaine, Gawaine?”
“Sir Dagonet, you best and wariest
Of all dishonest men, I look through Time,
For sight of what it is that is to be.
I look to see it, though I see it not.
I see a town down there that holds a king,
And over it I see a few small clouds—
Like feathers in the west, as you observe;
And I shall see no more this afternoon
Than what there is around us every day,
Unless you have a skill that I have not
To ferret the invisible for rats.”
“If you see what’s around us every day,
You need no other showing to go mad.
Remember that and take it home with you;
And say tonight, ‘I had it of a fool—
With no immediate obliquity
For this one or for that one, or for me.’”
Gawaine, having risen, eyed the fool curiously:
“I’ll not forget I had it of a knight,
Whose only folly is to fool himself;
And as for making other men to laugh,
And so forget their sins and selves a little,
There’s no great folly there. So keep it up,
As long as you’ve a legend or a song,
And have whatever sport of us you like
Till havoc is the word and we fall howling.
For I’ve a guess there may not be so loud
A sound of laughing here in Camelot
When Merlin goes again to his gay grave
In Brittany. To mention lesser terrors,
Men say his beard is gone.”
“Do men say that?”
A twitch of an impatient weariness
Played for a moment over the lean face
Of Dagonet, who reasoned inwardly:
“The friendly zeal of this inquiring knight
Will overtake his tact and leave it squealing,
One of these days.”—Gawaine looked hard at him:
“If I be too familiar with a fool,
I’m on the way to be another fool,”
He mused, and owned a rueful qualm within him:
“Yes, Dagonet,” he ventured, with a laugh,
“Men tell me that his beard has vanished wholly,
And that he shines now as the Lord’s anointed,
And wears the valiance of an ageless youth
Crowned with a glory of eternal peace.”
Dagonet, smiling strangely, shook his head:
“I grant your valiance of a kind of youth
To Merlin, but your crown of peace I question;
For, though I know no more than any churl
Who pinches any chambermaid soever
In the King’s palace, I look not to Merlin
For peace, when out of his peculiar tomb
He comes again to Camelot. Time swings
A mighty scythe, and some day all your peace
Goes down before its edge like so much clover.
No, it is not for peace that Merlin comes,
Without a trumpet—and without a beard,
If what you say men say of him be true—
Nor yet for sudden war.”
Gawaine, for a moment,
Met then the ambiguous gaze of Dagonet,
And, making nothing of it, looked abroad
As if at something cheerful on all sides,
And back again to the fool’s unasking eyes:
“Well, Dagonet, if Merlin would have peace,
Let Merlin stay away from Brittany,”
Said he, with admiration for the man
Whom Folly called a fool: “And we have known him;
We knew him once when he knew everything.”
“He knew as much as God would let him know
Until he met the lady Vivian.
I tell you that, for the world knows all that;
Also it knows he told the King one day
That he was to be buried, and alive,
In Brittany; and that the King should see
The face of him no more. Then Merlin sailed
Away to Vivian in Broceliande,
Where now she crowns him and herself with flowers
And feeds him fruits and wines and many foods
Of many savors, and sweet ortolans.
Wise books of every lore of every land
Are there to fill his days, if he require them,
And there are players of all instruments—
Flutes, hautboys, drums, and viols; and she sings
To Merlin, till he trembles in her arms
And there forgets that any town alive
Had ever such a name as Camelot.
So Vivian holds him with her love, they say,
And he, who has no age, has not grown old.
I swear to nothing, but that’s what they say.
That’s being buried in Broceliande
For too much wisdom and clairvoyancy.
But you and all who live, Gawaine, have heard
This tale, or many like it, more than once;
And you must know that Love, when Love invites
Philosophy to play, plays high and wins,
Or low and loses. And you say to me,
‘If Merlin would have peace, let Merlin stay
Away from Brittany.’ Gawaine, you are young,
And Merlin’s in his grave.”
“Merlin said once
That I was young, and it’s a joy for me
That I am here to listen while you say it.
Young or not young, if that be burial,
May I be buried long before I die.
I might be worse than young; I might be old.”—
Dagonet answered, and without a smile:
“Somehow I fancy Merlin saying that;
A fancy—a mere fancy.” Then he smiled:
“And such a doom as his may be for you,
Gawaine, should your untiring divination
Delve in the veiled eternal mysteries
Too far to be a pleasure for the Lord.
And when you stake your wisdom for a woman,
Compute the woman to be worth a grave,
As Merlin did, and say no more about it.
But Vivian, she played high. Oh, very high!
Flutes, hautboys, drums, and viols,—and her love.
Gawaine, farewell.”
“Farewell, Sir Dagonet,
And may the devil take you presently.”
He followed with a vexed and envious eye,
And with an arid laugh, Sir Dagonet’s
Departure, till his gaunt obscurity
Was cloaked and lost amid the glimmering trees.
“Poor fool!” he murmured. “Or am I the fool?
With all my fast ascendency in arms,
That ominous clown is nearer to the King
Than I am—yet; and God knows what he knows,
And what his wits infer from what he sees
And feels and hears. I wonder what he knows
Of Lancelot, or what I might know now,
Could I have sunk myself to sound a fool
To springe a friend.… No, I like not this day.
There’s a cloud coming over Camelot
Larger than any that is in the sky,—
Or Merlin would be still in Brittany,
With Vivian and the viols. It’s all too strange.”
And later, when descending to the city,
Through unavailing casements he could hear
The roaring of a mighty voice within,
Confirming fervidly his own conviction:
“It’s all too strange, and half the world’s half crazy!”—
He scowled: “Well, I agree with Lamorak.”
He frowned, and passed: “And I like not this day.”
|
Written by
Sor Juana Inés de la Cruz |
My Lady (Español)
Perdite, señora, quiero
de mi silencio perdón,
si lo que ha sido atención
le hace parecer grosero.
Y no me podrás culpar
si hasta aquí mi proceder,
por ocuparse en querer,
se ha olvidado de explicar.
Que en mi amorosa pasión
no fue desuido, ni mengua,
quitar el uso a la lengua
por dárselo al corazón.
Ni de explicarme dejaba:
que, como la pasión mía
acá en el alma te vía,
acá en el alma te hablaba.
Y en esta idea notable
dichosamenta vivía,
porque en mi mano tenia
el fingirte favorable.
Con traza tan peregrina
vivió mi esperanza vana,
pues te pudo hacer humana
concibiéndote divina.
¡Oh, cuán loca llegué a verme
en tus dichosos amores,
que, aun fingidos, tus favroes
pudieron enloquecerme!
¡Oh, cómo, en tu sol hermoso
mi ardiente afecto encendido,
por cebarse en lo lucido,
olvidó lo peligroso!
Perdona, si atrevimiento
fue atreverme a tu ardor puro;
que no hay sagrado seguro
de culpas de pensamiento.
De esta manera engañaba
la loca esperanza mía,
y dentro de mí tenía
todo el bien que deseaba.
Mas ya tu precepto grave
rompe mi silencio mudo;
que él solamente ser pudo
de mi respeto la llave.
Y aunque el amar tu belleza
es delito sin disculpa
castígueseme la culpa
primero que la tibieza.
No quieras, pues, rigurosa,
que, estando ya declarada,
sea de veras desdichada
quien fue de burlas dichosa.
Si culpas mi desacato,
culpa también tu licencia;
que si es mala mi obediencia,
no fue justo tu mandato
Y si es culpable mi intento,
será mi afecto precito,
porque es amarte un delito
de que nunca me arrepiento.
Esto en mis afectos hallo,
y más, que explicar no sé;
mas tú, de lo que callé,
inferirás lo que callo.
Top of page
My Lady (English)
My lady, I must implore
forgiveness for keeping still,
if what I meant as tribute
ran contrary to your will.
Please do not reproach me
if the course I have maintained
in the eagerness of my love
left my silence unexplained.
I love you with so much passion,
neither rudeness nor neglect
can explain why I tied my tongue,
yet left my heart unchecked.
The matter to me was simple:
love for you was so strong,
I could see you in my soul
and talk to you all day long.
With this idea in mind,
I lived in utter delight,
pretending my subterfuge
found favor in your sight.
In this strange, ingenious fashion,
I allowed the hope to be mine
that I still might see as human
what I really conceived as divine.
Oh, how mad I became
in my blissful love of you,
for even though feigned, your favor
made all my madness seem true!
How unwisely my ardent love,
which your glorious sun inflamed,
sought to feed upon your brightness,
though the risk of your fire was plain!
Forgive me if, thus emboldened,
I made bold with that sacred fire:
there's no sanctuary secure
when thought's transgressions conspire.
Thus it was I kept indulging
these foolhardy hopes of mine,
enjoying within myself
a happiness sublime.
But now, at your solemn bidding,
this silence I herewith suspend,
for your summons unlocks in me
a respect no time can end.
And, although loving your beauty
is a crime beyond repair,
rather the crime be chastised
than my fervor cease to dare.
With this confession in hand,
I pray, be less stern with me.
Do not condemn to distress
one who fancied bliss so free.
If you blame me for disrespect,
remember, you gave me leave;
thus, if obedience was wrong,
your commanding must be my reprieve.
Let my love be ever doomed
if guilty in its intent,
for loving you is a crime
of which I will never repent.
This much I descry in my feelings--
and more that I cannot explain;
but you, from what I've not said,
may infer what words won't contain.
|
Written by
Anne Kingsmill Finch |
A Quack, to no true Skill in Physick bred,
With frequent Visits cursed his Patient's Bed;
Enquiring, how he did his Broths digest,
How chim'd his Pulse, and how he took his Rest:
If shudd'ring Cold by Burnings was pursu'd,
And at what time the Aguish Fit renew'd.
The waining Wretch, each day become more faint,
In like proportion doubles his Complaint;
Now swooning Sweats he begs him to allay,
Now give his Lungs more liberty to play,
And take from empty'd Veins these scorching Heats away:
Or if he saw the Danger did increase,
To warn him fair, and let him part in Peace.
My Life for yours, no Hazard in your Case
The Quack replies; your Voice, your Pulse, your Face,
Good Signs afford, and what you seem to feel
Proceeds from Vapours, which we'll help with Steel.
With kindled Rage, more than Distemper, burns
The suff'ring Man, who thus in haste returns:
No more of Vapours, your belov'd Disease,
Your Ignorance's Skreen, your What-you-please,
With which you cheat poor Females of their Lives,
Whilst Men dispute not, so it rid their Wives.
For me, I'll speak free as I've paid my Fees;
My Flesh consumes, I perish by degrees:
And as thro' weary Nights I count my Pains,
No Rest is left me, and no Strength remains.
All for the Better, Sir, the Quack rejoins:
Exceeding promising are all these Signs.
Falling-away, your Nurses can confirm,
Was ne'er in Sickness thought a Mark of Harm.
The want of Strength is for the Better still;
Since Men of Vigour Fevers soonest kill.
Ev'n with this Gust of Passion I am pleas'd;
For they're most Patient who the most are seiz'd.
But let me see! here's that which all repels:
Then shakes, as he some formal Story tells,
The Treacle-water, mixt with powder'd Shells.
My Stomach's gone (what d'you infer from thence?)
Nor will with the least Sustenance dispense.
The Better; for, where appetite endures,
Meats intermingle, and no Med'cine cures.
The Stomach, you must know, Sir, is a Part–
But, sure, I feel Death's Pangs about my Heart.
Nay then Farewel! I need no more attend
The Quack replies. A sad approaching Friend
Questions the Sick, why he retires so fast;
Who says, because of Fees I've paid the Last,
And, whilst all Symptoms tow'rd my Cure agree,
Am, for the Better, Dying as you see.
|
Written by
Thomas Hardy |
I wayed by star and planet shine
Towards the dear one's home
At Kingsbere, there to make her mine
When the next sun upclomb.
I edged the ancient hill and wood
Beside the Ikling Way,
Nigh where the Pagan temple stood
In the world's earlier day.
And as I quick and quicker walked
On gravel and on green,
I sang to sky, and tree, or talked
Of her I called my queen.
- "O faultless is her dainty form,
And luminous her mind;
She is the God-created norm
Of perfect womankind!"
A shape whereon one star-blink gleamed
Glode softly by my side,
A woman's; and her motion seemed
The motion of my bride.
And yet methought she'd drawn erstwhile
Adown the ancient leaze,
Where once were pile and peristyle
For men's idolatries.
- "O maiden lithe and lone, what may
Thy name and lineage be,
Who so resemblest by this ray
My darling?--Art thou she?"
The Shape: "Thy bride remains within
Her father's grange and grove."
- "Thou speakest rightly," I broke in,
"Thou art not she I love."
- "Nay: though thy bride remains inside
Her father's walls," said she,
"The one most dear is with thee here,
For thou dost love but me."
Then I: "But she, my only choice,
Is now at Kingsbere Grove?"
Again her soft mysterious voice:
"I am thy only Love."
Thus still she vouched, and still I said,
"O sprite, that cannot be!" . . .
It was as if my bosom bled,
So much she troubled me.
The sprite resumed: "Thou hast transferred
To her dull form awhile
My beauty, fame, and deed, and word,
My gestures and my smile.
"O fatuous man, this truth infer,
Brides are not what they seem;
Thou lovest what thou dreamest her;
I am thy very dream!"
- "O then," I answered miserably,
Speaking as scarce I knew,
"My loved one, I must wed with thee
If what thou say'st be true!"
She, proudly, thinning in the gloom:
"Though, since troth-plight began,
I've ever stood as bride to groom,
I wed no mortal man!"
Thereat she vanished by the Cross
That, entering Kingsbere town,
The two long lanes form, near the fosse
Below the faneless Down.
- When I arrived and met my bride,
Her look was pinched and thin,
As if her soul had shrunk and died,
And left a waste within.
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