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Best Famous Imitated Poems

Here is a collection of the all-time best famous Imitated poems. This is a select list of the best famous Imitated poetry. Reading, writing, and enjoying famous Imitated poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of imitated poems.

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Written by Christopher Smart | Create an image from this poem

The Pig

 In ev'ry age, and each profession, 
Men err the most by prepossession; 
But when the thing is clearly shown, 
And fairly stated, fully known, 
We soon applaud what we deride, 
And penitence succeeds to pride.-- 
A certain Baron on a day 
Having a mind to show away, 
Invited all the wits and wags, 
Foot, Massey, Shuter, Yates, and Skeggs, 
And built a large commodious stage, 
For the Choice Spirits of the age; 
But above all, among the rest, 
There came a Genius who profess'd 
To have a curious trick in store, 
Which never was perform'd before. 
Thro' all the town this soon got air, 
And the whole house was like a fair; 
But soon his entry as he made, 
Without a prompter, or parade, 
'Twas all expectance, all suspense, 
And silence gagg'd the audience. 
He hid his head behind his wig, 
With with such truth took off* a Pig, [imitated] 
All swore 'twas serious, and no joke, 
For doubtless underneath his cloak, 
He had conceal'd some grunting elf, 
Or was a real hog himself. 
A search was made, no pig was found-- 
With thund'ring claps the seats resound, 
And pit and box and galleries roar, 
With--"O rare! bravo!" and "Encore!" 
Old Roger Grouse, a country clown, 
Who yet knew something of the town, 
Beheld the mimic and his whim, 
And on the morrow challeng'd him. 
Declaring to each beau and bunter 
That he'd out-grunt th'egregious grunter. 
The morrow came--the crowd was greater-- 
But prejudice and rank ill-nature 
Usurp'd the minds of men and wenches, 
Who came to hiss, and break the benches. 
The mimic took his usual station, 
And squeak'd with general approbation. 
"Again, encore! encore!" they cry-- 
'Twas quite the thing--'twas very high; 
Old Grouse conceal'd, amidst the racket, 
A real Pig berneath his jacket-- 
Then forth he came--and with his nail 
He pinch'd the urchin by the tail. 
The tortur'd Pig from out his throat, 
Produc'd the genuine nat'ral note. 
All bellow'd out--"'Twas very sad! 
Sure never stuff was half so bad! 
That like a Pig!"--each cry'd in scoff, 
"Pshaw! Nonsense! Blockhead! Off! Off! Off!" 
The mimic was extoll'd, and Grouse 
Was hiss'd and catcall'd from the house.-- 
"Soft ye, a word before I go," 
Quoth honest Hodge--and stooping low 
Produc'd the Pig, and thus aloud 
Bespoke the stupid, partial crowd: 
"Behold, and learn from this poor creature, 
How much you Critics know of Nature."


Written by William Butler Yeats | Create an image from this poem

At The Abbey Theatre

 (Imitated from Ronsard)

Dear Craoibhin Aoibhin, look into our case.
When we are high and airy hundreds say
That if we hold that flight they'll leave the place,
While those same hundreds mock another day
Because we have made our art of common things,
So bitterly, you'd dream they longed to look
All their lives through into some drift of wings.
You've dandled them and fed them from the book
And know them to the bone; impart to us -
We'll keep the secret - a new trick to please.
Is there a bridle for this Proteus
That turns and changes like his draughty seas?
Or is there none, most popular of men,
But when they mock us, that we mock again?
Written by Matthew Prior | Create an image from this poem

Horace Lib. I Epist. IX Imitated

 [To the right honourable Mr. Harley]


Dear Dick, how e'er it comes into his head,
Believes, as firmly as he does his creed,
That you and I, sir, are extremely great;
Though I plain Mat, you minister of state.
One word from me, without all doubt, he says,
Would fix his fortune in some little place.
Thus better than myself, it seems, he knows
How far my interest with my patron goes;
And answering all objections I can make,
Still plunges deeper in his dear mistake.

From this wild fancy, sir, there may proceed
One wilder yet, which I foresee, and dread;
That I, in fact, a real interest have,
Which to my own advantage I would save,
And, with the usual courtier's trick, intend
To serve myself, forgetful of my friend.

To shun this censure, I all shame lay by,
And make my reason with his will comply;
Hoping, for my excuse, 'twill be confest,
That of two evils I have chose the least.
So, sir, with this epistolary scroll,
Receive the partner of my inmost soul:
Him you will find in letters, and in laws
Not unexpert, firm to his country's cause,
Warm in the glorious interest you pursue,
And, in one word, a good man and a true.
Written by William Shakespeare | Create an image from this poem

Sonnets iv

 THY bosom is endeared with all hearts 
Which I, by lacking, have supposed dead: 
And there reigns Love, and all Love's loving parts, 
And all those friends which I thought buried. 
How many a holy and obsequious tear 
Hath dear religious love stol'n from mine eye, 
As interest of the dead!--which now appear 
But things removed that hidden in thee lie. 
Thou art the grave where buried love doth live, 
Hung with the trophies of my lovers gone, 
Who all their parts of me to thee did give: 
--That due of many now is thine alone: 
 Their images I loved I view in thee, 
 And thou, all they, hast all the all of me. 

WHAT is your substance, whereof are you made, 
That millions of strange shadows on you tend? 
Since every one hath, every one, one shade, 
And you, but one, can every shadow lend. 
Describe Adonis, and the counterfeit 
Is poorly imitated after you; 
On Helen's cheek all art of beauty set, 
And you in Grecian tires are painted new: 
Speak of the spring and foison of the year, 
The one doth shadow of your beauty show, 
The other as your bounty doth appear; 
And you in every blessed shape we know. 
 In all external grace you have some part, 
 But you like none, none you, for constant heart.
Written by William Butler Yeats | Create an image from this poem

Imitated From The Japanese

 A most astonishing thing --
Seventy years have I lived;

(Hurrah for the flowers of Spring,
For Spring is here again.)

Seventy years have I lived
No ragged beggar-man,
Seventy years have I lived,
Seventy years man and boy,
And never have I danced for joy.


Written by William Shakespeare | Create an image from this poem

Sonnet 53: What is your substance whereof are you made

 What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since everyone hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new.
Speak of the spring, and foison of the year;
The one doth shadow of your beauty show,
The other as your bounty doth appear,
And you in every blessèd shape we know.
In all external grace you have some part,
But you like none, none you, for constant heart.
Written by William Shakespeare | Create an image from this poem

Sonnet LIII

 What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since every one hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new:
Speak of the spring and foison of the year;
The one doth shadow of your beauty show,
The other as your bounty doth appear;
And you in every blessed shape we know.
In all external grace you have some part,
But you like none, none you, for constant heart.
Written by William Shakespeare | Create an image from this poem

Sonnets LIII: What is your substance whereof are you made

 What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since everyone hath, everyone, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new.
Speak of the spring and foison of the year,
The one doth shadow of your beauty show,
The other as your bounty doth appear;
And you in every blessed shape we know.
In all external grace you have some part,
But you like none, none you, for constant heart.

Book: Reflection on the Important Things