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Best Famous Hurtling Poems

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Written by Ernest Lawrence Thayer | Create an image from this poem

Casey At The Bat

The outlook wasn't brilliant for the Mudville nine that day, 
The score stood four to two, with but one inning more to play. 

And then when Cooney died at first, and Barrows did the same, 
A pall-like silence fell upon the patrons of the game. 

A straggling few got up to go in deep despair. 
The rest clung to that hope which springs eternal in the human breast. 
They thought, "if only Casey could but get a whack at that. 
We'd put up even money now, with Casey at the bat." 

But Flynn preceded Casey, as did also Jimmy Blake; 
and the former was a hoodoo, while the latter was a cake. 

So upon that stricken multitude, grim melancholy sat; 
for there seemed but little chance of Casey getting to the bat. 

But Flynn let drive a single, to the wonderment of all. 
And Blake, the much despised, tore the cover off the ball. 

And when the dust had lifted, 
and men saw what had occurred, 
there was Jimmy safe at second and Flynn a-hugging third. 

Then from five thousand throats and more there rose a lusty yell; 
it rumbled through the valley, it rattled in the dell; 

it pounded through on the mountain and recoiled upon the flat; 
for Casey, mighty Casey, was advancing to the bat. 

There was ease in Casey's manner as he stepped into his place, 
there was pride in Casey's bearing and a smile lit Casey's face. 

And when, responding to the cheers, he lightly doffed his hat, 
no stranger in the crowd could doubt t'was Casey at the bat. 

Ten thousand eyes were on him as he rubbed his hands with dirt. 
Five thousand tongues applauded when he wiped them on his shirt. 

Then, while the writhing pitcher ground the ball into his hip, 
defiance flashed in Casey's eye, a sneer curled Casey's lip. 

And now the leather-covered sphere came hurtling through the air, 
and Casey stood a-watching it in haughty grandeur there. 

Close by the sturdy batsman the ball unheeded sped -- 
"That ain't my style," said Casey. 

"Strike one!" the umpire said. 
From the benches, black with people, there went up a muffled roar, 
like the beating of the storm waves on a stern and distant shore. 

"Kill him! Kill the umpire!" shouted someone on the stand, 
and it's likely they'd have killed him had not Casey raised his hand. 

With a smile of Christian charity, great Casey's visage shone, 
he stilled the rising tumult, he bade the game go on. 

He signaled to the pitcher, and once more the dun sphere flew, 
but Casey still ignored it, and the umpire said, "Strike two!" 

"Fraud!" cried the maddened thousands, and echo answered "Fraud!" 
But one scornful look from Casey and the audience was awed. 

They saw his face grow stern and cold, they saw his muscles strain, 
and they knew that Casey wouldn't let that ball go by again. 

The sneer has fled from Casey's lip, the teeth are clenched in hate. 
He pounds, with cruel violence, his bat upon the plate. 

And now the pitcher holds the ball, and now he lets it go, 
and now the air is shattered by the force of Casey's blow. 

Oh, somewhere in this favored land the sun is shining bright. 
The band is playing somewhere, and somewhere hearts are light. 
And, somewhere men are laughing, and little children shout, 

but there is no joy in Mudville 
mighty Casey has struck out. 


Written by Mark Doty | Create an image from this poem

Metro North

 Over the terminal,
 the arms and chest
 of the god

brightened by snow.
 Formerly mercury,
 formerly silver,

surface yellowed
 by atmospheric sulphurs
 acid exhalations,

and now the shining
 thing's descendant.
 Obscure passages,

dim apertures:
 these clouded windows
 show a few faces

or some empty car's
 filmstrip of lit flames
 --remember them

from school,
 how they were supposed
 to teach us something?--

waxy light hurrying
 inches away from the phantom
 smudge of us, vague

in spattered glass. Then
 daylight's soft charcoal
 lusters stone walls

and we ascend to what
 passes for brightness,
 this February,

scumbled sky
 above graduated zones
 of decline:

dead rowhouses,
 charred windows'
 wet frames

around empty space,
 a few chipboard polemics
 nailed over the gaps,

speeches too long
 and obsessive for anyone
 on this train to read,

sealing the hollowed interiors
 --some of them grand once,
 you can tell by

the fillips of decoration,
 stone leaves, the frieze
 of sunflowers.

Desolate fields--open spaces,
 in a city where you
 can hardly turn around!--

seem to center
 on little flames,
 something always burning

in a barrel or can
 As if to represent
 inextinguishable,

dogged persistence?
 Though whether what burns
 is will or rage or

harsh amalgam
 I couldn't say.
 But I can tell you this,

what I've seen that
 won my allegiance most,
 though it was also

the hallmark of our ruin,
 and quick as anything
 seen in transit:

where Manhattan ends
 in the narrowing
 geographical equivalent

of a sigh (asphalt,
 arc of trestle, dull-witted
 industrial tanks

and scaffoldings, ancient now,
 visited by no one)
 on the concrete

embankment just
 above the river,
 a sudden density

and concentration
 of trash, so much
 I couldn't pick out

any one thing
 from our rising track
 as it arced onto the bridge

over the fantastic
 accumulation of jetsam
 and contraband

strewn under
 the uncompromising
 vault of heaven.

An unbelievable mess,
 so heaped and scattered
 it seemed the core

of chaos itself--
 but no, the junk was arranged
 in rough aisles,

someone's intimate
 clutter and collection,
 no walls but still

a kind of apartment
 and a fire ribboned out
 of a ruined stove,

and white plates
 were laid out
 on the table beside it.

White china! Something
 was moving, and
 --you understand

it takes longer to tell this
 than to see it, only
 a train window's worth

of actuality--
 I knew what moved
 was an arm,

the arm of the (man
 or woman?) in the center
 of that hapless welter

in layer upon layer
 of coats blankets scarves
 until the form

constituted one more
 gray unreadable;
 whoever

was lifting a hammer,
 and bringing it down
 again, tapping at

what work
 I couldn't say;
 whoever, under

the great exhausted dome
 of winter light,
 which the steep

and steel surfaces of the city
 made both more soft
 and more severe,

was making something,
 or repairing,
 was in the act

(sheer stubborn nerve of it)
 of putting together.
 Who knows what.

(And there was more,
 more I'd take all spring
 to see. I'd pick my seat

and set my paper down
 to study him again
 --he, yes, some days not

at home though usually
 in, huddled
 by the smoldering,

and when my eye wandered
 --five-second increments
 of apprehension--I saw

he had a dog!
 Who lay half in
 half out his doghouse

in the rain, golden head
 resting on splayed paws.
 He had a ruined car,

and heaps of clothes,
 and things to read--
 was no emblem,

in other words,
 but a citizen,
 who'd built a citizen's

household, even
 on the literal edge,
 while I watched

from my quick,
 high place, hurtling
 over his encampment

by the waters of Babylon.)
 Then we were gone,
 in the heat and draft

of our silver, rattling
 over the river
 into the South Bronx,

against whose greasy
 skyline rose that neoned
 billboard for cigarettes

which hostages
 my attention, always,
 as it is meant to do,

its motto ruby
 in the dark morning:
 ALIVE WITH PLEASURE.
Written by John Ashbery | Create an image from this poem

Farm Implements and Rutabagas in a Landscape

 The first of the undecoded messages read: "Popeye sits 
in thunder,
Unthought of. From that shoebox of an apartment,
From livid curtain's hue, a tangram emerges: a country."
Meanwhile the Sea Hag was relaxing on a green couch: "How 
pleasant
To spend one's vacation en la casa de Popeye," she 
scratched
Her cleft chin's solitary hair. She remembered spinach

And was going to ask Wimpy if he had bought any spinach.
"M'love," he intercepted, "the plains are decked out 
in thunder
Today, and it shall be as you wish." He scratched
The part of his head under his hat. The apartment
Seemed to grow smaller. "But what if no pleasant
Inspiration plunge us now to the stars? For this is my 
country."

Suddenly they remembered how it was cheaper in the country.
Wimpy was thoughtfully cutting open a number 2 can of spinach
When the door opened and Swee'pea crept in. "How pleasant!"
But Swee'pea looked morose. A note was pinned to his bib. 
"Thunder
And tears are unavailing," it read. "Henceforth shall
Popeye's apartment
Be but remembered space, toxic or salubrious, whole or 
scratched."

Olive came hurtling through the window; its geraniums scratched
Her long thigh. "I have news!" she gasped. "Popeye, forced as 
you know to flee the country
One musty gusty evening, by the schemes of his wizened, 
duplicate father, jealous of the apartment
And all that it contains, myself and spinach
In particular, heaves bolts of loving thunder
At his own astonished becoming, rupturing the pleasant

Arpeggio of our years. No more shall pleasant
Rays of the sun refresh your sense of growing old, nor the 
scratched
Tree-trunks and mossy foliage, only immaculate darkness and 
thunder."
She grabbed Swee'pea. "I'm taking the brat to the country."
"But you can't do that--he hasn't even finished his spinach,"
Urged the Sea Hag, looking fearfully around at the apartment.

But Olive was already out of earshot. Now the apartment
Succumbed to a strange new hush. "Actually it's quite pleasant
Here," thought the Sea Hag. "If this is all we need fear from 
spinach
Then I don't mind so much. Perhaps we could invite Alice the Goon 
over"--she scratched
One dug pensively--"but Wimpy is such a country
Bumpkin, always burping like that." Minute at first, the thunder

Soon filled the apartment. It was domestic thunder,
The color of spinach. Popeye chuckled and scratched
His balls: it sure was pleasant to spend a day in the country.
Written by Siegfried Sassoon | Create an image from this poem

Stretcher Case

 He woke; the clank and racket of the train 
Kept time with angry throbbings in his brain. 
Then for a while he lapsed and drowsed again. 

At last he lifted his bewildered eyes 
And blinked, and rolled them sidelong; hills and skies,
Heavily wooded, hot with August haze, 
And, slipping backward, golden for his gaze, 
Acres of harvest. 

Feebly now he drags 
Exhausted ego back from glooms and quags 
And blasting tumult, terror, hurtling glare,
To calm and brightness, havens of sweet air. 
He sighed, confused; then drew a cautious breath; 
This level journeying was no ride through death. 
‘If I were dead,’ he mused, ‘there’d be no thinking— 
Only some plunging underworld of sinking,
And hueless, shifting welter where I’d drown.’ 

Then he remembered that his name was Brown. 

But was he back in Blighty? Slow he turned, 
Till in his heart thanksgiving leapt and burned. 
There shone the blue serene, the prosperous land,
Trees, cows and hedges; skipping these, he scanned 
Large, friendly names, that change not with the year, 
Lung Tonic, Mustard, Liver Pills and Beer.
Written by Carl Sandburg | Create an image from this poem

Limited

 I AM riding on a limited express, one of the crack trains
of the nation.
Hurtling across the prairie into blue haze and dark air
go fifteen all-steel coaches holding a thousand people.
(All the coaches shall be scrap and rust and all the men
and women laughing in the diners and sleepers shall
pass to ashes.)
I ask a man in the smoker where he is going and he
answers: "Omaha."


Written by Algernon Charles Swinburne | Create an image from this poem

Christopher Marlowe

 Crowned, girdled, garbed and shod with light and fire,
Son first-born of the morning, sovereign star!
Soul nearest ours of all, that wert most far,
Most far off in the abysm of time, thy lyre
Hung highest above the dawn-enkindled quire
Where all ye sang together, all that are,
And all the starry songs behind thy car
Rang sequence, all our souls acclaim thee sire.
"If all the pens that ever poets held
Had fed the feeling of their masters' thoughts,"
And as with rush of hurtling chariots
The flight of all their spirits were impelled
Toward one great end, thy glory--nay, not then,
Not yet might'st thou be praised enough of men.
Written by Emile Verhaeren | Create an image from this poem

St. George

Opening the mists on a sudden through,
An Avenue!
Then, all one ferment of varied gold,
With foam of plumes where the chamfrom bends
Round his horse's head, that no bit doth hold,
St. George descends!


The diamond-rayed caparison,
Makes of his flight one declining path
From Heaven's pity down upon
Our waiting earth.


Hero and Lord
Of the joyous, helpful virtues all.
Sonorous, pure and crystalline!
Let his radiance fall
On my heart nocturnal and make it shine
In the wheeling aureole of his sword!


Let the wind's soft silvern whispers sound
And ring his coat of mail around,
His battle-spurs amid the fight!
—He—the St. George—who shines so bright
And comes, 'mid the wailings of my desire.
To seize and lift my poor hands higher
Toward his dauntless valour's fire!


Like a cry great with faith, to God
His lance St. George upraised doth hold;
Crossing athwart my glance he trod.
As 'twere one tumult of haggard gold.
The chrism's glow on his forehead shone,
The great St. George of duty high!
Beautiful by his heart, and by
Himself alone!


Ring, all my voices of hope, ring on!
Ring forth in me
Beneath fresh boughs of greenery,
Down radiant pathways, full of sun;
Ye glints of silvery mica, be
Bright joy amid my stones—and ye
White pebbles that the waters strew.
Open your eyes in my brooklets, through
The watery lids that cover you;
Landscape of gushing springs and sun,
With gold that quivers on misty blue,
Landscape that dwells in me, hold thou
The mirror now
To the fiery flights, that flaming roll,
Of the great St. George toward my soul!


'Gainst the black Dragon's teeth and claws,
Against the armour of leprous sores,
The miracle and sword is he;
On his breast-plate burneth Charity,
And his gentleness sends hurtling back.
In dire defeat, the Instinct black.
Fires flecked with gold, that flashing turn,
Whirlwinds of stars, those glories meet,
About his galloping horse's feet.
Deep into my remembrance burn
Their lightnings fleet!


He comes, a fair ambassador,
From white lands built with marble o'er.
Where grows, in glades beside the sea,
Upon the tree
Of goodness, fragrant gentleness.
That haven, too, he knows no less
Where wondrous ships rock, calm and still.
That freights of sleeping angels fill;
And those vast evenings, when below
Upon the water, 'mid the skies'
Reflected eyes.
Islands flash sudden forth and glow.
That kingdom fair
Whereof the Virgin ariseth Queen,
Its lowly, ardent joy is he;
And his flaming sword in the ambient air
Vibrates like an ostensory—
The suddenly flashing St. George! behold,
He strikes through my soul like a fire of gold!


He knows from what far wanderings
I come: what mists obscure my brain;
What dagger marks have deeply scarred
My thought, and with black crosses marred:
With what spent force, what anger vain.
What petty scorn of better things,
—Yea, and with what a mask I came,
Folly upon the lees of shame!
A coward was I; the world I fled
To hide my head
Within a huge and futile Me;
I builded, beneath domes of Night,
The blocks of marble, gold be-starred,
Of a hostile science, endlessly
Towards a height
By oracles of blackness barred.
For Death alone is Queen of night.
And human effort is brightest born
Only at dawn.
With opening flowers would prayer fain bloom,
And their sweet lips hold the same perfume.
The sunbeams shimmering white that fall
On pearly water, are for all
Like a caress
Upon our life: the dawn unfolds
A counsel fair of trustfulness;
And whoso hearkens thereto is saved
From his slough, where never a sin was laved.


St. George in radiant armour came
Speeding along in leaps of flame
'Mid the sweet morning, through my soul.
Young, beautiful by faith was he;
He leaned the lower down toward me
Even as I the lowlier knelt;
Like some pure, golden cordial
In secret felt.
He filled me with his soaring strength,
And with sweet fear most tenderly.
Before that vision's dignity,
Into his pale, proud hand at length
I cast the blood my pain had spent.
Then, laying upon me as he went
A charge of valour, and the sign
Of the cross on my brow from his lance divine,
He sped upon his shining road
Straight, with my heart, towards his God.
Written by Siegfried Sassoon | Create an image from this poem

Storm and Sunlight

 I

In barns we crouch, and under stacks of straw, 
Harking the storm that rides a hurtling legion 
Up the arched sky, and speeds quick heels of panic 
With growling thunder loosed in fork and clap 
That echoes crashing thro’ the slumbrous vault.
The whispering woodlands darken: vulture Gloom 
Stoops, menacing the skeltering flocks of Light, 
Where the gaunt shepherd shakes his gleaming staff 
And foots with angry tidings down the slope. 
Drip, drip; the rain steals in through soaking thatch
By cob-webbed rafters to the dusty floor. 
Drums shatter in the tumult; wrathful Chaos 
Points pealing din to the zenith, then resolves 
Terror in wonderment with rich collapse. 

II

Now from drenched eaves a swallow darts to skim 
The crystal stillness of an air unveiled 
To tremulous blue. Raise your bowed heads, and let 
Your horns adore the sky, ye patient kine! 
Haste, flashing brooks! Small, chuckling rills, rejoice! 
Be open-eyed for Heaven, ye pools of peace! 
Shine, rain-bow hills! Dream on, fair glimps?d vale 
In haze of drifting gold! And all sweet birds, 
Sing out your raptures to the radiant leaves! 
And ye, close huddling Men, come forth to stand 
A moment simple in the gaze of God
That sweeps along your pastures! Breathe his might! 
Lift your blind faces to be filled with day, 
And share his benediction with the flowers.
Written by William Blake | Create an image from this poem

The Book of Urizen: Chapter IV

 a

1. Los smitten with astonishment
Frightend at the hurtling bones

2. And at the surging sulphureous
Perturbed Immortal mad raging

3. In whirlwinds & pitch & nitre 
Round the furious limbs of Los

4. And Los formed nets & gins 
And threw the nets round about

5. He watch'd in shuddring fear
The dark changes & bound every change 
With rivets of iron & brass;

6. And these were the changes of Urizen.


b.

1. Ages on ages roll'd over him!
In stony sleep ages roll'd over him!
Like a dark waste stretching chang'able
By earthquakes riv'n, belching sullen fires
On ages roll'd ages in ghastly 
Sick torment; around him in whirlwinds
Of darkness the eternal Prophet howl'd
Beating still on his rivets of iron
Pouring sodor of iron; dividing
The horrible night into watches. 

2. And Urizen (so his eternal name)
His prolific delight obscurd more & more
In dark secresy hiding in surgeing
Sulphureous fluid his phantasies.
The Eternal Prophet heavd the dark bellows, 
And turn'd restless the tongs; and the hammer
Incessant beat; forging chains new & new
Numb'ring with links. hours, days & years

3. The eternal mind bounded began to roll
Eddies of wrath ceaseless round & round, 
And the sulphureous foam surgeing thick
Settled, a lake, bright, & shining clear:
White as the snow on the mountains cold.

4. Forgetfulness, dumbness, necessity!
In chains of the mind locked up, 
Like fetters of ice shrinking together
Disorganiz'd, rent from Eternity,
Los beat on his fetters of iron;
And heated his furnaces & pour'd
Iron sodor and sodor of brass 

5. Restless turnd the immortal inchain'd
Heaving dolorous! anguish'd! unbearable
Till a roof shaggy wild inclos'd
In an orb, his fountain of thought.

6. In a horrible dreamful slumber; 
Like the linked infernal chain;
A vast Spine writh'd in torment
Upon the winds; shooting pain'd
Ribs, like a bending cavern
And bones of solidness, froze 
Over all his nerves of joy.
And a first Age passed over,
And a state of dismal woe.

7. From the caverns of his jointed Spine,
Down sunk with fright a red
Round globe hot burning deep
Deep down into the Abyss:
Panting: Conglobing, Trembling 
Shooting out ten thousand branches
Around his solid bones.
And a second Age passed over,
And a state of dismal woe.

8. In harrowing fear rolling round; 
His nervous brain shot branches
Round the branches of his heart.
On high into two little orbs
And fixed in two little caves
Hiding carefully from the wind, 
His Eyes beheld the deep,
And a third Age passed over:
And a state of dismal woe.

9. The pangs of hope began,
In heavy pain striving, struggling. 
Two Ears in close volutions.
From beneath his orbs of vision
Shot spiring out and petrified
As they grew. And a fourth Age passed
And a state of dismal woe. 

10. In ghastly torment sick;
Hanging upon the wind;
Two Nostrils bent down to the deep. 
And a fifth Age passed over;
And a state of dismal woe.

11. In ghastly torment sick;
Within his ribs bloated round, 
A craving Hungry Cavern;
Thence arose his channeld Throat,
And like a red flame a Tongue
Of thirst & of hunger appeard.
And a sixth Age passed over: 
And a state of dismal woe.

12. Enraged & stifled with torment
He threw his right Arm to the north
His left Arm to the south
Shooting out in anguish deep, 
And his Feet stampd the nether Abyss
In trembling & howling & dismay.
And a seventh Age passed over:
And a state of dismal woe.
Written by Victor Hugo | Create an image from this poem

The Cup On The Battle-field

 ("Mon pére, ce héros au sourire.") 
 
 {Bk. XLIX. iv.} 


 My sire, the hero with the smile so soft, 
 And a tall trooper, his companion oft, 
 Whom he loved greatly for his courage high 
 And strength and stature, as the night drew nigh 
 Rode out together. The battle was done; 
 The dead strewed the field; long sunk was the sun. 
 It seemed in the darkness a sound they heard,— 
 Was it feeble moaning or uttered word? 
 'Twas a Spaniard left from the force in flight, 
 Who had crawled to the roadside after fight; 
 Shattered and livid, less live than dead, 
 Rattled his throat as hoarsely he said: 
 "Water, water to drink, for pity's sake! 
 Oh, a drop of water this thirst to slake!" 
 My father, moved at his speech heart-wrung, 
 Handed the orderly, downward leapt, 
 The flask of rum at the holster kept. 
 "Let him have some!" cried my father, as ran 
 The trooper o'er to the wounded man,— 
 A sort of Moor, swart, bloody and grim; 
 But just as the trooper was nearing him, 
 He lifted a pistol, with eye of flame, 
 And covered my father with murd'rous aim. 
 The hurtling slug grazed the very head, 
 And the helmet fell, pierced, streaked with red, 
 And the steed reared up; but in steady tone: 
 "Give him the whole!" said my father, "and on!" 
 
 TORU DUTT 


 





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