Written by
Elizabeth Bishop |
Here is a coast; here is a harbor;
here, after a meager diet of horizon, is some scenery:
impractically shaped and--who knows?--self-pitying mountains,
sad and harsh beneath their frivolous greenery,
with a little church on top of one.
And warehouses,
some of them painted a feeble pink, or blue,
and some tall, uncertain palms.
Oh, tourist,
is this how this country is going to answer you
and your immodest demands for a different world,
and a better life, and complete comprehension
of both at last, and immediately,
after eighteen days of suspension?
Finish your breakfast.
The tender is coming,
a strange and ancient craft, flying a strange and brilliant rag.
So that's the flag.
I never saw it before.
I somehow never thought of there being a flag,
but of course there was, all along.
And coins, I presume,
and paper money; they remain to be seen.
And gingerly now we climb down the ladder backward,
myself and a fellow passenger named Miss Breen,
descending into the midst of twenty-six freighters
waiting to be loaded with green coffee beaus.
Please, boy, do be more careful with that boat hook!
Watch out! Oh! It has caught Miss Breen's
skirt! There! Miss Breen is about seventy,
a retired police lieutenant, six feet tall,
with beautiful bright blue eyes and a kind expression.
Her home, when she is at home, is in Glens Fall
s, New York.
There.
We are settled.
The customs officials will speak English, we hope,
and leave us our bourbon and cigarettes.
Ports are necessities, like postage stamps, or soap,
but they seldom seem to care what impression they make,
or, like this, only attempt, since it does not matter,
the unassertive colors of soap, or postage stamps--
wasting away like the former, slipping the way the latter
do when we mail the letters we wrote on the boat,
either because the glue here is very inferior
or because of the heat.
We leave Santos at once;
we are driving to the interior.
|
Written by
Paul Muldoon |
My eldest sister arrived home that morning
In her white muslin evening dress.
'Who the hell do you think you are
Running out to dances in next to nothing?
As though we hadn't enough bother
With the world at war, if not at an end.
'
My father was pounding the breakfast-table.
'Those Yankees were touch and go as it was—
If you'd heard Patton in Armagh—
But this Kennedy's nearly an Irishman
So he's not much better than ourselves.
And him with only to say the word.
If you've got anything on your mind
Maybe you should make your peace with God.
'
I could hear May from beyond the curtain.
'Bless me, Father, for I have sinned.
I told a lie once, I was disobedient once.
And, Father, a boy touched me once.
'
'Tell me, child.
Was this touch immodest?
Did he touch your breasts, for example?'
'He brushed against me, Father.
Very gently.
'
|
Written by
Thomas Carew |
'Tis true, dear Ben, thy just chastising hand
Hath fix'd upon the sotted age a brand
To their swoll'n pride and empty scribbling due;
It can nor judge, nor write, and yet 'tis true
Thy comic muse, from the exalted line
Touch'd by thy Alchemist, doth since decline
From that her zenith, and foretells a red
And blushing evening, when she goes to bed;
Yet such as shall outshine the glimmering light
With which all stars shall gild the following night.
Nor think it much, since all thy eaglets may
Endure the sunny trial, if we say
This hath the stronger wing, or that doth shine
Trick'd up in fairer plumes, since all are thine.
Who hath his flock of cackling geese compar'd
With thy tun'd choir of swans? or else who dar'd
To call thy births deform'd? But if thou bind
By city-custom, or by gavelkind,
In equal shares thy love on all thy race,
We may distinguish of their sex, and place;
Though one hand form them, and though one brain strike
Souls into all, they are not all alike.
Why should the follies then of this dull age
Draw from thy pen such an immodest rage
As seems to blast thy else-immortal bays,
When thine own tongue proclaims thy itch of praise?
Such thirst will argue drouth.
No, let be hurl'd
Upon thy works by the detracting world
What malice can suggest; let the rout say,
The running sands, that, ere thou make a play,
Count the slow minutes, might a Goodwin frame
To swallow, when th' hast done, thy shipwreck'd name;
Let them the dear expense of oil upbraid,
Suck'd by thy watchful lamp, that hath betray'd
To theft the blood of martyr'd authors, spilt
Into thy ink, whilst thou growest pale with guilt.
Repine not at the taper's thrifty waste,
That sleeks thy terser poems; nor is haste
Praise, but excuse; and if thou overcome
A knotty writer, bring the booty home;
Nor think it theft if the rich spoils so torn
From conquer'd authors be as trophies worn.
Let others glut on the extorted praise
Of vulgar breath, trust thou to after-days;
Thy labour'd works shall live when time devours
Th' abortive offspring of their hasty hours.
Thou are not of their rank, the quarrel lies
Within thine own verge; then let this suffice,
The wiser world doth greater thee confess
Than all men else, than thyself only less.
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