Written by
Billy Collins |
It could be the name of a prehistoric beast
that roamed the Paleozoic earth, rising up
on its hind legs to show off its large vocabulary,
or some lover in a myth who is metamorphosed into a book.
It means treasury, but it is just a place
where words congregate with their relatives,
a big park where hundreds of family reunions
are always being held,
house, home, abode, dwelling, lodgings, and digs,
all sharing the same picnic basket and thermos;
hairy, hirsute, woolly, furry, fleecy, and shaggy
all running a sack race or throwing horseshoes,
inert, static, motionless, fixed and immobile
standing and kneeling in rows for a group photograph.
Here father is next to sire and brother close
to sibling, separated only by fine shades of meaning.
And every group has its odd cousin, the one
who traveled the farthest to be here:
astereognosis, polydipsia, or some eleven
syllable, unpronounceable substitute for the word tool.
Even their own relatives have to squint at their name tags.
I can see my own copy up on a high shelf.
I rarely open it, because I know there is no
such thing as a synonym and because I get nervous
around people who always assemble with their own kind,
forming clubs and nailing signs to closed front doors
while others huddle alone in the dark streets.
I would rather see words out on their own, away
from their families and the warehouse of Roget,
wandering the world where they sometimes fall
in love with a completely different word.
Surely, you have seen pairs of them standing forever
next to each other on the same line inside a poem,
a small chapel where weddings like these,
between perfect strangers, can take place.
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Written by
Carl Sandburg |
SOMEBODY’S little girl—how easy to make a sob story over who she was once and who she is now.
Somebody’s little girl—she played once under a crab-apple tree in June and the blossoms fell on the dark hair.
It was somewhere on the Erie line and the town was Salamanca or Painted Post or Horse’s Head.
And out of her hair she shook the blossoms and went into the house and her mother washed her face and her mother had an ache in her heart at a rebel voice, “I don’t want to.
”
Somebody’s little girl—forty little girls of somebodies splashed in red tights forming horseshoes, arches, pyramids—forty little show girls, ponies, squabs.
How easy a sob story over who she once was and who she is now—and how the crabapple blossoms fell on her dark hair in June.
Let the lights of Broadway spangle and splatter—and the taxis hustle the crowds away when the show is over and the street goes dark.
Let the girls wash off the paint and go for their midnight sandwiches—let ’em dream in the morning sun, late in the morning, long after the morning papers and the milk wagons—
Let ’em dream long as they want to … of June somewhere on the Erie line … and crabapple blossoms.
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