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Best Famous Impels Poems

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Written by Edgar Allan Poe | Create an image from this poem

The Bells

 I

Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.
II Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells! Through the balmy air of night How they ring out their delight! From the molten-golden notes, And an in tune, What a liquid ditty floats To the turtle-dove that listens, while she gloats On the moon! Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future! how it tells Of the rapture that impels To the swinging and the ringing Of the bells, bells, bells, Of the bells, bells, bells,bells, Bells, bells, bells- To the rhyming and the chiming of the bells! III Hear the loud alarum bells- Brazen bells! What a tale of terror, now, their turbulency tells! In the startled ear of night How they scream out their affright! Too much horrified to speak, They can only shriek, shriek, Out of tune, In a clamorous appealing to the mercy of the fire, In a mad expostulation with the deaf and frantic fire, Leaping higher, higher, higher, With a desperate desire, And a resolute endeavor, Now- now to sit or never, By the side of the pale-faced moon.
Oh, the bells, bells, bells! What a tale their terror tells Of Despair! How they clang, and clash, and roar! What a horror they outpour On the bosom of the palpitating air! Yet the ear it fully knows, By the twanging, And the clanging, How the danger ebbs and flows: Yet the ear distinctly tells, In the jangling, And the wrangling, How the danger sinks and swells, By the sinking or the swelling in the anger of the bells- Of the bells- Of the bells, bells, bells,bells, Bells, bells, bells- In the clamor and the clangor of the bells! IV Hear the tolling of the bells- Iron Bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan.
And the people- ah, the people- They that dwell up in the steeple, All Alone And who, tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone- They are neither man nor woman- They are neither brute nor human- They are Ghouls: And their king it is who tolls; And he rolls, rolls, rolls, Rolls A paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells; Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells- Of the bells: Keeping time, time, time, In a sort of Runic rhyme, To the throbbing of the bells- Of the bells, bells, bells- To the sobbing of the bells; Keeping time, time, time, As he knells, knells, knells, In a happy Runic rhyme, To the rolling of the bells- Of the bells, bells, bells: To the tolling of the bells, Of the bells, bells, bells, bells- Bells, bells, bells- To the moaning and the groaning of the bells.


Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.
Once again Do I behold these steep and lofty cliffs, That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky.
The day is come when I again repose Here, under this dark sycamore, and view These plots of cottage-ground, these orchard-tufts, Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves 'Mid groves and copses.
Once again I see These hedgerows, hardly hedgerows, little lines Of sportive wood run wild; these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice, as might seem Of vagrant dwellers in the houseless woods, Or of some Hermit's cave, where by his fire The Hermit sits alone.
These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye; But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration—feelings too Of unremembered pleasure; such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love.
Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened—that serene and blessed mood, In which the affections gently lead us on— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul; While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things.
If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer through the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again; While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years.
And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led—more like a man Flying from something that he dreads than one Who sought the thing he loved.
For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.
—I cannot paint What then I was.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, Their colors and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.
—That time is past, And all its aching joys are now no more, And all its dizzy raptures.
Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense.
For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue.
And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things.
Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear—both what they half create, And what perceive; well pleased to recognize In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being.
Nor perchance, If I were not thus taught, should I the more Suffer my genial spirits to decay: For thou art with me here upon the banks Of this fair river; thou my dearest Friend, My dear, dear Friend; and in thy voice I catch The language of my former heart, and read My former pleasures in the shooting lights Of thy wild eyes.
Oh! yet a little while May I behold in thee what I was once, My dear, dear Sister! and this prayer I make, Knowing that Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold Is full of blessings.
Therefore let the moon Shine on thee in thy solitary walk; And let the misty mountain winds be free To blow against thee: and, in after years, When these wild ecstasies shall be matured Into a sober pleasure; when thy mind Shall be a mansion for all lovely forms, Thy memory be as a dwelling place For all sweet sounds and harmonies; oh! then, If solitude, or fear, or pain, or grief, Should be thy portion, with what healing thoughts Of tender joy wilt thou remember me, And these my exhortations! Nor, perchance— If I should be where I no more can hear Thy voice, nor catch from thy wild eyes these gleams Of past existence—wilt thou then forget That on the banks of this delightful stream We stood together; and that I, so long A worshipper of Nature, hither came Unwearied in that service; rather say With warmer love—oh! with far deeper zeal Of holier love.
Nor wilt thou then forget, That after many wanderings, many years Of absence, these steep woods and lofty cliffs, And this green pastoral landscape, were to me More dear, both for themselves and for thy sake!
Written by Friedrich von Schiller | Create an image from this poem

Friendship

 Friend!--the Great Ruler, easily content,
Needs not the laws it has laborious been
The task of small professors to invent;
A single wheel impels the whole machine
Matter and spirit;--yea, that simple law,
Pervading nature, which our Newton saw.
This taught the spheres, slaves to one golden rein, Their radiant labyrinths to weave around Creation's mighty hearts: this made the chain, Which into interwoven systems bound All spirits streaming to the spiritual sun As brooks that ever into ocean run! Did not the same strong mainspring urge and guide Our hearts to meet in love's eternal bond? Linked to thine arm, O Raphael, by thy side Might I aspire to reach to souls beyond Our earth, and bid the bright ambition go To that perfection which the angels know! Happy, O happy--I have found thee--I Have out of millions found thee, and embraced; Thou, out of millions, mine!--Let earth and sky Return to darkness, and the antique waste-- To chaos shocked, let warring atoms be, Still shall each heart unto the other flee! Do I not find within thy radiant eyes Fairer reflections of all joys most fair? In thee I marvel at myself--the dyes Of lovely earth seem lovelier painted there, And in the bright looks of the friend is given A heavenlier mirror even of the heaven! Sadness casts off its load, and gayly goes From the intolerant storm to rest awhile, In love's true heart, sure haven of repose; Does not pain's veriest transports learn to smile From that bright eloquence affection gave To friendly looks?--there, finds not pain a grave? In all creation did I stand alone, Still to the rocks my dreams a soul should find, Mine arms should wreathe themselves around the stone, My griefs should feel a listener in the wind; My joy--its echo in the caves should be! Fool, if ye will--Fool, for sweet sympathy! We are dead groups of matter when we hate; But when we love we are as gods!--Unto The gentle fetters yearning, through each state And shade of being multiform, and through All countless spirits (save of all the sire)-- Moves, breathes, and blends, the one divine desire.
Lo! arm in arm, through every upward grade, From the rude mongrel to the starry Greek, Who the fine link between the mortal made, And heaven's last seraph--everywhere we seek Union and bond--till in one sea sublime Of love be merged all measure and all time! Friendless ruled God His solitary sky; He felt the want, and therefore souls were made, The blessed mirrors of his bliss!--His eye No equal in His loftiest works surveyed; And from the source whence souls are quickened, He Called His companion forth--ETERNITY!
Written by Rudyard Kipling | Create an image from this poem

The Female of the Species

 1911

When the Himalayan peasant meets the he-bear in his pride,
He shouts to scare the monster, who will often turn aside.
But the she-bear thus accosted rends the peasant tooth and nail.
For the female of the species is more deadly than the male.
When Nag the basking cobra hears the careless foot of man, He will sometimes wriggle sideways and avoid it if he can.
But his mate makes no such motion where she camps beside the trail.
For the female of the species is more deadly than the male.
When the early Jesuit fathers preached to Hurons and Choctaws, They prayed to be delivered from the vengeance of the squaws.
'Twas the women, not the warriors, turned those stark enthusiasts pale.
For the female of the species is more deadly than the male.
Man's timid heart is bursting with the things he must not say, For the Woman that God gave him isn't his to give away; But when hunter meets with husbands, each confirms the other's tale -- The female of the species is more deadly than the male.
Man, a bear in most relations-worm and savage otherwise, -- Man propounds negotiations, Man accepts the compromise.
Very rarely will he squarely push the logic of a fact To its ultimate conclusion in unmitigated act.
Fear, or foolishness, impels him, ere he lay the wicked low, To concede some form of trial even to his fiercest foe.
Mirth obscene diverts his anger --- Doubt and Pity oft perplex Him in dealing with an issue -- to the scandal of The Sex! But the Woman that God gave him, every fibre of her frame Proves her launched for one sole issue, armed and engined for the same, And to serve that single issue, lest the generations fail, The female of the species must be deadlier than the male.
She who faces Death by torture for each life beneath her breast May not deal in doubt or pity -- must not swerve for fact or jest.
These be purely male diversions -- not in these her honour dwells.
She the Other Law we live by, is that Law and nothing else.
She can bring no more to living than the powers that make her great As the Mother of the Infant and the Mistress of the Mate.
And when Babe and Man are lacking and she strides unchained to claim Her right as femme (and baron), her equipment is the same.
She is wedded to convictions -- in default of grosser ties; Her contentions are her children, Heaven help him who denies! -- He will meet no suave discussion, but the instant, white-hot, wild, Wakened female of the species warring as for spouse and child.
Unprovoked and awful charges -- even so the she-bear fights, Speech that drips, corrodes, and poisons -- even so the cobra bites, Scientific vivisection of one nerve till it is raw And the victim writhes in anguish -- like the Jesuit with the squaw! So it cames that Man, the coward, when he gathers to confer With his fellow-braves in council, dare nat leave a place for her Where, at war with Life and Conscience, he uplifts his erring hands To some God of Abstract Justice -- which no woman understands.
And Man knows it! Knows, moreover, that the Woman that God gave him Must command but may not govern -- shall enthral but not enslave him.
And She knows, because She warns him, and Her instincts never fail, That the Female of Her Species is more deadly than the Male.
Written by Alexander Pope | Create an image from this poem

The Iliad: Book VI (excerpt)

 He said, and pass'd with sad presaging heart
To seek his spouse, his soul's far dearer part;
At home he sought her, but he sought in vain:
She, with one maid of all her menial train,
Had thence retir'd; and, with her second joy,
The young Astyanax, the hope of Troy,
Pensive she stood on Ilion's tow'ry height,
Beheld the war, and sicken'd at the sight;
There her sad eyes in vain her lord explore,
Or weep the wounds her bleeding country bore.
But he, who found not whom his soul desir'd, Whose virtue charm'd him as her beauty fir'd, Stood in the gates, and ask'd what way she bent Her parting steps; if to the fane she went, Where late the mourning matrons made resort, Or sought her sisters in the Trojan court.
"Not to the court" replied th' attendant train, "Nor, mixed with matrons, to Minerva's fane; To Ilion's steepy tow'r she bent her way, To mark the fortunes of the doubtful day.
Troy fled, she heard, before the Grecian sword; She heard, and trembled for her absent lord.
Distracted with surprise, she seem'd to fly, Fear on her cheek and sorrow in her eye.
The nurse attended with her infant boy, The young Astyanax, the hope of Troy.
" Hector, this heard, return'd without delay; Swift through the town he trod his former way Through streets of palaces and walks of state, And met the mourner at the Scæan gate.
With haste to meet him sprung the joyful fair, His blameless wife, E{"e}tion's wealthy heir (Cilician Thebè great E{"e}tion sway'd, And Hippoplacus' wide-extended shade); The nurse stood near, in whose embraces prest His only hope hung smiling at her breast, Whom each soft charm and early grace adorn, Fair as the new-born star that gilds the morn.
To this lov'd infant Hector gave the name Scamandrius, from Scamander's honour'd stream; Astyanax the Trojans call'd the boy, From his great father, the defence of Troy.
Silent the warrior smil'd, and pleas'd, resign'd To tender passions all his mighty mind: His beauteous princess cast a mournful look, Hung on his hand, and then dejected spoke; Her bosom labour'd with a boding sigh, And the big tear stood trembling in her eye.
"Too daring prince! ah whither dost thou run? Ah, too forgetful of thy wife and son! And think'st thou not how wretched we shall be, A widow I, a helpless orphan he! For sure such courage length of life denies, And thou must fall, thy virtue's sacrifice.
Greece in her single heroes strove in vain; Now hosts oppose thee, and thou must be slain! Oh, grant me, gods! e'er Hector meets his doom, All I can ask of heav'n, an early tomb! So shall my days in one sad tenor run, And end with sorrows as they first begun.
No parent now remains, my griefs to share, No father's aid, no mother's tender care.
The fierce Achilles wrapp'd our walls in fire, Laid Thebè waste, and slew my warlike sire! His fate compassion in the victor bred; Stern as he was, he yet rever'd the dead, His radiant arms preserv'd from hostile spoil, And laid him decent on the fun'ral pile; Then rais'd a mountain where his bones were burn'd: The mountain nymphs the rural tomb adorn'd; Jove's sylvan daughters bade their elms bestow A barren shade, and in his honour grow.
"By the same arm my sev'n brave brothers fell; In one sad day beheld the gates of hell: While the fat herds and snowy flocks they fed, Amid their fields the hapless heroes bled! My mother liv'd to bear the victor's bands, The queen of Hippoplacia's sylvan lands; Redeem'd too late, she scarce beheld again Her pleasing empire and her native plain, When, ah! oppress'd by life-consuming woe, She fell a victim to Diana's bow.
"Yet while my Hector still survives, I see My father, mother, brethren, all, in thee: Alas! my parents, brothers, kindred, all, Once more will perish if my Hector fall.
Thy wife, thy infant, in thy danger share: Oh, prove a husband's and a father's care! That quarter most the skilful Greeks annoy, Where yon wild fig-trees join the wall of Troy: Thou from this tow'r defend th' important post There Agamemnon points his dreadful host, That pass Tydides, Ajax, strive to gain, And there the vengeful Spartan fires his train.
Thrice our bold foes the fierce attack have giv'n, Or led by hopes, or dictated from heav'n.
Let others in the field their arms employ, But stay my Hector here, and guard his Troy.
" The chief replied: "That post shall be my care, Not that alone, but all the works of war.
How would the sons of Troy, in arms renown'd, And Troy's proud dames, whose garments sweep the ground, Attaint the lustre of my former name, Should Hector basely quit the field of fame? My early youth was bred to martial pains, My soul impels me to th' embattled plains: Let me be foremost to defend the throne, And guard my father's glories, and my own.
Yet come it will, the day decreed by fates, (How my heart trembles while my tongue relates!) The day when thou, imperial Troy! must bend, And see thy warriors fall, thy glories end.
And yet no dire presage so wounds my mind, My mother's death, the ruin of my kind, Not Priam's hoary hairs defil'd with gore, Not all my brothers gasping on the shore, As thine, Andromache! thy griefs I dread; I see thee trembling, weeping, captive led.
In Argive looms our battles to design, And woes, of which so large a part was thine! To bear the victor's hard commands, or bring The weight of waters from Hyperia's spring! There, while you groan beneath the load of life, They cry, 'Behold the mighty Hector's wife!' Some haughty Greek, who lives thy tears to see, Embitters all thy woes by naming me.
The thoughts of glory past and present shame, A thousand griefs, shall waken at the name! May I lie cold before that dreadful day, Press'd with a load of monumental clay! Thy Hector, wrapp'd in everlasting sleep, Shall neither hear thee sigh, nor see thee weep.
" Thus having spoke, th' illustrious chief of Troy Stretch'd his fond arms to clasp the lovely boy.
The babe clung crying to his nurse's breast, Scar'd at the dazzling helm and nodding crest.
With secret pleasure each fond parent smil'd, And Hector hasted to relieve his child; The glitt'ring terrors from his brows unbound, And plac'd the beaming helmet on the ground.
Then kiss'd the child, and, lifting high in air, Thus to the gods preferr'd a father's pray'r: "O thou! whose glory fills th' ethereal throne, And all ye deathless pow'rs! protect my son! Grant him, like me, to purchase just renown, To guard the Trojans, to defend the crown, Against his country's foes the war to wage, And rise the Hector of the future age! So when, triumphant from successful toils, Of heroes slain he bears the reeking spoils, Whole hosts may hail him with deserv'd acclaim, And say, 'This chief transcends his father's fame': While pleas'd, amidst the gen'ral shouts of Troy, His mother's conscious heart o'erflows with joy.
" He spoke, and fondly gazing on her charms, Restor'd the pleasing burthen to her arms; Soft on her fragrant breast the babe she laid, Hush'd to repose, and with a smile survey'd.
The troubled pleasure soon chastis'd by fear, She mingled with the smile a tender tear.
The soften'd chief with kind compassion view'd, And dried the falling drops, and thus pursu'd: "Andromache! my soul's far better part, Why with untimely sorrows heaves thy heart? No hostile hand can antedate my doom, Till fate condemns me to the silent tomb.
Fix'd is the term to all the race of earth, And such the hard condition of our birth.
No force can then resist, no flight can save; All sink alike, the fearful and the brave.
No more--but hasten to thy tasks at home, There guide the spindle, and direct the loom; Me glory summons to the martial scene, The field of combat is the sphere for men.
Where heroes war, the foremost place I claim, The first in danger as the first in fame.
"


Written by George Meredith | Create an image from this poem

Modern Love XLIV: They Say That Pity

 They say, that Pity in Love's service dwells, 
A porter at the rosy temple's gate.
I missed him going: but it is my fate To come upon him now beside his wells; Whereby I know that I Love's temple leave, And that the purple doors have closed behind.
Poor soul! if in those early days unkind, Thy power to sting had been but power to grieve, We now might with an equal spirit meet, And not be matched like innocence and vice.
She for the Temple's worship has paid price, And takes the coin of Pity as a cheat.
She sees through simulation to the bone: What's best in her impels her to the worst: Never, she cries, shall Pity soothe Love's thirst, Or foul hypocrisy for truth atone.
Written by Algernon Charles Swinburne | Create an image from this poem

In Guernsey - To Theodore Watts

 The heavenly bay, ringed round with cliffs and moors,
Storm-stained ravines, and crags that lawns inlay,
Soothes as with love the rocks whose guard secures
The heavenly bay.
O friend, shall time take ever this away, This blessing given of beauty that endures, This glory shown us, not to pass but stay? Though sight be changed for memory, love ensures What memory, changed by love to sight, would say - The word that seals for ever mine and yours The heavenly bay.
II.
My mother sea, my fostress, what new strand, What new delight of waters, may this be, The fairest found since time's first breezes fanned My mother sea? Once more I give me body and soul to thee, Who hast my soul for ever: cliff and sand Recede, and heart to heart once more are we.
My heart springs first and plunges, ere my hand Strike out from shore: more close it brings to me, More near and dear than seems my fatherland, My mother sea.
III.
Across and along, as the bay's breadth opens, and o'er us Wild autumn exults in the wind, swift rapture and strong Impels us, and broader the wide waves brighten before us Across and along.
The whole world's heart is uplifted, and knows not wrong; The whole world's life is a chant to the sea-tide's chorus; Are we not as waves of the water, as notes of the song? Like children unworn of the passions and toils that wore us, We breast for a season the breadth of the seas that throng, Rejoicing as they, to be borne as of old they bore us Across and along.
IV.
On Dante's track by some funereal spell Drawn down through desperate ways that lead not back We seem to move, bound forth past flood and fell On Dante's track.
The grey path ends: the gaunt rocks gape: the black Deep hollow tortuous night, a soundless shell, Glares darkness: are the fires of old grown slack? Nay, then, what flames are these that leap and swell As 'twere to show, where earth's foundations crack, The secrets of the sepulchres of hell On Dante's track? V.
By mere men's hands the flame was lit, we know, From heaps of dry waste whin and casual brands: Yet, knowing, we scarce believe it kindled so By mere men's hands.
Above, around, high-vaulted hell expands, Steep, dense, a labyrinth walled and roofed with woe, Whose mysteries even itself not understands.
The scorn in Farinata's eyes aglow Seems visible in this flame: there Geryon stands: No stage of earth's is here, set forth to show By mere men's hands.
VI.
Night, in utmost noon forlorn and strong, with heart athirst and fasting, Hungers here, barred up for ever, whence as one whom dreams affright Day recoils before the low-browed lintel threatening doom and casting Night.
All the reefs and islands, all the lawns and highlands, clothed with light, Laugh for love's sake in their sleep outside: but here the night speaks, blasting Day with silent speech and scorn of all things known from depth to height.
Lower than dive the thoughts of spirit-stricken fear in souls forecasting Hell, the deep void seems to yawn beyond fear's reach, and higher than sight Rise the walls and roofs that compass it about with everlasting Night.
VII.
The house accurst, with cursing sealed and signed, Heeds not what storms about it burn and burst: No fear more fearful than its own may find The house accurst.
Barren as crime, anhungered and athirst, Blank miles of moor sweep inland, sere and blind, Where summer's best rebukes not winter's worst.
The low bleak tower with nought save wastes behind Stares down the abyss whereon chance reared and nursed This type and likeness of the accurst man's mind, The house accurst.
VIII.
Beloved and blest, lit warm with love and fame, The house that had the light of the earth for guest Hears for his name's sake all men hail its name Beloved and blest.
This eyrie was the homeless eagle's nest When storm laid waste his eyrie: hence he came Again, when storm smote sore his mother's breast.
Bow down men bade us, or be clothed with blame And mocked for madness: worst, they sware, was best: But grief shone here, while joy was one with shame, Beloved and blest.
Written by Francesco Petrarch | Create an image from this poem

SONNET CLXXVI

SONNET CLXXVI.

Voglia mi sprona; Amor mi guida e scorge.

HE DESCRIBES HIS STATE, SPECIFYING THE DATE OF HIS ATTACHMENT.

Passion impels me, Love escorts and leads,
Pleasure attracts me, habits old enchain,
Hope with its flatteries comforts me again,
And, at my harass'd heart, with fond touch pleads.
Poor wretch! it trusts her still, and little heeds
The blind and faithless leader of our train;
Reason is dead, the senses only reign:
One fond desire another still succeeds.
Virtue and honour, beauty, courtesy,
With winning words and many a graceful way,
My heart entangled in that laurel sweet.
In thirteen hundred seven and twenty, I
—'Twas April, the first hour, on its sixth day—
Enter'd Love's labyrinth, whence is no retreat.
Macgregor.
By will impell'd, Love o'er my path presides;
By Pleasure led, o'ercome by Habit's reign,
Sweet Hope deludes, and comforts me again;
At her bright touch, my heart's despair subsides.
It takes her proffer'd hand, and there confides.
To doubt its blind disloyal guide were vain;
Each sense usurps poor Reason's broken rein;
On each desire, another wilder rides!
Grace, virtue, honour, beauty, words so dear,
Have twined me with that laurell'd bough, whose power
[Pg 192]My heart hath tangled in its lab'rinth sweet:
The thirteen hundred twenty-seventh year,
The sixth of April's suns—in that first hour,
My entrance mark'd, whence I see no retreat.
Wollaston.

Book: Shattered Sighs