Written by
Thomas Hood |
Oh, very gloomy is the house of woe,
Where tears are falling while the bell is knelling,
With all the dark solemnities that show
That Death is in the dwelling!
Oh, very, very dreary is the room
Where Love, domestic Love, no longer nestles,
But smitten by the common stroke of doom,
The corpse lies on the trestles!
But house of woe, and hearse, and sable pall,
The narrow home of the departed mortal,
Ne’er looked so gloomy as that Ghostly Hall,
With its deserted portal!
The centipede along the threshold crept,
The cobweb hung across in mazy tangle,
And in its winding sheet the maggot slept
At every nook and angle.
The keyhole lodged the earwig and her brood,
The emmets of the steps has old possession,
And marched in search of their diurnal food
In undisturbed procession.
As undisturbed as the prehensile cell
Of moth or maggot, or the spider’s tissue,
For never foot upon that threshold fell,
To enter or to issue.
O’er all there hung the shadow of a fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted.
Howbeit, the door I pushed—or so I dreamed--
Which slowly, slowly gaped, the hinges creaking
With such a rusty eloquence, it seemed
That Time himself was speaking.
But Time was dumb within that mansion old,
Or left his tale to the heraldic banners
That hung from the corroded walls, and told
Of former men and manners.
Those tattered flags, that with the opened door,
Seemed the old wave of battle to remember,
While fallen fragments danced upon the floor
Like dead leaves in December.
The startled bats flew out, bird after bird,
The screech-owl overhead began to flutter,
And seemed to mock the cry that she had heard
Some dying victim utter!
A shriek that echoed from the joisted roof,
And up the stair, and further still and further,
Till in some ringing chamber far aloof
In ceased its tale of murther!
Meanwhile the rusty armor rattled round,
The banner shuddered, and the ragged streamer;
All things the horrid tenor of the sound
Acknowledged with a tremor.
The antlers where the helmet hung, and belt,
Stirred as the tempest stirs the forest branches,
Or as the stag had trembled when he felt
The bloodhound at his haunches.
The window jingled in its crumbled frame,
And through its many gaps of destitution
Dolorous moans and hollow sighings came,
Like those of dissolution.
The wood-louse dropped, and rolled into a ball,
Touched by some impulse occult or mechanic;
And nameless beetles ran along the wall
In universal panic.
The subtle spider, that, from overhead,
Hung like a spy on human guilt and error,
Suddenly turned, and up its slender thread
Ran with a nimble terror.
The very stains and fractures on the wall,
Assuming features solemn and terrific,
Hinted some tragedy of that old hall,
Locked up in hieroglyphic.
Some tale that might, perchance, have solved the doubt,
Wherefore, among those flags so dull and livid,
The banner of the bloody hand shone out
So ominously vivid.
Some key to that inscrutable appeal
Which made the very frame of Nature quiver,
And every thrilling nerve and fiber feel
So ague-like a shiver.
For over all there hung a cloud of fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted!
Prophetic hints that filled the soul with dread,
But through one gloomy entrance pointing mostly,
The while some secret inspiration said,
“That chamber is the ghostly!”
Across the door no gossamer festoon
Swung pendulous, --no web, no dusty fringes,
No silky chrysalis or white cocoon,
About its nooks and hinges.
The spider shunned the interdicted room,
The moth, the beetle, and the fly were banished,
And when the sunbeam fell athwart the gloom,
The very midge had vanished.
One lonely ray that glanced upon a bed,
As if with awful aim direct and certain,
To show the Bloody Hand, in burning red,
Embroidered on the curtain.
|
Written by
Algernon Charles Swinburne |
SHALL I strew on thee rose or rue or laurel,
Brother, on this that was the veil of thee?
Or quiet sea-flower moulded by the sea,
Or simplest growth of meadow-sweet or sorrel,
Such as the summer-sleepy Dryads weave,
Waked up by snow-soft sudden rains at eve?
Or wilt thou rather, as on earth before,
Half-faded fiery blossoms, pale with heat
And full of bitter summer, but more sweet
To thee than gleanings of a northern shore
Trod by no tropic feet?
For always thee the fervid languid glories
Allured of heavier suns in mightier skies;
Thine ears knew all the wandering watery sighs
Where the sea sobs round Lesbian promontories,
The barren kiss of piteous wave to wave
That knows not where is that Leucadian grave
Which hides too deep the supreme head of song.
Ah, salt and sterile as her kisses were,
The wild sea winds her and the green gulfs bear
Hither and thither, and vex and work her wrong,
Blind gods that cannot spare.
Thou sawest, in thine old singing season, brother,
Secrets and sorrows unbeheld of us:
Fierce loves, and lovely leaf-buds poisonous,
Bare to thy subtler eye, but for none other
Blowing by night in some unbreathed-in clime;
The hidden harvest of luxurious time,
Sin without shape, and pleasure without speech;
And where strange dreams in a tumultuous sleep
Make the shut eyes of stricken spirits weep;
And with each face thou sawest the shadow on each,
Seeing as men sow men reap.
O sleepless heart and sombre soul unsleeping,
That were athirst for sleep and no more life
And no more love, for peace and no more strife!
Now the dim gods of death have in their keeping
Spirit and body and all the springs of song,
Is it well now where love can do no wrong,
Where stingless pleasure has no foam or fang
Behind the unopening closure of her lips?
Is it not well where soul from body slips
And flesh from bone divides without a pang
As dew from flower-bell drips?
It is enough; the end and the beginning
Are one thing to thee, who art past the end.
O hand unclasp'd of unbeholden friend,
For thee no fruits to pluck, no palms for winning,
No triumph and no labour and no lust,
Only dead yew-leaves and a little dust.
O quiet eyes wherein the light saith naught,
Whereto the day is dumb, nor any night
With obscure finger silences your sight,
Nor in your speech the sudden soul speaks thought,
Sleep, and have sleep for light.
Now all strange hours and all strange loves are over,
Dreams and desires and sombre songs and sweet,
Hast thou found place at the great knees and feet
Of some pale Titan-woman like a lover,
Such as thy vision here solicited,
Under the shadow of her fair vast head,
The deep division of prodigious breasts,
The solemn slope of mighty limbs asleep,
The weight of awful tresses that still keep
The savour and shade of old-world pine-forests
Where the wet hill-winds weep?
Hast thou found any likeness for thy vision?
O gardener of strange flowers, what bud, what bloom,
Hast thou found sown, what gather'd in the gloom?
What of despair, of rapture, of derision,
What of life is there, what of ill or good?
Are the fruits gray like dust or bright like blood?
Does the dim ground grow any seed of ours,
The faint fields quicken any terrene root,
In low lands where the sun and moon are mute
And all the stars keep silence? Are there flowers
At all, or any fruit?
Alas, but though my flying song flies after,
O sweet strange elder singer, thy more fleet
Singing, and footprints of thy fleeter feet,
Some dim derision of mysterious laughter
From the blind tongueless warders of the dead,
Some gainless glimpse of Proserpine's veil'd head,
Some little sound of unregarded tears
Wept by effaced unprofitable eyes,
And from pale mouths some cadence of dead sighs--
These only, these the hearkening spirit hears,
Sees only such things rise.
Thou art far too far for wings of words to follow,
Far too far off for thought or any prayer.
What ails us with thee, who art wind and air?
What ails us gazing where all seen is hollow?
Yet with some fancy, yet with some desire,
Dreams pursue death as winds a flying fire,
Our dreams pursue our dead and do not find.
Still, and more swift than they, the thin flame flies,
The low light fails us in elusive skies,
Still the foil'd earnest ear is deaf, and blind
Are still the eluded eyes.
Not thee, O never thee, in all time's changes,
Not thee, but this the sound of thy sad soul,
The shadow of thy swift spirit, this shut scroll
I lay my hand on, and not death estranges
My spirit from communion of thy song--
These memories and these melodies that throng
Veil'd porches of a Muse funereal--
These I salute, these touch, these clasp and fold
As though a hand were in my hand to hold,
Or through mine ears a mourning musical
Of many mourners roll'd.
I among these, I also, in such station
As when the pyre was charr'd, and piled the sods.
And offering to the dead made, and their gods,
The old mourners had, standing to make libation,
I stand, and to the Gods and to the dead
Do reverence without prayer or praise, and shed
Offering to these unknown, the gods of gloom,
And what of honey and spice my seed-lands bear,
And what I may of fruits in this chill'd air,
And lay, Orestes-like, across the tomb
A curl of sever'd hair.
But by no hand nor any treason stricken,
Not like the low-lying head of Him, the King,
The flame that made of Troy a ruinous thing,
Thou liest and on this dust no tears could quicken.
There fall no tears like theirs that all men hear
Fall tear by sweet imperishable tear
Down the opening leaves of holy poets' pages.
Thee not Orestes, not Electra mourns;
But bending us-ward with memorial urns
The most high Muses that fulfil all ages
Weep, and our God's heart yearns.
For, sparing of his sacred strength, not often
Among us darkling here the lord of light
Makes manifest his music and his might
In hearts that open and in lips that soften
With the soft flame and heat of songs that shine.
Thy lips indeed he touch'd with bitter wine,
And nourish'd them indeed with bitter bread;
Yet surely from his hand thy soul's food came,
The fire that scarr'd thy spirit at his flame
Was lighted, and thine hungering heart he fed
Who feeds our hearts with fame.
Therefore he too now at thy soul's sunsetting,
God of all suns and songs, he too bends down
To mix his laurel with thy cypress crown,
And save thy dust from blame and from forgetting.
Therefore he too, seeing all thou wert and art,
Compassionate, with sad and sacred heart,
Mourns thee of many his children the last dead,
And hollows with strange tears and alien sighs
Thine unmelodious mouth and sunless eyes,
And over thine irrevocable head
Sheds light from the under skies.
And one weeps with him in the ways Lethean,
And stains with tears her changing bosom chill;
That obscure Venus of the hollow hill,
That thing transform'd which was the Cytherean,
With lips that lost their Grecian laugh divine
Long since, and face no more call'd Erycine--
A ghost, a bitter and luxurious god.
Thee also with fair flesh and singing spell
Did she, a sad and second prey, compel
Into the footless places once more trod,
And shadows hot from hell.
And now no sacred staff shall break in blossom,
No choral salutation lure to light
A spirit sick with perfume and sweet night
And love's tired eyes and hands and barren bosom.
There is no help for these things; none to mend,
And none to mar; not all our songs, O friend,
Will make death clear or make life durable.
Howbeit with rose and ivy and wild vine
And with wild notes about this dust of thine
At least I fill the place where white dreams dwell
And wreathe an unseen shrine.
Sleep; and if life was bitter to thee, pardon,
If sweet, give thanks; thou hast no more to live;
And to give thanks is good, and to forgive.
Out of the mystic and the mournful garden
Where all day through thine hands in barren braid
Wove the sick flowers of secrecy and shade,
Green buds of sorrow and sin, and remnants gray,
Sweet-smelling, pale with poison, sanguine-hearted,
Passions that sprang from sleep and thoughts that started,
Shall death not bring us all as thee one day
Among the days departed?
For thee, O now a silent soul, my brother,
Take at my hands this garland, and farewell.
Thin is the leaf, and chill the wintry smell,
And chill the solemn earth, a fatal mother,
With sadder than the Niobean womb,
And in the hollow of her breasts a tomb.
Content thee, howsoe'er, whose days are done;
There lies not any troublous thing before,
Nor sight nor sound to war against thee more,
For whom all winds are quiet as the sun,
All waters as the shore.
|
Written by
Sidney Lanier |
How tall among her sisters, and how fair, --
How grave beyond her youth, yet debonair
As dawn, 'mid wrinkled Matres of old lands
Our youngest Alma Mater modest stands!
In four brief cycles round the punctual sun
Has she, old Learning's latest daughter, won
This grace, this stature, and this fruitful fame.
Howbeit she was born
Unnoised as any stealing summer morn.
From far the sages saw, from far they came
And ministered to her,
Led by the soaring-genius'd Sylvester
That, earlier, loosed the knot great Newton tied,
And flung the door of Fame's locked temple wide.
As favorable fairies thronged of old and blessed
The cradled princess with their several best,
So, gifts and dowers meet
To lay at Wisdom's feet,
These liberal masters largely brought --
Dear diamonds of their long-compressed thought,
Rich stones from out the labyrinthine cave
Of research, pearls from Time's profoundest wave
And many a jewel brave, of brilliant ray,
Dug in the far obscure Cathay
Of meditation deep --
With flowers, of such as keep
Their fragrant tissues and their heavenly hues
Fresh-bathed forever in eternal dews --
The violet with her low-drooped eye,
For learned modesty, --
The student snow-drop, that doth hang and pore
Upon the earth, like Science, evermore,
And underneath the clod doth grope and grope, --
The astronomer heliotrope,
That watches heaven with a constant eye, --
The daring crocus, unafraid to try
(When Nature calls) the February snows, --
And patience' perfect rose.
Thus sped with helps of love and toil and thought,
Thus forwarded of faith, with hope thus fraught,
In four brief cycles round the stringent sun
This youngest sister hath her stature won.
Nay, why regard
The passing of the years? Nor made, nor marr'd,
By help or hindrance of slow Time was she:
O'er this fair growth Time had no mastery:
So quick she bloomed, she seemed to bloom at birth,
As Eve from Adam, or as he from earth.
Superb o'er slow increase of day on day,
Complete as Pallas she began her way;
Yet not from Jove's unwrinkled forehead sprung,
But long-time dreamed, and out of trouble wrung,
Fore-seen, wise-plann'd, pure child of thought and pain,
Leapt our Minerva from a mortal brain.
And here, O finer Pallas, long remain, --
Sit on these Maryland hills, and fix thy reign,
And frame a fairer Athens than of yore
In these blest bounds of Baltimore, --
Here, where the climates meet
That each may make the other's lack complete, --
Where Florida's soft Favonian airs beguile
The nipping North, -- where nature's powers smile, --
Where Chesapeake holds frankly forth her hands
Spread wide with invitation to all lands, --
Where now the eager people yearn to find
The organizing hand that fast may bind
Loose straws of aimless aspiration fain
In sheaves of serviceable grain, --
Here, old and new in one,
Through nobler cycles round a richer sun
O'er-rule our modern ways,
O blest Minerva of these larger days!
Call here thy congress of the great, the wise,
The hearing ears, the seeing eyes, --
Enrich us out of every farthest clime, --
Yea, make all ages native to our time,
Till thou the freedom of the city grant
To each most antique habitant
Of Fame, --
Bring Shakespeare back, a man and not a name, --
Let every player that shall mimic us
In audience see old godlike Aeschylus, --
Bring Homer, Dante, Plato, Socrates, --
Bring Virgil from the visionary seas
Of old romance, -- bring Milton, no more blind, --
Bring large Lucretius, with unmaniac mind, --
Bring all gold hearts and high resolved wills
To be with us about these happy hills, --
Bring old Renown
To walk familiar citizen of the town, --
Bring Tolerance, that can kiss and disagree, --
Bring Virtue, Honor, Truth, and Loyalty, --
Bring Faith that sees with undissembling eyes, --
Bring all large Loves and heavenly Charities, --
Till man seem less a riddle unto man
And fair Utopia less Utopian,
And many peoples call from shore to shore,
`The world has bloomed again, at Baltimore!'
|
Written by
Edwin Arlington Robinson |
Take it away, and swallow it yourself.
Ha! Look you, there’s a rat.
Last night there were a dozen on that shelf,
And two of them were living in my hat.
Look! Now he goes, but he’ll come back—
Ha? But he will, I say …
Il reviendra-z-à Pâques,
Ou à la Trinité …
Be very sure that he’ll return again;
For said the Lord: Imprimis, we have rats,
And having rats, we have rain.—
So on the seventh day
He rested, and made Pain.
—Man, if you love the Lord, and if the Lord
Love liars, I will have you at your word
And swallow it. Voilà. Bah!
Where do I say it is
That I have lain so long?
Where do I count myself among the dead,
As once above the living and the strong?
And what is this that comes and goes,
Fades and swells and overflows,
Like music underneath and overhead?
What is it in me now that rings and roars
Like fever-laden wine?
What ruinous tavern-shine
Is this that lights me far from worlds and wars
And women that were mine?
Where do I say it is
That Time has made my bed?
What lowering outland hostelry is this
For one the stars have disinherited?
An island, I have said:
A peak, where fiery dreams and far desires
Are rained on, like old fires:
A vermin region by the stars abhorred,
Where falls the flaming word
By which I consecrate with unsuccess
An acreage of God’s forgetfulness,
Left here above the foam and long ago
Made right for my duress;
Where soon the sea,
My foaming and long-clamoring enemy,
Will have within the cryptic, old embrace
Of her triumphant arms—a memory.
Why then, the place?
What forage of the sky or of the shore
Will make it any more,
To me, than my award of what was left
Of number, time, and space?
And what is on me now that I should heed
The durance or the silence or the scorn?
I was the gardener who had the seed
Which holds within its heart the food and fire
That gives to man a glimpse of his desire;
And I have tilled, indeed,
Much land, where men may say that I have planted
Unsparingly my corn—
For a world harvest-haunted
And for a world unborn.
Meanwhile, am I to view, as at a play,
Through smoke the funeral flames of yesterday
And think them far away?
Am I to doubt and yet be given to know
That where my demon guides me, there I go?
An island? Be it so.
For islands, after all is said and done,
Tell but a wilder game that was begun,
When Fate, the mistress of iniquities,
The mad Queen-spinner of all discrepancies,
Beguiled the dyers of the dawn that day,
And even in such a curst and sodden way
Made my three colors one.
—So be it, and the way be as of old:
So be the weary truth again retold
Of great kings overthrown
Because they would be kings, and lastly kings alone.
Fling to each dog his bone.
Flags that are vanished, flags that are soiled and furled,
Say what will be the word when I am gone:
What learned little acrid archive men
Will burrow to find me out and burrow again,—
But all for naught, unless
To find there was another Island.… Yes,
There are too many islands in this world,
There are too many rats, and there is too much rain.
So three things are made plain
Between the sea and sky:
Three separate parts of one thing, which is Pain …
Bah, what a way to die!—
To leave my Queen still spinning there on high,
Still wondering, I dare say,
To see me in this way …
Madame à sa tour monte
Si haut qu’elle peut monter—
Like one of our Commissioners… ai! ai!
Prometheus and the women have to cry,
But no, not I …
Faugh, what a way to die!
But who are these that come and go
Before me, shaking laurel as they pass?
Laurel, to make me know
For certain what they mean:
That now my Fate, my Queen,
Having found that she, by way of right reward,
Will after madness go remembering,
And laurel be as grass,—
Remembers the one thing
That she has left to bring.
The floor about me now is like a sward
Grown royally. Now it is like a sea
That heaves with laurel heavily,
Surrendering an outworn enmity
For what has come to be.
But not for you, returning with your curled
And haggish lips. And why are you alone?
Why do you stay when all the rest are gone?
Why do you bring those treacherous eyes that reek
With venom and hate the while you seek
To make me understand?—
Laurel from every land,
Laurel, but not the world?
Fury, or perjured Fate, or whatsoever,
Tell me the bloodshot word that is your name
And I will pledge remembrance of the same
That shall be crossed out never;
Whereby posterity
May know, being told, that you have come to me,
You and your tongueless train without a sound,
With covetous hands and eyes and laurel all around,
Foreshowing your endeavor
To mirror me the demon of my days,
To make me doubt him, loathe him, face to face.
Bowed with unwilling glory from the quest
That was ordained and manifest,
You shake it off and wish me joy of it?
Laurel from every place,
Laurel, but not the rest?
Such are the words in you that I divine,
Such are the words of men.
So be it, and what then?
Poor, tottering counterfeit,
Are you a thing to tell me what is mine?
Grant we the demon sees
An inch beyond the line,
What comes of mine and thine?
A thousand here and there may shriek and freeze,
Or they may starve in fine.
The Old Physician has a crimson cure
For such as these,
And ages after ages will endure
The minims of it that are victories.
The wreath may go from brow to brow,
The state may flourish, flame, and cease;
But through the fury and the flood somehow
The demons are acquainted and at ease,
And somewhat hard to please.
Mine, I believe, is laughing at me now
In his primordial way,
Quite as he laughed of old at Hannibal,
Or rather at Alexander, let us say.
Therefore, be what you may,
Time has no further need
Of you, or of your breed.
My demon, irretrievably astray,
Has ruined the last chorus of a play
That will, so he avers, be played again some day;
And you, poor glowering ghost,
Have staggered under laurel here to boast
Above me, dying, while you lean
In triumph awkward and unclean,
About some words of his that you have read?
Thing, do I not know them all?
He tells me how the storied leaves that fall
Are tramped on, being dead?
They are sometimes: with a storm foul enough
They are seized alive and they are blown far off
To mould on islands.—What else have you read?
He tells me that great kings look very small
When they are put to bed;
And this being said,
He tells me that the battles I have won
Are not my own,
But his—howbeit fame will yet atone
For all defect, and sheave the mystery:
The follies and the slaughters I have done
Are mine alone,
And so far History.
So be the tale again retold
And leaf by clinging leaf unrolled
Where I have written in the dawn,
With ink that fades anon,
Like Cæsar’s, and the way be as of old.
Ho, is it you? I thought you were a ghost.
Is it time for you to poison me again?
Well, here’s our friend the rain,—
Mironton, mironton, mirontaine...
Man, I could murder you almost,
You with your pills and toast.
Take it away and eat it, and shoot rats.
Ha! there he comes. Your rat will never fail,
My punctual assassin, to prevail—
While he has power to crawl,
Or teeth to gnaw withal—
Where kings are caged. Why has a king no cats?
You say that I’ll achieve it if I try?
Swallow it?—No, not I …
God, what a way to die!
|
Written by
Carl Sandburg |
JOY … weaving two violet petals for a coat lapel … painting on a slab of night sky a Christ face … slipping new brass keys into rusty iron locks and shouldering till at last the door gives and we are in a new room … forever and ever violet petals, slabs, the Christ face, brass keys and new rooms.
are we near or far?… is there anything else?… who comes back?… and why does love ask nothing and give all? and why is love rare as a tailed comet shaking guesses out of men at telescopes ten feet long? why does the mystery sit with its chin on the lean forearm of women in gray eyes and women in hazel eyes?
are any of these less proud, less important, than a cross-examining lawyer? are any of these less perfect than the front page of a morning newspaper?
the answers are not computed and attested in the back of an arithmetic for the verifications of the lazy
there is no authority in the phone book for us to call and ask the why, the wherefore, and the howbeit it’s … a riddle … by God.
|
Written by
Algernon Charles Swinburne |
There is no woman living who draws breath
So sad as I, though all things sadden her.
There is not one upon life's weariest way
Who is weary as I am weary of all but death.
Toward whom I look as looks the sunflower
All day with all his whole soul toward the sun;
While in the sun's sight I make moan all day,
And all night on my sleepless maiden bed.
Weep and call out on death, O Love, and thee,
That thou or he would take me to the dead.
And know not what thing evil I have done
That life should lay such heavy hand on me.
Alas! Love, what is this thou wouldst with me?
What honor shalt thou have to quench my breath,
Or what shall my heart broken profit thee?
O Love, O great god Love, what have I done,
That thou shouldst hunger so after my death?
My heart is harmless as my life's first day:
Seek out some false fair woman, and plague her
Till her tears even as my tears fill her bed:
I am the least flower in thy flowery way,
But till my time be come that I be dead,
Let me live out my flower-time in the sun,
Though my leaves shut before the sunflower.
O Love, Love, Love, the kingly sunflower!
Shall he the sun hath looked on look on me,
That live down here in shade, out of the sun,
Here living in the sorrow and shadow of death?
Shall he that feeds his heart full of the day
Care to give mine eyes light, or my lips breath?
Because she loves him, shall my lord love her
Who is as a worm in my lord's kingly way?
I shall not see him or know him alive or dead;
But thou, I know thee, O Love, and pray to thee
That in brief while my brief life-days be done,
And the worm quickly make my marriage-bed.
For underground there is no sleepless bed.
But here since I beheld my sunflower
These eyes have slept not, seeing all night and day
His sunlike eyes, and face fronting the sun.
Wherefore, if anywhere be any death,
I fain would find and fold him fast to me,
That I may sleep with the world's eldest dead,
With her that died seven centuries since, and her
That went last night down the night-wandering way.
For this is sleep indeed, when labor is done,
Without love, without dreams, and without breath,
And without thought, O name unnamed! of thee.
Ah! but, forgetting all things, shall I thee?
Wilt thou not be as now about my bed
There underground as here before the sun?
Shall not thy vision vex me alive and dead,
Thy moving vision without form or breath?
I read long since the bitter tale of her
Who read the tale of Launcelot on a day,
And died, and had no quiet after death,
But was moved ever along a weary way,
Lost with her love in the underworld; ah me,
O my king, O my lordly sunflower,
Would God to me, too, such a thing were done!
But if such sweet and bitter things be done,
Then, flying from life, I shall not fly from thee.
For in that living world without a sun
Thy vision will lay hold upon me dead,
And meet and mock me, and mar my peace in death.
Yet if being wroth, God had such pity on her,
Who was a sinner and foolish in her day,
That even in hell they twain should breathe one breath,
Why should he not in some wise pity me?
So if I sleep not in my soft strait bed,
I may look up and see my sunflower
As he the sun, in some divine strange way.
O poor my heart, well knowest thou in what way
This sore sweet evil unto us was done.
For on a holy and a heavy day
I was arisen out of my still small bed
To see the knights tilt, and one said to me
"The king;" and seeing him, somewhat stopped my breath;
And if the girl spake more, I heard her not,
For only I saw what I shall see when dead,
A kingly flower of knights, a sunflower,
That shone against the sunlight like the sun,
And like a fire, O heart, consuming thee,
The fire of love that lights the pyre of death.
Howbeit I shall not die an evil death
Who have loved in such a sad and sinless way,
That this my love, lord, was no shame to thee.
So when mine eyes are shut against the sun,
O my soul's sun, O the world's sunflower,
Thou nor no man will quite despise me dead.
And dying I pray with all my low last breath
That thy whole life may be as was that day,
That feast-day that made trothplight death and me,
Giving the world light of thy great deeds done;
And that fair face brightening thy bridal bed,
That God be good as God hath been to her.
That all things goodly and glad remain with her,
All things that make glad life and goodly death;
That as a bee sucks from a sunflower
Honey, when summer draws delighted breath,
Her soul may drink of thy soul in like way,
And love make life a fruitful marriage-bed
Where day may bring forth fruits of joy to day
And night to night till days and nights be dead.
And as she gives light of her love to thee,
Give thou to her the old glory of days long done;
And either give some heat of light to me,
To warm me where I sleep without the sun.
O sunflower make drunken with the sun,
O knight whose lady's heart draws thine to her,
Great king, glad lover, I have a word to thee.
There is a weed lives out of the sun's way,
Hid from the heat deep in the meadow's bed,
That swoons and whitens at the wind's least breath,
A flower star-shaped, that all a summer day
Will gaze her soul out on the sunflower
For very love till twilight finds her dead.
But the great sunflower heeds not her poor death,
Knows not when all her loving life is done;
And so much knows my lord the king of me.
Ay, all day long he has no eye for me;
With golden eye following the golden sun
From rose-colored to purple-pillowed bed,
From birthplace to the flame-lit place of death,
From eastern end to western of his way,
So mine eye follows thee, my sunflower,
So the white star-flower turns and yearns to thee,
The sick weak weed, not well alive or dead,
Trod under foot if any pass by her,
Pale, without color of summer or summer breath
In the shrunk shuddering petals, that have done
No work but love, and die before the day.
But thou, to-day, to-morrow, and every day,
Be glad and great, O love whose love slays me.
Thy fervent flower made fruitful from the sun
Shall drop its golden seed in the world's way,
That all men thereof nourished shall praise thee
For grain and flower and fruit of works well done;
Till thy shed seed, O shining sunflower,
Bring forth such growth of the world's garden-bed
As like the sun shall outlive age and death.
And yet I would thine heart had heed of her
Who loves thee alive; but not till she be dead.
Come, Love, then, quickly, and take her utmost breath.
Song, speak for me who am dumb as are the dead;
From my sad bed of tears I send forth thee,
To fly all day from sun's birth to sun's death
Down the sun's way after the flying sun,
For love of her that gave thee wings and breath
Ere day be done, to seek the sunflower.
|
Written by
Victor Hugo |
But he saw nothing; space was black—no sound.
"Forward," said Canute, raising his proud head.
There fell a second stain beside the first,
Then it grew larger, and the Cimbrian chief
Stared at the thick vague darkness, and saw naught.
Still as a bloodhound follows on his track,
Sad he went on. 'There fell a third red stain
On the white winding-sheet. He had never fled;
Howbeit Canute forward went no more,
But turned on that side where the sword arm hangs.
A drop of blood, as if athwart a dream,
Fell on the shroud, and reddened his right hand.
Then, as in reading one turns back a page,
A second time he changed his course, and turned
To the dim left. There fell a drop of blood.
Canute drew back, trembling to be alone,
And wished he had not left his burial couch.
But, when a blood-drop fell again, he stopped,
Stooped his pale head, and tried to make a prayer.
Then fell a drop, and the prayer died away
In savage terror. Darkly he moved on,
A hideous spectre hesitating, white,
And ever as he went, a drop of blood
Implacably from the darkness broke away
And stained that awful whiteness. He beheld
Shaking, as doth a poplar in the wind,
Those stains grow darker and more numerous:
Another, and another, and another.
They seem to light up that funereal gloom,
And mingling in the folds of that white sheet,
Made it a cloud of blood. He went, and went,
And still from that unfathomable vault
The red blood dropped upon him drop by drop,
Always, for ever—without noise, as though
From the black feet of some night-gibbeted corpse.
Alas! Who wept those formidable tears?
The Infinite!—Toward Heaven, of the good
Attainable, through the wild sea of night,
That hath not ebb nor flow, Canute went on,
And ever walking, came to a closed door,
That from beneath showed a mysterious light.
Then he looked down upon his winding-sheet,
For that was the great place, the sacred place,
That was a portion of the light of God,
And from behind that door Hosannas rang.
The winding-sheet was red, and Canute stopped.
This is why Canute from the light of day
Draws ever back, and hath not dared appear
Before the Judge whose face is as the sun.
This is why still remaineth the dark king
Out in the night, and never having power
To bring his robe back to its first pure state,
But feeling at each step a blood-drop fall,
Wanders eternally 'neath the vast black heaven.
Dublin University Magazine
{Footnote 1: King Canute slew his old father, Sweno, to obtain the crown.}
|
Written by
Eugene Field |
There were two little skeezucks who lived in the isle
Of Boo in a southern sea;
They clambered and rollicked in heathenish style
In the boughs of their cocoanut tree.
They didn't fret much about clothing and such
And they recked not a whit of the ills
That sometimes accrue
From having to do
With tailor and laundry bills.
The two little skeezucks once heard of a Fair
Far off from their native isle,
And they asked of King Fan if they mightn't go there
To take in the sights for awhile.
Now old King Fan
Was a good-natured man
(As good-natured monarchs go),
And howbeit he swore that all Fairs were a bore,
He hadn't the heart to say "No."
So the two little skeezucks sailed off to the Fair
In a great big gum canoe,
And I fancy they had a good time there,
For they tarried a year or two.
And old King Fan at last began
To reckon they'd come to grief,
When glory! one day
They sailed into the bay
To the tune of "Hail to the Chief!"
The two little skeezucks fell down on the sand,
Embracing his majesty's toes,
Till his majesty graciously bade them stand
And salute him nose to nose.
And then quoth he:
"Divulge unto me
What happenings have hapt to you;
And how did they dare to indulge in a Fair
So far from the island of Boo?"
The two little skeezucks assured their king
That what he surmised was true;
That the Fair would have been a different thing
Had it only been held in Boo!
"The folk over there in no wise compare
With the folk of the southern seas;
Why, they comb out their heads
And they sleep in beds
Instead of in caverns and trees!"
The two little skeezucks went on to say
That children (so far as they knew)
Had a much harder time in that land far away
Than here in the island of Boo!
They have to wear clo'es
Which (as every one knows)
Are irksome to primitive laddies,
While, with forks and with spoons, they're denied the sweet boons
That accrue from free use of one's paddies!
"And now that you're speaking of things to eat,"
Interrupted the monarch of Boo,
"We beg to inquire if you happened to meet
With a nice missionary or two?"
"No, that we did not; in that curious spot
Where were gathered the fruits of the earth,
Of that special kind
Which Your Nibs has in mind
There appeared a deplorable dearth!"
Then loud laughed that monarch in heathenish mirth
And loud laughed his courtiers, too,
And they cried: "There is elsewhere no land upon earth
So good as our island of Boo!"
And the skeezucks, tho' glad
Of the journey they'd had,
Climbed up in their cocoanut trees,
Where they still may be seen with no shirts to keep clean
Or trousers that bag at the knees.
|
Written by
Rudyard Kipling |
Er-Heb beyond the Hills of Ao-Safai
Bears witness to the truth, and Ao-Safai
Hath told the men of Gorukh. Thence the tale
Comes westward o'er the peaks to India.
The story of Bisesa, Armod's child, --
A maiden plighted to the Chief in War,
The Man of Sixty Spears, who held the Pass
That leads to Thibet, but to-day is gone
To seek his comfort of the God called Budh
The Silent -- showing how the Sickness ceased
Because of her who died to save the tribe.
Taman is One and greater than us all,
Taman is One and greater than all Gods:
Taman is Two in One and rides the sky,
Curved like a stallion's croup, from dusk to dawn,
And drums upon it with his heels, whereby
Is bred the neighing thunder in the hills.
This is Taman, the God of all Er-Heb,
Who was before all Gods, and made all Gods,
And presently will break the Gods he made,
And step upon the Earth to govern men
Who give him milk-dry ewes and cheat his Priests,
Or leave his shrine unlighted -- as Er-Heb
Left it unlighted and forgot Taman,
When all the Valley followed after Kysh
And Yabosh, little Gods but very wise,
And from the sky Taman beheld their sin.
He sent the Sickness out upon the hills,
The Red Horse Sickness with the iron hooves,
To turn the Valley to Taman again.
And the Red Horse snuffed thrice into the wind,
The naked wind that had no fear of him;
And the Red Horse stamped thrice upon the snow,
The naked snow that had no fear of him;
And the Red Horse went out across the rocks,
The ringing rocks that had no fear of him;
And downward, where the lean birch meets the snow,
And downward, where the gray pine meets the birch,
And downward, where the dwarf oak meets the pine,
Till at his feet our cup-like pastures lay.
That night, the slow mists of the evening dropped,
Dropped as a cloth upon a dead man's face,
And weltered in the Valley, bluish-white
Like water very silent -- spread abroad,
Like water very silent, from the Shrine
Unlighted of Taman to where the stream
Is dammed to fill our cattle-troughs -- sent up
White waves that rocked and heaved and then were still,
Till all the Valley glittered like a marsh,
Beneath the moonlight, filled with sluggish mist
Knee-deep, so that men waded as they walked.
That night, the Red Horse grazed above the Dam,
Beyond the cattle-troughs. Men heard him feed,
And those that heard him sickened where they lay.
Thus came the Sickness to Er-Heb, and slew
Ten men, strong men, and of the women four;
And the Red Horse went hillward with the dawn,
But near the cattle-troughs his hoof-prints lay.
That night, the slow mists of the evening dropped,
Dropped as a cloth upon the dead, but rose
A little higher, to a young girl's height;
Till all the Valley glittered like a lake,
Beneath the moonlight, filled with sluggish mist.
That night, the Red Horse grazed beyond the Dam,
A stone's-throw from the troughs. Men heard him feed,
And those that heard him sickened where they lay.
Thus came the Sickness to Er-Heb, and slew
Of men a score, and of the women eight,
And of the children two.
Because the road
To Gorukh was a road of enemies,
And Ao-Safai was blocked with early snow,
We could not flee from out the Valley. Death
Smote at us in a slaughter-pen, and Kysh
Was mute as Yabosh, though the goats were slain;
And the Red Horse grazed nightly by the stream,
And later, outward, towards the Unlighted Shrine,
And those that heard him sickened where they lay.
Then said Bisesa to the Priests at dusk,
When the white mist rose up breast-high, and choked
The voices in the houses of the dead: --
"Yabosh and Kysh avail not. If the Horse
Reach the Unlighted Shrine we surely die.
Ye have forgotten of all Gods the Chief,
Taman!" Here rolled the thunder through the Hills
And Yabosh shook upon his pedestal.
"Ye have forgotten of all Gods the Chief
Too long." And all were dumb save one, who cried
On Yabosh with the Sapphire 'twixt His knees,
But found no answer in the smoky roof,
And, being smitten of the Sickness, died
Before the altar of the Sapphire Shrine.
Then said Bisesa: -- "I am near to Death,
And have the Wisdom of the Grave for gift
To bear me on the path my feet must tread.
If there be wealth on earth, then I am rich,
For Armod is the first of all Er-Heb;
If there be beauty on the earth," -- her eyes
Dropped for a moment to the temple floor, --
"Ye know that I am fair. If there be love,
Ye know that love is mine." The Chief in War,
The Man of Sixty Spears, broke from the press,
And would have clasped her, but the Priests withstood,
Saying: -- "She has a message from Taman."
Then said Bisesa: -- "By my wealth and love
And beauty, I am chosen of the God
Taman." Here rolled the thunder through the Hills
And Kysh fell forward on the Mound of Skulls.
In darkness, and before our Priests, the maid
Between the altars cast her bracelets down,
Therewith the heavy earrings Armod made,
When he was young, out of the water-gold
Of Gorukh -- threw the breast-plate thick with jade
Upon the turquoise anklets -- put aside
The bands of silver on her brow and neck;
And as the trinkets tinkled on the stones,
The thunder of Taman lowed like a bull.
Then said Bisesa, stretching out her hands,
As one in darkness fearing Devils: -- "Help!
O Priests, I am a woman very weak,
And who am I to know the will of Gods?
Taman hath called me -- whither shall I go?"
The Chief in War, the Man of Sixty Spears,
Howled in his torment, fettered by the Priests,
But dared not come to her to drag her forth,
And dared not lift his spear against the Priests.
Then all men wept.
There was a Priest of Kysh
Bent with a hundred winters, hairless, blind,
And taloned as the great Snow-Eagle is.
His seat was nearest to the altar-fires,
And he was counted dumb among the Priests.
But, whether Kysh decreed, or from Taman
The impotent tongue found utterance we know
As little as the bats beneath the eaves.
He cried so that they heard who stood without: --
"To the Unlighted Shrine!" and crept aside
Into the shadow of his fallen God
And whimpered, and Bisesa went her way.
That night, the slow mists of the evening dropped,
Dropped as a cloth upon the dead, and rose
Above the roofs, and by the Unlighted Shrine
Lay as the slimy water of the troughs
When murrain thins the cattle of Er-Heb:
And through the mist men heard the Red Horse feed.
In Armod's house they burned Bisesa's dower,
And killed her black bull Tor, and broke her wheel,
And loosed her hair, as for the marriage-feast,
With cries more loud than mourning for the dead.
Across the fields, from Armod's dwelling-place,
We heard Bisesa weeping where she passed
To seek the Unlighted Shrine; the Red Horse neighed
And followed her, and on the river-mint
His hooves struck dead and heavy in our ears.
Out of the mists of evening, as the star
Of Ao-Safai climbs through the black snow-blur
To show the Pass is clear, Bisesa stepped
Upon the great gray slope of mortised stone,
The Causeway of Taman. The Red Horse neighed
Behind her to the Unlighted Shrine -- then fled
North to the Mountain where his stable lies.
They know who dared the anger of Taman,
And watched that night above the clinging mists,
Far up the hill, Bisesa's passing in.
She set her hand upon the carven door,
Fouled by a myriad bats, and black with time,
Whereon is graved the Glory of Taman
In letters older than the Ao-Safai;
And twice she turned aside and twice she wept,
Cast down upon the threshold, clamouring
For him she loved -- the Man of Sixty Spears,
And for her father, -- and the black bull Tor,
Hers and her pride. Yea, twice she turned away
Before the awful darkness of the door,
And the great horror of the Wall of Man
Where Man is made the plaything of Taman,
An Eyeless Face that waits above and laughs.
But the third time she cried and put her palms
Against the hewn stone leaves, and prayed Taman
To spare Er-Heb and take her life for price.
They know who watched, the doors were rent apart
And closed upon Bisesa, and the rain
Broke like a flood across the Valley, washed
The mist away; but louder than the rain
The thunder of Taman filled men with fear.
Some say that from the Unlighted Shrine she cried
For succour, very pitifully, thrice,
And others that she sang and had no fear.
And some that there was neither song nor cry,
But only thunder and the lashing rain.
Howbeit, in the morning men rose up,
Perplexed with horror, crowding to the Shrine.
And when Er-Heb was gathered at the doors
The Priests made lamentation and passed in
To a strange Temple and a God they feared
But knew not.
From the crevices the grass
Had thrust the altar-slabs apart, the walls
Were gray with stains unclean, the roof-beams swelled
With many-coloured growth of rottenness,
And lichen veiled the Image of Taman
In leprosy. The Basin of the Blood
Above the altar held the morning sun:
A winking ruby on its heart: below,
Face hid in hands, the maid Bisesa lay.
Er-Heb beyond the Hills of Ao-Safai
Bears witness to the truth, and Ao-Safai
Hath told the men of Gorukh. Thence the tale
Comes westward o'er the peaks to India.
|
Written by
Sidney Lanier |
Ploughman, whose gnarly hand yet kindly wheeled
Thy plough to ring this solitary tree
With clover, whose round plat, reserved a-field,
In cool green radius twice my length may be --
Scanting the corn thy furrows else might yield,
To pleasure August, bees, fair thoughts, and me,
That here come oft together -- daily I,
Stretched prone in summer's mortal ecstasy,
Do stir with thanks to thee, as stirs this morn
With waving of the corn.
Unseen, the farmer's boy from round the hill
Whistles a snatch that seeks his soul unsought,
And fills some time with tune, howbeit shrill;
The cricket tells straight on his simple thought --
Nay, 'tis the cricket's way of being still;
The peddler bee drones in, and gossips naught;
Far down the wood, a one-desiring dove
Times me the beating of the heart of love:
And these be all the sounds that mix, each morn,
With waving of the corn.
From here to where the louder passions dwell,
Green leagues of hilly separation roll:
Trade ends where yon far clover ridges swell.
Ye terrible Towns, ne'er claim the trembling soul
That, craftless all to buy or hoard or sell,
From out your deadly complex quarrel stole
To company with large amiable trees,
Suck honey summer with unjealous bees,
And take Time's strokes as softly as this morn
Takes waving of the corn.
|