by
Edwin Arlington Robinson
“Do I hear them? Yes, I hear the children singing—and what of it?
Have you come with eyes afire to find me now and ask me that?
If I were not their father and if you were not their mother,
We might believe they made a noise…. What are you—driving at!”
“Well, be glad that you can hear them, and be glad they are so near us,—
For I have heard the stars of heaven, and they were nearer still.
All within an hour it is that I have heard them calling,
And though I pray for them to cease, I know they never will;
For their music on my heart, though you may freeze it, will fall always,
Like summer snow that never melts upon a mountain-top.
Do you hear them? Do you hear them overhead—the children—singing?
Do you hear the children singing?… God, will you make them stop!”
“And what now in His holy name have you to do with mountains?
We’re back to town again, my dear, and we’ve a dance tonight.
Frozen hearts and falling music? Snow and stars, and—what the devil!
Say it over to me slowly, and be sure you have it right.”
“God knows if I be right or wrong in saying what I tell you,
Or if I know the meaning any more of what I say.
All I know is, it will kill me if I try to keep it hidden—
Well, I met him…. Yes, I met him, and I talked with him—today.”
“You met him? Did you meet the ghost of someone you had poisoned,
Long ago, before I knew you for the woman that you are?
Take a chair; and don’t begin your stories always in the middle.
Was he man, or was he demon? Anyhow, you’ve gone too far
To go back, and I’m your servant. I’m the lord, but you’re the master.
Now go on with what you know, for I’m excited.”
“Do you mean—
Do you mean to make me try to think that you know less than I do?”
“I know that you foreshadow the beginning of a scene.
Pray be careful, and as accurate as if the doors of heaven
Were to swing or to stay bolted from now on for evermore.”
“Do you conceive, with all your smooth contempt of every feeling,
Of hiding what you know and what you must have known before?
Is it worth a woman’s torture to stand here and have you smiling,
With only your poor fetish of possession on your side?
No thing but one is wholly sure, and that’s not one to scare me;
When I meet it I may say to God at last that I have tried.
And yet, for all I know, or all I dare believe, my trials
Henceforward will be more for you to bear than are your own;
And you must give me keys of yours to rooms I have not entered.
Do you see me on your threshold all my life, and there alone?
Will you tell me where you see me in your fancy—when it leads you
Far enough beyond the moment for a glance at the abyss?”
“Will you tell me what intrinsic and amazing sort of nonsense
You are crowding on the patience of the man who gives you—this?
Look around you and be sorry you’re not living in an attic,
With a civet and a fish-net, and with you to pay the rent.
I say words that you can spell without the use of all your letters;
And I grant, if you insist, that I’ve a guess at what you meant.”
“Have I told you, then, for nothing, that I met him? Are you trying
To be merry while you try to make me hate you?”
“Think again,
My dear, before you tell me, in a language unbecoming
To a lady, what you plan to tell me next. If I complain,
If I seem an atom peevish at the preference you mention—
Or imply, to be precise—you may believe, or you may not,
That I’m a trifle more aware of what he wants than you are.
But I shouldn’t throw that at you. Make believe that I forgot.
Make believe that he’s a genius, if you like,—but in the meantime
Don’t go back to rocking-horses. There, there, there, now.”
“Make believe!
When you see me standing helpless on a plank above a whirlpool,
Do I drown, or do I hear you when you say it? Make believe?
How much more am I to say or do for you before I tell you
That I met him! What’s to follow now may be for you to choose.
Do you hear me? Won’t you listen? It’s an easy thing to listen….”
“And it’s easy to be crazy when there’s everything to lose.”
“If at last you have a notion that I mean what I am saying,
Do I seem to tell you nothing when I tell you I shall try?
If you save me, and I lose him—I don’t know—it won’t much matter.
I dare say that I’ve lied enough, but now I do not lie.”
“Do you fancy me the one man who has waited and said nothing
While a wife has dragged an old infatuation from a tomb?
Give the thing a little air and it will vanish into ashes.
There you are—piff! presto!”
“When I came into this room,
It seemed as if I saw the place, and you there at your table,
As you are now at this moment, for the last time in my life;
And I told myself before I came to find you, ‘I shall tell him,
If I can, what I have learned of him since I became his wife.’
And if you say, as I’ve no doubt you will before I finish,
That you have tried unceasingly, with all your might and main,
To teach me, knowing more than I of what it was I needed,
Don’t think, with all you may have thought, that you have tried in vain;
For you have taught me more than hides in all the shelves of knowledge
Of how little you found that’s in me and was in me all along.
I believed, if I intruded nothing on you that I cared for,
I’d be half as much as horses,—and it seems that I was wrong;
I believed there was enough of earth in me, with all my nonsense
Over things that made you sleepy, to keep something still awake;
But you taught me soon to read my book, and God knows I have read it—
Ages longer than an angel would have read it for your sake.
I have said that you must open other doors than I have entered,
But I wondered while I said it if I might not be obscure.
Is there anything in all your pedigrees and inventories
With a value more elusive than a dollar’s? Are you sure
That if I starve another year for you I shall be stronger
To endure another like it—and another—till I’m dead?”
“Has your tame cat sold a picture?—or more likely had a windfall?
Or for God’s sake, what’s broke loose? Have you a bee-hive in your head?
A little more of this from you will not be easy hearing
Do you know that? Understand it, if you do; for if you won’t….
What the devil are you saying! Make believe you never said it,
And I’ll say I never heard it…. Oh, you…. If you….”
“If I don’t?”
“There are men who say there’s reason hidden somewhere in a woman,
But I doubt if God himself remembers where the key was hung.”
“He may not; for they say that even God himself is growing.
I wonder if He makes believe that He is growing young;
I wonder if He makes believe that women who are giving
All they have in holy loathing to a stranger all their lives
Are the wise ones who build houses in the Bible….”
“Stop—you devil!”
“…Or that souls are any whiter when their bodies are called wives.
If a dollar’s worth of gold will hoop the walls of hell together,
Why need heaven be such a ruin of a place that never was?
And if at last I lied my starving soul away to nothing,
Are you sure you might not miss it? Have you come to such a pass
That you would have me longer in your arms if you discovered
That I made you into someone else…. Oh!…Well, there are worse ways.
But why aim it at my feet—unless you fear you may be sorry….
There are many days ahead of you.”
“I do not see those days.”
“I can see them. Granted even I am wrong, there are the children.
And are they to praise their father for his insight if we die?
Do you hear them? Do you hear them overhead—the children—singing?
Do you hear them? Do you hear the children?”
“Damn the children!”
“Why?
What have they done?…Well, then,—do it…. Do it now, and have it over.”
“Oh, you devil!…Oh, you….”
“No, I’m not a devil, I’m a prophet—
One who sees the end already of so much that one end more
Would have now the small importance of one other small illusion,
Which in turn would have a welcome where the rest have gone before.
But if I were you, my fancy would look on a little farther
For the glimpse of a release that may be somewhere still in sight.
Furthermore, you must remember those two hundred invitations
For the dancing after dinner. We shall have to shine tonight.
We shall dance, and be as happy as a pair of merry spectres,
On the grave of all the lies that we shall never have to tell;
We shall dance among the ruins of the tomb of our endurance,
And I have not a doubt that we shall do it very well.
There!—I’m glad you’ve put it back; for I don’t like it. Shut the drawer now.
No—no—don’t cancel anything. I’ll dance until I drop.
I can’t walk yet, but I’m going to…. Go away somewhere, and leave me….
Oh, you children! Oh, you children!…God, will they never stop!”
|
by
Johann Wolfgang von Goethe
I feel no small reluctance in venturing to give to the public a
work of the character of that indicated by the title-page to the
present volume; for, difficult as it must always be to render satisfactorily
into one's own tongue the writings of the bards of other lands,
the responsibility assumed by the translator is immeasurably increased
when he attempts to transfer the thoughts of those great men, who
have lived for all the world and for all ages, from the language
in which they were originally clothed, to one to which they may
as yet have been strangers. Preeminently is this the case with Goethe,
the most masterly of all the master minds of modern times, whose
name is already inscribed on the tablets of immortality, and whose
fame already extends over the earth, although as yet only in its
infancy. Scarcely have two decades passed away since he ceased to
dwell among men, yet he now stands before us, not as a mere individual,
like those whom the world is wont to call great, but as a type,
as an emblem--the recognised emblem and representative of the human
mind in its present stage of culture and advancement.
Among the infinitely varied effusions of Goethe's pen, perhaps
there are none which are of as general interest as his Poems, which
breathe the very spirit of Nature, and embody the real music of
the feelings. In Germany, they are universally known, and are considered
as the most delightful of his works. Yet in this country, this kindred
country, sprung from the same stem, and so strongly resembling her
sister in so many points, they are nearly unknown. Almost the only
poetical work of the greatest Poet that the world has seen for ages,
that is really and generally read in England, is Faust, the translations
of which are almost endless; while no single person has as yet appeared
to attempt to give, in an English dress, in any collective or systematic
manner, those smaller productions of the genius of Goethe which
it is the object of the present volume to lay before the reader,
whose indulgence is requested for its many imperfections. In addition
to the beauty of the language in which the Poet has given utterance
to his thoughts, there is a depth of meaning in those thoughts which
is not easily discoverable at first sight, and the translator incurs
great risk of overlooking it, and of giving a prosaic effect to
that which in the original contains the very essence of poetry.
It is probably this difficulty that has deterred others from undertaking
the task I have set myself, and in which I do not pretend to do
more than attempt to give an idea of the minstrelsy of one so unrivalled,
by as truthful an interpretation of it as lies in my power.
The principles which have guided me on the present occasion are
the same as those followed in the translation of Schiller's complete
Poems that was published by me in 1851, namely, as literal a rendering
of the original as is consistent with good English, and also a very
strict adherence to the metre of the original. Although translators
usually allow themselves great license in both these points, it
appears to me that by so doing they of necessity destroy the very
soul of the work they profess to translate. In fact, it is not a
translation, but a paraphrase that they give. It may perhaps be
thought that the present translations go almost to the other extreme,
and that a rendering of metre, line for line, and word for word,
makes it impossible to preserve the poetry of the original both
in substance and in sound. But experience has convinced me that
it is not so, and that great fidelity is even the most essential
element of success, whether in translating poetry or prose. It was
therefore very satisfactory to me to find that the principle laid
down by me to myself in translating Schiller met with the very general,
if not universal, approval of the reader. At the same time, I have
endeavoured to profit in the case of this, the younger born of the
two attempts made by me to transplant the muse of Germany to the
shores of Britain, by the criticisms, whether friendly or hostile,
that have been evoked or provoked by the appearance of its elder
brother.
As already mentioned, the latter contained the whole of the Poems
of Schiller. It is impossible, in anything like the same compass,
to give all the writings of Goethe comprised under the general title
of Gedichte, or poems. They contain between 30,000 and 40,000 verses,
exclusive of his plays. and similar works. Very many of these would
be absolutely without interest to the English reader,--such as those
having only a local application, those addressed to individuals,
and so on. Others again, from their extreme length, could only be
published in separate volumes. But the impossibility of giving all
need form no obstacle to giving as much as possible; and it so happens
that the real interest of Goethe's Poems centres in those classes
of them which are not too diffuse to run any risk when translated
of offending the reader by their too great number. Those by far
the more generally admired are the Songs and Ballads, which are
about 150 in number, and the whole of which are contained in this
volume (with the exception of one or two of the former, which have
been, on consideration, left out by me owing to their trifling and
uninteresting nature). The same may be said of the Odes, Sonnets,
Miscellaneous Poems, &c.
In addition to those portions of Goethe's poetical works which
are given in this complete form, specimens of the different other
classes of them, such as the Epigrams, Elegies, &c., are added,
as well as a collection of the various Songs found in his Plays,
making a total number of about 400 Poems, embraced in the present
volume.
A sketch of the life of Goethe is prefixed, in order that the
reader may have before him both the Poet himself and the Poet's
offspring, and that he may see that the two are but one--that Goethe
lives in his works, that his works lived in him.
The dates of the different Poems are appended throughout, that
of the first publication being given, when that of the composition
is unknown. The order of arrangement adopted is that of the authorized
German editions. As Goethe would never arrange them himself in the
chronological order of their composition, it has become impossible
to do so, now that he is dead. The plan adopted in the present volume
would therefore seem to be the best, as it facilitates reference
to the original. The circumstances attending or giving rise to the
production of any of the Poems will be found specified in those
cases in which they have been ascertained by me.
Having said thus much by way of explanation, I now leave the book
to speak for itself, and to testify to its own character. Whether
viewed with a charitable eye by the kindly reader, who will make
due allowance for the difficulties attending its execution, or received
by the critic, who will judge of it only by its own merits, with
the unfriendly welcome which it very probably deserves, I trust
that I shall at least be pardoned for making an attempt, a failure
in which does not necessarily imply disgrace, and which, by leading
the way, may perhaps become the means of inducing some abler and
more worthy (but not more earnest) labourer to enter upon the same
field, the riches of which will remain unaltered and undiminished
in value, even although they may be for the moment tarnished by
the hands of the less skilful workman who first endeavours to transplant
them to a foreign soil.
|
by
Elizabeth Barrett Browning
I
'But where do you go?' said the lady, while both sat under the yew,
And her eyes were alive in their depth, as the kraken beneath the sea-blue.
II
'Because I fear you,' he answered;--'because you are far too fair,
And able to strangle my soul in a mesh of your golfd-coloured hair.'
III
'Oh that,' she said, 'is no reason! Such knots are quickly undone,
And too much beauty, I reckon, is nothing but too much sun.'
IV
'Yet farewell so,' he answered; --'the sunstroke's fatal at times.
I value your husband, Lord Walter, whose gallop rings still from the limes.
V
'Oh that,' she said, 'is no reason. You smell a rose through a fence:
If two should smell it what matter? who grumbles, and where's the pretense?
VI
'But I,' he replied, 'have promised another, when love was free,
To love her alone, alone, who alone from afar loves me.'
VII
'Why, that,' she said, 'is no reason. Love's always free I am told.
Will you vow to be safe from the headache on Tuesday, and think it will hold?
VIII
'But you,' he replied, 'have a daughter, a young child, who was laid
In your lap to be pure; so I leave you: the angels would make me afraid."
IX
'Oh that,' she said, 'is no reason. The angels keep out of the way;
And Dora, the child, observes nothing, although you should please me and stay.'
X
At which he rose up in his anger,--'Why now, you no longer are fair!
Why, now, you no longer are fatal, but ugly and hateful, I swear.'
XI
At which she laughed out in her scorn: 'These men! Oh these men overnice,
Who are shocked if a colour not virtuous is frankly put on by a vice.'
XII
Her eyes blazed upon him--'And you! You bring us your vices so near
That we smell them! You think in our presence a thought 'twould defame us to hear!
XIII
'What reason had you, and what right,--I appel to your soul from my life,--
To find me so fair as a woman? Why, sir, I am pure, and a wife.
XIV
'Is the day-star too fair up above you? It burns you not. Dare you imply
I brushed you more close than the star does, when Walter had set me as high?
XV
'If a man finds a woman too fair, he means simply adapted too much
To use unlawful and fatal. The praise! --shall I thank you for such?
XVI
'Too fair?--not unless you misuse us! and surely if, once in a while,
You attain to it, straightaway you call us no longer too fair, but too vile.
XVII
'A moment,--I pray your attention!--I have a poor word in my head
I must utter, though womanly custom would set it down better unsaid.
XVIII
'You grew, sir, pale to impertinence, once when I showed you a ring.
You kissed my fan when I dropped it. No matter! I've broken the thing.
XIX
'You did me the honour, perhaps, to be moved at my side now and then
In the senses--a vice, I have heard, which is common to beasts and some men.
XX
'Love's a virtue for heroes!--as white as the snow on high hills,
And immortal as every great soul is that struggles, endures, and fulfils.
XXI
'I love my Walter profoundly,--you, Maude, though you faltered a week,
For the sake of . . . what is it--an eyebrow? or, less still, a mole on the cheek?
XXII
'And since, when all's said, you're too noble to stoop to the frivolous cant
About crimes irresistable, virtues that swindle, betray and supplant.
XXIII
'I determined to prove to yourself that, whate'er you might dream or avow
By illusion, you wanted precisely no more of me than you have now.
XXIV
'There! Look me full in the face!--in the face. Understand, if you can,
That the eyes of such women as I am are clean as the palm of a man.
XXV
'Drop his hand, you insult him. Avoid us for fear we should cost you a scar--
You take us for harlots, I tell you, and not for the women we are.
XXVI
'You wronged me: but then I considered . . . there's Walter! And so at the end
I vowed that he should not be mulcted, by me, in the hand of a friend.
XXVII
'Have I hurt you indeed? We are quits then. Nay, friend of my Walter, be mine!
Come, Dora, my darling, my angel, and help me to ask him to dine.'
|
by
Edmund Spenser
The birth of faire Belphoebe and
Of Amoret is told.
The Gardins of Adonis fraught
With pleasures manifold.
And gentle sprite deforme with rude rusticity.
But to this faire Belphoebe in her berth
The heauens so fauourable were and free,
Looking with myld aspect vpon the earth,
In th'Horoscope of her natiuitee,
That all the gifts of grace and chastitee
On her they poured forth of plenteous horne;
Ioue laught on Venus from his soueraigne see,
And Phoebus with faire beames did her adorne,
And all the Graces rockt her cradle being borne.
Her berth was of the wombe of Morning dew,
And her conception of the ioyous Prime,
And all her whole creation did her shew
Pure and vnspotted from all loathly crime,
That is ingenerate in fleshly slime.
So was this virgin borne, so was she bred,
So was she trayned vp from time to time,
In all chast vertue, and true bounti-hed
Till to her dew perfection she was ripened.
Her mother was the faire Chrysogonee,
The daughter of Amphisa, who by race
A Faerie was, yborne of high degree,
She bore Belphoebe, she bore in like cace
Faire Amoretta in the second place:
These two were twinnes, & twixt them two did share
The heritage of all celestiall grace.
That all the rest it seem'd they robbed bare
Of bountie, and of beautie, and all vertues rare.
It were a goodly storie, to declare,
By what straunge accident faire Chrysogone
Conceiu'd these infants, and how them she bare,
In this wild forrest wandring all alone,
After she had nine moneths fulfild and gone:
For not as other wemens commune brood,
They were enwombed in the sacred throne
Of her chaste bodie, nor with commune food,
As other wemens babes, they sucked vitall blood.
But wondrously they were begot, and bred
Through influence of th'heauens fruitfull ray,
As it in antique bookes is mentioned.
It was vpon a Sommers shynie day,
When Titan faire his beames did display,
In a fresh fountaine, farre from all mens vew,
She bath'd her brest, the boyling heat t'allay;
She bath'd with roses red, and violets blew,
And all the sweetest flowres, that in the forrest grew.
Till faint through irkesome wearinesse, adowne
Vpon the grassie ground her selfe she layd
To sleepe, the whiles a gentle slombring swowne
Vpon her fell all naked bare displayd;
The sunne-beames bright vpon her body playd,
Being through former bathing mollifide,
And pierst into her wombe, where they embayd
With so sweet sence and secret power vnspide,
That in her pregnant flesh they shortly fructifide.
Miraculous may seeme to him, that reades
So straunge ensample of conception;
But reason teacheth that the fruitfull seades
Of all things liuing, through impression
Of the sunbeames in moyst complexion,
Doe life conceiue and quickned are by kynd:
So after Nilus invndation,
Infinite shapes of creatures men do fynd,
Informed in the mud, on which the Sunne hath shynd.
Great father he of generation
Is rightly cald, th'author of life and light;
And his faire sister for creation
Ministreth matter fit, which tempred right
With heate and humour, breedes the liuing wight.
So sprong these twinnes in wombe of Chrysogone,
Yet wist she nought thereof, but sore affright,
Wondred to see her belly so vpblone,
Which still increast, till she her terme had full outgone.
Whereof conceiuing shame and foule disgrace,
Albe her guiltlesse conscience her cleard,
She fled into the wildernesse a space,
Till that vnweeldy burden she had reard,
And shund dishonor, which as death she feard:
Where wearie of long trauell, downe to rest
Her selfe she set, and comfortably cheard;
There a sad cloud of sleepe her ouerkest,
And seized euery sense with sorrow sore opprest.
It fortuned, faire Venus hauing lost
Her little sonne, the winged god of loue,
Who for some light displeasure, which him crost,
Was from her fled, as flit as ayerie Doue,
And left her blisfull bowre of ioy aboue,
(So from her often he had fled away,
When she for ought him sharpely did reproue,
And wandred in the world in strange aray,
Disguiz'd in thousand shapes, that none might him bewray.)
Him for to seeke, she left her heauenly hous,
The house of goodly formes and faire aspects,
Whence all the world deriues the glorious
Features of beautie, and all shapes select,
With which high God his workmanship hath deckt;
And searched euery way, through which his wings
Had borne him, or his tract she mote detect:
She promist kisses sweet, and sweeter things
Vnto the man, that of him tydings to her brings.
First she him sought in Court, where most he vsed
Whylome to haunt, but there she found him not;
But many there she found, which sore accused
His falsehood, and with foule infamous blot
His cruell deedes and wicked wyles did spot:
Ladies and Lords she euery where mote heare
Complayning, how with his empoysned shot
Their wofull harts he wounded had whyleare,
And so had left them languishing twixt hope and feare.
She then the Citties sought from gate to gate,
And euery one did aske, did he him see;
And euery one her answerd, that too late
He had him seene, and felt the crueltie
Of his sharpe darts and whot artillerie;
And euery one threw forth reproches rife
Of his mischieuous deedes, and said, that hee
Was the disturber of all ciuill life,
The enimy of peace, and author of all strife.
Then in the countrey she abroad him sought,
And in the rurall cottages inquired,
Where also many plaints to her were brought,
How he their heedlesse harts with loue had fyred,
And his false venim through their veines inspyred;
And eke the gentle shepheard swaynes, which sat
Keeping their fleecie flockes, as they were hyred,
She sweetly heard complaine, both how and what
Her sonne had to them doen; yet she did smile thereat.
But when in none of all these she him got,
She gan auize, where else he mote him hyde:
At last she her bethought, that she had not
Yet sought the saluage woods and forrests wyde,
In which full many louely Nymphes abyde,
Mongst whom might be, that he did closely lye,
Or that the loue of some of them him tyde:
For thy, she thither cast her course t'apply,
To search the secret haunts of Dianes company.
Shortly vnto the wastefull woods she came,
Whereas she found the Goddesse with her crew,
After late chace of their embrewed game,
Sitting beside a fountaine in a rew,
Some of them washing with the liquid dew
From off their dainty limbes the dustie sweat,
And soyle which did deforme their liuely hew;
Others lay shaded from the scorching heat;
The rest vpon her person gaue attendance great.
She hauing hong vpon a bough on high
Her bow and painted quiuer, had vnlaste
Her siluer buskins from her nimble thigh,
And her lancke loynes vngirt, and brests vnbraste,
After her heat the breathing cold to taste;
Her golden lockes, that late in tresses bright
Embreaded were for hindring of her haste,
Now loose about her shoulders hong vndight,
And were with sweet Ambrosia all besprinckled light.
Soone as she Venus saw behind her backe,
She was asham'd to be so loose surprized,
And woxe halfe wroth against her damzels slacke,
That had not her thereof before auized,
But suffred her so carelesly disguized
Be ouertaken. Soone her garments loose
Vpgath'ring, in her bosome she comprized,
Well as she might, and to the Goddesse rose,
Whiles all her Nymphes did like a girlond her enclose.
Goodly she gan faire Cytherea greet,
And shortly asked her, what cause her brought
Into that wildernesse for her vnmeet,
From her sweet bowres, and beds with pleasures fraught:
That suddein change she strange aduenture thought.
To whom halfe weeping, she thus answered,
That she her dearest sonne Cupido sought,
Who in his frowardnesse from her was fled;
That she repented sore, to haue him angered.
Thereat Diana gan to smile, in scorne
Of her vaine plaint, and to her scoffing sayd;
Great pittie sure, that ye be so forlorne
Of your gay sonne, that giues ye so good ayd
To your disports: ill mote ye bene apayd.
But she was more engrieued, and replide;
Faire sister, ill beseemes it to vpbrayd
A dolefull heart with so disdainfull pride;
The like that mine, may be your paine another tide.
As you in woods and wanton wildernesse
Your glory set, to chace the saluage beasts,
So my delight is all in ioyfulnesse,
In beds, in bowres, in banckets, and in feasts:
And ill becomes you with your loftie creasts,
To scorne the ioy, that Ioue is glad to seeke;
We both are bound to follow heauens beheasts,
And tend our charges with obeisance meeke:
Spare, gentle sister, with reproch my paine to eeke.
And tell me, if that ye my sonne haue heard,
To lurke emongst your Nymphes in secret wize;
Or keepe their cabins: much I am affeard,
Least he like one of them him selfe disguize,
And turne his arrowes to their exercize:
So may he long himselfe full easie hide:
For he is faire and fresh in face and guize,
As any Nymph (let not it be enuyde,)
So saying euery Nymph full narrowly she eyde.
But Phoebe therewith sore was angered,
And sharply said; Goe Dame, goe seeke your boy,
Where you him lately left, in Mars his bed;
He comes not here, we scorne his foolish ioy,
Ne lend we leisure to his idle toy:
But if I catch him in this company,
By Stygian lake I vow, whose sad annoy
The Gods doe dread, he dearely shall abye:
Ile clip his wanton wings, that he no more shall fly.
Whom when as Venus saw so sore displeased,
She inly sory was, and gan relent,
What she had said: so her she soone appeased,
With sugred words and gentle blandishment,
Which as a fountaine from her sweet lips went,
And welled goodly forth, that in short space
She was well pleasd, and forth her damzels sent,
Through all the woods, to search from place to place,
If any tract of him or tydings they mote trace.
To search the God of loue, her Nymphes she sent
Throughout the wandring forrest euery where:
And after them her selfe eke with her went
To seeke the fugitiue, both farre and nere,
So long they sought, till they arriued were
In that same shadie couert, whereas lay
Faire Crysogone in slombry traunce whilere:
Who in her sleepe (a wondrous thing to say)
Vnwares had borne two babes, as faire as springing day.
Vnwares she them conceiu'd, vnwares she bore:
She bore withouten paine, that she conceiued
Withouten pleasure: ne her need implore
Lucinaes aide: which when they both perceiued,
They were through wonder nigh of sense bereaued,
And gazing each on other, nought bespake:
At last they both agreed, her seeming grieued
Out of her heauy swowne not to awake,
But from her louing side the tender babes to take.
Vp they them tooke, each one a babe vptooke,
And with them carried, to be fostered;
Dame Phoebe to a Nymph her babe betooke,
To be vpbrought in perfect Maydenhed,
And of her selfe her name Belphoebe red:
But Venus hers thence farre away conuayd,
To be vpbrought in goodly womanhed,
And in her litle loues stead, which was strayd,
Her Amoretta cald, to comfort her dismayd.
She brought her to her ioyous Paradize,
Where most she wonnes, wh? she on earth does dwel.
So faire a place, as Nature can deuize:
Whether in Paphos, or Cytheron hill,
Or it in Gnidus be, I wote not well;
But well I wote by tryall, that this same
All other pleasant places doth excell,
And called is by her lost louers name,
The Gardin of Adonis, farre renowmd by fame.
In that same Gardin all the goodly flowres,
Wherewith dame Nature doth her beautifie,
And decks the girlonds of her paramoures,
Are fetcht: there is the first seminarie
Of all things, that are borne to liue and die,
According to their kindes. Long worke it were,
Here to account the endlesse progenie
Of all the weedes, that bud and blossome there;
But so much as doth need, must needs be counted here.
It sited was in fruitfull soyle of old,
And girt in with two walles on either side;
The one of yron, the other of bright gold,
That none might thorough breake, nor ouer-stride:
And double gates it had, which opened wide,
By which both in and out men moten pas;
Th'one faire and fresh, the other old and dride:
Old Genius the porter of them was,
Old Genius, the which a double nature has.
He letteth in, he letteth out to wend,
All that to come into the world desire;
A thousand thousand naked babes attend
About him day and night, which doe require,
That he with fleshly weedes would them attire:
Such as him list, such as eternall fate
Ordained hath, he clothes with sinfull mire,
And sendeth forth to liue in mortall state,
Till they againe returne backe by the hinder gate.
After that they againe returned beene,
They in that Gardin planted be againe;
And grow afresh, as they had neuer seene
Fleshly corruption, nor mortall paine.
Some thousand yeares so doen they there remaine;
And then of him are clad with other hew,
Or sent into the chaungefull world againe,
Till thither they returne, where first they grew:
So like a wheele around they runne from old to new.
Ne needs there Gardiner to set, or sow,
To plant or prune: for of their owne accord
All things, as they created were, doe grow,
And yet remember well the mightie word,
Which first was spoken by th'Almightie lord,
That bad them to increase and multiply:
Ne doe they need with water of the ford,
Or of the clouds to moysten their roots dry;
For in themselues eternall moisture they imply.
Infinite shapes of creatures there are bred,
And vncouth formes, which none yet euer knew,
And euery sort is in a sundry bed
Set by it selfe, and ranckt in comely rew:
Some fit for reasonable soules t'indew,
Some made for beasts, some made for birds to weare,
And all the fruitfull spawne of fishes hew
In endlesse rancks along enraunged were,
That seem'd the Ocean could not containe them there.
Daily they grow, and daily forth are sent
Into the world, it to replenish more;
Yet is the stocke not lessened, nor spent,
But still remaines in euerlasting store,
As it at first created was of yore.
For in the wide wombe of the world there lyes,
In hatefull darkenesse and in deepe horrore,
An huge eternall Chaos, which supplyes
The substances of natures fruitfull progenyes.
All things from thence doe their first being fetch,
And borrow matter, whereof they are made,
Which when as forme and feature it does ketch,
Becomes a bodie, and doth then inuade
The state of life, out of the griesly shade.
That substance is eterne, and bideth so,
Ne when the life decayes, and forme does fade,
Doth it consume, and into nothing go,
But chaunged is, and often altred to and fro.
The substance is not chaunged, nor altered,
But th'only forme and outward fashion;
For euery substance is conditioned
To change her hew, and sundry formes to don,
Meet for her temper and complexion:
For formes are variable and decay,
By course of kind, and by occasion;
And that faire flowre of beautie fades away,
As doth the lilly fresh before the sunny ray.
Great enimy to it, and to all the rest,
That in the Gardin of Adonis springs,
Is wicked Time, who with his scyth addrest,
Does mow the flowring herbes and goodly things,
And all their glory to the ground downe flings,
Where they doe wither, and are fowly mard:
He flyes about, and with his flaggy wings
Beates downe both leaues and buds without regard,
Ne euer pittie may relent his malice hard.
Yet pittie often did the gods relent,
To see so faire things mard, and spoyled quight:
And their great mother Venus did lament
The losse of her deare brood, her deare delight:
Her hart was pierst with pittie at the sight,
When walking through the Gardin, them she spyde,
Yet no'te she find redresse for such despight.
For all that liues, is subiect to that law:
All things decay in time, and to their end do draw.
But were it not, that Time their troubler is,
All that in this delightfull Gardin growes,
Should happie be, and haue immortall blis:
For here all plentie, and all pleasure flowes,
And sweet loue gentle fits emongst them throwes,
Without fell rancor, or fond gealosie;
Franckly each paramour his leman knowes,
Each bird his mate, ne any does enuie
Their goodly meriment, and gay felicitie.
There is continuall spring, and haruest there
Continuall, both meeting at one time:
For both the boughes doe laughing blossomes beare,
And with fresh colours decke the wanton Prime,
And eke attonce the heauy trees they clime,
Which seeme to labour vnder their fruits lode:
The whiles the ioyous birdes make their pastime
Emongst the shadie leaues, their sweet abode,
And their true loues without suspition tell abrode.
Right in the middest of that Paradise,
There stood a stately Mount, on whose round top
A gloomy groue of mirtle trees did rise,
Whose shadie boughes sharpe steele did neuer lop,
Nor wicked beasts their tender buds did crop,
But like a girlond compassed the hight,
And from their fruitfull sides sweet gum did drop,
That all the ground with precious deaw bedight,
Threw forth most dainty odours, & most sweet delight.
And in the thickest couert of that shade,
There was a pleasant arbour, not by art,
But of the trees owne inclination made,
Which knitting their rancke braunches part to part,
With wanton yuie twyne entrayld athwart,
And Eglantine, and Caprifole emong,
Fashiond aboue within their inmost part,
That nether Phoebus beams could through th? throng,
Nor Aeolus sharp blast could worke them any wrong.
And all about grew euery sort of flowre,
To which sad louers were transformd of yore;
Fresh Hyacinthus, Phoebus paramoure,
And dearest loue:
Foolish Narcisse, that likes the watry shore,
Sad Amaranthus, made a flowre but late,
Sad Amaranthus, in whose purple gore
Me seemes I see Amintas wretched fate,
To whom sweet Poets verse hath giuen endlesse date.
There wont faire Venus often to enioy
Her deare Adonis ioyous company,
And reape sweet pleasure of the wanton boy;
There yet, some say, in secret he does ly,
Lapped in flowres and pretious spycery,
By her hid from the world, and from the skill
Of Stygian Gods, which doe her loue enuy;
But she her selfe, when euer that she will,
Possesseth him, and of his sweetnesse takes her fill.
And sooth it seemes they say: for he may not
For euer die, and euer buried bee
In balefull night, where all things are forgot;
All be he subiect to mortalitie,
Yet is eterne in mutabilitie,
And by succession made perpetuall,
Transformed oft, and chaunged diuerslie:
For him the Father of all formes they call;
Therefore needs mote he liue, that liuing giues to all.
There now he liueth in eternall blis,
Ioying his goddesse, and of her enioyd:
Ne feareth he henceforth that foe of his,
Which with his cruell tuske him deadly cloyd:
For that wilde Bore, the which him once annoyd,
She firmely hath emprisoned for ay,
That her sweet loue his malice mote auoyd,
In a strong rocky Caue, which is they say,
Hewen vnderneath that Mount, that none him losen may.
There now he liues in euerlasting ioy,
With many of the Gods in company,
Which thither haunt, and with the winged boy
Sporting himselfe in safe felicity:
Who when he hath with spoiles and cruelty
Ransackt the world, and in the wofull harts
Of many wretches set his triumphes hye,
Thither resorts, and laying his sad darts
Aside, with faire Adonis playes his wanton parts.
And his true loue faire Psyche with him playes,
Faire Psyche to him lately reconcyld,
After long troubles and vnmeet vpbrayes,
With which his mother Venus her reuyld,
And eke himselfe her cruelly exyld:
But now in stedfast loue and happy state
She with him liues, and hath him borne a chyld,
Pleasure, that doth both gods and men aggrate,
Pleasure, the daughter of Cupid and Psyche late.
Hither great Venus brought this infant faire,
The younger daughter of Chrysogonee,
And vnto Psyche with great trust and care
Committed her, yfostered to bee,
And trained vp in true feminitee:
Who no lesse carefully her tendered,
Then her owne daughter Pleasure, to whom shee
Made her companion, and her lessoned
In all the lore of loue, and goodly womanhead.
In which when she to perfect ripenesse grew,
Of grace and beautie noble Paragone,
She brought her forth into the worldes vew,
To be th'ensample of true loue alone,
And Lodestarre of all chaste affectione,
To all faire Ladies, that doe liue on ground.
To Faery court she came, where many one
Admyrd her goodly haueour, and found
His feeble hart wide launched with loues cruell wound.
But she to none of them her loue did cast,
Saue to the noble knight Sir Scudamore,
To whom her louing hart she linked fast
In faithfull loue, t'abide for euer more,
And for his dearest sake endured sore,
Sore trouble of an hainous enimy;
Who her would forced haue to haue forlore
Her former loue, and stedfast loialty,
As ye may elsewhere read that ruefull history.
But well I weene, ye first desire to learne,
What end vnto that fearefull Damozell,
Which fled so fast from that same foster stearne,
Whom with his brethren Timias slew, befell:
That was to weet, the goodly Florimell;
Who wandring for to seeke her louer deare,
Her louer deare, her dearest Marinell,
Into misfortune fell, as ye did heare,
And from Prince Arthur fled with wings of idle feare.
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