Best Famous Index Finger Poems
Here is a collection of the all-time best famous Index Finger poems. This is a select list of the best famous Index Finger poetry. Reading, writing, and enjoying famous Index Finger poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of index finger poems.
Search and read the best famous Index Finger poems, articles about Index Finger poems, poetry blogs, or anything else Index Finger poem related using the PoetrySoup search engine at the top of the page.
See Also:
Written by
Carolyn Kizer |
1.
Had the ham bone, had the lentils,
Got to meat store for the salt pork,
Got to grocery for the celery.
Had the onions, had the garlic,
Borrowed carrots from the neighbor.
Had the spices, had the parsley.
One big kettle I had not got;
Borrowed pot and lid from landlord.
2.
Dice the pork and chop the celery,
Chop the onions, chop the carrots,
Chop the tender index finger.
Put the kettle on the burner,
Drop the lentils into kettle:
Two quarts water, two cups lentils.
Afternoon is wearing on.
3.
Sauté pork and add the veggies,
Add the garlic, cook ten minutes,
Add to lentils, add to ham bone;
Add the bayleaf, cloves in cheesecloth,
Add the cayenne! Got no cayenne!
Got paprika, salt and pepper.
Bring to boil, reduce heat, simmer.
Did I say that this is summer?
Simmer, summer, summer, simmer.
Mop the floor and suck the finger.
Mop the brow with old potholder.
4.
Time is up! Discard the cheesecloth.
Force the mixture thru the foodmill
(having first discarded ham bone).
Add the lean meat from the ham bone;
Reheat soup and chop the parsley.
Now that sweating night has fallen,
Try at last the finished product:
5.
Tastes like mud, the finished product.
Looks like mud, the finished product.
Consistency of mud the dinner.
(Was it lentils, Claiborne, me?)
Flush the dinner down disposall,
Say to hell with ham bone, lentils,
New York Times's recipe.
Purchase Campbell's. Just add water.
Concentrate on poetry:
By the shores of Gitche Gumee
You can bet the banks were muddy,
Not like Isle of Innisfree.
|
Written by
Vasko Popa |
Nobody rests
This one constantly shifts his eyes
Hangs them on his head
And whether he wants it or not starts walking
backwards
He puts them on the soles of his feet
And whether he wants it or not returns walking
on his head
This one turns into an ear
He hears all that won't let itself be heard
But he grows bored
Yearns to turn again into himself
But without eyes he can't see how
That one bares all his faces
One after the other he throws them over the roof
The last one he throws under his feet
And sinks his head into his hands
This one stretches his sight
Stretches it from thumb to thumb
Walks over it walks
First slow then fast
Then faster and faster
That one plays with his head
Juggles it in the air
Meets it with his index finger
Or doesn't meet it at all
Nobody rests
|
Written by
Linda Pastan |
Pierre Bonnard would enter
the museum with a tube of paint
in his pocket and a sable brush.
Then violating the sanctity
of one of his own frames
he'd add a stroke of vermilion
to the skin of a flower.
Just so I stopped you
at the door this morning
and licking my index finger, removed
an invisible crumb
from your vermilion mouth. As if
at the ritual moment of departure
I had to show you still belonged to me.
As if revision were
the purest form of love.
|
Written by
Edgar Lee Masters |
You observe the carven hand
With the index finger pointing heavenward.
That is the direction, no doubt.
But how shall one follow it?
It is well to abstain from murder and lust,
To forgive, do good to others, worship God
Without graven images.
But these are external means after all
By which you chiefly do good to yourself.
The inner kernel is freedom,
It is light, purity --
I can no more,
Find the goal or lose it, according to your vision.
|
Written by
Anne Sexton |
The correct death is written in.
I will fill the need.
My bow is stiff.
My bow is in readiness.
I am the bullet and the hook.
I am cocked and held ready.
In my sights I carve him
like a sculptor. I mold out
his last look at everyone.
I carry his eyes and his
brain bone at every position.
I know his male sex and I do
march over him with my index finger.
His mouth and his anus are one.
I am at the center of feeling.
A subway train is
traveling across my crossbow.
I have a blood bolt
and I have made it mine.
With this man I take in hand
his destiny and with this gun
I take in hand the newspapers and
with my heat I will take him.
he will bend down toward me
and his veins will tumble out
like children... Give me
his flag and his eye.
Give me his hard shell and his lip.
He is my evil and my apple and
I will see him home.
|