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Best Famous Indirectly Poems

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Written by C S Lewis | Create an image from this poem

On Being Human

 Angelic minds, they say, by simple intelligence 
Behold the Forms of nature. They discern 
Unerringly the Archtypes, all the verities 
Which mortals lack or indirectly learn. 
Transparent in primordial truth, unvarying, 
Pure Earthness and right Stonehood from their clear, 
High eminence are seen; unveiled, the seminal 
Huge Principles appear.

The Tree-ness of the tree they know-the meaning of 
Arboreal life, how from earth's salty lap 
The solar beam uplifts it; all the holiness 
Enacted by leaves' fall and rising sap;

But never an angel knows the knife-edged severance 
Of sun from shadow where the trees begin, 
The blessed cool at every pore caressing us 
-An angel has no skin.

They see the Form of Air; but mortals breathing it 
Drink the whole summer down into the breast. 
The lavish pinks, the field new-mown, the ravishing 
Sea-smells, the wood-fire smoke that whispers Rest. 
The tremor on the rippled pool of memory 
That from each smell in widening circles goes, 
The pleasure and the pang --can angels measure it? 
An angel has no nose.

The nourishing of life, and how it flourishes 
On death, and why, they utterly know; but not 
The hill-born, earthy spring, the dark cold bilberries. 
The ripe peach from the southern wall still hot 
Full-bellied tankards foamy-topped, the delicate 
Half-lyric lamb, a new loaf's billowy curves, 
Nor porridge, nor the tingling taste of oranges.
—An angel has no nerves.

Far richer they! I know the senses' witchery 
Guards us like air, from heavens too big to see; 
Imminent death to man that barb'd sublimity 
And dazzling edge of beauty unsheathed would be. 
Yet here, within this tiny, charmed interior, 
This parlour of the brain, their Maker shares 
With living men some secrets in a privacy 
Forever ours, not theirs.


Written by Richard Brautigan | Create an image from this poem

Coffee

 Sometimes life is merely a matter of coffee and whatever intimacy a cup of coffee
affords. I once read something about coffee. The thing said that coffee is good for you;
it stimulates all the organs.
I thought at first this was a strange way to put it, and not altogether pleasant, but
as time goes by I have found out that it makes sense in its own limited way. I'll tell you
what I mean.
Yesterday morning I went over to see a girl. I like her. Whatever we had going for us
is gone now. She does not care for me. I blew it and wish I hadn't.
I rang the door bell and waited on the stairs. I could hear her moving around upstairs.
The way she moved I could tell that she was getting up. I had awakened her.
Then she came down the stairs. I could feel her approach in my stomach. Every step she
took stirred my feelings and lead indirectly to her opening the door. She saw me and it
did not please her.
Once upon a time it pleased her very much, last week. I wonder where it went,
pretending to be naive.
"I feel strange now," she said. "I don't want to talk."
"I want a cup of coffee," I said, because it was the last thing in the world
that I wanted. I said it in such a way that it sounded as if I were reading her a telegram
from somebody else, a person who really wanted a cup of coffee, who cared about nothing
else.
"All right," she said.
I followed her up the stairs. It was ridiculous. She had just put some clothes on. They
had not quite adjusted themselves to her body. I could tell you about her ass. We went
into the kitchen.
She took a jar of instant coffee off the shelf and put it on the table. She placed a
cup next to it, and a spoon. I looked at them. She put a pan full of water on the stove
and turned the gas on under it.
All this time she did not say a word. Her clothes adjusted themselves to her body. I
won't. She left the kitchen.
Then she went down the stairs and outside to see if she had any mail. I didn't remember
seeing any. She came back up the stairs and went into another room. She closed the door
after her. I looked at the pan full of water on the stove.
I knew that it would take a year before the water started to boil. It was now October
and there was too much water in the pan. That was the problem. I threw half of the water
into the sink.
The water would boil faster now. It would take only six months. The house was quiet.
I looked out the back porch. There were sacks of garbage there. I stared at the garbage
and tried to figure out what she had been eating lately by studying the containers and
peelings and stuff. I couldn't tell a thing.
It was now March. The water started to boil. I was pleased by this.
I looked at the table. There was the jar of instant coffee, the empty cup and the spoon
all laid out like a funeral service. These are the things that you need to make a cup of
coffee.
When I left the house ten minutes later, the cup of coffee safely inside me like a
grave, I said, "Thank you for the cup of coffee."
"You're welcome," she said. Her voice came from behind a closed door. Her
voice sounded like another telegram. It was really time for me to leave.
I spent the rest of the day not making coffee. It was a comfort. And evening came, I
had dinner in a restaurant and went to a bar. I had some drinks and talked to some people.
We were bar people and said bar things. None of them remembered, and the bar closed. It
was two o'clock in the morning. I had to go outside. It was foggy and cold in San
Francisco. I wondered about the fog and felt very human and exposed.
I decided to go visit another girl. We had not been friends for over a year. Once we
were very close. I wondered what she was thinking about now.
I went to her house. She didn't have a door bell. That was a small victory. One must
keep track of all the small victories. I do, anyway.
She answered the door. She was holding a robe in front of her. She didn't believe that
she was seeing me. "What do you want?" she said, believing now that she was
seeing me. I walked right into the house.
She turned and closed the door in such a way that I could see her profile. She had not
bothered to wrap the robe completely around herself. She was just holding the robe in
front of herself.
I could see an unbroken line of body running from her head to her feet. It looked kind
of strange. Perhaps because it was so late at night.
"What do you want?" she said.
"I want a cup of coffee," I said. What a funny thing to say, to say again for
a cup of coffee was not what I really wanted.
She looked at me and wheeled slightly on the profile. She was not pleased to see me.
Let the AMA tell us that time heals. I looked at the unbroken line of her body.
"Why don't you have a cup of coffee with me?" I said. "I feel like
talking to you. We haven't talked for a long time."
She looked at me and wheeled slightly on the profile. I stared at the unbroken line of
her body. This was not good.
"It's too late," she said. "I have to get up in the morning. If you want
a cup of coffee, there's instant in the kitchen. I have to go to bed."
The kitchen light was on. I looked down the hall into the kitchen. I didn't feel like
going into the kitchen and having another cup of coffee by myself. I didn't feel like
going to anybody else's house and asking them for a cup of coffee.
I realized that the day had been committed to a very strange pilgrimage, and I had not
planned it that way. At least the jar of instant coffee was not on the table, beside an
empty white cup and a spoon.
They say in the spring a young man's fancy turns to thoughts of love. Perhaps if he has
enough time left over, his fancy can even make room for a cup of coffee. 
-from Revenge of the Lawn
Written by Rg Gregory | Create an image from this poem

two spanish poems

 (a) orihuela-time

the sun in orihuela calms the dust
and people glide about the streets at ease
(problems left indoors to cool themselves)
time has grown fat and no one cares
to pin each minute to its proper place
the day is long tomorrow's not yet real

doves and old men occupy the squares
nattering to each other in such tongues
that take the clock away from what is time
i could be moorish strolling in this heat
past tiled seats paved stones and dusty plants
a town that knows the desert's not far off

only the traffic fusses about like now
fuming and farting worse than any horse
desperate to catch up centuries of drift
and get the people moving like machines
a modern bustle seeps up through the drains
where buildings fall to caterpillar tracks

that night we're in a garden roofed in glass
a hothouse cafe where candles play at stars
sipping iced drinks and talking casually
a silence green and golden threads our bones
and tapestries contain us - time's come unstuck
each gesture shall be / was - the present glows


(b) spanish day

all i hear at first are sparrows
i come to the window - they are foraging
across the grassless ground their chirps
are business voices grunts of satisfaction
a comment on the nature of their find

the morning's cool - some fifteen trees
in rows with broad-splayed leaves are caught
by breeze and flutter like the hands
of pale young ladies gathered half-undressed
a car glides past the hedge with muted sound

a lorry chugs uphill - the sky is trembling
out of grey with that first flat blue that says
the sun is indirectly on its way
the breeze is cool but being spain i stand
in short shirt-sleeves - my forearmed hairs

accept the ruffling breeze and wait for warmth
i follow a car's noise down the hill
it fades - a silence stands with arms outspread
catching all breath - i listen more intently
from my cell-like room where cubby holes

of dark have not yet given into morning
a sharper breeze now roughs it through the trees
and every leaf would run away but can't
so stays and rattles off complaints metallically
the sparrows beat their beaks more urgently 

and i am thrust at by a stab of sun
the rooftop opposite has a golden cowl
rays slide down and leap into the trees
the breeze desists the leaves play mute
in no time sun has occupied the square

my room's invaded - dark stains are blanched
coolness abandoned for the next few hours
the heat-to-come has come - the spanish day
has no fancy way to sell its onions
you take it or you leave it – sweatingly
Written by William Shakespeare | Create an image from this poem

Sonnet 67: Ah wherefore with infection should he live

 Ah, wherefore with infection should he live,
And with his presence grace impiety,
That sin by him advantage should achieve,
And lace it self with his society?
Why should false painting imitate his cheek,
And steal dead seeming of his living hue?
Why should poor beauty indirectly seek
Roses of shadow, since his rose is true?
Why should he live, now Nature bankrupt is,
Beggared of blood to blush through lively veins,
For she hath no exchequer now but his,
And proud of many, lives upon his gains?
O, him she stores, to show what wealth she had
In days long since, before these last so bad.

Book: Reflection on the Important Things