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Best Famous Implying Poems

Here is a collection of the all-time best famous Implying poems. This is a select list of the best famous Implying poetry. Reading, writing, and enjoying famous Implying poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of implying poems.

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Written by Robert Browning | Create an image from this poem

Abt Vogler

 Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound, at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,--alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,--
Should rush into sight at once as he named the ineffable Name,
And pile him a palace straight, to pleasure the princess he loved!

Would it might tarry like his, the beautiful building of mine,
This which my keys in a crowd pressed and importuned to raise!
Ah, one and all, how they helped, would dispart now and now combine,
Zealous to hasten the work, heighten their master his praise!
And one would bury his brow with a blind plunge down to hell,
Burrow awhile and build, broad on the roots of things,
Then up again swim into sight, having based me my palace well,
Founded it, fearless of flame, flat on the nether springs.
And another would mount and march, like the excellent minion he was, Ay, another and yet another, one crowd but with many a crest, Raising my rampired walls of gold as transparent as glass, Eager to do and die, yield each his place to the rest: For higher still and higher (as a runner tips with fire, When a great illumination surprises a festal night-- Outlining round and round Rome's dome from space to spire) Up, the pinnacled glory reached, and the pride of my soul was in sight.
In sight? Not half! for it seemed, it was certain, to match man's birth, Nature in turn conceived, obeying an impulse as I; And the emulous heaven yearned down, made effort to reach the earth, As the earth had done her best, in my passion, to scale the sky: Novel splendours burst forth, grew familiar and dwelt with mine, Not a point nor peak but found and fixed its wandering star; Meteor-moons, balls of blaze: and they did not pale nor pine, For earth had attained to heaven, there was no more near nor far.
Nay more; for there wanted not who walked in the glare and glow, Presences plain in the place; or, fresh from the Protoplast, Furnished for ages to come, when a kindlier wind should blow, Lured now to begin and live, in a house to their liking at last; Or else the wonderful Dead who have passed through the body and gone, But were back once more to breathe in an old world worth their new: What never had been, was now; what was, as it shall be anon; And what is,--shall I say, matched both? for I was made perfect too.
All through my keys that gave their sounds to a wish of my soul, All through my soul that praised as its wish flowed visibly forth, All through music and me! For think, had I painted the whole, Why, there it had stood, to see, nor the process so wonder-worth: Had I written the same, made verse--still, effect proceeds from cause, Ye know why the forms are fair, ye hear how the tale is told; It is all triumphant art, but art in obedience to laws, Painter and poet are proud in the artist-list enrolled:-- But here is the finger of God, a flash of the will that can, Existent behind all laws, that made them and, lo, they are! And I know not if, save in this, such gift be allowed to man, That out of three sounds he frame, not a fourth sound, but a star.
Consider it well: each tone of our scale in itself is nought; It is everywhere in the world--loud, soft, and all is said: Give it to me to use! I mix it with two in my thought: And, there! Ye have heard and seen: consider and bow the head! Well, it is gone at last, the palace of music I reared; Gone! and the good tears start, the praises that come too slow; For one is assured at first, one scarce can say that he feared, That he even gave it a thought, the gone thing was to go.
Never to be again! But many more of the kind As good, nay, better, perchance: is this your comfort to me? To me, who must be saved because I cling with my mind To the same, same self, same love, same God: ay, what was, shall be.
Therefore to whom turn I but to thee, the ineffable Name? Builder and maker, thou, of houses not made with hands! What, have fear of change from thee who art ever the same? Doubt that thy power can fill the heart that thy power expands? There shall never be one lost good! What was, shall live as before; The evil is null, is nought, is silence implying sound; What was good shall be good, with, for evil, so much good more; On the earth the broken arcs; in the heaven, a perfect round.
All we have willed or hoped or dreamed of good shall exist; Not its semblance, but itself; no beauty, nor good, nor power Whose voice has gone forth, but each survives for the melodist When eternity affirms the conception of an hour.
The high that proved too high, the heroic for earth too hard, The passion that left the ground to lose itself in the sky, Are music sent up to God by the lover and the bard; Enough that he heard it once: we shall hear it by and by.
And what is our failure here but a triumph's evidence For the fulness of the days? Have we withered or agonized? Why else was the pause prolonged but that singing might issue thence? Why rushed the discords in, but that harmony should be prized? Sorrow is hard to bear, and doubt is slow to clear, Each sufferer says his say, his scheme of the weal and woe: But God has a few of us whom he whispers in the ear; The rest may reason and welcome; 'tis we musicians know.
Well, it is earth with me; silence resumes her reign: I will be patient and proud, and soberly acquiesce.
Give me the keys.
I feel for the common chord again, Sliding by semitones till I sink to the minor,--yes, And I blunt it into a ninth, and I stand on alien ground, Surveying awhile the heights I rolled from into the deep; Which, hark, I have dared and done, for my resting-place is found, The C Major of this life: so, now I will try to sleep.


Written by Marianne Moore | Create an image from this poem

Baseball and Writing

 Fanaticism?No.
Writing is exciting and baseball is like writing.
You can never tell with either how it will go or what you will do; generating excitement-- a fever in the victim-- pitcher, catcher, fielder, batter.
Victim in what category? Owlman watching from the press box? To whom does it apply? Who is excited?Might it be I? It's a pitcher's battle all the way--a duel-- a catcher's, as, with cruel puma paw, Elston Howard lumbers lightly back to plate.
(His spring de-winged a bat swing.
) They have that killer instinct; yet Elston--whose catching arm has hurt them all with the bat-- when questioned, says, unenviously, "I'm very satisfied.
We won.
" Shorn of the batting crown, says, "We"; robbed by a technicality.
When three players on a side play three positions and modify conditions, the massive run need not be everything.
"Going, going .
.
.
"Is it?Roger Maris has it, running fast.
You will never see a finer catch.
Well .
.
.
"Mickey, leaping like the devil"--why gild it, although deer sounds better-- snares what was speeding towards its treetop nest, one-handing the souvenir-to-be meant to be caught by you or me.
Assign Yogi Berra to Cape Canaveral; he could handle any missile.
He is no feather.
"Strike! .
.
.
Strike two!" Fouled back.
A blur.
It's gone.
You would infer that the bat had eyes.
He put the wood to that one.
Praised, Skowron says, "Thanks, Mel.
I think I helped a little bit.
" All business, each, and modesty.
Blanchard, Richardson, Kubek, Boyer.
In that galaxy of nine, say which won the pennant?Each.
It was he.
Those two magnificent saves from the knee-throws by Boyer, finesses in twos-- like Whitey's three kinds of pitch and pre- diagnosis with pick-off psychosis.
Pitching is a large subject.
Your arm, too true at first, can learn to catch your corners--even trouble Mickey Mantle.
("Grazed a Yankee! My baby pitcher, Montejo!" With some pedagogy, you'll be tough, premature prodigy.
) They crowd him and curve him and aim for the knees.
Trying indeed!The secret implying: "I can stand here, bat held steady.
" One may suit him; none has hit him.
Imponderables smite him.
Muscle kinks, infections, spike wounds require food, rest, respite from ruffians.
(Drat it! Celebrity costs privacy!) Cow's milk, "tiger's milk," soy milk, carrot juice, brewer's yeast (high-potency-- concentrates presage victory sped by Luis Arroyo, Hector Lopez-- deadly in a pinch.
And "Yes, it's work; I want you to bear down, but enjoy it while you're doing it.
" Mr.
Houk and Mr.
Sain, if you have a rummage sale, don't sell Roland Sheldon or Tom Tresh.
Studded with stars in belt and crown, the Stadium is an adastrium.
O flashing Orion, your stars are muscled like the lion.
Written by John Berryman | Create an image from this poem

Dream Song 78: Op. posth. no. 1

 Darkened his eye, his wild smile disappeared,
inapprehensible his studies grew,
nourished he less & less
his subject body with good food & rest,
something bizarre about Henry, slowly sheared
off, unlike you & you,

smaller & smaller, till in question stood
his eyeteeth and one block of memories
These were enough for him
implying commands from upstairs & from down,
Walt's 'orbic flex,' triads of Hegel would
incorporate, if you please,

into the know-how of the American bard
embarrassed Henry heard himself a-being,
and the younger Stephen Crane
of a powerful memory, of pain,
these stood the ancestors, relaxed & hard,
whilst Henry's parts were fleeing.

Book: Reflection on the Important Things