Written by
Walt Whitman |
1
TO think of time—of all that retrospection!
To think of to-day, and the ages continued henceforward!
Have you guess’d you yourself would not continue?
Have you dreaded these earth-beetles?
Have you fear’d the future would be nothing to you?
Is to-day nothing? Is the beginningless past nothing?
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive!
that
everything was alive!
To think that you and I did not see, feel, think, nor bear our part!
To think that we are now here, and bear our part!
2
Not a day passes—not a minute or second, without an accouchement!
Not a day passes—not a minute or second, without a corpse!
The dull nights go over, and the dull days also,
The soreness of lying so much in bed goes over,
The physician, after long putting off, gives the silent and terrible look for an answer,
The children come hurried and weeping, and the brothers and sisters are sent for,
Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,)
The faithful hand of the living does not desert the hand of the dying,
The twitching lips press lightly on the forehead of the dying,
The breath ceases, and the pulse of the heart ceases,
The corpse stretches on the bed, and the living look upon it,
It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight,
But without eye-sight lingers a different living, and looks curiously on the corpse.
3
To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon
others as
upon us now—yet not act upon us!
To think of all these wonders of city and country, and others taking great interest in
them—and we taking no interest in them!
To think how eager we are in building our houses!
To think others shall be just as eager, and we quite indifferent!
(I see one building the house that serves him a few years, or seventy or eighty years at
most,
I see one building the house that serves him longer than that.
)
Slow-moving and black lines creep over the whole earth—they never cease—they are
the
burial lines,
He that was President was buried, and he that is now President shall surely be buried.
4
A reminiscence of the vulgar fate,
A frequent sample of the life and death of workmen,
Each after his kind:
Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in
the
streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month,
A hearse and stages—other vehicles give place—the funeral of an old Broadway
stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the
new-dug grave is halted at, the living alight, the hearse uncloses,
The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin,
the
earth is swiftly shovel’d in,
The mound above is flatted with the spades—silence,
A minute—no one moves or speaks—it is done,
He is decently put away—is there anything more?
He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to
take his
own part, witty, sensitive to a slight, ready with life or death for a friend, fond of
women,
gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited
toward
the last, sicken’d, was help’d by a contribution, died, aged forty-one
years—and
that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip
carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing
on
somebody, headway, man before and man behind, good day’s work, bad day’s work,
pet
stock, mean stock, first out, last out, turning-in at night;
To think that these are so much and so nigh to other drivers—and he there takes no
interest in them!
5
The markets, the government, the working-man’s wages—to think what account they
are
through our nights and days!
To think that other working-men will make just as great account of them—yet we make
little
or no account!
The vulgar and the refined—what you call sin, and what you call goodness—to
think how
wide a difference!
To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is!
Have you pleasure from looking at the sky? have you pleasure from poems?
Do you enjoy yourself in the city? or engaged in business? or planning a nomination and
election? or with your wife and family?
Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares?
—These also flow onward to others—you and I flow onward,
But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are!
To think there will still be farms, profits, crops—yet for you, of what avail?
6
What will be, will be well—for what is, is well,
To take interest is well, and not to take interest shall be well.
The sky continues beautiful,
The pleasure of men with women shall never be sated, nor the pleasure of women with men,
nor
the pleasure from poems,
The domestic joys, the daily housework or business, the building of houses—these are
not
phantasms—they have weight, form, location;
Farms, profits, crops, markets, wages, government, are none of them phantasms,
The difference between sin and goodness is no delusion,
The earth is not an echo—man and his life, and all the things of his life, are
well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself;
Yourself! Yourself! Yourself, forever and ever!
7
It is not to diffuse you that you were born of your mother and father—it is to
identify
you;
It is not that you should be undecided, but that you should be decided;
Something long preparing and formless is arrived and form’d in you,
You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is
systematic.
The preparations have every one been justified,
The orchestra have sufficiently tuned their instruments—the baton has given the
signal.
The guest that was coming—he waited long, for reasons—he is now housed,
He is one of those who are beautiful and happy—he is one of those that to look upon
and be
with is enough.
The law of the past cannot be eluded,
The law of the present and future cannot be eluded,
The law of the living cannot be eluded—it is eternal,
The law of promotion and transformation cannot be eluded,
The law of heroes and good-doers cannot be eluded,
The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8
Slow moving and black lines go ceaselessly over the earth,
Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and
they
on the Pacific, and they between, and all through the Mississippi country, and all over
the
earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well,
The known leaders and inventors, and the rich owners and pious and distinguish’d, may
be
well,
But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing,
The barbarians of Africa and Asia are not nothing,
The common people of Europe are not nothing—the American aborigines are not nothing,
The infected in the immigrant hospital are not nothing—the murderer or mean person is
not
nothing,
The perpetual successions of shallow people are not nothing as they go,
The lowest prostitute is not nothing—the mocker of religion is not nothing as he
goes.
9
Of and in all these things,
I have dream’d that we are not to be changed so much, nor the law of us changed,
I have dream’d that heroes and good-doers shall be under the present and past law,
And that murderers, drunkards, liars, shall be under the present and past law,
For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung,
If maggots and rats ended us, then Alarum! for we are betray’d!
Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now,
Do you think I could walk pleasantly and well-suited toward annihilation?
10
Pleasantly and well-suited I walk,
Whither I walk I cannot define, but I know it is good,
The whole universe indicates that it is good,
The past and the present indicate that it is good.
How beautiful and perfect are the animals!
How perfect the earth, and the minutest thing upon it!
What is called good is perfect, and what is called bad is just as perfect,
The vegetables and minerals are all perfect, and the imponderable fluids are perfect;
Slowly and surely they have pass’d on to this, and slowly and surely they yet pass
on.
11
I swear I think now that everything without exception has an eternal Soul!
The trees have, rooted in the ground! the weeds of the sea have! the animals!
I swear I think there is nothing but immortality!
That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is
for
it;
And all preparation is for it! and identity is for it! and life and materials are
altogether
for it
|
Written by
Walt Whitman |
1
NOW list to my morning’s romanza—I tell the signs of the Answerer;
To the cities and farms I sing, as they spread in the sunshine before me.
A young man comes to me bearing a message from his brother;
How shall the young man know the whether and when of his brother?
Tell him to send me the signs.
And I stand before the young man face to face, and take his right hand in my left hand,
and his
left
hand in my right hand,
And I answer for his brother, and for men, and I answer for him that answers for all, and
send
these
signs.
2
Him all wait for—him all yield up to—his word is decisive and final,
Him they accept, in him lave, in him perceive themselves, as amid light,
Him they immerse, and he immerses them.
Beautiful women, the haughtiest nations, laws, the landscape, people, animals,
The profound earth and its attributes, and the unquiet ocean, (so tell I my morning’s
romanza;)
All enjoyments and properties, and money, and whatever money will buy,
The best farms—others toiling and planting, and he unavoidably reaps,
The noblest and costliest cities—others grading and building, and he domiciles there;
Nothing for any one, but what is for him—near and far are for him, the ships in the
offing,
The perpetual shows and marches on land, are for him, if they are for any body.
He puts things in their attitudes;
He puts to-day out of himself, with plasticity and love;
He places his own city, times, reminiscences, parents, brothers and sisters, associations,
employment, politics, so that the rest never shame them afterward, nor assume to command
them.
He is the answerer:
What can be answer’d he answers—and what cannot be answer’d, he shows how
it
cannot
be answer’d.
3
A man is a summons and challenge;
(It is vain to skulk—Do you hear that mocking and laughter? Do you hear the ironical
echoes?)
Books, friendships, philosophers, priests, action, pleasure, pride, beat up and down,
seeking
to
give satisfaction;
He indicates the satisfaction, and indicates them that beat up and down also.
Whichever the sex, whatever the season or place, he may go freshly and gently and safely,
by
day or
by night;
He has the pass-key of hearts—to him the response of the prying of hands on the
knobs.
His welcome is universal—the flow of beauty is not more welcome or universal than he
is;
The person he favors by day, or sleeps with at night, is blessed.
4
Every existence has its idiom—everything has an idiom and tongue;
He resolves all tongues into his own, and bestows it upon men, and any man translates, and
any
man
translates himself also;
One part does not counteract another part—he is the joiner—he sees how they
join.
He says indifferently and alike, How are you, friend? to the President at his
levee,
And he says, Good-day, my brother! to Cudge that hoes in the sugar-field,
And both understand him, and know that his speech is right.
He walks with perfect ease in the Capitol,
He walks among the Congress, and one Representative says to another, Here is our equal,
appearing
and new.
Then the mechanics take him for a mechanic,
And the soldiers suppose him to be a soldier, and the sailors that he has follow’d
the
sea,
And the authors take him for an author, and the artists for an artist,
And the laborers perceive he could labor with them and love them;
No matter what the work is, that he is the one to follow it, or has follow’d it,
No matter what the nation, that he might find his brothers and sisters there.
The English believe he comes of their English stock,
A Jew to the Jew he seems—a Russ to the Russ—usual and near, removed from none.
Whoever he looks at in the traveler’s coffee-house claims him,
The Italian or Frenchman is sure, and the German is sure, and the Spaniard is sure, and
the
island
Cuban is sure;
The engineer, the deck-hand on the great lakes, or on the Mississippi, or St.
Lawrence, or
Sacramento, or Hudson, or Paumanok Sound, claims him.
The gentleman of perfect blood acknowledges his perfect blood;
The insulter, the prostitute, the angry person, the beggar, see themselves in the ways of
him—he strangely transmutes them,
They are not vile any more—they hardly know themselves, they are so grown.
|
Written by
Walt Whitman |
THE indications, and tally of time;
Perfect sanity shows the master among philosophs;
Time, always without flaw, indicates itself in parts;
What always indicates the poet, is the crowd of the pleasant company of singers, and their
words;
The words of the singers are the hours or minutes of the light or dark—but the words
of
the
maker of poems are the general light and dark;
The maker of poems settles justice, reality, immortality,
His insight and power encircle things and the human race,
He is the glory and extract thus far, of things, and of the human race.
The singers do not beget—only the POET begets;
The singers are welcom’d, understood, appear often enough—but rare has the day
been,
likewise the spot, of the birth of the maker of poems, the Answerer,
(Not every century, or every five centuries, has contain’d such a day, for all its
names.
)
The singers of successive hours of centuries may have ostensible names, but the name of
each of
them
is one of the singers,
The name of each is, eye-singer, ear-singer, head-singer, sweet-singer, echo-singer,
parlor-singer,
love-singer, or something else.
All this time, and at all times, wait the words of true poems;
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of beauty;
The greatness of sons is the exuding of the greatness of mothers and fathers,
The words of poems are the tuft and final applause of science.
Divine instinct, breadth of vision, the law of reason, health, rudeness of body,
withdrawnness,
Gayety, sun-tan, air-sweetness—such are some of the words of poems.
The sailor and traveler underlie the maker of poems, the answerer;
The builder, geometer, chemist, anatomist, phrenologist, artist—all these underlie
the
maker of
poems, the answerer.
The words of the true poems give you more than poems,
They give you to form for yourself, poems, religions, politics, war, peace, behavior,
histories,
essays, romances, and everything else,
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought,
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick.
They prepare for death—yet are they not the finish, but rather the outset,
They bring none to his or her terminus, or to be content and full;
Whom they take, they take into space, to behold the birth of stars, to learn one of the
meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be
quiet
again.
THE indications, and tally of time;
Perfect sanity shows the master among philosophs;
Time, always without flaw, indicates itself in parts;
What always indicates the poet, is the crowd of the pleasant company of singers, and their
words;
The words of the singers are the hours or minutes of the light or dark—but the words
of
the
maker of poems are the general light and dark;
The maker of poems settles justice, reality, immortality,
His insight and power encircle things and the human race,
He is the glory and extract thus far, of things, and of the human race.
The singers do not beget—only the POET begets;
The singers are welcom’d, understood, appear often enough—but rare has the day
been,
likewise the spot, of the birth of the maker of poems, the Answerer,
(Not every century, or every five centuries, has contain’d such a day, for all its
names.
)
The singers of successive hours of centuries may have ostensible names, but the name of
each of
them
is one of the singers,
The name of each is, eye-singer, ear-singer, head-singer, sweet-singer, echo-singer,
parlor-singer,
love-singer, or something else.
All this time, and at all times, wait the words of true poems;
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of beauty;
The greatness of sons is the exuding of the greatness of mothers and fathers,
The words of poems are the tuft and final applause of science.
Divine instinct, breadth of vision, the law of reason, health, rudeness of body,
withdrawnness,
Gayety, sun-tan, air-sweetness—such are some of the words of poems.
The sailor and traveler underlie the maker of poems, the answerer;
The builder, geometer, chemist, anatomist, phrenologist, artist—all these underlie
the
maker of
poems, the answerer.
The words of the true poems give you more than poems,
They give you to form for yourself, poems, religions, politics, war, peace, behavior,
histories,
essays, romances, and everything else,
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought,
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick.
They prepare for death—yet are they not the finish, but rather the outset,
They bring none to his or her terminus, or to be content and full;
Whom they take, they take into space, to behold the birth of stars, to learn one of the
meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be
quiet
again.
THE indications, and tally of time;
Perfect sanity shows the master among philosophs;
Time, always without flaw, indicates itself in parts;
What always indicates the poet, is the crowd of the pleasant company of singers, and their
words;
The words of the singers are the hours or minutes of the light or dark—but the words
of
the
maker of poems are the general light and dark;
The maker of poems settles justice, reality, immortality,
His insight and power encircle things and the human race,
He is the glory and extract thus far, of things, and of the human race.
The singers do not beget—only the POET begets;
The singers are welcom’d, understood, appear often enough—but rare has the day
been,
likewise the spot, of the birth of the maker of poems, the Answerer,
(Not every century, or every five centuries, has contain’d such a day, for all its
names.
)
The singers of successive hours of centuries may have ostensible names, but the name of
each of
them
is one of the singers,
The name of each is, eye-singer, ear-singer, head-singer, sweet-singer, echo-singer,
parlor-singer,
love-singer, or something else.
All this time, and at all times, wait the words of true poems;
The words of true poems do not merely please,
The true poets are not followers of beauty, but the august masters of beauty;
The greatness of sons is the exuding of the greatness of mothers and fathers,
The words of poems are the tuft and final applause of science.
Divine instinct, breadth of vision, the law of reason, health, rudeness of body,
withdrawnness,
Gayety, sun-tan, air-sweetness—such are some of the words of poems.
The sailor and traveler underlie the maker of poems, the answerer;
The builder, geometer, chemist, anatomist, phrenologist, artist—all these underlie
the
maker of
poems, the answerer.
The words of the true poems give you more than poems,
They give you to form for yourself, poems, religions, politics, war, peace, behavior,
histories,
essays, romances, and everything else,
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought,
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick.
They prepare for death—yet are they not the finish, but rather the outset,
They bring none to his or her terminus, or to be content and full;
Whom they take, they take into space, to behold the birth of stars, to learn one of the
meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be
quiet
again.
|