Written by
Czeslaw Milosz |
I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.
In the very essence of poetry there is something indecent:
a thing is brought forth which we didn't know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.
That's why poetry is rightly said to be dictated by a daimonion,
though its an exaggeration to maintain that he must be an angel.
It's hard to guess where that pride of poets comes from,
when so often they're put to shame by the disclosure of their frailty.
What reasonable man would like to be a city of demons,
who behave as if they were at home, speak in many tongues,
and who, not satisfied with stealing his lips or hand,
work at changing his destiny for their convenience?
It's true that what is morbid is highly valued today,
and so you may think that I am only joking
or that I've devised just one more means
of praising Art with thehelp of irony.
There was a time when only wise books were read
helping us to bear our pain and misery.
This, after all, is not quite the same
as leafing through a thousand works fresh from psychiatric clinics.
And yet the world is different from what it seems to be
and we are other than how we see ourselves in our ravings.
People therefore preserve silent integrity
thus earning the respect of their relatives and neighbors.
The purpose of poetry is to remind us
how difficult it is to remain just one person,
for our house is open, there are no keys in the doors,
and invisible guests come in and out at will.
What I'm saying here is not, I agree, poetry,
as poems should be written rarely and reluctantly,
under unbearable duress and only with the hope
that good spirits, not evil ones, choose us for their instrument.
|
Written by
Walt Whitman |
SPONTANEOUS me, Nature,
The loving day, the mounting sun, the friend I am happy with,
The arm of my friend hanging idly over my shoulder,
The hill-side whiten’d with blossoms of the mountain ash,
The same, late in autumn—the hues of red, yellow, drab, purple, and light and dark
green,
The rich coverlid of the grass—animals and birds—the private untrimm’d
bank—the primitive apples—the pebble-stones,
Beautiful dripping fragments—the negligent list of one after another, as I happen to
call them to me, or think of them,
The real poems, (what we call poems being merely pictures,)
The poems of the privacy of the night, and of men like me,
This poem, drooping shy and unseen, that I always carry, and that all men carry,
(Know, once for all, avow’d on purpose, wherever are men like me, are our lusty,
lurking, masculine poems;)
Love-thoughts, love-juice, love-odor, love-yielding, love-climbers, and the climbing sap,
Arms and hands of love—lips of love—phallic thumb of love—breasts of
love—bellies press’d and glued together with love,
Earth of chaste love—life that is only life after love,
The body of my love—the body of the woman I love—the body of the man—the
body of the earth,
Soft forenoon airs that blow from the south-west,
The hairy wild-bee that murmurs and hankers up and down—that gripes the full-grown
lady-flower, curves upon her with amorous firm legs, takes his will of her, and holds
himself tremulous and tight till he is satisfied,
The wet of woods through the early hours,
Two sleepers at night lying close together as they sleep, one with an arm slanting down
across and below the waist of the other,
The smell of apples, aromas from crush’d sage-plant, mint, birch-bark,
The boy’s longings, the glow and pressure as he confides to me what he was dreaming,
The dead leaf whirling its spiral whirl, and falling still and content to the ground,
The no-form’d stings that sights, people, objects, sting me with,
The hubb’d sting of myself, stinging me as much as it ever can any one,
The sensitive, orbic, underlapp’d brothers, that only privileged feelers may be
intimate where they are,
The curious roamer, the hand, roaming all over the body—the bashful withdrawing of
flesh where the fingers soothingly pause and edge themselves,
The limpid liquid within the young man,
The vexed corrosion, so pensive and so painful,
The torment—the irritable tide that will not be at rest,
The like of the same I feel—the like of the same in others,
The young man that flushes and flushes, and the young woman that flushes and flushes,
The young man that wakes, deep at night, the hot hand seeking to repress what would master
him;
The mystic amorous night—the strange half-welcome pangs, visions, sweats,
The pulse pounding through palms and trembling encircling fingers—the young man all
color’d, red, ashamed, angry;
The souse upon me of my lover the sea, as I lie willing and naked,
The merriment of the twin-babes that crawl over the grass in the sun, the mother never
turning her vigilant eyes from them,
The walnut-trunk, the walnut-husks, and the ripening or ripen’d long-round walnuts;
The continence of vegetables, birds, animals,
The consequent meanness of me should I skulk or find myself indecent, while birds and
animals never once skulk or find themselves indecent;
The great chastity of paternity, to match the great chastity of maternity,
The oath of procreation I have sworn—my Adamic and fresh daughters,
The greed that eats me day and night with hungry gnaw, till I saturate what shall produce
boys to fill my place when I am through,
The wholesome relief, repose, content;
And this bunch, pluck’d at random from myself;
It has done its work—I tossed it carelessly to fall where it may.
|
Written by
Czeslaw Milosz |
The history of my stupidity would fill many volumes.
Some would be devoted to acting against consciousness,
Like the flight of a moth which, had it known,
Would have tended nevertheless toward the candle's flame.
Others would deal with ways to silence anxiety,
The little whisper which, thought it is a warning, is ignored.
I would deal separately with satisfaction and pride,
The time when I was among their adherents
Who strut victoriously, unsuspecting.
But all of them would have one subject, desire,
If only my own -- but no, not at all; alas,
I was driven because I wanted to be like others.
I was afraid of what was wild and indecent in me.
The history of my stupidity will not be written.
For one thing, it's late.
And the truth is laborious.
Berkeley, 1980.
|
Written by
Alden Nowlan |
A mysterious naked man has been reported
on Cranston Avenue.
The police are performing
the usual ceremonies with coloured lights and sirens.
Almost everyone is outdoors and strangers are conversing
excitedly
as they do during disasters when their involvement is
peripheral.
'What did he look like? ' the lieutenant is asking.
'I don't know, ' says the witness.
'He was naked.
'
There is talk of dogs-this is no ordinary case
of indecent exposure, the man has been seen
a dozen times since the milkman spotted him and now
the sky is turning purple and voices
carry a long way and the children
have gone a little crazy as they often do at dusk
and cars are arriving
from other sections of the city.
And the mysterious naked man
is kneeling behind a garbage can or lying on his belly
in somebody's garden
or maybe even hiding in the branches of a tree,
where the wind from the harbour
whips at his naked body,
and by now he's probably done
whatever it was he wanted to do
and wishes he could go to sleep
or die
or take to the air like Superman.
|
Written by
William Cowper |
"Me too, perchance, in future days,
The sculptured stone shall show,
With Paphian myrtle or with bays
Parnassian on my brow.
But I, or e'er that season come,
Escaped from every care,
Shall reach my refuge in the tomb,
And sleep securely there.
"
So sang, in Roman tone and style,
The youthful bard, ere long
Ordained to grace his native isle
With her sublimest song.
Who then but must conceive disdain,
Hearing the deed unblest,
Of wretches who have dared profane
His dread sepulchral rest?
Ill fare the hands that heaved the stones
Where Milton's ashes lay,
That trembled not to grasp his bones
And steal his dust away!
O ill-requited bard! neglect
Thy living worth repaid,
And blind idolatrous respect
As much affronts thee dead.
|
Written by
Stephen Vincent Benet |
Eternally the choking steam goes up
From the black pools of seething oil.
.
.
.
How merry
Those little devils are! They've stolen the pitchfork
From Bel, there, as he slept .
.
.
Look! -- oh look, look!
They've got at Nero! Oh it isn't fair!
Lord, how he squeals! Stop it .
.
.
it's, well -- indecent!
But funny! .
.
.
See, Bel's waked.
They'll catch it now!
.
.
.
Eternally that stifling reek arises,
Blotting the dome with smoky, terrible towers,
Black, strangling trees, whispering obscene things
Amongst their branches, clutching with maimed hands,
Or oozing slowly, like blind tentacles
Up to the gates; higher than that heaped brick
Man piled to smite the sun.
And all around
Are devils.
One can laugh .
.
.
but that hunched shape
The face one stone, like those Assyrian kings!
One sees in carvings, watching men flayed red
Horribly laughable in leaps and writhes;
That face -- utterly evil, clouded round
With evil like a smoke -- it turns smiles sour!
.
.
.
And Nero there, the flabby cheeks astrain
And sweating agony .
.
.
long agony .
.
.
Imperishable, unappeasable
For ever .
.
.
well .
.
.
it droops the mouth.
Till I
Look up.
There's one blue patch no smoke dares touch.
Sky, clear, ineffable, alive with light,
Always the same .
.
.
Before, I never knew
Rest and green peace.
She stands there in the sun.
.
.
.
It seems so quaint she should have long gold wings.
I never have got used -- folded across
Her breast, or fluttering with fierce, pure light,
Like shaken steel.
Her crown too.
Well, it's *****!
And then she never cared much for the harp
On earth.
Here, though .
.
.
She is all peace, all quiet,
All passionate desires, the eloquent thunder
Of new, glad suns, shouting aloud for joy,
Over fresh worlds and clean, trampling the air
Like stooping hawks, to the long wind of horns,
Flung from the bastions of Eternity .
.
.
And she is the low lake, drowsy and gentle,
And good words spoken from the tongues of friends,
And calmness in the evening, and deep thoughts,
Falling like dreams from the stars' solemn mouths.
All these.
They said she was unfaithful once.
Or I remembered it -- and so, for that,
I lie here, I suppose.
Yes, so they said.
You see she is so troubled, looking down,
Sorrowing deeply for my torments.
I
Of course, feel nothing while I see her -- save
That sometimes when I think the matter out,
And what earth-people said of us, of her,
It seems as if I must be, here, in heaven,
And she --
.
.
.
Then I grow proud; and suddenly
There comes a splatter of oil against my skin,
Hurting this time.
And I forget my pride:
And my face writhes.
Some day the little ladder
Of white words that I build up, up, to her
May fetch me out.
Meanwhile it isn't bad.
.
.
.
But what a sense of humor God must have!
|
Written by
Walt Whitman |
NATIVE moments! when you come upon me—Ah you are here now!
Give me now libidinous joys only!
Give me the drench of my passions! Give me life coarse and rank!
To-day, I go consort with nature’s darlings—to-night too;
I am for those who believe in loose delights—I share the midnight orgies of young men;
I dance with the dancers, and drink with the drinkers;
The echoes ring with our indecent calls;
I take for my love some prostitute—I pick out some low person for my dearest friend,
He shall be lawless, rude, illiterate—he shall be one condemn’d by others for deeds
done;
I will play a part no longer—Why should I exile myself from my companions?
O you shunn’d persons! I at least do not shun you,
I come forthwith in your midst—I will be your poet,
I will be more to you than to any of the rest.
|
Written by
Paul Laurence Dunbar |
Tim Murphy's gon' walkin' wid Maggie O'Neill,
O chone!
If I was her muther, I'd frown on sich foolin',
O chone!
I'm sure it's unmutherlike, darin' an' wrong
To let a gyrul hear tell the sass an' the song
Of every young felly that happens along,
O chone!
An' Murphy, the things that's be'n sed of his doin',
O chone!
'Tis a cud that no dacent folks wants to be chewin',
O chone!
If he came to my door wid his cane on a twirl,
Fur to thry to make love to you, Biddy, my girl,
Ah, wouldn't I send him away wid a whirl,
O chone!
They say the gossoon is indecent and dirty,
O chone!
In spite of his dressin' so.
O chone!
Let him dress up ez foine ez a king or a queen,
Let him put on more wrinkles than ever was seen,
You'll be sure he's no match for my little colleen,
O chone!
Faith the two is comin' back an' their walk is all over,
[Pg 262]O chone!
'Twas a pretty short walk fur to take wid a lover,
O chone!
Why, I believe that Tim Murphy's a kumin' this way,
Ah, Biddy jest look at him steppin' so gay,
I'd niver belave what the gossipers say,
O chone!
He's turned in the gate an' he's coming a-caperin',
O chone!
Go, Biddy, go quick an' put on a clane apern,
O chone!
Be quick as ye kin fur he's right at the dure;
Come in, master Tim, fur ye're welcome I'm shure.
We were talkin' o' ye jest a minute before.
O chone!
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